Uplift Cinema

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Publisher : Duke University Press
ISBN 13 : 0822375559
Total Pages : 344 pages
Book Rating : 4.55/5 ( download)

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Book Synopsis Uplift Cinema by : Allyson Nadia Field

Download or read book Uplift Cinema written by Allyson Nadia Field and published by Duke University Press. This book was released on 2015-05-18 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Uplift Cinema, Allyson Nadia Field recovers the significant yet forgotten legacy of African American filmmaking in the 1910s. Like the racial uplift project, this cinema emphasized economic self-sufficiency, education, and respectability as the keys to African American progress. Field discusses films made at the Tuskegee and Hampton Institutes to promote education, as well as the controversial The New Era, which was an antiracist response to D. W. Griffith's The Birth of a Nation. She also shows how Black filmmakers in New York and Chicago engaged with uplift through the promotion of Black modernity. Uplift cinema developed not just as a response to onscreen racism, but constituted an original engagement with the new medium that has had a deep and lasting significance for African American cinema. Although none of these films survived, Field's examination of archival film ephemera presents a method for studying lost films that opens up new frontiers for exploring early film culture.

Policing Cinema

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Publisher : Univ of California Press
ISBN 13 : 0520937422
Total Pages : 363 pages
Book Rating : 4.20/5 ( download)

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Book Synopsis Policing Cinema by : Lee Grieveson

Download or read book Policing Cinema written by Lee Grieveson and published by Univ of California Press. This book was released on 2004-05-24 with total page 363 pages. Available in PDF, EPUB and Kindle. Book excerpt: White slave films, dramas documenting sex scandals, filmed prize fights featuring the controversial African-American boxer Jack Johnson, D.W. Griffith’s The Birth of a Nation—all became objects of public concern after 1906, when the proliferation of nickelodeons brought moving pictures to a broad mass public. Lee Grieveson draws on extensive original research to examine the controversies over these films and over cinema more generally. He situates these contestations in the context of regulatory concerns about populations and governance in an early-twentieth-century America grappling with the powerful forces of modernity, in particular, immigration, class formation and conflict, and changing gender roles. Tracing the discourses and practices of cultural and political elites and the responses of the nascent film industry, Grieveson reveals how these interactions had profound effects on the shaping of film content, form, and, more fundamentally, the proposed social function of cinema: how cinema should function in society, the uses to which it might be put, and thus what it could or would be. Policing Cinema develops new perspectives for the understanding of censorship and regulation and the complex relations between governance and culture. In this work, Grieveson offers a compelling analysis of the forces that shaped American cinema and its role in society.

Forgeries of Memory and Meaning

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Publisher : UNC Press Books
ISBN 13 : 1469606755
Total Pages : 456 pages
Book Rating : 4.50/5 ( download)

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Book Synopsis Forgeries of Memory and Meaning by : Cedric J. Robinson

Download or read book Forgeries of Memory and Meaning written by Cedric J. Robinson and published by UNC Press Books. This book was released on 2012-09-01 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early "talkies" firmly entrenched limited representations of African Americans. Robinson grounds his study in contexts that illuminate the parallel growth of racial beliefs and capitalism, beginning with Shakespearean England and the development of international trade. He demonstrates how the needs of American commerce determined the construction of successive racial regimes that were publicized in the theater and in motion pictures, particularly through plantation and jungle films. In addition to providing new depth and complexity to the history of black representation, Robinson examines black resistance to these practices. Whereas D. W. Griffith appropriated black minstrelsy and romanticized a national myth of origins, Robinson argues that Oscar Micheaux transcended uplift films to create explicitly political critiques of the American national myth. Robinson's analysis marks a new way of approaching the intellectual, political, and media racism present in the beginnings of American narrative cinema.

