Introduction To Contemporary Music

Author : Joseph Machlis
Publisher : New York : Norton
ISBN 13 : 9780393090260
Total Pages : 694 pages
Book Rating : 4.64/5 ( download)

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Download or read book Introduction to Contemporary Music written by Joseph Machlis and published by New York : Norton. This book was released on 1979 with total page 694 pages. Available in PDF, EPUB and Kindle. Book excerpt: Biographical and historical data and clear technical explanations are featured in a guide to the appreciation of twentieth-century music that includes a full discussion of trends since 1961, a dictionary of composers, and a concentrated review of musical concepts.

Author : Nicole V. Gagné
Publisher : Rowman & Littlefield
ISBN 13 : 1538122987
Total Pages : 545 pages
Book Rating : 4.83/5 ( download)

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Download or read book Historical Dictionary of Modern and Contemporary Classical Music written by Nicole V. Gagné and published by Rowman & Littlefield. This book was released on 2019-07-17 with total page 545 pages. Available in PDF, EPUB and Kindle. Book excerpt: The contemporary music scene thus embodies a uniquely broad spectrum of activity, which has grown and changed down to the present hour. With new talents emerging and different technologies developing as we move further into the 21st century, no one can predict what paths music will take next. All we can be certain of is that the inspiration and originality that make music live will continue to bring awe, delight, fascination, and beauty to the people who listen to it. This book cover modernist and postmodern concert music worldwide from the years 1888 to 2018. This second edition of Historical Dictionary of Modern and Contemporary Classical Music contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on the most important composers, musicians, methods, styles, and media in modernist and postmodern classical music worldwide, from 1888 to 2018. This book is an excellent resource for students, researchers, and anyone wanting to know more about modern and contemporary classical music.

Author : Michael L. Mark
Publisher : Simon & Schuster Books For Young Readers
ISBN 13 :
Total Pages : 392 pages
Book Rating : 4.82/5 ( download)

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Download or read book Contemporary Music Education written by Michael L. Mark and published by Simon & Schuster Books For Young Readers. This book was released on 1986 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Third Edition has been thoroughly revised and updated to cover recent developments and current concerns in the field.

Author : Greg McCandless
Publisher :
ISBN 13 : 9781138930629
Total Pages : 0 pages
Book Rating : 4.28/5 ( download)

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Download or read book The Craft of Contemporary Commercial Music written by Greg McCandless and published by . This book was released on 2017-08-02 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the contemporary world, the role of the commercial composer has grown to include a wide range of new responsibilities. Modern composers not only write music, but also often need to perform, record, and market their own works. The Craft of Contemporary Commercial Music prepares today's music students for their careers by teaching them to compose their own music, produce it professionally, and sell it successfully. Exercises at the end of each chapter provide practice with key skills, and a companion website supports the book with video walkthroughs, streaming audio, a multimedia glossary, and printable exercise pages.

Author : Judy Lochhead
Publisher : Routledge
ISBN 13 : 1317581083
Total Pages : 204 pages
Book Rating : 4.86/5 ( download)

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Download or read book Reconceiving Structure in Contemporary Music written by Judy Lochhead and published by Routledge. This book was released on 2015-06-19 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book studies recent music in the western classical tradition, offering a critique of current analytical/theoretical approaches and proposing alternatives. The critique addresses the present fringe status of recent music sometimes described as crossover, postmodern, post-classical, post-minimalist, etc. and demonstrates that existing descriptive languages and analytical approaches do not provide adequate tools to address this music in positive and productive terms. Existing tools and concepts were developed primarily in the mid-20th century in tandem with the high modernist compositional aesthetic, and they have changed little since then. The aesthetics of music composition, on the other hand, have been in constant transformation. Lochhead proposes new ways to conceive musical works, their structurings of musical experience and time, and the procedures and goals of analytic close reading. These tools define investigative procedures that engage the multiple perspectives of composers, performers, and listeners, and that generate conceptual modes unique to each work. In action, they rebuild a conceptual, methodological, and experiential place for recent music. These new approaches are demonstrated in analyses of four pieces: Kaija Saariaho’s Lonh (1996), Sofia Gubaidulina’s Second String Quartet (1987), Stacy Garrop’s String Quartet no.2, Demons and Angels (2004-05), and Anna Clyne’s "Choke" (2004). This book defies the prediction of classical music’s death, and will be of interest to scholars and musicians of classical music, and those interested in music theory, musicology, and aural culture.

