The Rock Cover Song

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Author :
Publisher : McFarland
ISBN 13 : 0786478098
Total Pages : 215 pages
Book Rating : 4.95/5 ( download)

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Book Synopsis The Rock Cover Song by : Doyle Greene

Download or read book The Rock Cover Song written by Doyle Greene and published by McFarland. This book was released on 2014-03-24 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cover songs operate as a form of cultural discourse across various musical genres and different societal, historical and political conditions. Case studies include a comparative analysis of Jimi Hendrix's and Whitney Houston's versions of "The Star-Spangled Banner" as well as a mapping of the trajectory of "(I Can't Get No) Satisfaction" from the original version by the Rolling Stones through cover versions by Otis Redding, Devo, and Britney Spears. The radical deconstruction of pop and rock songs by the Residents and Laibach is also examined, with additional studies of cover songs by such as Van Halen, Kim Wilde, Rufus Harley, the Four Tops, Pat Boone and Johnny Cash. Rather than questions of quality or how a cover song measures up as "better or worse" than other versions, this book focuses on the ideological implications and social stakes of the "same old songs" as they are reconfigured to consider, comment on and confront political issues of gender, sexuality, race, the nation-state and the generation gap.

The Rock Cover Song

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Author :
Publisher : McFarland
ISBN 13 : 1476615071
Total Pages : 215 pages
Book Rating : 4.73/5 ( download)

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Book Synopsis The Rock Cover Song by : Doyle Greene

Download or read book The Rock Cover Song written by Doyle Greene and published by McFarland. This book was released on 2014-03-13 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cover songs operate as a form of cultural discourse across various musical genres and different societal, historical and political conditions. Case studies include a comparative analysis of Jimi Hendrix's and Whitney Houston's versions of "The Star-Spangled Banner" as well as a mapping of the trajectory of "(I Can't Get No) Satisfaction" from the original version by the Rolling Stones through cover versions by Otis Redding, Devo, and Britney Spears. The radical deconstruction of pop and rock songs by the Residents and Laibach is also examined, with additional studies of cover songs by such as Van Halen, Kim Wilde, Rufus Harley, the Four Tops, Pat Boone and Johnny Cash. Rather than questions of quality or how a cover song measures up as "better or worse" than other versions, this book focuses on the ideological implications and social stakes of the "same old songs" as they are reconfigured to consider, comment on and confront political issues of gender, sexuality, race, the nation-state and the generation gap.

50 from the Fifties - Rock 'n' Roll Guitar Songbook

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Author :
Publisher :
ISBN 13 : 9781794798373
Total Pages : 112 pages
Book Rating : 4.74/5 ( download)

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Book Synopsis 50 from the Fifties - Rock 'n' Roll Guitar Songbook by : Jez Quayle

Download or read book 50 from the Fifties - Rock 'n' Roll Guitar Songbook written by Jez Quayle and published by . This book was released on 2021-11-19 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Who Did It First?

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Publisher : Rowman & Littlefield
ISBN 13 : 1442233222
Total Pages : 333 pages
Book Rating : 4.25/5 ( download)

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Book Synopsis Who Did It First? by : Bob Leszczak

Download or read book Who Did It First? written by Bob Leszczak and published by Rowman & Littlefield. This book was released on 2014-07-10 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Everybody has to start somewhere. Businessmen start on the ground floor and try to work their way up the corporate ladder. Baseball players bide their time in the minor leagues wishing for an opportunity to move up and play in the majors. Musical compositions aren’t very different – some songs just don’t climb the charts the first time they’re recorded. However, with perseverance, the ideal singer, the right chemistry, impeccable timing, vigorous promotion, and a little luck, these songs can become very famous.” So writes Bob Leszczak in the opening pages of Who Did It First?: Great Rock and Roll Cover Songs and Their Original Artists. In this third and final volume to the Who Did It First? series, readers explore the hidden history of the most famous, indeed legendary, rock songs and standards. Did you know that the Wild Ones had a “Wild Thing” before the Troggs? Were you aware that it took a second shot for “Double Shot of My Baby’s Love” to make the charts? Had you heard that Guy Villari and the Regents dated “Barbara Ann” five years before the Beach Boys? Were you privy to the fact that there was “Hanky Panky” going on with Ellie Greenwich and the Raindrops, as well as the Summits, before Tommy James and the Shondells made the song a number 1 classic? Some of the information contained within these pages will shock, rattle and roll you. You may fancy yourself a music expert, but this third and last in a series of titles devoted to the story of great songs and their revival as great covers is filled with eye openers. In many instances, one’s eyes will open even wider as a result of the list of cover artists (with Paul Anka’s remake of Nirvana’s “Smells like Teen Spirit” leading the pack). Who Did It First?Great Rock and Roll Cover Songs and Their Original Artistsis the perfect playlist builder. So whether quizzing friends at a party, answering a radio station contest, or just satisfying an insatiable curiosity to know who really did do it first, this work is a must-have.

