Illuminating the Borders of Northern French and Flemish Manuscripts, 1270-1310

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Publisher : Taylor & Francis
ISBN 13 : 0415977606
Total Pages : 264 pages
Book Rating : 4.09/5 ( download)

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Book Synopsis Illuminating the Borders of Northern French and Flemish Manuscripts, 1270-1310 by : Elizabeth Moore Hunt

Download or read book Illuminating the Borders of Northern French and Flemish Manuscripts, 1270-1310 written by Elizabeth Moore Hunt and published by Taylor & Francis. This book was released on 2007 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study first examines the marginal repertoire in two well-known manuscripts, the Psalter of Guy de Dampierre and an Arthurian Romance, within their material and codicological contexts. This repertoire then provides a template for an extended study of the marginal motifs that appear in eighteen related manuscripts, which range from a Bible to illustrated versions of the encyclopedias of Vincent de Beauvais and Brunetto Latini. Considering the manuscript as a whole work of art, the marginalia's physical relationship to nearby texts and images can shed light on the reception of these illuminated books by their medieval viewers.

Illuminating the Border of French and Flemish Manuscripts, 1270–1310

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Publisher : Routledge
ISBN 13 : 1135868298
Total Pages : 264 pages
Book Rating : 4.91/5 ( download)

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Book Synopsis Illuminating the Border of French and Flemish Manuscripts, 1270–1310 by : Lisa Moore Hunt

Download or read book Illuminating the Border of French and Flemish Manuscripts, 1270–1310 written by Lisa Moore Hunt and published by Routledge. This book was released on 2013-10-14 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study first examines the marginal repertoire in two well-known manuscripts, the Psalter of Guy de Dampierre and an Arthurian Romance, within their material and codicological contexts. This repertoire then provides a template for an extended study of the marginal motifs that appear in eighteen related manuscripts, which range from a Bible to illustrated versions of the encyclopedias of Vincent de Beauvais and Brunetto Latini. Considering the manuscript as a whole work of art, the marginalia’s physical relationship to nearby texts and images can shed light on the reception of these illuminated books by their medieval viewers.

Moving Women Moving Objects (400–1500)

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Publisher : BRILL
ISBN 13 : 9004399674
Total Pages : 376 pages
Book Rating : 4.79/5 ( download)

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Book Synopsis Moving Women Moving Objects (400–1500) by : Tracy Chapman Hamilton

Download or read book Moving Women Moving Objects (400–1500) written by Tracy Chapman Hamilton and published by BRILL. This book was released on 2019-08-12 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: The present collection forges new ground in the discussion of aristocratic and royal women, their relationships with their objects, and how they, through this material record, navigated the often-disparate spaces of Byzantium, Eastern, and Western Europe from 400 to 1500.

L’Humain et l’Animal dans la France médiévale (XIIe-XVe s.)

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Publisher : Rodopi
ISBN 13 : 9401211078
Total Pages : 224 pages
Book Rating : 4.79/5 ( download)

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Book Synopsis L’Humain et l’Animal dans la France médiévale (XIIe-XVe s.) by : Irène Fabry-Tehranchi

Download or read book L’Humain et l’Animal dans la France médiévale (XIIe-XVe s.) written by Irène Fabry-Tehranchi and published by Rodopi. This book was released on 2014-08-01 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ce recueil explore les relations mouvantes entre hommes et animaux, aussi bien réels que fantastiques, dans la France médiévale, dans une perspective interdisciplinaire. Les auteurs examinent la façon dont le rapport humain-animal a été imaginé, défini et remodelé dans la pensée, la culture et la production artistique du Moyen Age. La distinction entre l’humain et l’animal, fondamentale dans le texte biblique et la philosophie antique, a été remise en question au cours du XIIe siècle. Ce phénomène transparaît dans la terminologie utilisée pour désigner les animaux, dans leur représentation dans les arts et la littérature, et dans l’évolution de textes fondamentaux comme le Physiologus ou les bestiaires. Les frontières entre le monde humain et animal, fondées sur des critères comme la maîtrise du langage, la capacité à rire ou la responsabilité légale, ont profondément évolué et été remises en cause entre le XIIe et le XVe siècle. This is the first volume that explores the changing relationships between humans and animals, both real and fantastic, in medieval France, from a completely interdisciplinary perspective. The authors examine the way the human-animal rapport was imagined, defined and remodeled in thought, culture and artistic production. The distinction between human and animal, fundamental in the Bible and in Ancient philosophy, was challenged throughout the course of the 12th century. This phenomenon can be traced in changes in the terminology used to designate animals, in their representations in the arts and literature, and in the reworking of fundamental texts such as the Physiologus and the bestiaries. The borders between the human and the animal world, based on criteria such as linguistic ability, the capacity to laugh and even legal responsibility, evolved and were fundamentally reconsidered between the 12th and the 15th century. Irène Fabry-Tehranchi est enseignante en langue et littérature française et médiévale à l’université de Reading. Elle est l’auteur de Texte et images des manuscrits du Merlin et de la Suite Vulgate (XIIIe-XVe s.) (Brepols, 2014). Anna Russakoff est enseignante et co-directrice du département d’Histoire de l’Art à The American University, Paris. Elle est co-éditrice et contributrice de l’ouvrage Jean Pucelle: Innovation and Collaboration in Manuscript Painting (Brepols, 2013).

