The Melodramadness of Eugene O'Neill

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Publisher :
ISBN 13 :
Total Pages : 48 pages
Book Rating : 4.15/5 ( download)

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Book Synopsis The Melodramadness of Eugene O'Neill by : Virgil Geddes

Download or read book The Melodramadness of Eugene O'Neill written by Virgil Geddes and published by . This book was released on 1977 with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Cambridge Companion to Eugene O'Neill

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Publisher : Cambridge University Press
ISBN 13 : 9780521556453
Total Pages : 278 pages
Book Rating : 4.57/5 ( download)

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Book Synopsis The Cambridge Companion to Eugene O'Neill by : Michael Manheim

Download or read book The Cambridge Companion to Eugene O'Neill written by Michael Manheim and published by Cambridge University Press. This book was released on 1998-09-24 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Specially commissioned essays explore the life and work of Eugene O'Neill from his earliest writings to Long Day's Journey Into Night.

Eugene O'Neill and the Emergence of American Drama

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Publisher : BRILL
ISBN 13 : 9004490620
Total Pages : 221 pages
Book Rating : 4.28/5 ( download)

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Book Synopsis Eugene O'Neill and the Emergence of American Drama by :

Download or read book Eugene O'Neill and the Emergence of American Drama written by and published by BRILL. This book was released on 2021-11-15 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Theatre of Eugene O’Neill

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Publisher : Bloomsbury Publishing
ISBN 13 : 1474238424
Total Pages : 325 pages
Book Rating : 4.27/5 ( download)

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Book Synopsis The Theatre of Eugene O’Neill by : Kurt Eisen

Download or read book The Theatre of Eugene O’Neill written by Kurt Eisen and published by Bloomsbury Publishing. This book was released on 2017-11-16 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: Named a Choice Outstanding Academic Title of the Year 2018 The Theatre of Eugene O'Neill offers a new comprehensive overview of O'Neill's career and plays in the context of the American theatre. Organised thematically, it considers his modernist intervention in the theatre, offers readers detailed analysis of the plays, and assesses the recent resurgence in his reputation and new approaches to staging his work. It includes a study of all his major plays-The Emperor Jones, The Hairy Ape, The Iceman Cometh, Long Day's Journey Into Night, A Moon for the Misbegotten and Desire Under the Elms-besides numerous other full length and one act dramas. Eugene O'Neill is generally credited with inventing modern American drama, in a time of cultural ferment and lively artistic and intellectual change. Yet O'Neill's theatrical instincts were always shaped by American stage traditions that were inextricable from his sense of himself and his own national culture. This study shows that his theatrical modernism represents not so much a break from these traditions as a reinvention of their scope and significance in the context of international stage modernism, offering an image of national culture and character that opens new possibilities for the stage while remaining rooted in its past. Kurt Eisen traces O'Neill's modernism throughout the dramatists's work: his attempts to break from the themes, plots, and moral conventions of the traditional melodramatic theatre; his experiments in stagecraft and theme, and their connection to traditional theatre and his European modernist contemporaries; the turn toward direct and indirect self-representation; and his critique of the family and of American 'pipe dreams' and the allure of success. The volume additionally features four contributed essays providing further critical perspectives on O'Neill's work, alongside a chronology of the writer's life and times.

The Ecological Eugene O'Neill

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Publisher : McFarland
ISBN 13 : 0786498757
Total Pages : 235 pages
Book Rating : 4.58/5 ( download)

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Book Synopsis The Ecological Eugene O'Neill by : Robert Baker-White

Download or read book The Ecological Eugene O'Neill written by Robert Baker-White and published by McFarland. This book was released on 2015-09-11 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: The dramas of Eugene O'Neill--often called America's first "serious" playwright--exhibit an imagining of the natural world that enlivens the plays and marks the boundaries of the characters' fates. O'Neill's figures move within purposefully animated natural environments--ocean, dense forest, desert plains, the rocky soil of New England. This new approach to O'Neill's dramas explores these ecological settings as crucial to his characters' ability to carry out their conscious and unconscious desires. O'Neill's career is covered, from his youthful one-acts, to the middle years experimental dramas, to the mature tragedies of his late period. Special attention is paid to the connection of ecology and theological quest, and to O'Neill's persistent evocation of an exotic, natural "other." Combining an ecocritical approach with an examination of Classical and philosophical influences on the playwright's creative process, the author reveals a new, less hermetic O'Neill.

Eugene O'Neill's Philosophy of Difficult Theatre

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Publisher : Routledge
ISBN 13 : 1000546136
Total Pages : 234 pages
Book Rating : 4.32/5 ( download)

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Book Synopsis Eugene O'Neill's Philosophy of Difficult Theatre by : Jeremy Killian

Download or read book Eugene O'Neill's Philosophy of Difficult Theatre written by Jeremy Killian and published by Routledge. This book was released on 2022-03-02 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through a close re-examination of Eugene O’Neill’s oeuvre, from minor plays to his Pulitzer-winning works, this study proposes that O’Neill’s vision of tragedy privileges a particular emotional response over a more “rational” one among his audience members. In addition to offering a new paradigm through which to interpret O’Neill’s work, this book argues that O’Neill’s theory of tragedy is a robust account of the value of difficult theatre as a whole, with more explanatory scope and power than its cognitivist counterparts. This paradigm reshapes our understanding of live theatrical tragedy’s impact and significance for our lives. The book enters the discussion of tragic value by way of the plays of Eugene O’Neill, and through this study, Killian makes the case that O’Neill has refused to allow Plato to define the terms of tragedy’s merit, as the cognitivists have. He argues that O’Neill’s theory of tragedy is non-cognitive and locates the value of a play in its ability to trigger certain emotional responses from the audience. This would be of great interest to students and scholars of performance studies, literature and philosophy.

