Origins Of Cuban Music And Dance

Author : Benjamin Lapidus
Publisher : Scarecrow Press
ISBN 13 : 1461670292
Total Pages : 222 pages
Book Rating : 4.92/5 ( download)

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Download or read book Origins of Cuban Music and Dance written by Benjamin Lapidus and published by Scarecrow Press. This book was released on 2008-10-17 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Origins of Cuban Music and Dance: Changüí is the first in-depth study of changüí, a style of music and dance in Guantánamo, Cuba. Changüí is analogous to blues in the United States and is a crucible of Cuban Creole culture. Benjamin Lapidus describes changüí and its relationship to the roots of son, Cuba's national genre and the style of music that contributed to the development of salsa, in Eastern Cuba. He also highlights the connections between Afro-Haitian music and Cuban popular music through changüí, connections with the Caribbean that have been largely overlooked in the past. After an initial historical discussion about the region of Guantánamo and the inter-connectedness of its various musical styles with a focus on changüí, Lapidus discusses the technical aspects of the genre as practiced within the region and beyond. He considers the socio-historical importance of its lyrics, presenting numerous musical transcriptions that explain how the music is structured, as well as providing background stories to songs. In a chapter unique to this book and a first in Cuban musicology and ethnography, Lapidus describes years of festivals and musical competitions to show how local musical identity takes shape, particularly when encountering national narratives of music history. The volume concludes with a comparison between changüí and son, as well as a bibliography, discography, and videography.

Author : Ned Sublette
Publisher : Chicago Review Press
ISBN 13 : 1569764204
Total Pages : 690 pages
Book Rating : 4.06/5 ( download)

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Download or read book Cuba and Its Music written by Ned Sublette and published by Chicago Review Press. This book was released on 2007-02 with total page 690 pages. Available in PDF, EPUB and Kindle. Book excerpt: This entertaining history of Cuba and its music begins with the collision of Spain and Africa and continues through the era of Miguelito Valdes, Arsenio Rodriguez, Benny More, and Perez Prado. It offers a behind-the-scenes examination of music from a Cuban point of view, unearthing surprising, provocative connections and making the case that Cuba was fundamental to the evolution of music in the New World. The ways in which the music of black slaves transformed 16th-century Europe, how the "claves" appeared, and how Cuban music influenced ragtime, jazz, and rhythm and blues are revealed. Music lovers will follow this journey from Andalucia, the Congo, the Calabar, Dahomey, and Yorubaland via Cuba to Mexico, Puerto Rico, Saint-Domingue, New Orleans, New York, and Miami. The music is placed in a historical context that considers the complexities of the slave trade; Cuba's relationship to the United States; its revolutionary political traditions; the music of Santeria, Palo, Abakua, and Vodu; and much more.

Author : Miguel Arnedo-Gómez
Publisher : University of Virginia Press
ISBN 13 : 9780813925424
Total Pages : 236 pages
Book Rating : 4.28/5 ( download)

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Download or read book Writing Rumba written by Miguel Arnedo-Gómez and published by University of Virginia Press. This book was released on 2006 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Arising in the heyday of the music recently made famous by the Buena Vista Social Club, afrocubanismo was an artistic and intellectual movement in Cuba in the 1920s and 1930s that tried to convey a national and racial identity. Through poetry, this movement was the first serious attempt on the part of mostly white Cuban intellectuals to produce a national literature that incorporated elements from the Afro-Cuban traditions of lower-class urban blacks. One of its main objectives was to project an image of Cuban identity as a harmonious process of fusion between black and white people and cultures. The notion of a unified nation without racial conflicts and the idea of a mulatto Cuban culture and identity continue to play a prominent role in the Cuban imagination. The first book-length treatment of the poetry of this movement, Writing Rumba: The Afrocubanista Movement in Poetry questions the assumption that the poetry did manage to symbolize racial reconciliation and unification. At the same time it reveals a process of literary transculturation by which the dominant literature of European origins was radically transformed through the incorporation of formal principles from Afro-Cuban dance and music forms. To make his case, Miguel Arnedo-G mez establishes the nature of the movement s connections to Cuban blacks during this time, analyzes the poetry's links with the represented cultures on the basis of anthropological and ethnographic research, and explores the thought of leading figures of the movement, tying their discourse to specific sociocultural factors in Cuba at the time. Relating the poetry to music and dance, he further illuminates the interplay of power and culture in a social context. Essential for understanding Cuban nationalism and race relations today, Writing Rumba will appeal to an interdisciplinary audience not only in regional, cultural, and anthropological fields but also in the fields of music, dance, and literature.

Author : Helio Orovio
Publisher : Duke University Press
ISBN 13 : 9780822332121
Total Pages : 252 pages
Book Rating : 4.24/5 ( download)

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Download or read book Cuban Music from A to Z written by Helio Orovio and published by Duke University Press. This book was released on 2004-03-12 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVThe definitive guide to the composers, artists, bands, musical instruments, dances, and institutions of Cuban music./div

Author : Cristóbal Díaz Ayala
Publisher : Greenwood Press
ISBN 13 : 9780313298042
Total Pages : 296 pages
Book Rating : 4.41/5 ( download)

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Download or read book The Roots of Salsa written by Cristóbal Díaz Ayala and published by Greenwood Press. This book was released on 1995 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Robin D. Moore
Publisher : Univ of California Press
ISBN 13 : 0520247108
Total Pages : 734 pages
Book Rating : 4.09/5 ( download)

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Download or read book Music and Revolution written by Robin D. Moore and published by Univ of California Press. This book was released on 2006 with total page 734 pages. Available in PDF, EPUB and Kindle. Book excerpt: Annotation A history of Cuban music during the Castro regime (1950s to the present.

