Modern Japanese Painting Techniques

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Publisher : Tuttle Publishing
ISBN 13 : 1462922910
Total Pages : 149 pages
Book Rating : 4.18/5 ( download)

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Book Synopsis Modern Japanese Painting Techniques by : Shinichi Fukui

Download or read book Modern Japanese Painting Techniques written by Shinichi Fukui and published by Tuttle Publishing. This book was released on 2022-05-10 with total page 149 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book makes it easy to create and admire wonderful Japanese-style paintings and portraits! Modern Japanese-style paintings are recognizable by their restrained use of three-dimensionality and perspective, reliance upon expressive lines, and the bold use of color to direct the viewer's eye. There are other ways that artists imbue their work with Japanese- inspired attributes, including through the skillful use of shape, texture, and facial expression. Author Shinichi Fukui introduces readers to 7 notable modern Japanese artists (Kazuo Kawakami, Chiaki Takasugi, Miho Tanaka, Ryohei Nishiyama, Jose Franky, Ryohei Murata, and Keiji Yano) who specialize in shin hanga-style portraiture of Japanese women. He then presents instructions to create 21 different original paintings--from sketching models, preparing and mixing paints, blocking in color, and rendering fine details. Using these techniques, and a bit of acrylic paint, readers will be able to create eye-catching works of art that express a timeless Japanese aesthetic.

Making Modern Japanese-Style Painting

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Publisher : University of Chicago Press
ISBN 13 : 022611080X
Total Pages : 296 pages
Book Rating : 4.06/5 ( download)

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Book Synopsis Making Modern Japanese-Style Painting by : Chelsea Foxwell

Download or read book Making Modern Japanese-Style Painting written by Chelsea Foxwell and published by University of Chicago Press. This book was released on 2015-07-20 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduction. Nihonga and the historical inscription of the modern -- Exhibitions and the making of modern Japanese painting -- In search of images -- The painter and his audiences -- Decadence and the emergence of Nihonga style -- Naturalizing the double reading -- Transmission and the historicity of Nihonga -- Conclusion

Making Modern Japanese-Style Painting

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Author :
Publisher : University of Chicago Press
ISBN 13 : 022619597X
Total Pages : 296 pages
Book Rating : 4.71/5 ( download)

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Book Synopsis Making Modern Japanese-Style Painting by : Chelsea Foxwell

Download or read book Making Modern Japanese-Style Painting written by Chelsea Foxwell and published by University of Chicago Press. This book was released on 2015-07-20 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Western discovery of Japanese paintings at nineteenth-century world’s fairs and export shops catapulted Japanese art to new levels of international popularity. With that popularity, however, came criticism, as Western writers began to lament a perceived end to pure Japanese art and a rise in westernized cultural hybrids. The Japanese response: nihonga, a traditional style of painting that reframed existing techniques to distinguish them from Western artistic conventions. Making Modern Japanese-Style Painting explores the visual characteristics and social functions of nihonga and traces its relationship to the past, its viewers, and emerging notions of the modern Japanese state. Chelsea Foxwell sheds light on interlinked trends in Japanese nationalist discourse, government art policy, American and European commentary on Japanese art, and the demands of export. The seminal artist Kano Hogai (1828–88) is one telling example: originally a painter for the shogun, his art eventually evolved into novel, eerie images meant to satisfy both Japanese and Western audiences. Rather than simply absorbing Western approaches, nihonga as practiced by Hogai and others broke with pre-Meiji painting even as it worked to neutralize the rupture. By arguing that fundamental changes to audience expectations led to the emergence of nihonga—a traditional interpretation of Japanese art for a contemporary, international market—Making Modern Japanese-Style Painting offers a fresh look at an important aspect of Japan’s development into a modern nation.

Modern Japanese Painting

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Publisher :
ISBN 13 :
Total Pages : 132 pages
Book Rating : 4.79/5 ( download)

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Book Synopsis Modern Japanese Painting by : Torao Miyagawa

Download or read book Modern Japanese Painting written by Torao Miyagawa and published by . This book was released on 1967 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Japanese Painting and National Identity

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Author :
Publisher : U of M Center for Japanese Studies
ISBN 13 :
Total Pages : 384 pages
Book Rating : 4.03/5 ( download)

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Book Synopsis Japanese Painting and National Identity by : Victoria Weston

Download or read book Japanese Painting and National Identity written by Victoria Weston and published by U of M Center for Japanese Studies. This book was released on 2004 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first monograph in English to address the art and philosophy of a group of painters regarded as seminal figures in the development of modern Japanese painting. Lead by the outspoken and widely published art critic Okakura Tenshin, a group of mostly Tokyo-based painters took on nothing less than the modernization of traditional Japanese painting. The painters who looked to Okakura Tenshin as their leader saw themselves not just as artists but as servants of the nation. Their task, they believed, was to give expression to the vitality of Meiji Japan while also helping to shape public opinion at home and abroad. Thus, they chose themes purposefully redolent with what they identified as Japanese cultural values; they experimented with painting techniques based on tradition yet revitalized through innovation. This book details how these artists came to this mission, as well as their training, their philosophical objectives, and their works.

