The Function Of Gender In Female And Male Gothic

Author : Angela Leonardi
Publisher : GRIN Verlag
ISBN 13 : 3668380996
Total Pages : 22 pages
Book Rating : 4.98/5 ( download)

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Download or read book The Function of Gender in Female and Male Gothic written by Angela Leonardi and published by GRIN Verlag. This book was released on 2017-01-17 with total page 22 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essay from the year 2016 in the subject English Language and Literature Studies - Literature, grade: 1,3, Friedrich-Alexander University Erlangen-Nuremberg (English & American Studies), course: Gothic Fiction, language: English, abstract: The genre of Gothic became one of the most popular of the late 18th and early 19th century, and the novel usually regarded as the first Gothic novel is Horace Walpole's "The Castle of Otranto", first published in 1764. The first great practitioner of the Gothic novel, as well as the most popular novelist of the eighteenth century in England, was Ann Radcliffe. She added suspense, painted evocative landscapes and moods or atmosphere, portrayed increasingly complex, fascinatingly-horrifying, evil villains, and focused on the heroine and her struggle with the male tyrant. Her work "The Italian" (1797) have the ability to thrill and enthrall readers. Inspired by Radcliffe, a more sensational type of Gothic romance, exploiting horror and violence, flourished in Germany and was introduced to England by Matthew Gregory Lewis with "The Monk" (1796). The novel follows the lust-driven monk Ambrosio from one abominable act to another – rape, incest, matricide, burial alive – to his death and well-deserved damnation. The different schools, which are Female Gothic represented by Radcliffe and Male Gothic represented by Lewis, are distinguished by some critics as novel of terror and novel of horror. Sometimes this same distinction is tied to gender, with female equated with terror Gothic, and with male being equated with horror Gothic because both female and male writers can produce female and male Gothic. In this paper, I will explain the characteristics of the Female Gothic and the Male Gothic and the difference between these genres, more specifically by focusing on the function of gender and the characterization of the main characters in Ann Radcliffe’s "The Italian" and Matthew Lewis "The Monk". This is followed by the conclusion, in which the findings of this research will be laid out.

Author : Avril Horner
Publisher : Edinburgh University Press
ISBN 13 : 1474409512
Total Pages : 248 pages
Book Rating : 4.13/5 ( download)

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Download or read book Women and the Gothic written by Avril Horner and published by Edinburgh University Press. This book was released on 2016-02-22 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: A re-assessment of the Gothic in relation to the female, the 'feminine', feminism and post-feminismThis collection of newly commissioned essays brings together major scholars in the field of Gothic studies in order to re-think the topic of 'Women and the Gothic'. The 14 chapters in this volume engage with debates about 'Female Gothic' from the 1970s and '80s, through second wave feminism, theorisations of gender and a long interrogation of the 'women' category as well as with the problematics of post-feminism, now itself being interrogated by a younger generation of women. The contributors explore Gothic works from established classics to recent films and novels from feminist and post-feminist perspectives. The result is a lively book that combines rigorous close readings with elegant use of theory in order to question some ingrained assumptions about women, the Gothic and identity.Key FeaturesRevitalises the long-running debate about women, the Gothic and identityEngages with the political agendas of feminism and post-feminismPrioritises the concerns of woman as reader, author and criticOffers fresh readings of both classic and recent Gothic works

Author : Juliann E. Fleenor
Publisher : Eden Press
ISBN 13 :
Total Pages : 340 pages
Book Rating : 4.78/5 ( download)

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Download or read book The Female Gothic written by Juliann E. Fleenor and published by Eden Press. This book was released on 1983 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : D. Wallace
Publisher : Springer
ISBN 13 : 0230245455
Total Pages : 219 pages
Book Rating : 4.57/5 ( download)

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Download or read book The Female Gothic written by D. Wallace and published by Springer. This book was released on 2009-11-12 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: This rich and varied collection of essays makes a timely contribution to critical debates about the Female Gothic, a popular but contested area of literary studies. The contributors revisit key Gothic themes - gender, race, the body, monstrosity, metaphor, motherhood and nationality - to open up new critical directions.

Author : Jenny DiPlacidi
Publisher : Manchester University Press
ISBN 13 : 1526107562
Total Pages : 370 pages
Book Rating : 4.65/5 ( download)

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Download or read book Gothic incest written by Jenny DiPlacidi and published by Manchester University Press. This book was released on 2018-02-24 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The first full-length study of incest in the Gothic genre, this book argues that Gothic writers resisted the power structures of their society through incestuous desires. It provides interdisciplinary readings of incest within father-daughter, sibling, mother-son, cousin and uncle-niece relationships in texts by authors including Emily Brontë, Eliza Parsons, Ann Radcliffe and Eleanor Sleath. The analyses, underpinned by historical, literary and cultural contexts, reveal that the incest thematic allowed writers to explore a range of related sexual, social and legal concerns. Through representations of incest, Gothic writers modelled alternative agencies, sexualities and family structures that remain relevant today.

Author : Charlotte Perkins Gilman
Publisher : Modernista
ISBN 13 : 9180946518
Total Pages : 18 pages
Book Rating : 4.13/5 ( download)

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Download or read book The Yellow Wall-Paper written by Charlotte Perkins Gilman and published by Modernista. This book was released on 2024-03-21 with total page 18 pages. Available in PDF, EPUB and Kindle. Book excerpt: She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis.