Smithsonian Rock and Roll

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Publisher : Smithsonian Institution
ISBN 13 : 1588346005
Total Pages : 217 pages
Book Rating : 4.01/5 ( download)

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Book Synopsis Smithsonian Rock and Roll by : Bill Bentley

Download or read book Smithsonian Rock and Roll written by Bill Bentley and published by Smithsonian Institution. This book was released on 2017-10-24 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: In December 2015, the Smithsonian called on rock and roll lovers around the world to collect photos and stories of their favorite moments in music. Fans dug through attics, basements, closets, shoeboxes, digital cameras, and photo albums to post great rock shots to rockandroll.si.edu. From Woodstock to the Whisky a Go Go, from Lollapalooza to the 9:30 Club, and all the rockin' places in between, fans overwhelmingly responded with their favorite rock and roll moments. Iconic artists ranging from the Who to Nirvana to Chuck Berry to the Jimi Hendrix and many more are celebrated here. There are early photographs of everyone from Run-D.M.C. to the Runaways, and contemporary shots of some of the biggest names in music, including Bruce Springsteen, the Rolling Stones, and Metallica. Presented together, these photographs create a kaleidoscopic history of the artists, the musical styles, the venues, the concerts, and the fans. This is rock and roll as it has never been seen before.

A Philosophy of Cover Songs

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Publisher : Open Book Publishers
ISBN 13 : 1800644256
Total Pages : 203 pages
Book Rating : 4.50/5 ( download)

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Book Synopsis A Philosophy of Cover Songs by : P.D. Magnus

Download or read book A Philosophy of Cover Songs written by P.D. Magnus and published by Open Book Publishers. This book was released on 2022-04-28 with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cover songs are a familiar feature of contemporary popular music. Musicians describe their own performances as covers, and audiences use the category to organize their listening and appreciation. However, until now philosophers have not had much to say about them. In A Philosophy of Cover Songs, P.D. Magnus demonstrates that philosophy provides a valuable toolbox for thinking about covers; in turn, the philosophy of cover songs illustrates some general points about philosophical method. Lucidly written, the book is divided into three parts: how to think about covers, appreciating covers, and the metaphysics of covers and songs. Along the way, it explores a range of issues raised by covers, from the question of what precisely constitutes a cover, to the history and taxonomy of the category, the various relationships that hold between songs, performances, and tracks, and the appreciation and evaluation of covers. This unique and engaging book will be of interest to those working in philosophy of art, philosophy of music, popular music studies, music history, and musicology, as well as to readers with a general interest in popular music, covers, and how we think about them.

Carpenters

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Publisher : Chronicle Books
ISBN 13 : 164896091X
Total Pages : 344 pages
Book Rating : 4.18/5 ( download)

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Book Synopsis Carpenters by : Mike Cidoni Lennox

Download or read book Carpenters written by Mike Cidoni Lennox and published by Chronicle Books. This book was released on 2021-11-16 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduction by Richard Carpenter The definitive biography of one of the most enduring and endeared recording artists in history—the Carpenters—is told for the first time from the perspective of Richard Carpenter, through more than 100 hours of exclusive interviews and some 200 photographs from Richard's personal archive, many never published. After becoming multimillion-selling, Grammy-winning superstars with their 1970 breakthrough hit "(They Long to Be) Close to You," Richard and Karen Carpenter would win over millions of fans worldwide with a record-breaking string of hits including "We've Only Just Begun," "Top of the World," and "Yesterday Once More." By 1975, success was taking its toll. Years of jam-packed work schedules, including hundreds of concert engagements, proved to be just too much for the Carpenters to keep the hits coming—and, ultimately, to keep the music playing at all. However, Richard and Karen never took their adoring public, or each other, for granted. In Carpenters: The Musical Legacy, Richard Carpenter tells his story for the first time. With candor, heart, and humor, he sheds new light on the Carpenters' trials and triumphs—work that remains the gold standard for melodic pop. This beautifully illustrated definitive biography, with exclusive interviews and never-before-seen photographs, is a must-have for any Carpenters fan.

Is Hip Hop Dead?

