Fictions Of Romantic Irony

Author : Lilian R. Furst
Publisher : Cambridge, Mass. : Harvard University Press
ISBN 13 :
Total Pages : 298 pages
Book Rating : 4.13/5 ( download)

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Download or read book Fictions of Romantic Irony written by Lilian R. Furst and published by Cambridge, Mass. : Harvard University Press. This book was released on 1984 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through an analysis of six major European narratives of the mid-eighteenth to the mid-nineteenth century, this book makes a new approach to romantic irony by envisaging it in a broad European context in relation both to earlier concepts of irony and to traditional uses of irony in narration.

Author : Frederick Garber
Publisher : John Benjamins Publishing
ISBN 13 : 9630548445
Total Pages : 399 pages
Book Rating : 4.41/5 ( download)

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Download or read book Romantic Irony written by Frederick Garber and published by John Benjamins Publishing. This book was released on 1988-01-01 with total page 399 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first collaborative international reading of irony as a major phenomenon in Romantic art and thought. The volume identifies key predecessor moments that excited Romantic authors and the emergence of a distinctly Romantic theory and practice of irony spreading to all literary genres. Not only the influential pioneer German, British, and French varieties, but also manifestations in northern, eastern, and southern parts of Europe as well as in North America, are considered. A set of concluding “syntheses” treat the shaping power of Romantic irony in narrative modes, music, the fine arts, and theater – innovations that will deeply influence Modernism. Thus the cross-cultural and interdisciplinary approach elaborated in the twenty chapters of Romantic Irony, as lead volume in the five-volume Romanticism series, establishes a significant new range for comparative literature studies in dealing with a complex literary movement. SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of “irony” as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the “Old” and “New” Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.

Author : Lilian R. Furst
Publisher :
ISBN 13 : 9780333258798
Total Pages : 276 pages
Book Rating : 4.97/5 ( download)

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Download or read book Fictions of Romantic Irony in European Narrative, 1760-1857 written by Lilian R. Furst and published by . This book was released on 1984 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : G R Thompson
Publisher :
ISBN 13 : 9780984654345
Total Pages : 0 pages
Book Rating : 4.48/5 ( download)

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Download or read book Poe's Fiction written by G R Thompson and published by . This book was released on 2023-10-31 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This 50th anniversary reissue of G.R. Thompson's Poe's Fiction makes available for Poe scholars, students, and aficionados the groundbreaking work that changed the course of Poe studies. Written in highly accessible prose, the book reads as fresh today as when it first appeared. Poe's Fiction, which established that Poe was neither a hack nor a madman, neither a writer purely devoted to ideality nor solely a morbid Gothicist-but rather consistently a romantic ironist-was not only the first book to make full sense of Poe, it also helped to explain Poe's enormous influence on twentieth-century literature.

Author : Christian Quendler
Publisher : Peter Lang Pub Incorporated
ISBN 13 : 9783631367186
Total Pages : 182 pages
Book Rating : 4.8X/5 ( download)

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Download or read book From Romantic Irony to Postmodernist Metafiction written by Christian Quendler and published by Peter Lang Pub Incorporated. This book was released on 2001 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study represents a comparison between two radical gestures of literary self-reflexivity: romantic irony and postmodernist metafiction. It examines the impact of early German romantic theory and its central concept of irony on German and English romantic narrative fiction and relates the same to postmodernist self-reflexive novels, including its British and American variants. A primary objective of this comparison is to account for the radical skepticism that postmodernist metafiction voices with respect to the paramount philosophical question of truth and reality. The immanent tension between an absolute idealistic and a radically skeptic position which romantic irony articulates and enacts is conceived of as an important and instructive link to the understanding of postmodernism.