Envisioning Freedom

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Publisher : Harvard University Press
ISBN 13 : 0674966864
Total Pages : 305 pages
Book Rating : 4.64/5 ( download)

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Book Synopsis Envisioning Freedom by : Cara Caddoo

Download or read book Envisioning Freedom written by Cara Caddoo and published by Harvard University Press. This book was released on 2014-10-13 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Cara Caddoo’s perspective-changing study, African Americans emerge as pioneers of cinema from the 1890s to 1920s. But as it gained popularity, black cinema also became controversial. Black leaders demanded self-representation and an end to cinematic mischaracterizations which, they charged, violated the civil rights of African Americans.

Controversial Cinema

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1567207243
Total Pages : 232 pages
Book Rating : 4.48/5 ( download)

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Book Synopsis Controversial Cinema by : Kendall R. Phillips

Download or read book Controversial Cinema written by Kendall R. Phillips and published by Bloomsbury Publishing USA. This book was released on 2008-06-30 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the heart of any history of controversial films is a strange paradox: while films, especially popular and mainstream films, are often portrayed as meaningless products of popular culture, those popular films involved in public controversies become the focal point of enormous cultural energy, political attention, and profoundly conflicting sets of principles. The ongoing culture wars continue to shape the American political landscape, and controversial films continue to be a major point of conflict. Controversial Cinema: The Films that Outraged America traces the history of controversial films and offers insights into why it is that certain films spark controversies, and how Americans typically react to controversial moviemaking. Since the widespread banning of DW Griffith's The Birth of a Nation, the American film industry has found itself embroiled in one political controversy after another. These controversies have centered on everything from the portrayal of the past, as in Griffith's film, to depictions of sex and sexuality, to the use of graphic violence, and issues of race, religion, and politics. In turn, segments of the American public have been driven to boycott, picket, and even censor those films they felt challenged their sense of decency. At the heart of this history of controversial films is a strange paradox: while films, especially popular and mainstream films, are often portrayed as meaningless products of popular culture, popular films involved in public controversies become the focal point of enormous cultural energy and political attention. The ongoing culture wars thus continue to shape the American political landscape, and controversial films continue to be a major point of conflict. In the course of this wide-ranging work, Kendall Phillips offers insights into the kinds of films that spark controversies, and the ways that Americans typically react to them. Organized around broad controversial themes and with particular attention to mainstream films since the dissolution of the Motion Picture Production Code in the mid-1960s, Controversial Cinema explores why films spark broad cultural controversies, how these controversies play out, and the long-term results. The four broad areas of controversy examined in the work are: Sex and Sexuality, Violence, Race, and Religion. Each chapter offers a broad overview of the history of these topics in controversial American films as well as more in-depth examinations of recent examples, including The Silence of the Lambs, Natural Born Killers, Do the Right Thing, and The Passion of the Christ. A final section of the book considers the broader issues of cultural politics in light of the long history of controversial cinema.

Useful Cinema

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Publisher : Duke University Press Books
ISBN 13 : 9780822350095
Total Pages : 0 pages
Book Rating : 4.92/5 ( download)

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Book Synopsis Useful Cinema by : Charles R. Acland

Download or read book Useful Cinema written by Charles R. Acland and published by Duke University Press Books. This book was released on 2011-10-14 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: By exploring the use of film in mid-twentieth-century institutions, including libraries, museums, classrooms, and professional organizations, the essays in Useful Cinema show how moving images became an ordinary feature of American life. In venues such as factories and community halls, people encountered industrial, educational, training, advertising, and other types of “useful cinema.” Screening these films transformed unlikely spaces, conveyed ideas, and produced subjects in the service of public and private aims. Such functional motion pictures helped to shape common sense about cinema’s place in contemporary life. Whether measured in terms of the number of films shown, the size of audiences, or the economic activity generated, the “non-theatrical sector” was a substantial and enduring parallel to the more spectacular realm of commercial film. In Useful Cinema, scholars examine organizations such as UNESCO, the YMCA, the Amateur Cinema League, and the Metropolitan Museum of Art. They also consider film exhibition sites in schools, businesses, and industries. As they expand understanding of this other American cinema, the contributors challenge preconceived notions about what cinema is. Contributors. Charles R. Acland, Joseph Clark, Zoë Druick, Ronald Walter Greene, Alison Griffiths, Stephen Groening, Jennifer Horne, Kirsten Ostherr, Eric Smoodin, Charles Tepperman, Gregory A. Waller, Haidee Wasson. Michael Zryd

