Perspective In The Visual Culture Of Classical Antiquity

Author : Rocco Sinisgalli
Publisher : Cambridge University Press
ISBN 13 : 1139561162
Total Pages : 209 pages
Book Rating : 4.67/5 ( download)

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Download or read book Perspective in the Visual Culture of Classical Antiquity written by Rocco Sinisgalli and published by Cambridge University Press. This book was released on 2012-09-17 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Linear perspective is a science that represents objects in space upon a plane, projecting them from a point of view. This concept was known in classical antiquity. In this book, Rocco Sinisgalli investigates theories of linear perspective in the classical era. Departing from the received understanding of perspective in the ancient world, he argues that ancient theories of perspective were primarily based on the study of objects in mirrors, rather than the study of optics and the workings of the human eye. In support of this argument, Sinisgalli analyzes, and offers new insights into, some of the key classical texts on this topic, including Euclid's De speculis, Lucretius' De rerum natura, Vitruvius' De architectura and Ptolemy's De opticis. Key concepts throughout the book are clarified and enhanced by detailed illustrations.

Author : Rocco Sinisgalli
Publisher : Cambridge University Press
ISBN 13 : 1107025907
Total Pages : 209 pages
Book Rating : 4.05/5 ( download)

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Download or read book Perspective in the Visual Culture of Classical Antiquity written by Rocco Sinisgalli and published by Cambridge University Press. This book was released on 2012-09-17 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates theories of linear perspective in classical antiquity.

Author : Anna Cecilia Olovsdotter
Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 3110546507
Total Pages : 377 pages
Book Rating : 4.07/5 ( download)

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Download or read book Envisioning Worlds in Late Antique Art written by Anna Cecilia Olovsdotter and published by Walter de Gruyter GmbH & Co KG. This book was released on 2018-12-17 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: It has long been an accepted assumption that the abstracted mode of visual representation that emerged in late antiquity reflected a collective shift from the outer-directed and ’material’ world-view of classical antiquity to an inner-directed, ’spiritual’ mentality informed by Christianity: the purpose of this volume is to offer a more nuanced and diverse image of the nature and meanings of abstraction and symbolism in late antique and early medieval art, beyond normative intepretation models, and from a number of different methodological and interpretative perspectives. In ten chapters, ten authors specialised in various fields of late-antique and Byzantine art explore the historiographical background of the ’spiritual’ interpretation paradigm, neuroscientific and theological dimensions of Christian visual aesthetics, meanings and motive factors behind apparently wholly abstract and aniconic compositions, symbolic motifs and schemes for visualising cosmic order and the cosmic state of Christ, and the re-use of symbolic Greco-Roman themes in Christian contexts. The result is a multi-focal image of late antique abstraction and symbolism that illuminates the heterogeneity and complexity of the phenomena and of their study.

Author : Nikolaus Dietrich
Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 311046957X
Total Pages : 434 pages
Book Rating : 4.78/5 ( download)

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Download or read book Ornament and Figure in Graeco-Roman Art written by Nikolaus Dietrich and published by Walter de Gruyter GmbH & Co KG. This book was released on 2018-03-19 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: How does ‘decoration’ work? What are the relations between ‘figurative’ and ‘ornamental’ modes? And how do such modern western distinctions relate to other critical traditions? While these questions have been much debated among art historians, our book offers an ancient visual cultural perspective. On the one hand, we argue, Greek and Roman materials have proved instrumental in shaping modern assumptions. On the other hand, those ideologies are fundamentally removed from ancient ideas: an ancient perspective can therefore shed light on larger aesthetic debates about what images are – or indeed what they should be.This anthology of specially commissioned essays explores a variety of case studies (both literary and art historical alike): it discusses materials from across the ancient Mediterranean, and from Geometric art all the way through to late antiquity; the book also tackles questions of ‘figure’ and ‘ornament’ in relation to different media – including painting, free-standing statues, relief sculpture, mosaics and architecture. A particular feature of the volume lies in bringing together different national academic traditions, building a bridge between formalist approaches and broader cultural historical perspectives.

