Master Artists of the Imperial Mughal Court

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Publisher : South Asia Books
ISBN 13 :
Total Pages : 148 pages
Book Rating : 4.25/5 ( download)

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Book Synopsis Master Artists of the Imperial Mughal Court by : Pratapaditya Pal

Download or read book Master Artists of the Imperial Mughal Court written by Pratapaditya Pal and published by South Asia Books. This book was released on 1991 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Imperial Mughal Painters

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Publisher : Editions Flammarion
ISBN 13 :
Total Pages : 248 pages
Book Rating : 4.15/5 ( download)

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Book Synopsis Imperial Mughal Painters by : Amina Okada

Download or read book Imperial Mughal Painters written by Amina Okada and published by Editions Flammarion. This book was released on 1992 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Jahangir, a Connoisseur of Mughal Art

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Publisher : Abhinav Publications
ISBN 13 : 8170173868
Total Pages : 224 pages
Book Rating : 4.61/5 ( download)

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Book Synopsis Jahangir, a Connoisseur of Mughal Art by : Sanjeev Prasad Srivastava

Download or read book Jahangir, a Connoisseur of Mughal Art written by Sanjeev Prasad Srivastava and published by Abhinav Publications. This book was released on 2001 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jahangir : A Connoisseur Of Mughal Art Is Author'S Third Great Work Showing The Character And Personality Of Prince Salim Who Ruled India After The Death Of Akbar. It Tends To Portray The Aesthetic Taste Of Emperor Jahangir As An Unrivalled Connoisseur Of Mughal Art Besides Being A Shrewd Administrator Of Mughal Empire. The Primary Sources Attempts To Present The Artistic Heritage Of His Ancestors Followed By His Own Innovations Known As Muraqqas In Miniature Painting Which Stand Out As Rare Specimens Of Mughal Painting In The Entire Range Of Art History.Jahangir, Who Has Been Depicted As A Great Campaigner Of Wars, Was Also An Avowed Lover Of Natural Phenomena As Also Famous Naturalist Lover Of Mughal Art. What Excelled All Others Styles Of His Reign Was Aspect Of Sophistication And Refinement Which Characterize The Miniatures, Muraqqas Produced In Jahangir'S Atelier.It Was Based On Detailed Analytical Study Of The Trends And Tendencies Patronised By Him. Jahangir Devoted Enough Time To The Study And Enjoyment Of Painting During His Stay At Lahore Which Became A Hub Of Artistic Activity. It Was Here That Most Significant Manuscripts Were Illustrated. Many Noted Artists Worked At Lahore Kingdom. Lahore Became The Second Capital Of The Mughal Empire From Where Radiated Art, Culture, Language And Literature Throughout India.He Was A Man Of Wide Literary Taste, Having Intense Love For Poetry, Music, History, Geography, Architecture, Painting And Fine Arts. A Typical Mughal Culture Would Have Been Impossible Without This Intellectual And Artistic Contribution.

Rembrandt and the Inspiration of India

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Publisher : Getty Publications
ISBN 13 : 1606065521
Total Pages : 162 pages
Book Rating : 4.25/5 ( download)

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Book Synopsis Rembrandt and the Inspiration of India by : Stephanie Schrader

Download or read book Rembrandt and the Inspiration of India written by Stephanie Schrader and published by Getty Publications. This book was released on 2018-03-20 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt: This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.

Aesthetic Hybridity in Mughal Painting, 1526–1658

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Publisher : Routledge
ISBN 13 : 1317184874
Total Pages : 336 pages
Book Rating : 4.74/5 ( download)

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Book Synopsis Aesthetic Hybridity in Mughal Painting, 1526–1658 by : Valerie Gonzalez

Download or read book Aesthetic Hybridity in Mughal Painting, 1526–1658 written by Valerie Gonzalez and published by Routledge. This book was released on 2016-03-03 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first specialized critical-aesthetic study to be published on the concept of hybridity in early Mughal painting, this book investigates the workings of the diverse creative forces that led to the formation of a unique Mughal pictorial language. Mughal pictoriality distinguishes itself from the Persianate models through the rationalization of the picture’s conceptual structure and other visual modes of expression involving the aesthetic concept of mimesis. If the stylistic and iconographic results of this transformational process have been well identified and evidenced, their hermeneutic interpretation greatly suffers from the neglect of a methodologically updated investigation of the images’ conceptual underpinning. Valerie Gonzalez addresses this lacuna by exploring the operations of cross-fertilization at the level of imagistic conceptualization resulting from the multifaceted encounter between the local legacy of Indo-Persianate book art, the freshly imported Persian models to Mughal India after 1555 and the influx of European art at the Mughal court in the sixteenth and seventeenth centuries. The author's close examination of the visuality, metaphysical order and aesthetic language of Mughal imagery and portraiture sheds new light on this particular aspect of its aesthetic hybridity, which is usually approached monolithically as a historical phenomenon of cross-cultural interaction. That approach fails to consider specific parameters and features inherent to the artistic practice, such as the differences between doxis and praxis, conceptualization and realization, intentionality and what lies beyond it. By studying the distinct phases and principles of hybridization between the variegated pictorial sources at work in the Mughal creative process at the successive levels of the project/intention, the practice/realization and the result/product, the author deciphers the modalities of appropriation and manipulation of the heterogeneous elements. Her unique

