Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre

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Publisher : Routledge
ISBN 13 : 1134474288
Total Pages : 308 pages
Book Rating : 4.88/5 ( download)

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Book Synopsis Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre by : Erika Fischer-Lichte

Download or read book Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre written by Erika Fischer-Lichte and published by Routledge. This book was released on 2007-05-07 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this fascinating volume, acclaimed theatre historian Erika Fischer-Lichte reflects on the role and meaning accorded to the theme of sacrifice in Western cultures as mirrored in particular fusions of theatre and ritual. Theatre, Sacrifice, Ritual presents a radical re-definition of ritual theatre through analysis of performances as diverse as: Max Reinhardt's new people's theatre the mass spectacles of post-revolutionary Russia American Zionist pageants the Olympic Games. In offering both a performative and a semiotic analysis of such performances, Fischer-Lichte expertly demonstrates how theatre and ritual are fused in order to tackle the problem of community-building in societies characterised by loss of solidarity and disintegration, and exposes the provocative connection between the utopian visions of community they suggest, and the notion of sacrifice. This innovative study of twentieth-century performative culture boldly examines the complexities of political theatre, propaganda and manipulation of the masses, and offers a revolutionary approach to the study of theatre and performance history.

Theatre, Sacrifice, Ritual

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Publisher :
ISBN 13 :
Total Pages : 240 pages
Book Rating : 4.11/5 ( download)

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Book Synopsis Theatre, Sacrifice, Ritual by : Erika Fischer-Lichte

Download or read book Theatre, Sacrifice, Ritual written by Erika Fischer-Lichte and published by . This book was released on with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Transformative Power of Performance

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Publisher : Routledge
ISBN 13 : 1134047495
Total Pages : 241 pages
Book Rating : 4.99/5 ( download)

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Book Synopsis The Transformative Power of Performance by : Erika Fischer-Lichte

Download or read book The Transformative Power of Performance written by Erika Fischer-Lichte and published by Routledge. This book was released on 2008-06-05 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Erika Fischer-Lichte traces the emergence of performance as 'an art event' in its own right. In setting performance art on an equal footing with the traditional art object, she heralds a new aesthetics. The peculiar mode of experience that a performance provokes – blurring distinctions between artist and audience, body and mind, art and life – is here framed as the breeding ground for a new way of understanding performing arts, and through them even wider social and cultural processes. With an introduction by Marvin Carlson, this translation of the original Ästhetik des Performativen addresses key issues in performance art, experimental theatre and cultural performances to lay the ground for a new appreciation of the artistic event.

Tragedy's Endurance

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Publisher : Oxford University Press
ISBN 13 : 0192506501
Total Pages : 480 pages
Book Rating : 4.04/5 ( download)

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Book Synopsis Tragedy's Endurance by : Erika Fischer-Lichte

Download or read book Tragedy's Endurance written by Erika Fischer-Lichte and published by Oxford University Press. This book was released on 2017-04-14 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume sets out a novel approach to theatre historiography, presenting the history of performances of Greek tragedies in Germany since 1800 as the history of the evolving cultural identity of the educated middle class throughout that period. Philhellenism and theatromania took hold in this milieu amidst attempts to banish the heavily French-influenced German court culture of the mid-eighteenth century, and by 1800 performances of Greek tragedies had effectively become the German answer to the French Revolution. Tragedy's subsequent endurance on the German stage is mapped here through the responses of performances to particular political, social, and cultural milestones, from the Napoleonic Wars and the Revolution of 1848 to the Third Reich, the new political movements of the 1960s and 1970s, and the fall of the Berlin Wall and reunification. Images of ancient Greece which were prevalent in the productions of these different eras are examined closely: the Nazi's proclamation of a racial kinship between the Greeks and the Germans; the politicization of performances of Greek tragedies since the 1960s and 1970s, emblematized by Marcuse's notion of a cultural revolution; the protest choruses of the GDR and the subsequent new genre of choric theatre in unified Germany. By examining these images and performances in relation to their respective socio-cultural contexts, the volume sheds light on how, in a constantly changing political and cultural climate, performances of Greek tragedies helped affirm, destabilize, re-stabilize, and transform the cultural identity of the educated middle class over a volatile two hundred year period.