With a Crooked Stick—The Films of Oscar Micheaux

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Publisher : Indiana University Press
ISBN 13 : 9780253217158
Total Pages : 332 pages
Book Rating : 4.56/5 ( download)

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Book Synopsis With a Crooked Stick—The Films of Oscar Micheaux by : J. Ronald Green

Download or read book With a Crooked Stick—The Films of Oscar Micheaux written by J. Ronald Green and published by Indiana University Press. This book was released on 2004 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Readers will find this an invaluable guide to the preoccupations and features of Micheaux's remarkable career and the insight it provides into the African American experience of the 1920s and 30s.

The Image in Early Cinema

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Publisher : Indiana University Press
ISBN 13 : 0253034426
Total Pages : 406 pages
Book Rating : 4.27/5 ( download)

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Book Synopsis The Image in Early Cinema by : Scott Curtis

Download or read book The Image in Early Cinema written by Scott Curtis and published by Indiana University Press. This book was released on 2018-03-22 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Image in Early Cinema, the contributors examine intersections between early cinematic form, technology, theory, practice, and broader modes of visual culture. They argue that early cinema emerged within a visual culture composed of a variety of traditions in art, science, education, and image making. Even as methods of motion picture production and distribution materialized, they drew from and challenged practices and conventions in other mediums. This rich visual culture produced a complicated, overlapping network of image-making traditions, innovations, and borrowing among painting, tableaux vivants, photography, and other pictorial and projection practices. Using a variety of concepts and theories, the contributors explore these crisscrossing traditions and work against an essentialist notion of media to conceptualize the dynamic interrelationship between images and their context.

The Oxford Handbook of Silent Cinema

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Publisher : Oxford University Press
ISBN 13 : 019049669X
Total Pages : 825 pages
Book Rating : 4.92/5 ( download)

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Book Synopsis The Oxford Handbook of Silent Cinema by : Charlie Keil

Download or read book The Oxford Handbook of Silent Cinema written by Charlie Keil and published by Oxford University Press. This book was released on 2024 with total page 825 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Silent Cinema is a collection of new scholarship that investigates the first decades of motion-picture history from diverse perspectives and methodologies. Featuring over thirty essays by leading scholars in the field, the Handbook offers a comprehensive overview of cinema's earliest years while also illuminating how cinema derived strength from competing cultural forms, becoming in the process the most influential mass medium of the early twentieth century.

L.A. Rebellion

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Publisher : Univ of California Press
ISBN 13 : 0520960432
Total Pages : 483 pages
Book Rating : 4.35/5 ( download)

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Book Synopsis L.A. Rebellion by : Allyson Field

Download or read book L.A. Rebellion written by Allyson Field and published by Univ of California Press. This book was released on 2015-11-13 with total page 483 pages. Available in PDF, EPUB and Kindle. Book excerpt: L.A. Rebellion: Creating a New Black Cinema is the first book dedicated to the films and filmmakers of the L.A. Rebellion, a group of African, Caribbean, and African American independent film and video artists that formed at the University of California, Los Angeles, in the 1970s and 1980s. The group—including Charles Burnett, Julie Dash, Haile Gerima, Billy Woodberry, Jamaa Fanaka, and Zeinabu irene Davis—shared a desire to create alternatives to the dominant modes of narrative, style, and practice in American cinema, works that reflected the full complexity of Black experiences. This landmark collection of essays and oral histories examines the creative output of the L.A. Rebellion, contextualizing the group's film practices and offering sustained analyses of the wide range of works, with particular attention to newly discovered films and lesser-known filmmakers. Based on extensive archival work and preservation, this collection includes a complete filmography of the movement, over 100 illustrations (most of which are previously unpublished), and a bibliography of primary and secondary materials. This is an indispensible sourcebook for scholars and enthusiasts, establishing the key role played by the L.A. Rebellion within the histories of cinema, Black visual culture, and postwar art in Los Angeles.