The Psychology Of Music

Author : Diana Deutsch
Publisher : Elsevier
ISBN 13 : 1483292738
Total Pages : 542 pages
Book Rating : 4.31/5 ( download)

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Download or read book Psychology of Music written by Diana Deutsch and published by Elsevier. This book was released on 2013-10-22 with total page 542 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Psychology of Music draws together the diverse and scattered literature on the psychology of music. It explores the way music is processed by the listener and the performer and considers several issues that are of importance both to perceptual psychology and to contemporary music, such as the way the sound of an instrument is identified regardless of its pitch or loudness, or the types of information that can be discarded in the synthetic replication of a sound without distorting perceived timbre. Comprised of 18 chapters, this book begins with a review of the classical psychoacoustical literature on tone perception, focusing on characteristics of particular relevance to music. The attributes of pitch, loudness, and timbre are examined, and a summary of research methods in psychoacoustics is presented. Subsequent chapters deal with timbre perception; the subjective effects of different sound fields; temporal aspects of music; abstract structures formed by pitch relationships in music; different tests of musical ability; and the importance of abstract structural representation in understanding how music is performed. The final chapter evaluates the relationship between new music and psychology. This monograph should be a valuable resource for psychologists and musicians.

Author : Siu-Lan Tan
Publisher : Routledge
ISBN 13 : 1317299779
Total Pages : 350 pages
Book Rating : 4.76/5 ( download)

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Download or read book Psychology of Music written by Siu-Lan Tan and published by Routledge. This book was released on 2017-11-02 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Psychology of Music: From Sound to Significance (2nd edition), the authors consider music on a broad scale, from its beginning as an acoustical signal to its different manifestations across cultures. In their second edition, the authors apply the same richness of depth and scope that was a hallmark of the first edition of this text. In addition, having laid out the topography of the field in the original book, the second edition puts greater emphasis on linking academic learning to real-world contexts, and on including compelling topics that appeal to students’ natural curiosity. Chapters have been updated with approximately 500 new citations to reflect advances in the field. The organization of the book remains the same as the first edition, while chapters have been updated and often expanded with new topics. 'Part I: Foundations' explores the acoustics of sound, the auditory system, and responses to music in the brain. 'Part II: The Perception and Cognition of Music' focuses on how we process pitch, melody, meter, rhythm, and musical structure. 'Part III: Development, Learning, and Performance' describes how musical capacities and skills unfold, beginning before birth and extending to the advanced and expert musician. And finally, 'Part IV: The Meaning and Significance of Music' explores social, emotional, philosophical and cultural dimensions of music and meaning. This book will be invaluable to undergraduates and postgraduate students in psychology and music, and will appeal to anyone who is interested in the vital and expanding field of psychology of music.

Author : Elizabeth Hellmuth Margulis
Publisher : Oxford University Press, USA
ISBN 13 : 0190640154
Total Pages : 159 pages
Book Rating : 4.56/5 ( download)

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Download or read book Psychology of Music written by Elizabeth Hellmuth Margulis and published by Oxford University Press, USA. This book was released on 2018-11 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music has been examined from multiple perspectives: as a product of human history, for example, or a product of human culture. But there is also a long tradition, intensified in recent decades, of thinking about music as a product of the human mind. Whether considering composition, performance, listening, or appreciation, the constraints and capabilities of the human mind play a formative role. The field that has emerged around this approach is known as the psychology of music. Written in a lively and accessible manner, this volume connects the science to larger questions about music that are of interest to practicing musicians, music therapists, musicologists, and the general public alike. For example: Why can one musical performance move an audience to tears, and another compel them to dance, clap, or snap along? How does a "hype" playlist motivate someone at the gym? And why is that top-40 song stuck in everyone's head? ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Author : Siu-Lan Tan
Publisher : Oxford University Press
ISBN 13 : 0199608156
Total Pages : 453 pages
Book Rating : 4.57/5 ( download)

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Download or read book The Psychology of Music in Multimedia written by Siu-Lan Tan and published by Oxford University Press. This book was released on 2013-06-27 with total page 453 pages. Available in PDF, EPUB and Kindle. Book excerpt: For most of the history of film-making, music has played an integral role serving many functions - such as conveying emotion, heightening tension, and influencing interpretation and inferences about events and characters. More recently, with the enormous growth of the gaming industry and the Internet, a new role for music has emerged. However, all of these applications of music depend on complex mental processes which are being identified through research on human participants in multimedia contexts. The Psychology of Music in Multimedia is the first book dedicated to this fascinating topic. The Psychology of Music in Multimedia presents a wide range of scientific research on the psychological processes involved in the integration of sound and image when engaging with film, television, video, interactive games, and computer interfaces. Collectively, the rich chapters in this edited volume represent a comprehensive treatment of the existing research on the multimedia experience, with the aim of disseminating the current knowledge base and inspiring future scholarship. The focus on empirical research and the strong psychological framework make this book an exceptional and distinctive contribution to the field. The international collection of contributors represents eight countries and a broad range of disciplines including psychology, musicology, neuroscience, media studies, film, and communications. Each chapter includes a comprehensive review of the topic and, where appropriate, identifies models that can be empirically tested. Part One presents contrasting theoretical approaches from cognitive psychology, philosophy, semiotics, communication, musicology, and neuroscience. Part Two reviews research on the structural aspects of music and multimedia, while Part Three focuses on research examining the influence of music on perceived meaning in the multimedia experience. Part Four explores empirical findings in a variety of real-world applications of music in multimedia including entertainment and educational media for children, video and computer games, television and online advertising, and auditory displays of information. Finally, the closing chapter in Part Five identifies emerging themes and points to the value of broadening the scope of research to encompass multisensory, multidisciplinary, and cross-cultural perspectives to advance our understanding of the role of music in multimedia. This is a valuable book for those in the fields of music psychology and musicology, as well as film and media studies.