Author : Jill Flanders Crosby
Publisher : University Press of Florida
ISBN 13 : 1683403797
Total Pages : 274 pages
Book Rating : 4.91/5 ( download)

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Download or read book Situated Narratives and Sacred Dance written by Jill Flanders Crosby and published by University Press of Florida. This book was released on 2023-02-14 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using storytelling and performance to explore shared religious expression across continents Through a revolutionary ethnographic approach that foregrounds storytelling and performance as alternative means of knowledge, Situated Narratives and Sacred Dance explores shared ritual traditions between the Anlo-Ewe people of West Africa and their descendants, the Arará of Cuba, who were brought to the island in the transatlantic slave trade. The volume draws on two decades of research in four communities: Dzodze, Ghana; Adjodogou, Togo; and Perico and Agramonte, Cuba. In the ceremonies, oral narratives, and daily lives of individuals at each fieldsite, the authors not only identify shared attributes in religious expression across continents, but also reveal lasting emotional, spiritual, and personal impacts in the communities whose ancestors were ripped from their homeland and enslaved. The authors layer historiographic data, interviews, and fieldnotes with artistic modes such as true fiction, memoir, and choreographed narrative, challenging the conventional nature of scholarship with insights gained from sensorial experience. Including reflections on the making of an art installation based on this research project, the volume challenges readers to imagine the potential of approaching fieldwork as artists. The authors argue that creative methods can convey truths deeper than facts, pointing to new possibilities for collaboration between scientists and artists with relevance to any discipline. Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

Author : Vernon Boggs
Publisher :
ISBN 13 :
Total Pages : 480 pages
Book Rating : 4.08/5 ( download)

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Download or read book Salsiology written by Vernon Boggs and published by . This book was released on 1992 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: Boggs presents a readable, exciting history of Salsa, showing how Afro-Cuban music was embraced in New York City and how it has undergone cycles of popularity and been replicated abroad. From its roots in Cuba through present-day Salsa clubs, Boggs provides a tour of a popular music form that has had a significant impact on the Latin community as well as contemporary musicians and composers. Extensively illustrated with photographs of the bands and clubs as well as the key leaders and promoters, the book also contains interviews with top performers and others instrumental in making salsa what it is today.

Author : Benjamin Lapidus
Publisher : Univ. Press of Mississippi
ISBN 13 : 1496831306
Total Pages : 420 pages
Book Rating : 4.09/5 ( download)

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Download or read book New York and the International Sound of Latin Music, 1940-1990 written by Benjamin Lapidus and published by Univ. Press of Mississippi. This book was released on 2020-12-28 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: New York City has long been a generative nexus for the transnational Latin music scene. Currently, there is no other place in the Americas where such large numbers of people from throughout the Caribbean come together to make music. In this book, Benjamin Lapidus seeks to recognize all of those musicians under one mighty musical sound, especially those who have historically gone unnoticed. Based on archival research, oral histories, interviews, and musicological analysis, Lapidus examines how interethnic collaboration among musicians, composers, dancers, instrument builders, and music teachers in New York City set a standard for the study, creation, performance, and innovation of Latin music. Musicians specializing in Spanish Caribbean music in New York cultivated a sound that was grounded in tradition, including classical, jazz, and Spanish Caribbean folkloric music. For the first time, Lapidus studies this sound in detail and in its context. He offers a fresh understanding of how musicians made and formally transmitted Spanish Caribbean popular music in New York City from 1940 to 1990. Without diminishing the historical facts of segregation and racism the musicians experienced, Lapidus treats music as a unifying force. By giving recognition to those musicians who helped bridge the gap between cultural and musical backgrounds, he recognizes the impact of entire ethnic groups who helped change music in New York. The study of these individual musicians through interviews and musical transcriptions helps to characterize the specific and identifiable New York City Latin music aesthetic that has come to be emulated internationally.

Author : Alejandro L. Madrid
Publisher : Oxford University Press
ISBN 13 : 0199965811
Total Pages : 288 pages
Book Rating : 4.16/5 ( download)

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Download or read book Danzón written by Alejandro L. Madrid and published by Oxford University Press. This book was released on 2013-11-06 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Initially branching out of the European contradance tradition, the danzón first emerged as a distinct form of music and dance among black performers in nineteenth-century Cuba. By the early twentieth-century, it had exploded in popularity throughout the Gulf of Mexico and Caribbean basin. A fundamentally hybrid music and dance complex, it reflects the fusion of European and African elements and had a strong influence on the development of later Latin dance traditions as well as early jazz in New Orleans. Danzón: Circum-Caribbean Dialogues in Music and Dance studies the emergence, hemisphere-wide influence, and historical and contemporary significance of this music and dance phenomenon. Co-authors Alejandro L. Madrid and Robin D. Moore take an ethnomusicological, historical, and critical approach to the processes of appropriation of the danzón in new contexts, its changing meanings over time, and its relationship to other musical forms. Delving into its long history of controversial popularization, stylistic development, glorification, decay, and rebirth in a continuous transnational dialogue between Cuba and Mexico as well as New Orleans, the authors explore the production, consumption, and transformation of this Afro-diasporic performance complex in relation to global and local ideological discourses. By focusing on interactions across this entire region as well as specific local scenes, Madrid and Moore underscore the extent of cultural movement and exchange within the Americas during the late nineteenth and early twentieth-centuries, and are thereby able to analyze the danzón, the dance scenes it has generated, and the various discourses of identification surrounding it as elements in broader regional processes. Danzón is a significant addition to the literature on Latin American music, dance, and expressive culture; it is essential reading for scholars, students, and fans of this music alike.