Genealogies Of Art Or The History Of Art As Visual Art

Author : Manuel Fontan del Junco
Publisher : Fundacion Juan March
ISBN 13 : 9788470756610
Total Pages : 450 pages
Book Rating : 4.13/5 ( download)

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Download or read book Genealogies of Art, Or the History of Art As Visual Art written by Manuel Fontan del Junco and published by Fundacion Juan March. This book was released on 2020-01-21 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: How artists, historians and theorists have diagrammed art's lineages, from the Middle Ages to Fluxus Genealogies of Art analyzes the visual representations of art history made by artists, critics, designers, theorists and poets alike, from the genealogical trees of the 12th through the 15th centuries and the Renaissance to more recent information graphics, including paintings, sketches, maps, plans, prints, drawings and diagrams. The conceptual core of the book is the famed chart that Alfred H. Barr, first director of the Museum of Modern Art, composed for the cover of his landmark exhibition Cubism and Abstract Art in 1936, which sought to trace the origins of abstract art from 1890 to 1936. Around this paradigmatic chart is gathered a tremendous pageant of works by great polymaths and thinkers, including Guy Debord's situationist maps; the Guerrilla Girls' "Guerrillas in the Midst of History"; Athanasius Kircher's baroque-era trees of knowledge; George Maciunas' Fluxus diagrams; André Malraux's Museum without Walls; Otto Neurath's charts and isotypes; Ad Reinhardt's collaged histories of art; Ward Shelley's Who Invented the Avant-Garde?; Maurice Stein, Larry Miller and Marshall Henrichs' Blueprint for Counter Education; Aby Warburg's legendary Mnemosyne Atlas; and many others. Across 450 pages, Genealogies of Art reproduces more than 500 images. In addition to these, Astrit Schmidt-Burkhardt contributes an essay titled "The Diagrammatic Shift," following by Manuel Lima's "Trees of Knowledge: The Diagrammatic Traditions of the Middle Ages and the Renaissance," both of which contextualize the relevance of this form throughout history. Uwe Fleckner explores the use of diagrammatic visualization in curatorial and collecting activities, as in the cases of Carl Einstein or Aby Warburg; and the Picasso specialist Eugenio Carmona looks at Alfred H. Barr's conception of Picasso's work, in his text "Barr, Cubism and Picasso: Paradigm and 'Anti-paradigm.'"

Author : Laura U. Marks
Publisher : MIT Press
ISBN 13 : 0262537362
Total Pages : 423 pages
Book Rating : 4.60/5 ( download)

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Download or read book Enfoldment and Infinity written by Laura U. Marks and published by MIT Press. This book was released on 2010-08-13 with total page 423 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tracing the connections—both visual and philosophical—between new media art and classical Islamic art. In both classical Islamic art and contemporary new media art, one point can unfold to reveal an entire universe. A fourteenth-century dome decorated with geometric complexity and a new media work that shapes a dome from programmed beams of light: both can inspire feelings of immersion and transcendence. In Enfoldment and Infinity, Laura Marks traces the strong similarities, visual and philosophical, between these two kinds of art. Her argument is more than metaphorical; she shows that the “Islamic” quality of modern and new media art is a latent, deeply enfolded, historical inheritance from Islamic art and thought. Marks proposes an aesthetics of unfolding and enfolding in which image, information, and the infinite interact: image is an interface to information, and information (such as computer code or the words of the Qur'an) is an interface to the infinite. After demonstrating historically how Islamic aesthetics traveled into Western art, Marks draws explicit parallels between works of classical Islamic art and new media art, describing texts that burst into image, lines that multiply to form fractal spaces, “nonorganic life” in carpets and algorithms, and other shared concepts and images. Islamic philosophy, she suggests, can offer fruitful ways of understanding contemporary art.

Author : Christopher S. Wood
Publisher : Princeton University Press
ISBN 13 : 0691204764
Total Pages : 472 pages
Book Rating : 4.65/5 ( download)

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Download or read book A History of Art History written by Christopher S. Wood and published by Princeton University Press. This book was released on 2021-03-02 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. The book shows that the pioneering chroniclers of the Italian Renaissance--Lorenzo Ghiberti and Giorgio Vasari--measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however--Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich--struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline. Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history."--from book jacket

Author : Uri McMillan
Publisher : NYU Press
ISBN 13 : 1479852473
Total Pages : 307 pages
Book Rating : 4.75/5 ( download)

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Download or read book Embodied Avatars written by Uri McMillan and published by NYU Press. This book was released on 2015-11-04 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Tracing a dynamic genealogy of performance from the nineteenth century to the twenty-first, McMillian contends that black women artists practiced a purposeful self-objectification, transforming themselves into art objects. In doing so, these artists raised new ways to ponder the intersections of art, performance, and black female embodiment."--Back cover.

