The Cambridge Companion to Twentieth-Century Opera

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Publisher : Cambridge University Press
ISBN 13 : 9780521780094
Total Pages : 430 pages
Book Rating : 4.98/5 ( download)

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Book Synopsis The Cambridge Companion to Twentieth-Century Opera by : Mervyn Cooke

Download or read book The Cambridge Companion to Twentieth-Century Opera written by Mervyn Cooke and published by Cambridge University Press. This book was released on 2005-12-08 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially commissioned essays written by a distinguished team of academics, critics and practitioners. Beginning with a discussion of the century's vital inheritance from late-romantic operatic traditions in Germany and Italy, the text embraces fresh investigations into various aspects of the genre in the modern age, with a comprehensive coverage of the work of individual composers from Debussy and Schoenberg to John Adams and Harrison Birtwistle. Traditional stylistic categorizations (including symbolism, expressionism, neo-classicism and minimalism) are reassessed from new critical perspectives, and the distinctive operatic traditions of Continental and Eastern Europe, Russia and the Soviet Union, the United Kingdom and United States are subjected to fresh scrutiny. The volume includes essays devoted to avant-garde music theatre, operettas and musicals, filmed opera, and ends with a discussion of the position of the genre in today's cultural marketplace.

The Opera of the Twentieth Century

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Author :
Publisher : McFarland
ISBN 13 : 1476605564
Total Pages : 309 pages
Book Rating : 4.62/5 ( download)

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Book Synopsis The Opera of the Twentieth Century by : William Schoell

Download or read book The Opera of the Twentieth Century written by William Schoell and published by McFarland. This book was released on 2015-01-24 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the late 1500s in Florence, aristocrats of the Renaissance renovated classical Greek dramas into dramatic musicals and gave birth to the first operas. After centuries of transformation, the opera is still appreciated as a historically dynamic paradigm of the fine arts. Composers of the twentieth century have worked hard to fashion a voice distinct from the romantic composers of the nineteenth century and the traditions that preceded them, and this volume explores the extent of their success. Beginning with a thorough introduction to the history of operatic forms and transformation, this book presents a comprehensive discussion of twentieth century opera. Giving ear to many composers and many styles--romantic and modern and assorted variations--the discussion includes such globally renowned composers as Strauss, Puccini, Prokofiev and Mascagni, as well as the esoteric works of less famous composers. Spanning as it does from Puccini's Tosca and Charpentier's Louise to Heggie's Dead Man Walking and Corigliano's The Ghosts of Versailles, twentieth century operatic form has something for every taste. The discussion is therefore structured chronologically and directed at exploring this complex diversity and ingenuity of twentieth-century styles. Examples from across the globe and firsthand commentary from contemporary operatic professionals complement the discussion. Concluding chapters comment upon the operatic presence in the twenty-first century and the future of operatic forms.

Tonality as Drama

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Publisher : University of North Texas Press
ISBN 13 : 1574412493
Total Pages : 238 pages
Book Rating : 4.99/5 ( download)

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Book Synopsis Tonality as Drama by : Edward David Latham

Download or read book Tonality as Drama written by Edward David Latham and published by University of North Texas Press. This book was released on 2008 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on the fields of dramaturgy, music theory, and historical musicology, this book answers a question about twentieth-century music: Why does tonality persist in opera, even after it has been abandoned in other genres?

“The” Companion to Twentieth-century Opera

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Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.51/5 ( download)

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Book Synopsis “The” Companion to Twentieth-century Opera by : George Whitney Martin

Download or read book “The” Companion to Twentieth-century Opera written by George Whitney Martin and published by . This book was released on 1984 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Operetta Empire

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Publisher : Univ of California Press
ISBN 13 : 0520401220
Total Pages : 250 pages
Book Rating : 4.28/5 ( download)

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Book Synopsis The Operetta Empire by : Micaela Baranello

Download or read book The Operetta Empire written by Micaela Baranello and published by Univ of California Press. This book was released on 2024-04-30 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: CHOICE Outstanding Academic Title, 2022 "When the world comes to an end," Viennese writer Karl Kraus lamented in 1908, "all the big city orchestras will still be playing The Merry Widow." Viennese operettas like Franz Lehár's The Merry Widow were preeminent cultural texts during the Austro-Hungarian Empire's final years. Alternately hopeful and nihilistic, operetta staged contemporary debates about gender, nationality, and labor. The Operetta Empire delves into this vibrant theatrical culture, whose creators simultaneously sought the respectability of high art and the popularity of low entertainment. Case studies examine works by Lehár, Emmerich Kálmán, Oscar Straus, and Leo Fall in light of current musicological conversations about hybridity and middlebrow culture. Demonstrating a thorough mastery of the complex early twentieth-century Viennese cultural scene, and a sympathetic and redemptive critique of a neglected popular genre, Micaela Baranello establishes operetta as an important element of Viennese cultural life--one whose transgressions helped define the musical hierarchies of its day.