Author : Géza Révész
Publisher : Courier Corporation
ISBN 13 : 9780486416786
Total Pages : 308 pages
Book Rating : 4.8X/5 ( download)

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Download or read book Introduction to the Psychology of Music written by Géza Révész and published by Courier Corporation. This book was released on 2001-01-01 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comprehensive introduction by noted musicologist covers physical and physiological bases of sound and hearing, elements of tone, pitch, musical ability, origins of music, psychology of music, much more.

Author : David J. Hargreaves
Publisher : Cambridge University Press
ISBN 13 : 9780521314152
Total Pages : 276 pages
Book Rating : 4.51/5 ( download)

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Download or read book The Developmental Psychology of Music written by David J. Hargreaves and published by Cambridge University Press. This book was released on 1986-12-18 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book sets out the psychological basis of musical development in children and adults. The study has two major objectives: to review the research findings, theories and methodologies relevant to the developmental study of music; and to offer a framework within which these can be organised so as to pave the way for future research. It describes the relationship between thinking and music, and discusses the relationship between thinking and music in pre-schoolers and schoolchildren in areas such as singing, aesthetic appreciation, rhythmic and melodic development, and the acquisition of harmony and tonality. The book describes the development of musical taste, and discusses the questions of musical creativity, and of the social psychology of musical taste and fashion. As a comprehensive study of the links between developmental psychology and music education, Hargreaves' work demonstrates the practical and theoretical importance of psychological research on the process underlying children's musical perception, cognition and performance.

Author : Adrian North
Publisher : Oxford University Press
ISBN 13 : 0198567421
Total Pages : 489 pages
Book Rating : 4.24/5 ( download)

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Download or read book The Social and Applied Psychology of Music written by Adrian North and published by Oxford University Press. This book was released on 2008-04-10 with total page 489 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Social and Applied Psychology of Music is the successor to the bestselling and influential The Social Psychology of Music. It considers the value of music in everyday life, answering some of the perennial questions about music. It is required reading for anyone seeking to understand the role of music in our daily lives.

Author : William Forde Thompson
Publisher : Oxford University Press, USA
ISBN 13 : 9780199947317
Total Pages : 0 pages
Book Rating : 4.17/5 ( download)

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Download or read book Music, Thought, and Feeling written by William Forde Thompson and published by Oxford University Press, USA. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining the intersection of music, psychology, and neuroscience, this text surveys the rapidly growing field of music cognition and explores its most interesting questions. Assuming minimal background in music or psychology, the book begins with an overview of the major theories on how and when music became a widespread aspect of human behavior. Now in its second edition, the text includes enhanced coverage of music therapy, the most recent theory and research, and improved pedagogy, including enhanced definitions of key terms and a reworked organization of topics.

Author : Siu-Lan Tan
Publisher : Psychology Press
ISBN 13 : 1136997059
Total Pages : 362 pages
Book Rating : 4.51/5 ( download)

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Download or read book Psychology of Music written by Siu-Lan Tan and published by Psychology Press. This book was released on 2010-03-31 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why are some disturbances of air molecules heard as 'noise' while others are perceived as music? What happens at the level of the sound wave, the ear, and the brain when we perform or listen to music? How do musical abilities emerge and develop, and become refined as one acquires musical expertise? And what gives music its deep emotional significance and its power to influence social behavior, across vastly different cultural contexts? These are some of the primary questions defining the field called 'the psychology of music' and driving the present volume. This book provides an introduction to classic and current studies in the psychology of music, combining a comprehensive summary with critical assessments of existing research. The volume captures the interdisciplinary breadth of the field, while covering central topics in depth. Part One explores sound and music at an acoustic level, explaining auditory events with respect to the workings of the ear and brain. Part Two focuses on perception and cognition of melody, rhythm, and formal structure. Part Three examines the emergence and development of musical skills, and turns to the most practical aspects of psychology of music: music practice and performance. Finally, Part Four broadens the discussion to the question of meaning in music, with respect to its social, emotional, philosophical, and cultural significance. Throughout, both behavioral and neuroscientific perspectives are developed. This book will be invaluable to undergraduate and postgraduate students in the fields of psychology and music, and will appeal to anyone else who is interested in the psychology of music.

Author : John Booth Davies
Publisher : Hutchinson Radius
ISBN 13 :
Total Pages : 248 pages
Book Rating : 4.71/5 ( download)

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Download or read book The Psychology of Music written by John Booth Davies and published by Hutchinson Radius. This book was released on 1978 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on current research in psychology and social psychology, the author explores the underlying processes of this need, in a fluent and lively style. Unlike many serious studies of music, the book is concerned not just with classical music but equally with pop, jazz, and folk. The author is principally concerned with the listener, and with the many theories of 'musicality.' The discussion ranges from the physics of sound through musical aesthetics--why people like the tunes they do; the testing of musical aptitude; the use of rhythm in western music, and concludes with some irreverent speculations about the personality of musicians and their instruments. While fully acknowledging the limitations of a pragmatic approach to such an emotive topic as music, the author aims to show that such things as 'good taste', 'sensitivity', and 'musical understanding' are not the magical properties of some kind of musical priesthood, but comprehensible entities, common in varying degrees to everyone.