The Guitar In America

Author : Jeffrey Noonan
Publisher : Univ. Press of Mississippi
ISBN 13 : 1604733020
Total Pages : 239 pages
Book Rating : 4.20/5 ( download)

DOWNLOAD NOW!

Download or read book The Guitar in America written by Jeffrey Noonan and published by Univ. Press of Mississippi. This book was released on 2008 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Guitar in America offers a history of the instrument from America\'s late Victorian period to the Jazz Age. The narrative traces America\'s BMG (banjo, mandolin, and guitar) community, a late nineteenth-century musical and com-mercial movement dedicated to introducing these instru-ments into America\'s elite musical establishments. Using surviving BMG magazines, the author details an almost unknown history of the guitar during the movement\'s heyday, tracing the guitar\'s transformation from a refined parlor instrument to a mainstay in jazz and popular music. In the process, he not only introduces musicians (including numerous women guitarists) who led the movement, but also examines new techniques and instruments. Chapters consider the BMG movement\'s impact on jazz and popular music, the use of the guitar to promote attitudes towards women and minorities, and the challenges foreign guitarists such as Miguel Llobet and Andres Segovia presented to America\'s musicians. This volume opens a new chapter on the guitar in America, considering its cultivated past and documenting how banjoists and mandolinists aligned their instruments to it in an effort to raise social and cultural standing. At the same time, the book considers the BMG community within America\'s larger musical scene, examining its efforts as manifestations of this country\'s uneasy coupling of musical art and commerce. Jeffrey J. Noonan, associate professor of music at Southeast Missouri State University, has performed professionally on classical guitar, Renaissance lute, Baroque guitar, and theorbo for over twenty-five years. His articles have appeared in Soundboard and NYlon Review .

Author : Tim Brookes
Publisher : Grove Press
ISBN 13 : 9780802142580
Total Pages : 374 pages
Book Rating : 4.83/5 ( download)

DOWNLOAD NOW!

Download or read book Guitar: an American life written by Tim Brookes and published by Grove Press. This book was released on 1979 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reunion is the awkward, tender meeting between a father and daughter after nearly twenty years separation. Dark Pony is the telling of a mythical story by a father to his young daughter as they drive home in the evening.

Author : Joe Gioia
Publisher : State University of New York Press
ISBN 13 : 1438455038
Total Pages : 265 pages
Book Rating : 4.37/5 ( download)

DOWNLOAD NOW!

Download or read book The Guitar and the New World written by Joe Gioia and published by State University of New York Press. This book was released on 2014-03-12 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: The American guitar, that lightweight wooden box with a long neck, hourglass figure, and six metal strings, has evolved over five hundred years of social turmoil to become a nearly magical object—the most popular musical instrument in the world. In The Guitar and the New World, Joe Gioia offers a many-limbed social history that is as entertaining as it is informative. After uncovering the immigrant experience of his guitar-making Sicilian great uncle, Gioia's investigation stretches from the ancient world to the fateful events of the 1901 Buffalo Pan American Exposition, across Sioux Ghost Dancers and circus Indians, to the lives and works of such celebrated American musicians as Jimmy Rodgers, Charlie Patton, Eddie Lang, and the Carter Family. At the heart of the book's portrait of wanderings and legacies is the proposition that America's idiomatic harmonic forms—mountain music and the blues—share a single root, and that the source of the sad and lonesome sounds central to both is neither Celtic nor African, but truly indigenous—Native American. The case is presented through a wide examination of cultural histories, academic works, and government documents, as well as a close appreciation of recordings made by key rural musicians, black and white, in the 1920s and '30s. The guitar in its many forms has cheered humanity through centuries of upheaval, and The Guitar and the New World offers a new account of this old friend, as well as a transformative look at a hidden chapter of American history.

Author : André Millard
Publisher : JHU Press
ISBN 13 : 9780801878626
Total Pages : 262 pages
Book Rating : 4.24/5 ( download)

DOWNLOAD NOW!

Download or read book The Electric Guitar written by André Millard and published by JHU Press. This book was released on 2004-07-20 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In The Electric Guitar, scholars working in American studies, business history, the history of technology, and musicology come together to explore the instrument's importance as an invention and its peculiar place in American culture. Documenting the critical and evolving relationship among inventors, craftsmen, musicians, businessmen, music writers, and fans, the contributors look at the guitar not just as an instrument but as a mass produced consumer good that changed the sound of popular music and the self-image of musicians."--BOOK JACKET.

Author : Kathryn Marie Dudley
Publisher : University of Chicago Press
ISBN 13 : 022609541X
Total Pages : 375 pages
Book Rating : 4.17/5 ( download)

DOWNLOAD NOW!