Artaud and His Doubles

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Publisher : University of Michigan Press
ISBN 13 : 0472027948
Total Pages : 280 pages
Book Rating : 4.41/5 ( download)

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Book Synopsis Artaud and His Doubles by : Kimberly Jannarone

Download or read book Artaud and His Doubles written by Kimberly Jannarone and published by University of Michigan Press. This book was released on 2012-06-26 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Artaud and His Doubles is a radical re-thinking of one of the most influential theater figures of the twentieth century. Placing Artaud's writing within the specific context of European political, theatrical, and intellectual history, the book reveals Artaud's affinities with a disturbing array of anti-intellectual and reactionary writers and artists whose ranks swelled catastrophically between the wars in Western Europe. Kimberly Jannarone shows that Artaud's work reveals two sets of doubles: one, a body of peculiarly persistent received interpretations from the American experimental theater and French post-structuralist readings of the 1960s; and, two, a darker set of doubles---those of Artaud's contemporaries who, in the tumultuous, alienated, and pessimistic atmosphere enveloping much of Europe after World War I, denounced the degradation of civilization, yearned for cosmic purification, and called for an ecstatic loss of the self. Artaud and His Doubles will generate provocative new discussions about Artaud and fundamentally challenge the way we look at his work and ideas.

Theatre, Magic and Philosophy

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Publisher : Taylor & Francis
ISBN 13 : 1134767714
Total Pages : 256 pages
Book Rating : 4.17/5 ( download)

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Book Synopsis Theatre, Magic and Philosophy by : Gabriela Dragnea Horvath

Download or read book Theatre, Magic and Philosophy written by Gabriela Dragnea Horvath and published by Taylor & Francis. This book was released on 2017-07-06 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analyzing Shakespeare's views on theatre and magic and John Dee's concerns with philosophy and magic in the light of the Italian version of philosophia perennis (mainly Marsilio Ficino, Pico della Mirandola and Giordano Bruno), this book offers a new perspective on the Italian-English cultural dialogue at the Renaissance and its contribution to intellectual history. In an interdisciplinary and intercultural approach, it investigates the structural commonalities of theatre and magic as contiguous to the foundational concepts of perennial philosophy, and explores the idea that the Italian thinkers informed not only natural philosophy and experimentation in England, but also Shakespeare's theatre. The first full length project to consider Shakespeare and John Dee in juxtaposition, this study brings textual and contextual evidence that Gonzalo, an honest old Counsellor in The Tempest, is a plausible theatrical representation of John Dee. At the same time, it places John Dee in the tradition of the philosophia perennis-accounting for what appears to the modern scholar the conflicting nature of his faith and his scientific mind, his powerful fantasy and his need for order and rigor-and clarifies Edward Kelly's role and creative participation in the scrying sessions, regarding him as co-author of the dramatic episodes reported in Dee's spiritual diaries. Finally, it connects the Enochian/Angelic language to the myth of the Adamic language at the core of Italian philosophy and brings evidence that the Enochian is an artificial language originated by applying creatively the analytical instruments of text hermeneutics used in the Cabala.

The Cambridge Companion to Theatre History

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Publisher : Cambridge University Press
ISBN 13 : 0521766362
Total Pages : 339 pages
Book Rating : 4.64/5 ( download)

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Book Synopsis The Cambridge Companion to Theatre History by : David Wiles

Download or read book The Cambridge Companion to Theatre History written by David Wiles and published by Cambridge University Press. This book was released on 2013 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: A wide-ranging set of essays that explain what theatre history is and why we need to engage with it.

The Routledge Introduction to Theatre and Performance Studies

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Publisher : Routledge
ISBN 13 : 1135083886
Total Pages : 200 pages
Book Rating : 4.85/5 ( download)

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Book Synopsis The Routledge Introduction to Theatre and Performance Studies by : Erika Fischer-Lichte