Author : Fabio Guidetti
Publisher : Oxbow Books
ISBN 13 : 1789254477
Total Pages : 641 pages
Book Rating : 4.71/5 ( download)

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Download or read book A Globalised Visual Culture? written by Fabio Guidetti and published by Oxbow Books. This book was released on 2020-07-31 with total page 641 pages. Available in PDF, EPUB and Kindle. Book excerpt: Late Antique artefacts, and the images they carry, attest to a highly connected visual culture from ca. 300 to 800 C.E. On the one hand, the same decorative motifs and iconographies are found across various genres of visual and material culture, irrespective of social and economic differences among their users – for instance in mosaics, architectural decoration, and luxury arts (silver plate, textiles, ivories), as well as in everyday objects such as tableware, lamps, and pilgrim vessels. On the other hand, they are also spread in geographically distant regions, mingled with local elements, far beyond the traditional borders of the classical world. At the same time, foreign motifs, especially of Germanic and Sasanian origin, are attested in Roman territories. This volume aims at investigating the reasons behind this seemingly globalised visual culture spread across the Late Antique world, both within the borders of the (former) Roman and (later) Byzantine Empire and beyond, bringing together diverse approaches characteristic of different national and disciplinary traditions. The presentation of a wide range of relevant case studies chosen from different geographical and cultural contexts exemplifies the vast scale of the phenomenon and demonstrates the benefit of addressing such a complex historical question with a combination of different theoretical approaches.

Author : Jill Burke
Publisher : Routledge
ISBN 13 : 1351551116
Total Pages : 403 pages
Book Rating : 4.13/5 ( download)

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Download or read book Rethinking the High Renaissance written by Jill Burke and published by Routledge. This book was released on 2017-07-05 with total page 403 pages. Available in PDF, EPUB and Kindle. Book excerpt: The perception that the early sixteenth century saw a culmination of the Renaissance classical revival - only to degrade into mannerism shortly after Raphael's death in 1520 - has been extremely tenacious; but many scholars agree that this tidy narrative is deeply problematic. Exploring how we can reconceptualize the High Renaissance in a way that reflects how we research and teach today, this volume complicates and deepens our understanding of artistic change. Focusing on Rome, the paradigmatic centre of the High Renaissance narrative, each essay presents a case study of a particular aspect of the culture of the city in the early sixteenth century, including new analyses of Raphael's stanze, Michelangelo's Sistine Ceiling and the architectural designs of Bramante. The contributors question notions of periodization, reconsider the Renaissance relationship with classical antiquity, and ultimately reconfigure our understanding of 'high Renaissance style'.

Author : Ingrid Alexander-Skipnes
Publisher : Routledge
ISBN 13 : 1317192052
Total Pages : 378 pages
Book Rating : 4.53/5 ( download)

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Download or read book Visual Culture and Mathematics in the Early Modern Period written by Ingrid Alexander-Skipnes and published by Routledge. This book was released on 2017-01-06 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the early modern period there was a natural correspondence between how artists might benefit from the knowledge of mathematics and how mathematicians might explore, through advances in the study of visual culture, new areas of enquiry that would uncover the mysteries of the visible world. This volume makes its contribution by offering new interdisciplinary approaches that not only investigate perspective but also examine how mathematics enriched aesthetic theory and the human mind. The contributors explore the portrayal of mathematical activity and mathematicians as well as their ideas and instruments, how artists displayed their mathematical skills and the choices visual artists made between geometry and arithmetic, as well as Euclid’s impact on drawing, artistic practice and theory. These chapters cover a broad geographical area that includes Italy, Switzerland, Germany, the Netherlands, France and England. The artists, philosophers and mathematicians whose work is discussed include Leon Battista Alberti, Nicholas Cusanus, Marsilio Ficino, Francesco di Giorgio, Leonardo da Vinci and Andrea del Verrocchio, as well as Michelangelo, Galileo, Piero della Francesca, Girard Desargues, William Hogarth, Albrecht Dürer, Luca Pacioli and Raphael.