"Gender, Piety, and Production in Fourteenth-Century English Apocalypse Manuscripts "

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Author :
Publisher : Routledge
ISBN 13 : 1351565877
Total Pages : 203 pages
Book Rating : 4.75/5 ( download)

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Book Synopsis "Gender, Piety, and Production in Fourteenth-Century English Apocalypse Manuscripts " by : Renana Bartal

Download or read book "Gender, Piety, and Production in Fourteenth-Century English Apocalypse Manuscripts " written by Renana Bartal and published by Routledge. This book was released on 2017-07-05 with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gender, Piety, and Production in Fourteenth-Century English Apocalypse Manuscripts is the first in-depth study of three textually and iconographically diverse Apocalypses illustrated in England in the first half of the fourteenth century by a single group of artists. It offers a close look at a group of illuminators previously on the fringe of art historical scholarship, challenging the commonly-held perception of them as mere craftsmen at a time when both audiences and methods of production were becoming increasingly varied. Analyzing the manuscripts? codicological features, visual and textual programmes, and social contexts, it explores the mechanisms of a fourteenth-century commercial workshop and traces the customization of these books of the same genre to the needs and expectations of varied readers, revealing the crucial influence of their female audience. The book will be of interest to scholars and students of English medieval art, medieval manuscripts, and the medieval Apocalypse, as well as medievalists interested in late medieval spirituality and theology, medieval religious and intellectual culture, book patronage and ownership, and female patronage and ownership.

Getty Research Journal, No. 13

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Publisher : Getty Publications
ISBN 13 : 1606067168
Total Pages : 226 pages
Book Rating : 4.61/5 ( download)

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Book Synopsis Getty Research Journal, No. 13 by : Gail Feigenbaum

Download or read book Getty Research Journal, No. 13 written by Gail Feigenbaum and published by Getty Publications. This book was released on 2021-03-09 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Getty Research Journal features the work of art historians, museum curators, and conservators around the world as part of Getty’s mission to promote the presentation, conservation, and interpretation of the world’s artistic legacy. Articles present original scholarship related to Getty collections, initiatives, and broad research interests. This issue features essays on a Parthian stag rhyton and new epigraphic and technical discoveries; gendered devotion and owner portraits in illuminated manuscripts from northern France around 1300; a technical analysis of heraldic devices in a missal from Renaissance Bologna; a new social and collective practice of drawing among French architect pensionnaires of the 1820s and 1830s at Pompeii; artist Malvina Hoffman’s representations of race during her travels to Southeastern Europe as part of her work with the American Yugo-Slav Relief; Raimundo de Madrazo y Garreta’s painting Reverie—The Letter and the small-world sensation as a methodology for global art history; arguments that disprove the attribution of the J. Paul Getty Museum’s sculpture Head with Horns to artist Paul Gauguin; Head with Horns and Gauguin’s creative appropriation of objects; and the unpublished first draft of critic Clement Greenberg’s essay "Towards a Newer Laocoon."

Images, Texts, and Marginalia in a "Vows of the Peacock" Manuscript (New York, Pierpont Morgan Library MS G24)

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Publisher : BRILL
ISBN 13 : 9004250832
Total Pages : 445 pages
Book Rating : 4.33/5 ( download)

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Book Synopsis Images, Texts, and Marginalia in a "Vows of the Peacock" Manuscript (New York, Pierpont Morgan Library MS G24) by : Domenic Leo

Download or read book Images, Texts, and Marginalia in a "Vows of the Peacock" Manuscript (New York, Pierpont Morgan Library MS G24) written by Domenic Leo and published by BRILL. This book was released on 2013-08-16 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: The "Vows of the Peacock" - written in 1312 and dedicated to Thibaut de Bar, bishop of Liège - recounts how Alexander the Great comes to the aid of a family of aristocrats threatened by Indians. The poem remained popular throughout the fourteenth century and was soon followed by two sequels. Twenty-six illuminated manuscripts constitute part of a catalogue and concordance of all Peacock manuscripts. One of the most provocative, (PML, MS G24), has twenty-two miniatures which illustrate chivalry and courtly love, as epitomized in the text. An unusually high number of scurrilous marginalia, however, surround them. An interdisciplinary exploration of iconography, reception, image-text-marginalia dynamics, and context reveals their ultimate polysemy as scatological comedians and serious harbingers of sin.