The Emperors' Album

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Publisher : Metropolitan Museum of Art
ISBN 13 : 0870994999
Total Pages : 320 pages
Book Rating : 4.99/5 ( download)

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Book Synopsis The Emperors' Album by : Stuart Cary Welch

Download or read book The Emperors' Album written by Stuart Cary Welch and published by Metropolitan Museum of Art. This book was released on 1987 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.

The Imperial Image

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Publisher : Arthur M Sackler Gallery
ISBN 13 :
Total Pages : 248 pages
Book Rating : 4.52/5 ( download)

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Book Synopsis The Imperial Image by : Milo Cleveland Beach

Download or read book The Imperial Image written by Milo Cleveland Beach and published by Arthur M Sackler Gallery. This book was released on 1981 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Portraiture in South Asia since the Mughals

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Publisher : Bloomsbury Publishing
ISBN 13 : 1838608974
Total Pages : 288 pages
Book Rating : 4.72/5 ( download)

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Book Synopsis Portraiture in South Asia since the Mughals by : Crispin Branfoot

Download or read book Portraiture in South Asia since the Mughals written by Crispin Branfoot and published by Bloomsbury Publishing. This book was released on 2018-06-30 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most remarkable artistic achievements of the Mughal Empire was the emergence in the early seventeenth century of portraits of identifiable individuals, unprecedented in both South Asia and the Islamic world. Appearing at a time of increasing contact between Europe and Asia, portraits from the reigns of the great Mughal emperor-patrons Akbar, Jahangir and Shah Jahan are among the best-known paintings produced in South Asia. In the following centuries portraiture became more widespread in the visual culture of South Asia, especially in the rich and varied traditions of painting, but also in sculpture and later prints and photography. This collection seeks to understand the intended purpose of a range of portrait traditions in South Asia and how their style, setting and representation may have advanced a range of aesthetic, social and political functions. The chapters range across a wide historical period, exploring ideals of portraiture in Sanskrit and Persian literature, the emergence and political symbolism of Mughal portraiture, through to the paintings of the Rajput courts, sculpture in Tamil temples and the transformation of portraiture in colonial north India and post-independence Pakistan. This specially commissioned collection of studies from a strong list of established scholars and rising stars makes a significant contribution to South Asian history, art and visual culture.

Animating Empire

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Publisher : Penn State Press
ISBN 13 : 0271081511
Total Pages : 185 pages
Book Rating : 4.19/5 ( download)

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Book Synopsis Animating Empire by : Jessica Keating

Download or read book Animating Empire written by Jessica Keating and published by Penn State Press. This book was released on 2018-05-09 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the sixteenth and seventeenth centuries, German clockwork automata were collected, displayed, and given as gifts throughout the Holy Roman, Ottoman, and Mughal Empires. In Animating Empire, Jessica Keating recounts the lost history of six such objects and reveals the religious, social, and political meaning they held. The intricate gilt, silver, enameled, and bejeweled clockwork automata, almost exclusively crafted in the city of Augsburg, represented a variety of subjects in motion, from religious figures to animals. Their movements were driven by gears, wheels, and springs painstakingly assembled by clockmakers. Typically wound up and activated by someone in a position of power, these objects and the theological and political arguments they made were highly valued by German-speaking nobility. They were often given as gifts and as tribute payment, and they played remarkable roles in the Holy Roman Empire, particularly with regard to courtly notions about the important early modern issues of universal Christian monarchy, the Reformation, the Counter-Reformation, the encroachment of the Ottoman Empire, and global trade. Demonstrating how automata produced in the Holy Roman Empire spoke to a convergence of historical, religious, and political circumstances, Animating Empire is a fascinating analysis of the animation of inanimate matter in the early modern period. It will appeal especially to art historians and historians of early modern Europe. E-book editions have been made possible through support of the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation.

Wonder of the Age

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Publisher : Metropolitan Museum of Art
ISBN 13 : 1588394301
Total Pages : 226 pages
Book Rating : 4.09/5 ( download)

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Book Synopsis Wonder of the Age by : John Guy

Download or read book Wonder of the Age written by John Guy and published by Metropolitan Museum of Art. This book was released on 2011 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2011-Jan. 8, 2012.