Download or read book Guitar Makers written by Kathryn Marie Dudley and published by University of Chicago Press. This book was released on 2014-11-10 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: It whispers, it sings, it rocks, and it howls. It expresses the voice of the folk—the open road, freedom, protest and rebellion, youth and love. It is the acoustic guitar. And over the last five decades it has become a quintessential American icon. Because this musical instrument is significant to so many—in ways that are emotional, cultural, and economic—guitar making has experienced a renaissance in North America, both as a popular hobby and, for some, a way of life. In Guitar Makers, Kathryn Marie Dudley introduces us to builders of artisanal guitars, their place in the art world, and the specialized knowledge they’ve developed. Drawing on in-depth interviews with members of the lutherie community, she finds that guitar making is a social movement with political implications. Guitars are not simply made—they are born. Artisans listen to their wood, respond to its liveliness, and strive to endow each instrument with an unforgettable tone. Although professional luthiers work within a market society, Dudley observes that their overriding sentiment is passion and love of the craft. Guitar makers are not aiming for quick turnover or the low-cost reproduction of commodities but the creation of singular instruments with unique qualities, and face-to-face transactions between makers, buyers, and dealers are commonplace. In an era when technological change has pushed skilled artisanship to the margins of the global economy, and in the midst of a capitalist system that places a premium on ever faster and more efficient modes of commerce, Dudley shows us how artisanal guitar makers have carved out a unique world that operates on alternative, more humane, and ecologically sustainable terms.

Author : Tony Bacon
Publisher : Backbeat Books
ISBN 13 : 1476856370
Total Pages : 439 pages
Book Rating : 4.77/5 ( download)

DOWNLOAD NOW!

Download or read book History of the American Guitar written by Tony Bacon and published by Backbeat Books. This book was released on 2012-03-01 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Book). First published in 2001 and now updated and expanded, History of the American Guitar begins in New York City in the 1830s with the arrival of Christian Martin, from Germany, to set up the Martin company. From that historic moment, the book takes readers on a fascinating and comprehensive visual tour of U.S. guitar history. Over 75 brand names are represented, with more than 300 guitars photographed in stunning detail, including Bigsby, Danelectro, D'Angelico, D'Aquisto, Ditson, Dobro, Dyer, Epiphone, Fender, Gibson, Gretsch, James Trussart, Kay, Maccaferri, Martin, Micro-Frets, Mosrite, Oahu, Ovation, Regal, Rickenbacker, Stella, Stromberg, Suhr, Taylor, Vega, Washburn, Wilkanowski, and many more. The interrelated stories of the guitar, mandolin, and banjo are mixed seamlessly with the history of the diverse American music that grew and prospered with these instruments, from country to blues, from jazz to rock. The bulk of the instruments illustrated were part of the celebrated collection of Scott Chinery, photographed before Chinery's untimely death and the subsequent break-up of his unique collection. The book presents every important episode in the story of the American luthier's art and is an unparalleled resource for every musician, collector, and music fan.

Author : Erik Farseth
Publisher : Twenty-First Century Books
ISBN 13 : 1467701505
Total Pages : 68 pages
Book Rating : 4.01/5 ( download)

DOWNLOAD NOW!

Download or read book American Rock written by Erik Farseth and published by Twenty-First Century Books. This book was released on 2012-11-01 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt: A guitarist fires off riffs. A drummer pounds out primal rhythms. Fans scream along to a booming chorus. These are the sounds of rock. When rock 'n' roll first shook up young audiences, parents and politicians screamed in protest. But artists soon used the music to make protests of their own. Since rock's birth in the 1950s, its sounds have been blasted from garages to stadiums. The music can be the soundtrack to rebellion, a tool for self-expression, or just a way to bang your head. Find out what inspired rock pioneers to pick up their guitars. Discover the stories of outrageous punks and grungy alternative rockers. And learn more about legends such as Jimi Hendrix, Janis Joplin, Metallica, and Green Day.

Author : DOUG BACK
Publisher : Mel Bay Publications
ISBN 13 : 161065613X
Total Pages : 112 pages
Book Rating : 4.39/5 ( download)

DOWNLOAD NOW!

Download or read book Hispanic-American Guitar written by DOUG BACK and published by Mel Bay Publications. This book was released on 2011-03-04 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt: The guitar's entrance into American culture began in the early 1800s, introduced primarily by visiting and immigrant Spanish guitarists. Many of these newly arrived Spaniards exerted great influence on the guitar's development in 19th century America. the works in this book contain the compositions and arrangements of eight noted 19th century Hispanic American guitarist/composers with an emphasis on their works that reflect Latin themes or rhythms. Rounding out this anthology are dance forms such as the Habanera, Jota, Cachucha, Sevillaño, Spanish Mazurka, and other Spanish dance related works along with extended concert pieces such as Theme and Variations, Serenades, Polonaises and a delightful arrangement of the Celebrated Spanish Retreat, a programmatic work with an unusual "C" tuning and novel harmonic effects crafted to imitate the bugles, horns and drums as heard on the battlefield. the book features twenty-one solos and two duets which range in difficulty from easy to advanced. an extensive and well researched text along with photos and a companion recording by acclaimed guitarist/scholar Douglas Back help to make this a landmark book.