Author : Christopher L. C. E. Witcombe
Publisher : Harvey Miller Publishers
ISBN 13 : 9781909400030
Total Pages : 0 pages
Book Rating : 4.33/5 ( download)

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Download or read book Eye and Art in Ancient Greece written by Christopher L. C. E. Witcombe and published by Harvey Miller Publishers. This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eye and Art in Ancient Greece examines the art of ancient Greece through reconstructions of how the Greeks saw and understood the products of their own visual culture. The material is approached using a newly developed methodology of archaeoaesthetics by which past modes of vision and perception are examined in conjunction with prevailing notions of pleasure and judgement with the purpose of identifying the visual and psychological contexts within which the aesthetics of a culture emerge. Through a wide-ranging examination of ideas found in early written sources, the book examines various key aspects of Greek visual culture, such as continuity and change, nudity, identity, lifelikeness, mimesis, personation and enactment, symmetria, dance, harmony, and the modal representation of emotions, with the aim of comprehending how and why choices were made in the conception and making of artifacts. Special attention is given to factors contributing to the formation of taste and the emergence and transmission over time of concepts of art and beauty and the means by which they were identified and judged. The approach facilitates encounters with the material in ways that give rise to new insights into how the ancient Greeks experienced their own visual culture and how Greek art may be understood by us today.

Author : Paul Keyser
Publisher : Oxford University Press
ISBN 13 : 0190878835
Total Pages : 1200 pages
Book Rating : 4.32/5 ( download)

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Download or read book The Oxford Handbook of Science and Medicine in the Classical World written by Paul Keyser and published by Oxford University Press. This book was released on 2018-06-26 with total page 1200 pages. Available in PDF, EPUB and Kindle. Book excerpt: With a focus on science in the ancient societies of Greece and Rome, including glimpses into Egypt, Mesopotamia, India and China, The Oxford Handbook of Science and Medicine in the Classical World offers an in depth synthesis of science and medicine circa 650 BCE to 650 CE. The Handbook comprises five sections, each with a specific focus on ancient science and medicine. The second section covers the early Greek era, up through Plato and the mid-fourth century bce. The third section covers the long Hellenistic era, from Aristotle through the end of the Roman Republic, acknowledging that the political shift does not mark a sharp intellectual break. The fourth section covers the Roman era from the late Republic through the transition to Late Antiquity. The final section covers the era of Late Antiquity, including the early Byzantine centuries. The Handbook provides through each of its approximately four dozen essays, a synthesis and synopsis of the concepts and models of the various ancient natural sciences, covering the early Greek era through the fall of the Roman Republic, including essays that explore topics such as music theory, ancient philosophers, astrology, and alchemy. The Oxford Handbook of Science and Medicine in the Classical World guides the reader to further exploration of the concepts and models of the ancient sciences, how they evolved and changed over time, and how they relate to one another and to their antecedents. There are a total of four dozen or so topical essays in the five sections, each of which takes as its focus the primary texts, explaining what is now known as well as indicating what future generations of scholars may come to know. Contributors suggest the ranges of scholarly disagreements and have been free to advocate their own positions. Readers are led into further literature (both primary and secondary) through the comprehensive and extensive bibliographies provided with each chapter.

Author : Jonas Grethlein
Publisher : Cambridge University Press
ISBN 13 : 1108136079
Total Pages : 317 pages
Book Rating : 4.75/5 ( download)

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Download or read book Aesthetic Experiences and Classical Antiquity written by Jonas Grethlein and published by Cambridge University Press. This book was released on 2017-11-02 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this bold book, Jonas Grethlein proposes a new dialogue between the fields of Classics and aesthetics. Ancient material, he argues, has the capacity to challenge and re-orientate current debates. Comparisons with modern art and literature help to balance the historicism of classical scholarship with transcultural theoretical critique. Grethlein discusses ancient narratives and pictures in order to explore the nature of aesthetic experience. While our responses to both narratives and pictures are vicarious, the 'as-if' on which they are premised is specifically shaped by the form of the representation. Form emerges as a key to how narratives and pictures constitute an important means of engaging with experience. Combining theoretical reflections with close readings, this book will appeal to art historians as well as to textual scholars.