Modern Japanese Art, a Concise History

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Publisher :
ISBN 13 :
Total Pages : 100 pages
Book Rating : 4.96/5 ( download)

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Book Synopsis Modern Japanese Art, a Concise History by : 東京国立近代美術館

Download or read book Modern Japanese Art, a Concise History written by 東京国立近代美術館 and published by . This book was released on 2005 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Sumi-e

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Publisher : Tuttle Publishing
ISBN 13 : 1462916287
Total Pages : 201 pages
Book Rating : 4.83/5 ( download)

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Book Synopsis Sumi-e by : Shozo Sato

Download or read book Sumi-e written by Shozo Sato and published by Tuttle Publishing. This book was released on 2014-11-11 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this Japanese ink painting book renowned Japanese master Shozo Sato offers his own personal teaching on the beautiful art of sumi-e painting. Sumi-e: The Art of Japanese Ink Painting provides step-by-step, photo-by-photo instructions to guide learners in the correct form, motions and techniques of Japanese sumi-e painting. Featuring gorgeous images and practical advice, it includes guided instructions for 35 different paintings. From waterfalls to bamboo, learners paint their way to understanding sumi-e--a style of painting that is characteristically Asian and has been practiced for well over 1,000 years. Although it's sometimes confused with calligraphy, as the tools used are the same, sumi-e instead tries to capture the essence of an object or scene in the fewest possible strokes. This all-in-one resource also provides a timeline of brush painting history, a glossary of terms, a guide to sources and an index--making it a tool to use and treasure, for amateurs and professionals alike. This sumi-e introduction is ideal for anyone with a love of Japanese art or the desire to learn to paint in a classic Asian style.

Way of the Brush

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Publisher : Tuttle Publishing
ISBN 13 : 1462902928
Total Pages : 332 pages
Book Rating : 4.27/5 ( download)

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Book Synopsis Way of the Brush by : Fritz van Briessen

Download or read book Way of the Brush written by Fritz van Briessen and published by Tuttle Publishing. This book was released on 2011-12-20 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Way of the Brush: Painting Techniques of China and Japan examines the technique, style, traditions, and methods of Chinese ink painting and how they were interpreted in Japanese art. Illustrated with over 250 images and packed with instructions, The Way of the Brush covers every aspect of brush painting, from brushstrokes, composition and the painting surface to meaning, perspective and artistic philosophy. Part One is a study of the techniques of Chinese painting and explains the elements, techniques and principles which eventually carried over into Japanese painting. Part Two is devoted to technical challenges and basic problems associated with the art, including the issue of fakes and forgeries of Chinese art in Japan. Also included are three appendices and a full bibliography.

Modern Japanese Painting

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Publisher :
ISBN 13 :
Total Pages : 102 pages
Book Rating : 4.83/5 ( download)

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Book Synopsis Modern Japanese Painting by : 河北倫明

Download or read book Modern Japanese Painting written by 河北倫明 and published by . This book was released on 1957 with total page 102 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Maximum Embodiment

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Publisher : University of Hawaii Press
ISBN 13 : 0824861132
Total Pages : 252 pages
Book Rating : 4.31/5 ( download)

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Book Synopsis Maximum Embodiment by : Bert Winther-Tamaki

Download or read book Maximum Embodiment written by Bert Winther-Tamaki and published by University of Hawaii Press. This book was released on 2012-01-31 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Maximum Embodiment presents a compelling thesis articulating the historical character of Yoga, literally the “Western painting” of Japan. The term designates what was arguably the most important movement in modern Japanese art from the late nineteenth to the mid-twentieth centuries. Perhaps the most critical marker of Yoga was its association with the medium of oil-on-canvas, which differed greatly from the water-based pigments and inks of earlier Japanese painting. Yoga encompassed both establishment fine art and avant-gardist insurgencies, but in both cases, as the term suggests, it was typically focused on techniques, motifs, canons, or iconographies that were obtained in Europe and deployed by Japanese artists. Despite recent advances in Yoga studies, important questions remain unanswered: What specific visuality did the protagonists of Yoga seek from Europe and contribute to modern Japanese society? What qualities of representation were so dearly coveted as to stimulate dedication to the pursuit of Yoga? What distinguished Yoga in Japanese visual culture? This study answers these questions by defining a paradigm of embodied representation unique to Yoga painting that may be conceptualized in four registers: first, the distinctive materiality of oil paint pigments on the picture surface; second, the depiction of palpable human bodies; third, the identification of the act and product of painting with a somatic expression of the artist’s physical being; and finally, rhetorical metaphors of political and social incorporation. The so-called Western painters of Japan were driven to strengthen subjectivity by maximizing a Japanese sense of embodiment through the technical, aesthetic, and political means suggested by these interactive registers of embodiment. Balancing critique and sympathy for the twelve Yoga painters who are its principal protagonists, Maximum Embodiment investigates the quest for embodiment in some of the most compelling images of modern Japanese art. The valiant struggles of artists to garner strongly embodied positions of subjectivity in the 1910s and 1930s gave way to despairing attempts at fathoming and mediating the horrifying experiences of real life during and after the war in the 1940s and 1950s. The very properties of Yoga that had been so conducive to expressing forceful embodiment now produced often gruesome imagery of the destruction of bodies. Combining acute visual analysis within a convincing conceptual framework, this volume provides an original account of how the drive toward maximum embodiment in early twentieth-century Yoga was derailed by an impulse toward maximum disembodiment.