Author : Isabelle Graw
Publisher : MIT Press
ISBN 13 : 3956792513
Total Pages : 0 pages
Book Rating : 4.19/5 ( download)

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Download or read book The Love of Painting written by Isabelle Graw and published by MIT Press. This book was released on 2019-04-02 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of how the rhetoric of painting remains omnipresent in the field of art. Painting seems to have lost its dominant position in the field of the arts. However, looking more closely at exhibited photographs, assemblages, installations, or performances, it is evident how the rhetorics of painting still remain omnipresent. Following the tradition of classical theories of painting based on exchanges with artists, Isabelle Graw's The Love of Painting considers the art form not as something fixed, but as a visual and discursive material formation with the potential to fascinate owing to its ability to produce the fantasy of liveliness. Thus, painting is not restricted to the limits of its own frame, but possesses a specific potential that is located in its material and physical signs. Its value is grounded in its capacity to both reveal and mystify its conditions of production. Alongside in-depth analyses of the work of artists like Édouard Manet, Jutta Koether, Martin Kippenberger, Jana Euler, and Marcel Broodthaers, the book includes conversations with artists in which Graw's insights are further discussed and put to the test.

Author : David Joselit
Publisher : MIT Press
ISBN 13 : 0262043696
Total Pages : 344 pages
Book Rating : 4.94/5 ( download)

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Download or read book Heritage and Debt written by David Joselit and published by MIT Press. This book was released on 2020-03-10 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: How global contemporary art reanimates the past as a resource for the present, combating modern art's legacy of Eurocentrism. If European modernism was premised on the new—on surpassing the past, often by assigning it to the “traditional” societies of the Global South—global contemporary art reanimates the past as a resource for the present. In this account of what globalization means for contemporary art, David Joselit argues that the creative use of tradition by artists from around the world serves as a means of combatting modern art's legacy of Eurocentrism. Modernism claimed to live in the future and relegated the rest of the world to the past. Global contemporary art shatters this myth by reactivating various forms of heritage—from literati ink painting in China to Aboriginal painting in Australia—in order to propose new and different futures. Joselit analyzes not only how heritage becomes contemporary through the practice of individual artists but also how a cultural infrastructure of museums, biennials, and art fairs worldwide has emerged as a means of generating economic value, attracting capital and tourist dollars. Joselit traces three distinct forms of modernism that developed outside the West, in opposition to Euro-American modernism: postcolonial, socialist realism, and the underground. He argues that these modern genealogies are synchronized with one another and with Western modernism to produce global contemporary art. Joselit discusses curation and what he terms “the curatorial episteme,” which, through its acts of framing or curating, can become a means of recalibrating hierarchies of knowledge—and can contribute to the dual projects of decolonization and deimperialization.

Author : Angela Dalle Vacche
Publisher : Rutgers University Press
ISBN 13 : 9780813531731
Total Pages : 300 pages
Book Rating : 4.3X/5 ( download)

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Download or read book The Visual Turn written by Angela Dalle Vacche and published by Rutgers University Press. This book was released on 2003 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays demonstrates the usefulness of looking at cinema with the analytical methods provided by art theory. "The Visual Turn" is a dialogue between art historians and film theorists from the silent period to the aftermath of World War II.

Author : Robert Allan Maxwell
Publisher : Penn State Press
ISBN 13 : 0271036362
Total Pages : 290 pages
Book Rating : 4.66/5 ( download)

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Download or read book Representing History, 900-1300 written by Robert Allan Maxwell and published by Penn State Press. This book was released on 2010 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Brings together the disciplines of art, music, and history to explore the importance of the past to conceptions of the present in the central Middle Ages"--Provided by publisher.

Author : Joan A. Holladay
Publisher : Cambridge University Press
ISBN 13 : 1108470181
Total Pages : 417 pages
Book Rating : 4.86/5 ( download)

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Download or read book Visualizing Ancestry in the High and Late Middle Ages written by Joan A. Holladay and published by Cambridge University Press. This book was released on 2019-01-17 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: Appearing in all figural media from the mid-twelfth century, family trees and lineages made political claims for their patrons.

Author : Dominic Johnson
Publisher : Routledge
ISBN 13 : 1134907435
Total Pages : 188 pages
Book Rating : 4.34/5 ( download)

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Download or read book Critical Live Art written by Dominic Johnson and published by Routledge. This book was released on 2016-04-29 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: Live Art is a contested category, not least because of the historical, disciplinary and institutional ambiguities that the term often tends to conceal. Live Art can be usefully defined as a peculiarly British variation on particular legacies of cultural experimentation – a historically and culturally contingent translation of categories including body art, performance art, time-based art, and endurance art. The recent social and cultural history of the UK has involved specific factors that have crucially influenced the development of Live Art since the late 1970s. These have included issues in national cultural politics relating to sexuality, gender, disability, technology, and cultural policy. In the past decade there has been a proliferation of festivals of Live Art in the UK and growing support for Live Art in major venues. Nevertheless, while specific artists have been afforded critical essays and monographs, there is a relative absence of scholarly work on Live Art as a historically and culturally specific mode of artistic production. Through essays by leading scholars and critical interviews with influential artists in the sector, Critical Live Art addresses the historical and cultural specificity of contemporary experimental performance, and explores the diversity of practices that are carried out, programmed, read or taught as Live Art. This book is based on a special issue of Contemporary Theatre Review.