Author : Kathy A. Fedorko
Publisher : University of Alabama Press
ISBN 13 : 0817359133
Total Pages : 219 pages
Book Rating : 4.33/5 ( download)

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Download or read book Gender and the Gothic in the Fiction of Edith Wharton written by Kathy A. Fedorko and published by University of Alabama Press. This book was released on 2017-12-12 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: An investigation into Wharton’s extensive use and adaptation of the Gothic in her fiction Gender and the Gothic in the Fiction of Edith Wharton is an innovative study that provides fresh insights into Wharton’s male characters while at the same time showing how Wharton’s imagining of a fe/male self evolves throughout her career. Using feminist archetypal theory and theory of the female Gothic, Kathy A. Fedorko shows how Wharton, in sixteen short stories and six major novels written during four distinct periods of her life, adopts and adapts Gothic elements to explore the nature of feminine and masculine ways of knowing and being and to dramatize the tension between them. Edith Wharton’s contradictory views of women and men—her attitudes toward the feminine and the masculine—reflect a complicated interweaving of family and social environment, historical time, and individual psychology. Studies of Wharton have exhibited this same kind of contradiction, with some seeing her as disparaging men and the masculine and others depicting her as disparaging women and the feminine. The use of Gothic elements in her fiction provided Wharton, who was often considered the consummate realist, with a way to dramatize the conflict between feminine and masculine selves as she experienced them and to evolve an alternative to the dualism. Fedorko’s work is unique in its careful consideration of Wharton’s sixteen Gothic works, which are seldom discussed. Further, the revelation of how these Gothic stories are reflected in her major realistic novels. In the novels with Gothic texts, Wharton draws multiple parallels between male and female protagonists, indicating the commonalities between women and men and the potential for a female self. Eventually, in her last completed novel and her last short story, Wharton imagines human beings who are comfortable with both gender selves.

Author : Diane Long Hoeveler
Publisher : Penn State Press
ISBN 13 : 0271040971
Total Pages : 274 pages
Book Rating : 4.74/5 ( download)

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Download or read book Gothic Feminism written by Diane Long Hoeveler and published by Penn State Press. This book was released on 2010-11-01 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: As British women writers in the late eighteenth and early nineteenth centuries sought to define how they experienced their era's social and economic upheaval, they helped popularize a new style of bourgeois female sensibility. Building on her earlier work in Romantic Androgyny, Diane Long Hoeveler now examines the Gothic novels of Charlotte Smith, Ann Radcliffe, Jane Austen, Charlotte Dacre Byrne, Mary Shelley, and the Bront&ës to show how these writers helped define femininity for women of the British middle class. Hoeveler argues that a female-created literary ideology, now known as &"victim feminism,&" arose as the Gothic novel helped create a new social role of professional victim for women adjusting to the new bourgeois order. These novels were thinly disguised efforts at propagandizing a new form of conduct for women, teaching that &"professional femininity&"&—a cultivated pose of wise passiveness and controlled emotions&—best prepared them for social survival. She examines how representations of both men and women in these novels moved from the purely psychosexual into social and political representations, and how these writers constructed a series of ideologies that would allow their female characters&—and readers&—fictitious mastery over an oppressive social and political system. Gothic Feminism takes a neo-feminist approach to these women's writings, treating them not as sacred texts but as thesis-driven works that attempted to instruct women in a series of strategic poses. It offers both a new understanding of the genre and a wholly new interpretation of feminism as a literary ideology.

Author : Donna Heiland
Publisher : John Wiley & Sons
ISBN 13 : 1405142898
Total Pages : 232 pages
Book Rating : 4.92/5 ( download)

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Download or read book Gothic and Gender written by Donna Heiland and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gothic novels tell terrifying stories of patriarchal societies that thrive on the oppression or even outright sacrifice of women and others. Donna Heiland’s Gothic and Gender offers a historically informed theoretical introduction to key gothic narratives from a feminist perspective. The book concentrates primarily on fiction from the 1760s through the 1840s, exploring the work of Horace Walpole, Clara Reeve, Sophia Lee, Matthew Lewis, Charlotte Dacre, Charles Maturin, Ann Radcliffe, William Godwin, Mary Wollstonecraft, Mary Shelley, John Polidori, James Malcolm Rymer, Emily Brontë, Charlotte Brontë, Charlotte Smith, and Charles Brockden Brown. The final chapter looks at contemporary fiction and its relation to the gothic, including an exploration of Margaret Atwood’s The Blind Assassin and Ann-Marie Macdonald’s Fall on Your Knees A Coda provides an overview of scholarship on the gothic, showing how gothic gradually became a major focus for literary critics, and paying particular attention to the feminist reinvigoration of gothic studies that began in the 1970s and continues today. Taken as a whole the book offers a stimulating survey of the representation of gender in the gothic, suitable for both students and readers of gothic literature.

Author : Diana Wallace
Publisher : University of Wales Press
ISBN 13 : 1783160314
Total Pages : 245 pages
Book Rating : 4.10/5 ( download)

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Download or read book Female Gothic Histories written by Diana Wallace and published by University of Wales Press. This book was released on 2013-03-30 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Female Gothic Histories traces the development of women's Gothic historical fiction from Sophia Lee's The Recess in the late eighteenth century through the work of Elizabeth Gaskell, Vernon Lee, Daphne du Maurier and Victoria Holt to the bestselling novels of Sarah Waters in the twenty-first century. Often left out of traditional historical narratives, women writers have turned to Gothic historical fiction as a mode of writing which can both reinsert them into history and symbolise their exclusion. This study breaks new ground in bringing together thinking about the Gothic and the historical novel, and in combining psychoanalytic theory with historical contextualisation.