Author : Mr Max Paddison
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1409494063
Total Pages : 414 pages
Book Rating : 4.65/5 ( download)

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Download or read book Contemporary Music written by Mr Max Paddison and published by Ashgate Publishing, Ltd.. This book was released on 2013-01-28 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays and interviews addresses important theoretical, philosophical and creative issues in Western art music at the end of the twentieth- and the beginning of the twenty-first centuries. Edited by Max Paddison and Irène Deliège, the book offers a wide range of international perspectives from prominent musicologists, philosophers and composers, including Célestin Deliège, Pascal Decroupet, Richard Toop, Rudolf Frisius, Alastair Williams, Herman Sabbe, François Nicolas, Marc Jimenez, Anne Boissière, Max Paddison, Hugues Dufourt, Jonathan Harvey, and new interviews with Pierre Boulez, Brian Ferneyhough, Helmut Lachenmann, and Wolfgang Rihm. Part I is mainly theoretical in emphasis. Issues addressed include the historical rationalization of music and technology, new approaches to the theorization of atonal harmony in the wake of Spectralism, debates on the 'new complexity', the heterogeneity, pluralism and stylistic omnivorousness that characterizes music in our time, and the characterization of twentieth-century and contemporary music as a 'search for lost harmony'. The orientation of Part II is mainly philosophical, examining concepts of totality and inclusivity in new music, raising questions as to what might be expected from an autonomous contemporary musical logic, and considering the problem of the survival of the avant-garde in the context of postmodernist relativism. As well as analytic philosophy and cognitive psychology, critical theory features prominently, with theories of social mediation in music, new perspectives on the concept of musical material in Adorno's late aesthetic theory, and a call for 'an aesthetics of risk' in contemporary art as a means 'to reassert the essential role of criticism, of judgment, and of evaluation as necessary conditions to bring about a real public debate on the art of today'. Part III offers creative perspectives, with new essays and interviews from important contemporary composers who have made highly significant interventions in the debates around music today, both through their compositions and through their writings on music. The contributions from Pierre Boulez, Brian Ferneyhough, Helmut Lachenmann, Wolfgang Rihm, and Jonathan Harvey, and also the opening essay of the volume by the French spectralist composer and philosopher Hugues Dufourt, address issues of chance, control, freedom, intuition, ambiguity, technology, time, and meaning in contemporary music. A concluding essay by Alastair Williams on advanced contemporary music and the Austro-German tradition post-1968 provides a postlude to the book, while the whole collection is prefaced by an extended introductory chapter by Max Paddison which provides a context of ideas, and traces many of the issues discussed back to Adorno's seminal notion of une musique informelle.

Author : Irène Deliège
Publisher : Routledge
ISBN 13 : 1317160681
Total Pages : 442 pages
Book Rating : 4.87/5 ( download)

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Download or read book Contemporary Music written by Irène Deliège and published by Routledge. This book was released on 2016-05-13 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays and interviews addresses important theoretical, philosophical and creative issues in Western art music at the end of the twentieth- and the beginning of the twenty-first centuries. Edited by Max Paddison and Irène Deliège, the book offers a wide range of international perspectives from prominent musicologists, philosophers and composers, including Célestin Deliège, Pascal Decroupet, Richard Toop, Rudolf Frisius, Alastair Williams, Herman Sabbe, François Nicolas, Marc Jimenez, Anne Boissière, Max Paddison, Hugues Dufourt, Jonathan Harvey, and new interviews with Pierre Boulez, Brian Ferneyhough, Helmut Lachenmann, and Wolfgang Rihm. Part I is mainly theoretical in emphasis. Issues addressed include the historical rationalization of music and technology, new approaches to the theorization of atonal harmony in the wake of Spectralism, debates on the 'new complexity', the heterogeneity, pluralism and stylistic omnivorousness that characterizes music in our time, and the characterization of twentieth-century and contemporary music as a 'search for lost harmony'. The orientation of Part II is mainly philosophical, examining concepts of totality and inclusivity in new music, raising questions as to what might be expected from an autonomous contemporary musical logic, and considering the problem of the survival of the avant-garde in the context of postmodernist relativism. As well as analytic philosophy and cognitive psychology, critical theory features prominently, with theories of social mediation in music, new perspectives on the concept of musical material in Adorno's late aesthetic theory, and a call for 'an aesthetics of risk' in contemporary art as a means 'to reassert the essential role of criticism, of judgment, and of evaluation as necessary conditions to bring about a real public debate on the art of today'. Part III offers creative perspectives, with new essays and interviews from important contemporary composers who have mad