Twentieth-Century British Authors and the Rise of Opera in Britain

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Publisher : Routledge
ISBN 13 : 1317005856
Total Pages : 146 pages
Book Rating : 4.58/5 ( download)

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Book Synopsis Twentieth-Century British Authors and the Rise of Opera in Britain by : Irene Morra

Download or read book Twentieth-Century British Authors and the Rise of Opera in Britain written by Irene Morra and published by Routledge. This book was released on 2016-02-17 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first to examine in depth the contributions of major British authors such as W. H. Auden and E. M. Forster, as critics and librettists, to the rise of British opera in the twentieth century. The perceived literary values of British authors, as much as the musical innovations of British composers, informed the aesthetic development of British opera. Indeed, British opera emerged as a simultaneously literary and musical project. Too often, operatic adaptations are compared superficially to their original sources. This is a particular problem for British opera, which has become increasingly defined artistically by the literary sophistication of its narrative sources. The resulting collaborations between literary figures and composers have crucial implications for the development of both opera and literature. Twentieth-Century British Authors and the Rise of Opera in Britain reveals the importance of this literary involvement in operatic adaptation to literature and literary studies, to music and musicology, and to cultural and theoretical studies.

Misdirection

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Publisher : [Hamden, Conn.] : Archon Books
ISBN 13 :
Total Pages : 144 pages
Book Rating : 4.93/5 ( download)

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Book Synopsis Misdirection by : Alois Maria Nagler

Download or read book Misdirection written by Alois Maria Nagler and published by [Hamden, Conn.] : Archon Books. This book was released on 1981 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Opera in the Twentieth Century

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Publisher : Oxford University Press, USA
ISBN 13 :
Total Pages : 378 pages
Book Rating : 4.40/5 ( download)

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Book Synopsis Opera in the Twentieth Century by : Ethan Mordden

Download or read book Opera in the Twentieth Century written by Ethan Mordden and published by Oxford University Press, USA. This book was released on 1978 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the only history of twentieth-century opera available in English today. Traces the rise of modern music drama from its nineteenth-century Wagnerian peak, and shows how modern opera has evolved.

The Companion to Twentieth-century Opera

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Author :
Publisher : Dodd Mead
ISBN 13 : 9780396083399
Total Pages : 653 pages
Book Rating : 4.90/5 ( download)

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Book Synopsis The Companion to Twentieth-century Opera by : George Whitney Martin

Download or read book The Companion to Twentieth-century Opera written by George Whitney Martin and published by Dodd Mead. This book was released on 1984-01-01 with total page 653 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Early 20th Century Opera Singers

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Publisher : YBK Publishers
ISBN 13 : 9781936411436
Total Pages : 298 pages
Book Rating : 4.31/5 ( download)

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Book Synopsis Early 20th Century Opera Singers by : Nicholas E. Limansky

Download or read book Early 20th Century Opera Singers written by Nicholas E. Limansky and published by YBK Publishers. This book was released on 2016-04 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historical recordings by opera singers have proven since 1900 to offer much reward to the singer, student, listener, and collector alike. In the first book of this kind to appear in decades, Nicholas Limansky explains why critical listening is important and describes the merits of analyzing and comparing the recordings of previous generations of singers with those of the present. He also recounts how markedly record collecting has changed through the decades-especially in large cities like New York-mainly due to technological advance. He not only treats collecting 78 rpm disks, but LPs and CDs as well. Expired copyright now enables many of these early recordings to easily be acquired and collected, enabling the broad-scale comparison of style, technique, and vocal quality among the famous performers of earlier eras. The author points out what to look for among these differences in style, technique, and ability-both good and bad. (On occasion, the most famous are not the best ) With emphasis on today's student and collector, Limansky provides information about where, how, and on what labels given recordings can be found. He discusses printed resources that offer the interested even more information. Beginners and veterans alike will find much of interest in this far-ranging book. Nicholas Limansky studied voice at Peabody Conservatory in Baltimore and has a performance degree from the University of West Virginia. He has sung with major professional choral groups in New York City that include The Bach Aria Group, Musica Sacra, New York Choral Artists (NY Philharmonic), Opera Orchestra of New York, The Netherlands Ballet, and Alvin Ailey (Revelations, Rainbow). He has written performance reviews for the Italian publication, "Rassegna Melodrammatic," and reviewed new vocal releases of historical singers for "Opera News, The Record Collector, Classical Singer, " and "Opera Quarterly." He lectures at the New York Vocal Record Collectors Society and is a member of its board of directors.