Author : ELIAS BARREIRO
Publisher : Mel Bay Publications
ISBN 13 : 1610656393
Total Pages : 122 pages
Book Rating : 4.99/5 ( download)

DOWNLOAD NOW!

Download or read book Music of Latin America for Acoustic Guitar written by ELIAS BARREIRO and published by Mel Bay Publications. This book was released on 2011-03-11 with total page 122 pages. Available in PDF, EPUB and Kindle. Book excerpt: This superb collection features 31 solo guitar settings of a colorful spectrum of music from Brazil, Venezuela, Columbia, Mexico, Cuba, Puerto Rico, Bolivia, Chile, Costa Rica, Ecuador, Guatemala, Peru, the Dominican Republic, and Uruguay. the music is derived largely from 19th and 20th century piano literature. While many anonymously composed selections are included here, most of these tunes were written by professional musicians who happened to be pianists, band directors or arrangers. Typical of the period, some orchestral scores appears as piano reductions, which Professor Barreiro has also used as a source for his guitar transcriptions. All of these selections are presented in standard notation and tablature with historical and performance notes. A companion CD is included featuring 16 selections from the book performed by Barreiro.

Author : Jeffrey Noonan
Publisher : A-R Editions, Inc.
ISBN 13 : 9780895796448
Total Pages : 344 pages
Book Rating : 4.49/5 ( download)

DOWNLOAD NOW!

Download or read book The Guitar in American Banjo, Mandolin and Guitar Periodicals, 1882-1933 written by Jeffrey Noonan and published by A-R Editions, Inc.. This book was released on 2009-01-01 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the early years of the twentieth century, O.G. Sonneck, the father of American musicology, decried the state of musical bibliography in this country, encouraging musical scholars to dedicate themselves to preserving, cataloging, and promoting the use of America’s musical ephemera, especially newspapers and magazines. Despite his century-old calls, much work in this area remains undone. This volume responds to Sonneck’s call for action by creating a bibliography of periodicals that document the use and place of the guitar in a little-known segment of America’s musical culture in the final decades of the nineteenth century through the first third of the twentieth century. Between 1880 and the mid-1930s, a unique musical movement grew and flourished in this country. Focused on the promotion of so-called “plectral instruments,” this movement promoted the banjo, the mandolin, and the guitar as cultivated instruments on a par with the classical violin or piano. The Banjo, Mandolin and Guitar (BMG) community consisted of instrument manufacturers, music publishers, professional teachers and composers, and amateur students. While some professional soloists achieved national recognition, the performing focus of the movement was ensemble work, with bands of banjos, mandolins and guitars ranging from quartets and quintets (modeled on the violin-family string ensembles) to festival orchestras of up to 400 players (mimicking the late romantic symphony orchestra). The repertoire of most ensembles included popular dances of the day as well as light classics, but more ambitious ensembles tackled Mozart, Haydn, Beethoven, and even Wagner. Although this movement straddled both popular and cultivated (classical) music-making, its elitist pretensions contributed to its demise in the wake of the explosive growth of modern American popular music linked to Tin Pan Alley or the blues. While the movement’s heyday spanned the early years of audio recording, only a handful of active BMG performers made recordings. As a result few musical scholars are aware of the BMG movement and its contribution to American musical culture, especially its influence on the physical and technical development of America’s instrument, the guitar The movement did, however, leave extensive traces of itself in periodicals produced by manufacturing and publishing concerns. Beginning in 1882, the leadership of the BMG movement fell to the publishers, editors, and contributors from these promotional journals, which were dedicated to the “interests of Banjoists, Mandolinists and Guitarists” While advertising dominated the pages of most of these periodicals, nearly all offered product and publication reviews, historical surveys, biographical sketches, and technical advice. In addition, the BMG magazines not only documented performances with reviews and program lists but also contained musical scores for solo instruments and plucked-string ensembles. These magazines are the primary sources which document this vibrant expression of America’s musical life. While one or two of the BMG magazines have been known by guitar scholars, most have not seen the light of day in decades. Similarly, a few of the leading guitar figures of the BMG movement—principally William Foden, Vahdah Olcott-Bickford, and George C. Krick—have been acknowledged and documented but many more remain completely anonymous. This bibliography offers access to the periodicals which help document the story of the guitar in America’s progressive era—a story of tradition and transformation—as lived and told by the guitar’s players, teachers, manufacturers, composers, and fans in the BMG movement. The bibliography consists of two large sections. The first contains a chronological list of articles, news items, advertisements, illustrations, and photographs as well as a list of musical works for guitar published in the BMG magazines. The second section of the bibliography is a series of indices which link names and subjects to the lists. With nearly 5500 entries and over 100 pages of indices, this bibliography offers researchers access to a musical world that has been locked away on library shelves for the past century.