Author : Andrew Kania
Publisher : Routledge
ISBN 13 : 1351810235
Total Pages : 301 pages
Book Rating : 4.34/5 ( download)

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Download or read book Philosophy of Western Music written by Andrew Kania and published by Routledge. This book was released on 2020-04-08 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first comprehensive book-length introduction to the philosophy of Western music that fully integrates consideration of popular music and hybrid musical forms, especially song. Its author, Andrew Kania, begins by asking whether Bob Dylan should even have been eligible for the Nobel Prize in Literature, given that he is a musician. This motivates a discussion of music as an artistic medium, and what philosophy has to contribute to our thinking about music. Chapters 2-5 investigate the most commonly defended sources of musical value: its emotional power, its form, and specifically musical features (such as pitch, rhythm, and harmony). In chapters 6-9, Kania explores issues arising from different musical practices, particularly work-performance (with a focus on classical music), improvisation (with a focus on jazz), and recording (with a focus on rock and pop). Chapter 10 examines the intersection of music and morality. The book ends with a consideration of what, ultimately, music is. Key Features Uses popular-song examples throughout, but also discusses a range of musical traditions (notably, rock, pop, classical, and jazz) Explains both philosophical and musical terms when they are first introduced Provides publicly accessible Spotify playlists of the musical examples discussed in the book Each chapter begins with an overview and ends with questions for testing comprehension and stimulating further thought, along with suggestions for further reading

Author : Annemette Kirkegaard
Publisher : Nordic Africa Institute
ISBN 13 : 9789171064967
Total Pages : 188 pages
Book Rating : 4.66/5 ( download)

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Download or read book Playing with Identities in Contemporary Music in Africa written by Annemette Kirkegaard and published by Nordic Africa Institute. This book was released on 2002 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: The musics of Africa play a particularly important role in expressing and forming identities. This book brings together African and Nordic scholars from both musicology and other disciplines in an attempt to analyse various aspects of the complex playing with volatile identities in music in Africa today. Taken together the papers put new light on the assumed or real dichotomies between countryside and city, collective and individual, tradition and modernity, authentic and alien. The papers are based on contributions for a conference organized by the research project “Cultural Images in and of Africa†of the Nordic Africa Institute together with the Sibelius Museum/Department of Musicology and the Centre for Continuing Education at Ã...bo Akademi University in Ã...bo (Turku), Finland in October 2000. The book includes a keynote speech by Christopher Waterman (UCLA), and an introduction by Annemette Kirkegaard, Copenhagen University. Southern, West and East Africa are represented in the studies, which cover a great variety of musics.

Author : Jessica Sternfeld
Publisher : Routledge
ISBN 13 : 1134851855
Total Pages : 763 pages
Book Rating : 4.50/5 ( download)

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Download or read book The Routledge Companion to the Contemporary Musical written by Jessica Sternfeld and published by Routledge. This book was released on 2019-08-16 with total page 763 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to the Contemporary Musical is dedicated to the musical’s evolving relationship to American culture in the late twentieth and early twenty-first centuries. In the past decade-and-a-half, international scholars from an ever-widening number of disciplines and specializations have been actively contributing to the interdisciplinary field of musical theater studies. Musicals have served not only to mirror the sociopolitical, economic, and cultural tenor of the times, but have helped shape and influence it, in America and across the globe: a genre that may seem, at first glance, light-hearted and escapist serves also as a bold commentary on society. Forty-four essays examine the contemporary musical as an ever-shifting product of an ever-changing culture. This volume sheds new light on the American musical as a thriving, contemporary performing arts genre, one that could have died out in the post-Tin Pan Alley era but instead has managed to remain culturally viable and influential, in part by newly embracing a series of complex contradictions. At present, the American musical is a live, localized, old-fashioned genre that has simultaneously developed into an increasingly globalized, tech-savvy, intensely mediated mass entertainment form. Similarly, as it has become increasingly international in its scope and appeal, the stage musical has also become more firmly rooted to Broadway—the idea, if not the place—and thus branded as a quintessentially American entertainment.