Studies in Arthurian Illustration Vol II

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Publisher : Pindar Press
ISBN 13 : 1915837103
Total Pages : 683 pages
Book Rating : 4.03/5 ( download)

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Book Synopsis Studies in Arthurian Illustration Vol II by : Alison Stones

Download or read book Studies in Arthurian Illustration Vol II written by Alison Stones and published by Pindar Press. This book was released on 2018-12-31 with total page 683 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alison Stones has taught History of Art and Architecture in the USA since 1969 and has enjoyed Visiting Fellowships at the Universities of Oxford, Cambridge and Paris. She is a specialist in illuminated manuscripts, co-authoring Les Manuscrits de Chretien de Troyes (1993), The Pilgrim's Guide to Santiago de Compostela, A Critical Edition (1998), and writing Le Livre d'images de Madame Marie (Paris, BNF n.a.fr. 16251) (1997), and Gautier de Coinci, Miracles, Music and Manuscripts (2006). Her four-volume study, Manuscripts Illuminated in France, Gothic Manuscripts 1260-1320 was published in 2013 and 2014. Her research has been supported by the American Council of Learned Societies, the American Philosophical Society, the Fulbright Foundation, and the National Endowment for the Humanities. She is a Fellow of the Society of Antiquaries of London, a Correspondant etranger honoraire of the Societe nationale des Antiquaires de France and a Chevalier de l'Ordre des Arts et des Lettres. These two volumes collect and update Professor Stones's papers on Arthurian manuscript illustration, one of her continuing passions. These essays explore aspects of the iconography of the romances of Chretien de Troyes in French verse, the lengthy Lancelot-Grail romance in French prose, and other versions of the chivalrous exploits of King Arthur's knights - the best-sellers of the Middle Ages. Illustrated copies of these romances survive in huge numbers from the early thirteenth century through the beginnings of print, and were read for their text and their pictures throughout the French-speaking world. Of special interest is the cultural context in which these popular works were made and disseminated, by scribes and artists whose work encompassed all kinds of books, for patrons whose collecting was wide-ranging, including secular books alongside works of liturgical and devotional interest.

Visualizing Household Health

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Publisher : Penn State Press
ISBN 13 : 0271091487
Total Pages : 473 pages
Book Rating : 4.88/5 ( download)

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Book Synopsis Visualizing Household Health by : Jennifer Borland

Download or read book Visualizing Household Health written by Jennifer Borland and published by Penn State Press. This book was released on 2021-10-29 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1256, the countess of Provence, Beatrice of Savoy, enlisted her personal physician to create a health handbook to share with her daughters. Written in French and known as the Régime du corps, this health guide would become popular and influential, with nearly seventy surviving copies made over the next two hundred years and translations in at least four other languages. In Visualizing Household Health, art historian Jennifer Borland uses the Régime to show how gender and health care converged within the medieval household. Visualizing Household Health explores the nature of the households portrayed in the Régime and how their members interacted with professionalized medicine. Borland focuses on several illustrated versions of the manuscript that contain historiated initials depicting simple scenes related to health care, such as patients’ consultations with physicians, procedures like bloodletting, and foods and beverages recommended for good health. Borland argues that these images provide important details about the nature of women’s agency in the home—and offer highly compelling evidence that women enacted multiple types of health care. Additionally, she contends, the Régime opens a window onto the history of medieval women as owners, patrons, and readers of books. Interdisciplinary in scope, this book broadens notions of the medieval medical community and the role of women in medieval health care. It will be welcomed by scholars and students of women’s history, art history, book history, and the history of medicine.

Vision, Devotion, and Self-Representation in Late Medieval Art

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Publisher : Cambridge University Press
ISBN 13 : 1107729378
Total Pages : 433 pages
Book Rating : 4.77/5 ( download)

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Book Synopsis Vision, Devotion, and Self-Representation in Late Medieval Art by : Alexa Sand

Download or read book Vision, Devotion, and Self-Representation in Late Medieval Art written by Alexa Sand and published by Cambridge University Press. This book was released on 2014-03-31 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates the 'owner portrait' in the context of late medieval devotional books primarily from France and England. These mirror-like pictures of praying book owners respond to and help develop a growing concern with visibility and self-scrutiny that characterized the religious life of the laity after the Fourth Lateran Council in 1215. The image of the praying book owner translated pre-existing representational strategies concerned with the authority and spiritual efficacy of pictures and books, such as the Holy Face and the donor image, into a more intimate and reflexive mode of address in Psalters and Books of Hours created for lay users. Alexa Sand demonstrates how this transformation had profound implications for devotional practices and for the performance of gender and class identity in the striving, aristocratic world of late medieval France and England.