Nazi Propaganda Films

Author : Rolf Giesen
Publisher : McFarland
ISBN 13 : 1476612692
Total Pages : 296 pages
Book Rating : 4.90/5 ( download)

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Download or read book Nazi Propaganda Films written by Rolf Giesen and published by McFarland. This book was released on 2015-09-11 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hitler and the Nazis saturated their country with many types of propaganda to convince the German citizenry that the Nazi ideology was the only ideology. One type of propaganda that the Nazis relied on heavily was cinematic. This work focuses on Nazi propaganda feature films and feature-length documentaries made in Germany between 1933 and 1945 and released to the public. Some of them were Staatsauftragsfilme, films produced by order of and financed by the Third Reich. The films are arranged by subject and then alphabetically, and complete cast and production credits are provided for each. Short biographies of actors, directors, producers, and other who were involved in the making of Nazi propaganda films are also provided.

Author : Hilmar Hoffmann
Publisher : Berghahn Books
ISBN 13 : 9781571811226
Total Pages : 276 pages
Book Rating : 4.22/5 ( download)

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Download or read book The Triumph of Propaganda written by Hilmar Hoffmann and published by Berghahn Books. This book was released on 1996 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seeing German film during the Third Reich as a powerful and sinister tool for both indoctrination and escapist pacification, analyses the pictorial and spoken language to identify the psychological techniques used in the various genres, including news reels, documentaries, features, and cultural films. Two chapters focus on the role of flags, and another explains the rise of Hitler. Not illustrated. No subject index. First published as Und die Fahne fuhrt uns in die Ewigkeit in 1988 by Fischer Taschenbuch Verlag in Frankfurt am Main. Annotation copyright by Book News, Inc., Portland, OR

Author : David Welch
Publisher : Bloomsbury Publishing
ISBN 13 : 085771595X
Total Pages : 329 pages
Book Rating : 4.51/5 ( download)

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Download or read book Propaganda and the German Cinema, 1933-1945 written by David Welch and published by Bloomsbury Publishing. This book was released on 2001-03-23 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the most comprehensive analysis to date of Nazi film propaganda in its political, social, and economic contexts, from the pre-war cinema as it fell under the control of the Propaganda Minister, Joseph Goebbels, through to the end of the Second World War. David Welch studies more than one hundred films of all types, identifying those aspects of Nazi ideology that were concealed in the framework of popular entertainment.

Author : Laura Heins
Publisher : University of Illinois Press
ISBN 13 : 0252095022
Total Pages : 257 pages
Book Rating : 4.23/5 ( download)

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Download or read book Nazi Film Melodrama written by Laura Heins and published by University of Illinois Press. This book was released on 2013-09-16 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cultural productions in the Third Reich often served explicit propaganda functions of legitimating racism and glorifying war and militarism. Likewise, the proliferation of domestic and romance films in Nazi Germany also represented an ideological stance. Rather than reinforcing traditional gender role divisions and the status quo of the nuclear family, these films were much more permissive about desire and sexuality than previously assumed. Focusing on German romance films, domestic melodramas, and home front films from 1933 to 1945, Nazi Film Melodrama shows how melodramatic elements in Nazi cinema functioned as part of a project to move affect, body, and desire beyond the confines of bourgeois culture and participate in a curious modernization of sexuality engineered to advance the imperialist goals of the Third Reich. Offering a comparative analysis of Nazi productions with classical Hollywood films of the same era, Laura Heins argues that German fascist melodramas differed from their American counterparts in their negative views of domesticity and in their use of a more explicit antibourgeois rhetoric. Nazi melodramas, film writing, and popular media appealed to viewers by promoting liberation from conventional sexual morality and familial structures, presenting the Nazi state and the individual as dynamic and revolutionary. Some spectators objected to the eroticization and modernization of the public sphere under Nazism, however, pitting Joseph Goebbels' Ministry of Propaganda against more conservative film audiences in a war over the very status of domesticity and the shape of the family. Drawing on extensive archival research, this perceptive study highlights the seemingly contradictory aspects of gender representation and sexual morality in Nazi-era cinema.

Author : Harry Waldman
Publisher : McFarland
ISBN 13 : 0786492066
Total Pages : 712 pages
Book Rating : 4.60/5 ( download)

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Download or read book Nazi Films in America, 1933-1942 written by Harry Waldman and published by McFarland. This book was released on 2020-08-05 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1933 until America's entry into World War II in 1941, nearly 500 Nazi films were shown in American theaters, accounting for nearly half of all foreign language film imports during the period. These poorly disguised propaganda films were produced by Germany's top studios and featured prominent pro-German and Nazi actors, directors and technicians. The films were replete with overt and covert anti-Jewish imagery and themes, but in spite of this obvious intent to use the medium to justify Nazi ascendancy, viewers and film critics from such prominent publications as the New York Times, Variety, the Washington Post and the Chicago Times consistently overlooked the films' anti-Semitic message, dubbing them harmless entertainment. This is the complete history of German films shown in America from the founding of the Nazi government to America's involvement in the war. Summaries, descriptions and discussions of these almost 500 films serve to examine the major filmmakers and distributors who kept the German film industry alive during the rule of Hitler and the Third Reich. Special emphasis is placed on films directly commissioned by Joseph Goebbels, head of the German Ministry for the Enlightenment of the People and Propaganda and the man directly responsible for ensuring that the anti-Semitic ideology of the new regime was reflected in all films produced after January 30, 1933. Rarely seen photographs and illustrations complete an in-depth study of the Nazi use of this global medium.