Download or read book The Routledge Introduction to Theatre and Performance Studies written by Erika Fischer-Lichte and published by Routledge. This book was released on 2014-04-03 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Erika Fischer-Lichte's introduction to the discipline of Theatre and Performance Studies is a strikingly authoritative and wide ranging guide to the study of theatre in all of its forms. Its three-part structure moves from the first steps in starting to think about performance, through to the diverse and interrelated concerns required of higher-level study: Part 1 – Central Concepts for Theatre and Performance Research – introduces the language and key ideas that are used to discuss and think about theatre: concepts of performance; the emergence of meaning; and the theatrical event as an experience shared by actors and spectators. Part 1 contextualizes these concepts by tracing the history of Theatre and Performance Studies as a discipline. Part 2 – Fields, Theories and Methods – looks at how to analyse a performance and how to conduct theatre-historiographical research. This section is concerned with the 'doing' of Theatre and Performance Studies: establishing and understanding different methodological approaches; using sources effectively; and building theoretical frameworks. Part 3 – Pushing Boundaries – expands on the lessons of Parts 1 and 2 in order to engage with theatre and performance in a global context. Part 3 introduces the concept of 'interweaving performance cultures'; explores the interrelation of theatre with the other arts; and develops a transformative aesthetics of performance. Case studies throughout the book root its theoretical discussion in theatrical practice. Focused accounts of plays, practitioners and performances map the development of Theatre and Performance Studies as an academic discipline, and of the theatre itself as an art form. This is the most comprehensive and sophisticated introduction to the field available, written by one of its foremost scholars.

Staging 21st Century Tragedies

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Publisher : Routledge
ISBN 13 : 1000598918
Total Pages : 256 pages
Book Rating : 4.19/5 ( download)

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Book Synopsis Staging 21st Century Tragedies by : Avra Sidiropoulou

Download or read book Staging 21st Century Tragedies written by Avra Sidiropoulou and published by Routledge. This book was released on 2022-06-16 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Staging 21st Century Tragedies: Theatre, Politics, and Global Crisis is an international collection of essays by leading academics, artists, writers, and curators examining ways in which the global tragedies of our century are being negotiated in current theatre practice. In exploring the tragic in the fields of history and theory of theatre, the book approaches crisis through an understanding of the existential and political aspect of the tragic condition. Using an interdisciplinary perspective, it showcases theatre texts and productions that enter the public sphere, manifesting notably participatory, immersive, and documentary modes of expression to form a theatre of modern tragedy. The coexistence of scholarly essays with manifesto-like provocations, interviews, original plays, and diaries by theatre artists provides a rich and multifocal lens that allows readers to approach twenty-first-century theatre through historical and critical study, text and performance analysis, and creative processes. Of special value is the global scope of the collection, embracing forms of crisis theatre in many geographically diverse regions of both the East and the West. Staging 21st Century Tragedies: Theatre, Politics, and Global Crisis will be of use and interest to academics and students of political theatre, applied theatre, theatre history, and theatre theory.

The Routledge Introduction to Theatre and Performance Studies

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Author :
Publisher : Routledge
ISBN 13 : 1135083878
Total Pages : 225 pages
Book Rating : 4.78/5 ( download)

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Book Synopsis The Routledge Introduction to Theatre and Performance Studies by : Erika Fischer-Lichte

Download or read book The Routledge Introduction to Theatre and Performance Studies written by Erika Fischer-Lichte and published by Routledge. This book was released on 2014-04-03 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Erika Fischer-Lichte's introduction to the discipline of Theatre and Performance Studies is a strikingly authoritative and wide ranging guide to the study of theatre in all of its forms. Its three-part structure moves from the first steps in starting to think about performance, through to the diverse and interrelated concerns required of higher-level study: Part 1 – Central Concepts for Theatre and Performance Research – introduces the language and key ideas that are used to discuss and think about theatre: concepts of performance; the emergence of meaning; and the theatrical event as an experience shared by actors and spectators. Part 1 contextualizes these concepts by tracing the history of Theatre and Performance Studies as a discipline. Part 2 – Fields, Theories and Methods – looks at how to analyse a performance and how to conduct theatre-historiographical research. This section is concerned with the 'doing' of Theatre and Performance Studies: establishing and understanding different methodological approaches; using sources effectively; and building theoretical frameworks. Part 3 – Pushing Boundaries – expands on the lessons of Parts 1 and 2 in order to engage with theatre and performance in a global context. Part 3 introduces the concept of 'interweaving performance cultures'; explores the interrelation of theatre with the other arts; and develops a transformative aesthetics of performance. Case studies throughout the book root its theoretical discussion in theatrical practice. Focused accounts of plays, practitioners and performances map the development of Theatre and Performance Studies as an academic discipline, and of the theatre itself as an art form. This is the most comprehensive and sophisticated introduction to the field available, written by one of its foremost scholars.