Modern Drama in Theory and Practice: Volume 3, Expressionism and Epic Theatre

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Publisher : Cambridge University Press
ISBN 13 : 9780521296304
Total Pages : 244 pages
Book Rating : 4.07/5 ( download)

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Book Synopsis Modern Drama in Theory and Practice: Volume 3, Expressionism and Epic Theatre by : J. L. Styan

Download or read book Modern Drama in Theory and Practice: Volume 3, Expressionism and Epic Theatre written by J. L. Styan and published by Cambridge University Press. This book was released on 1983-06-09 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modern drama in theory and ... /J.L. Styan.-v.3.

Little Art Colony and US Modernism

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Publisher : Edinburgh University Press
ISBN 13 : 1474439780
Total Pages : 374 pages
Book Rating : 4.87/5 ( download)

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Book Synopsis Little Art Colony and US Modernism by : Gano Geneva M. Gano

Download or read book Little Art Colony and US Modernism written by Gano Geneva M. Gano and published by Edinburgh University Press. This book was released on 2020-08-18 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the little art communities and their aesthetic products in the early twentieth centuryHistoricizes and theorizes the role and function of the little art community as a geo-social formationComparative, place-based study of three semiperipheral (non-metropolitan) sites New readings of major authors Jeffers, O'Neill, and LawrenceInterdisciplinary methodology based in primary source analysisChallenges a center-periphery model of modernist activity and literary-aesthetic production and instead emphasizes a network-based, collaborative modelThis book is first to historicise and theorise the significance of the early twentieth-century little art colony as a uniquely modern social formation within a global network of modernist activity and production. Alongside a historical overview of the emergence of three critical sites of modernist activity - the little art colonies of Carmel, Provincetown and Taos - the book offers new critical readings of major authors associated with those places: Robinson Jeffers, Eugene O'Neill and D. H. Lawrence. Geneva M. Gano tracks the radical thought and aesthetic innovation that emerged from these villages, revealing a surprisingly dynamic circulation of persons, objects and ideas between the country and the city and producing modernisms that were cosmopolitan in character yet also site-specific.

The Aesthetics of Failure

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Publisher : McFarland
ISBN 13 : 0786409460
Total Pages : 273 pages
Book Rating : 4.64/5 ( download)

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Book Synopsis The Aesthetics of Failure by : Zander Brietzke

Download or read book The Aesthetics of Failure written by Zander Brietzke and published by McFarland. This book was released on 2001-03-15 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Critic Clive Barnes once called Eugene O'Neill the "world's worst great playwright" and Brooks Atkinson called him "a tragic dramatist with a great knack for old-fashioned melodrama." These descriptions of the man can also be used to describe his work. Despite the fact that O'Neill is the only American playwright to win the Nobel Prize for Literature and his last works are some of America's finest, most of his published works are not good. This work closely examines how O'Neill's failures as a playwright are inspiring and how his disappointments are reflections of his own theory that tragedy requires failure, a theory that is evident in his work. Conflicts in O'Neill's plays are studied at the structural level, with attention paid to genre, language or dialogue, characters, space and time elements, and action. Included is information about O'Neill's life and a chronological listing of all of his 50 plays with basic details such as production history, principal characters, dramatic action, and a brief commentary.

Kitchen Sink Realisms

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Publisher : University of Iowa Press
ISBN 13 : 1609383761
Total Pages : 307 pages
Book Rating : 4.63/5 ( download)

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Book Synopsis Kitchen Sink Realisms by : Dorothy Chansky

Download or read book Kitchen Sink Realisms written by Dorothy Chansky and published by University of Iowa Press. This book was released on 2015-11-05 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1918’s Tickless Time through Waiting for Lefty, Death of a Salesman, A Streetcar Named Desire, A Raisin in the Sun, and The Prisoner of Second Avenue to 2005’s The Clean House, domestic labor has figured largely on American stages. No dramatic genre has done more than the one often dismissively dubbed “kitchen sink realism” to both support and contest the idea that the home is naturally women’s sphere. But there is more to the genre than even its supporters suggest. In analyzing kitchen sink realisms, Dorothy Chansky reveals the ways that food preparation, domestic labor, dining, serving, entertaining, and cleanup saturate the lives of dramatic characters and situations even when they do not take center stage. Offering resistant readings that rely on close attention to the particular cultural and semiotic environments in which plays and their audiences operated, she sheds compelling light on the changing debates about women’s roles and the importance of their household labor across lines of class and race in the twentieth century. The story begins just after World War I, as more households were electrified and fewer middle-class housewives could afford to hire maids. In the 1920s, popular mainstream plays staged the plight of women seeking escape from the daily grind; African American playwrights, meanwhile, argued that housework was the least of women’s worries. Plays of the 1930s recognized housework as work to a greater degree than ever before, while during the war years domestic labor was predictably recruited to the war effort—sometimes with gender-bending results. In the famously quiescent and anxious 1950s, critiques of domestic normalcy became common, and African American maids gained a complexity previously reserved for white leading ladies. These critiques proliferated with the re-emergence of feminism as a political movement from the 1960s on. After the turn of the century, the problems and comforts of domestic labor in black and white took center stage. In highlighting these shifts, Chansky brings the real home.