Author : Laurence A. Rickels
Publisher : Wayne State University Press
ISBN 13 : 9780814318263
Total Pages : 388 pages
Book Rating : 4.66/5 ( download)

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Download or read book Aberrations of Mourning written by Laurence A. Rickels and published by Wayne State University Press. This book was released on 1988 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Gerald Gillespie
Publisher : John Benjamins Publishing
ISBN 13 : 9027291640
Total Pages : 760 pages
Book Rating : 4.46/5 ( download)

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Download or read book Romantic Prose Fiction written by Gerald Gillespie and published by John Benjamins Publishing. This book was released on 2008-02-14 with total page 760 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume a team of three dozen international experts presents a fresh picture of literary prose fiction in the Romantic age seen from cross-cultural and interdisciplinary perspectives. The work treats the appearance of major themes in characteristically Romantic versions, the power of Romantic discourse to reshape imaginative writing, and a series of crucial reactions to the impact of Romanticism on cultural life down to the present, both in Europe and in the New World. Through its combination of chapters on thematic, generic, and discursive features, Romantic Prose Fiction achieves a unique theoretical stance, by considering the opinions of primary Romantics and their successors not as guiding “truths” by which to define the permanent “meaning” of Romanticism, but as data of cultural history that shed important light on an evolving civilization.SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series’ total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of “irony” as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism’s own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the “Old” and “New” Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.

Author : Patricia Diane Rigg
Publisher : Fairleigh Dickinson Univ Press
ISBN 13 : 9780838637739
Total Pages : 172 pages
Book Rating : 4.36/5 ( download)

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Download or read book Robert Browning's Romantic Irony in The Ring and the Book written by Patricia Diane Rigg and published by Fairleigh Dickinson Univ Press. This book was released on 1999 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study is a reading of Robert Browning as an ironist in the tradition of the German Romanticist Friedrich Schlegel, who coined the term "Romantic irony." Specifically, Patricia Diane Rigg considers historicity or historical truth in Browning's The Ring and the Book by distinguishing between the processes of representation and re-presentation within the context of Romantic irony.

Author : Richard Allen
Publisher : Columbia University Press
ISBN 13 : 9780231135757
Total Pages : 346 pages
Book Rating : 4.50/5 ( download)

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Download or read book Hitchcock's Romantic Irony written by Richard Allen and published by Columbia University Press. This book was released on 2007 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is Hitchcock a superficial, though brilliant, entertainer or a moralist? Do his films celebrate the ideal of romantic love or subvert it? In a new interpretation of the director's work, Richard Allen argues that Hitchcock orchestrates the narrative and stylistic idioms of popular cinema to at once celebrate and subvert the ideal of romance and to forge a distinctive worldview-the amoral outlook of the romantic ironist or aesthete. He describes in detail how Hitchcock's characteristic tone is achieved through a titillating combination of suspense and black humor that subverts the moral framework of the romantic thriller, and a meticulous approach to visual style that articulates the lure of human perversity even as the ideal of romance is being deliriously affirmed. Discussing more than thirty films from the director's English and American periods, Allen explores the filmmaker's adoption of the idioms of late romanticism, his orchestration of narrative point of view and suspense, and his distinctive visual strategies of aestheticism and expressionism and surrealism.

Author : Gerald Ernest Paul Gillespie
Publisher : John Benjamins Publishing
ISBN 13 : 9789027234568
Total Pages : 772 pages
Book Rating : 4.66/5 ( download)

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Download or read book Romantic Prose Fiction written by Gerald Ernest Paul Gillespie and published by John Benjamins Publishing. This book was released on 2008 with total page 772 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume a team of three dozen international experts presents a fresh picture of literary prose fiction in the Romantic age seen from cross-cultural and interdisciplinary perspectives. The work treats the appearance of major themes in characteristically Romantic versions, the power of Romantic discourse to reshape imaginative writing, and a series of crucial reactions to the impact of Romanticism on cultural life down to the present, both in Europe and in the New World. Through its combination of chapters on thematic, generic, and discursive features, Romantic Prose Fiction achieves a unique theoretical stance, by considering the opinions of primary Romantics and their successors not as guiding “truths” by which to define the permanent “meaning” of Romanticism, but as data of cultural history that shed important light on an evolving civilization.SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of “irony” as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the “Old” and “New” Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.