Author : Jo Fox
Publisher : Bloomsbury Publishing PLC
ISBN 13 :
Total Pages : 372 pages
Book Rating : 4.36/5 ( download)

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Download or read book Film Propaganda in Britain and Nazi Germany written by Jo Fox and published by Bloomsbury Publishing PLC. This book was released on 2007 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher description

Author : Carol Rittner
Publisher : NYU Press
ISBN 13 : 0814774067
Total Pages : 180 pages
Book Rating : 4.69/5 ( download)

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Download or read book The Courage to Care written by Carol Rittner and published by NYU Press. This book was released on 1989-02 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: The extraordinary story of a few non-Jews who risked their lives to rescue and protect Jews from Nazi persecution in Europe during World War II is told in The Courage to Care. It features the first person accounts of rescuers and of survivors whose stories address the basic issue of individual responsibility: the notion that one person can act—and that those actions can make a difference. These rescuers are true heroes, but modest ones. They did a thousand ordinary things—opening doors, hiding and feeding strangers, keeping secrets—in an extraordinary time. For this, they are known as "Righteous Among the Nations of the World." The rescuers and survivors are from many countries in Europe—Italy, the Netherlands, Denmark, Norway, France, Bulgaria, Poland, Germany—and they tell their stories with simplicity and dignity. Each story is interwoven with old snapshots of rescuers and survivors, their homes, their hiding places, and the communities in which they lived. Noted author, teacher, and human rights activist, Elie Wiesel, helps us to ask: "what made these people different?" He points out how those who helped Jews during the Holocaust "changed history" by their actions. The Courage to Care reminds readers of the power of individual action. This compelling book is the companion volume to the award-winning film, The Courage to Care, and includes the personal narratives of the same persons in the film and many others.

Author : Thomas Doherty
Publisher : Columbia University Press
ISBN 13 : 0231535147
Total Pages : 449 pages
Book Rating : 4.44/5 ( download)

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Download or read book Hollywood and Hitler, 1933-1939 written by Thomas Doherty and published by Columbia University Press. This book was released on 2013-04-02 with total page 449 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1933 and 1939, representations of the Nazis and the full meaning of Nazism came slowly to Hollywood, growing more ominous and distinct only as the decade wore on. Recapturing what ordinary Americans saw on the screen during the emerging Nazi threat, Thomas Doherty reclaims forgotten films, such as Hitler's Reign of Terror (1934), a pioneering anti-Nazi docudrama by Cornelius Vanderbilt Jr.; I Was a Captive of Nazi Germany (1936), a sensational true tale of "a Hollywood girl in Naziland!"; and Professor Mamlock (1938), an anti-Nazi film made by German refugees living in the Soviet Union. Doherty also recounts how the disproportionately Jewish backgrounds of the executives of the studios and the workers on the payroll shaded reactions to what was never simply a business decision. As Europe hurtled toward war, a proxy battle waged in Hollywood over how to conduct business with the Nazis, how to cover Hitler and his victims in the newsreels, and whether to address or ignore Nazism in Hollywood feature films. Should Hollywood lie low, or stand tall and sound the alarm? Doherty's history features a cast of charismatic personalities: Carl Laemmle, the German Jewish founder of Universal Pictures, whose production of All Quiet on the Western Front (1930) enraged the nascent Nazi movement; Georg Gyssling, the Nazi consul in Los Angeles, who read the Hollywood trade press as avidly as any studio mogul; Vittorio Mussolini, son of the fascist dictator and aspiring motion picture impresario; Leni Riefenstahl, the Valkyrie goddess of the Third Reich who came to America to peddle distribution rights for Olympia (1938); screenwriters Donald Ogden Stewart and Dorothy Parker, founders of the Hollywood Anti-Nazi League; and Harry and Jack Warner of Warner Bros., who yoked anti-Nazism to patriotic Americanism and finally broke the embargo against anti-Nazi cinema with Confessions of a Nazi Spy (1939).

Author : Linda Schulte-Sasse
Publisher : Duke University Press
ISBN 13 : 9780822318248
Total Pages : 372 pages
Book Rating : 4.45/5 ( download)

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Download or read book Entertaining the Third Reich written by Linda Schulte-Sasse and published by Duke University Press. This book was released on 1996 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: On Nazi cinema

Author : Valerie Weinstein
Publisher : Indiana University Press
ISBN 13 : 0253040744
Total Pages : 278 pages
Book Rating : 4.49/5 ( download)

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Download or read book Antisemitism in Film Comedy in Nazi Germany written by Valerie Weinstein and published by Indiana University Press. This book was released on 2019-03-05 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: How party propagandists worked behind the scenes to create unspoken racist messages in the German culture—even in the most lighthearted of movies. Today many Germans look back fondly on 1930s film comedies, viewing them as a part of the Nazi era that was not tainted with antisemitism. Here, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate “Jews” from “Germans” physically, economically, and artistically. Weinstein highlights how the German propaganda ministry used directives, pre- and post-production censorship, financial incentives, and influence over film critics and their judgments to replace Jewish “wit” with a slower, simpler, and more direct German “humor” that affirmed values that the Nazis associated with the Aryan race. Through contextualized analyses of historical documents and individual films, Weinstein reveals how humor, coded hints and traces, absences, and substitutes in Third Reich film comedy helped spectators imagine an abstract “Jewishness” and a “German” identity and community free from the former. As resurgent populist nationalism and overt racism continue to grow around the world today, Weinstein’s study helps us rethink racism and prejudice in popular culture and reconceptualize the relationships between film, humor, national identity, and race.