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1567207219
Total Pages : 207 pages
Book Rating : 4.17/5 ( download)

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Book Synopsis Is Hip Hop Dead? by : Mickey Hess

Download or read book Is Hip Hop Dead? written by Mickey Hess and published by Bloomsbury Publishing USA. This book was released on 2007-08-30 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hip hop is remarkably self-critical as a genre. In lyrics, rappers continue to debate the definition of hip hop and question where the line between underground artist and mainstream crossover is drawn, who owns the culture and who runs the industry, and most importantly, how to remain true to the culture's roots while also seeking fame and fortune. The tension between the desires to preserve hip hop's original culture and to create commercially successful music promotes a lyrical war of words between mainstream and underground artists that keeps hip hop very much alive today. In response to criticisms that hip hop has suffered or died in its transition to the mainstream, this book seeks to highlight and examine the ongoing dialogue among rap artists whose work describes their own careers. Proclamations of hip hop's death have flooded the airwaves. The issue may have reached its boiling point in Nas's 2006 album Hip Hop is Dead. Nas's album is driven by nostalgia for a mythically pure moment in hip hop's history, when the music was motivated by artistic passion, instead of base commercialism. In the course of this same album, however, Nas himself brags about making money for his particular record label. These and similar contradictions are emblematic of the complex forces underlying the dialogue that keeps hip hop a vital element of our culture. Is Hip Hop Dead? seeks to illuminate the origins of hip hop nostalgia and examine how artists maintain control of their music and culture in the face of corporate record companies, government censorship, and the standardization of the rap image. Many hip hop artists, both mainstream and underground, use their lyrics to engage in a complex dialogue about rhyme skills versus record sales, and commercialism versus culture. This ongoing dialogue invigorates hip hop and provides a common ground upon which we can reconsider many of the developments in the industry over the past 20 years. Building from black traditions that value knowledge gained from personal experience, rappers emphasize the importance of street knowledge and its role in forging a career in the music business. Lyrics adopt models of the self-made man narrative, yet reject the trajectories of white Americans like Benjamin Franklin who espoused values of prudence, diligence, and delayed gratification. Hip hop's narratives instead promote a more immediately viable gratification through crime and extend this criminal mentality to their work in the music business. Through the lens of hip hop, and the threats to hip hop culture, author Mickey Hess is able to confront a range of important issues, including race, class, criminality, authenticity, the media, and personal identity.

Rock Covers

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Publisher :
ISBN 13 : 9783836563055
Total Pages : 551 pages
Book Rating : 4.53/5 ( download)

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Book Synopsis Rock Covers by : Robbie Busch

Download or read book Rock Covers written by Robbie Busch and published by . This book was released on 2016 with total page 551 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rock on: From Elvis to Nirvana: the most important record covers in rock history Album art is indelibly linked to our collective musical memories; when you think of your favorite albums, you picture the covers. Many photographers, illustrators, and art directors have become celebrities from their album artworks the best examples of which will go down in history as permanent fixtures in popular culture. Paying tribute to this art form, Rock Covers brings you a compilation that includes 600 remarkable covers, from legendary to rare record releases. Artists as varied as Elvis Presley, The Beatles, The Sex Pistols, Pink Floyd, The Cure, Iron Maiden, and Sonic Youth are all gathered together here in celebration of the covers that defined their albums. Each cover is accompanied by a fact sheet listing the art director, photographer/illustrator, year, label, and more. Two hundred special records that changed the course of history, for either the band, the artist, or the music genre, are specially highlighted with short descriptions. Five professionals who made and shaped the history of rock share insider information in featured interviews while 10 leading rock DJs seal the deal with top-10 favorite record playlists.

Rock This Way

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Publisher : University of Michigan Press
ISBN 13 : 0472903624
Total Pages : 241 pages
Book Rating : 4.27/5 ( download)

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Book Synopsis Rock This Way by : Mel Stanfill

Download or read book Rock This Way written by Mel Stanfill and published by University of Michigan Press. This book was released on 2023-08-15 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Any and all songs are capable of being remixed. But not all remixes are treated equally. Rock This Way examines transformative musical works—cover songs, remixes, mash-ups, parodies, and soundalike songs—to discover what contemporary American culture sees as legitimate when it comes to making music that builds upon other songs. Through examples of how popular discussion talked about such songs between 2009 and 2018, Mel Stanfill uses a combination of discourse analysis and digital humanities methods to interrogate our broader understanding of transformative works and where they converge at the legal, economic, and cultural ownership levels. Rock This Way provides a new way of thinking about what it means to re-create and borrow music, how the racial identity of both the reusing artist and the reused artist matters, and the ways in which the law polices artists and their works. Ultimately, Stanfill demonstrates that the extent to which a work is seen as having new expression or meaning is contingent upon notions of creativity, legitimacy, and law, all of which are shaped by white supremacy.