Cultures Of Popular Music

Author : Bennett, Andy
Publisher : McGraw-Hill Education (UK)
ISBN 13 : 0335202500
Total Pages : 208 pages
Book Rating : 4.08/5 ( download)

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Download or read book Cultures Of Popular Music written by Bennett, Andy and published by McGraw-Hill Education (UK). This book was released on 2001-12-01 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a comprehensive cultural, social and historical overview of post-war popular music genres, from rock 'n' roll and psychedelic pop, through punk and heavy metal, to rap, rave and techno.

Author : Ellen Koskoff
Publisher : Psychology Press
ISBN 13 : 9780415965880
Total Pages : 464 pages
Book Rating : 4.88/5 ( download)

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Download or read book Music Cultures in the United States written by Ellen Koskoff and published by Psychology Press. This book was released on 2005 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Music in the United States' is a basic textbook for any introduction to American music course. Each American music culture is covered with an introductory article and case studies of the featured culture.

Author : David Rowe
Publisher : SAGE Publications Limited
ISBN 13 :
Total Pages : 200 pages
Book Rating : 4.40/5 ( download)

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Download or read book Popular Cultures written by David Rowe and published by SAGE Publications Limited. This book was released on 1995-11-13 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Literatuuropgave : p. 169-181 Met reg. Using rock music and sport as case studies, the author explores the contemporary economics, ideology and cultural constitution of forms of popular pleasure. In this way punk rock music is examined in terms of its presentation as a product, its practical consciousness and its symbolic expression.

Author : Tim Wall
Publisher : SAGE
ISBN 13 : 1446291014
Total Pages : 338 pages
Book Rating : 4.16/5 ( download)

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Download or read book Studying Popular Music Culture written by Tim Wall and published by SAGE. This book was released on 2013-02-28 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: That rare thing, an academic study of music that seeks to tie together the strands of the musical text, the industry that produces it, and the audience that gives it meaning... A vital read for anyone interested in the changing nature of popular music production and consumption" - Dr Nathan Wiseman-Trowse, The University of Northampton Popular music entertains, inspires and even empowers, but where did it come from, how is it made, what does it mean, and how does it eventually reach our ears? Tim Wall guides students through the many ways we can analyse music and the music industries, highlighting crucial skills and useful research tips. Taking into account recent changes and developments in the industry, this book outlines the key concepts, offers fresh perspectives and encourages readers to reflect on their own work. Written with clarity, flair and enthusiasm, it covers: Histories of popular music, their traditions and cultural, social, economic and technical factors Industries and institutions, production, new technology, and the entertainment media Musical form, meaning and representation Audiences and consumption. Students′ learning is consolidated through a set of insightful case studies, engaging activities and helpful suggestions for further reading.

Author : Keith Negus
Publisher : Routledge
ISBN 13 : 1134688210
Total Pages : 219 pages
Book Rating : 4.10/5 ( download)

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Download or read book Music Genres and Corporate Cultures written by Keith Negus and published by Routledge. This book was released on 2013-07-04 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music Genres and Corporate Cultures explores the seemingly haphazard workings of the music industry, tracing the uneasy relationship between economics and culture; `entertainment corporations' and the artists they sign. Keith Negus examines the contrasting strategies of major labels like Sony and Polygram in managing different genres, artists and staff. How do takeovers affect the treatment of artists? Why has Polygram been perceived as too European to attract US artists? And how did Warner's wooden floors help them sign Green Day? Through in-depth case studies of three major genres; rap, country, and salsa, Negus explores the way in which the music industry recognises and rewards certain sounds, and how this influences both the creativity of musicians, and their audiences. He examines the tension between raps public image as the spontaneous `music of the streets' and the practicalities of the market, and asks why country labels and radio stations promote top-selling acts like Garth Brooks over hard-to-classify artists like Mary Chapin-Carpenter, and how the lack of soundscan systems in Puerto Rican record shops affects salsa music's position on the US Billboard chart. Drawing on over seventy interviews with music industry personnel in Britain and the United States, Music Genres and Corporate Cultures shows how the creation, circulation and consumption of popular music is shaped by record companies and corporate business styles while stressing that music production takes within a broader culture, not totally within the control of large corporations.

Author : Sarah Thornton
Publisher : John Wiley & Sons
ISBN 13 : 0745668801
Total Pages : 203 pages
Book Rating : 4.02/5 ( download)

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Download or read book Club Cultures written by Sarah Thornton and published by John Wiley & Sons. This book was released on 2013-08-23 with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is an innovative contribution to the study of popular culture, focusing on the youth cultures that revolve around dance clubs and raves.

Author : Jens Gerrit Papenburg
Publisher : MIT Press
ISBN 13 : 0262033909
Total Pages : 447 pages
Book Rating : 4.09/5 ( download)

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Download or read book Sound as Popular Culture written by Jens Gerrit Papenburg and published by MIT Press. This book was released on 2016-03-18 with total page 447 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scholars consider sound and its concepts, taking as their premise the idea that popular culture can be analyzed in an innovative way through sound. The wide-ranging texts in this book take as their premise the idea that sound is a subject through which popular culture can be analyzed in an innovative way. From an infant's gurgles over a baby monitor to the roar of the crowd in a stadium to the sub-bass frequencies produced by sound systems in the disco era, sound—not necessarily aestheticized as music—is inextricably part of the many domains of popular culture. Expanding the view taken by many scholars of cultural studies, the contributors consider cultural practices concerning sound not merely as semiotic or signifying processes but as material, physical, perceptual, and sensory processes that integrate a multitude of cultural traditions and forms of knowledge. The chapters discuss conceptual issues as well as terminologies and research methods; analyze historical and contemporary case studies of listening in various sound cultures; and consider the ways contemporary practices of sound generation are applied in the diverse fields in which sounds are produced, mastered, distorted, processed, or enhanced. The chapters are not only about sound; they offer a study through sound—echoes from the past, resonances of the present, and the contradictions and discontinuities that suggest the future. Contributors Karin Bijsterveld, Susanne Binas-Preisendörfer, Carolyn Birdsall, Jochen Bonz, Michael Bull, Thomas Burkhalter, Mark J. Butler, Diedrich Diederichsen, Veit Erlmann, Franco Fabbri, Golo Föllmer, Marta García Quiñones, Mark Grimshaw, Rolf Großmann, Maria Hanáček, Thomas Hecken, Anahid Kassabian, Carla J. Maier, Andrea Mihm, Bodo Mrozek, Carlo Nardi, Jens Gerrit Papenburg, Thomas Schopp, Holger Schulze, Toby Seay, Jacob Smith, Paul Théberge, Peter Wicke, Simon Zagorski-Thomas

Author : Simone Varriale
Publisher : Springer
ISBN 13 : 1137564504
Total Pages : 234 pages
Book Rating : 4.04/5 ( download)

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Download or read book Globalization, Music and Cultures of Distinction written by Simone Varriale and published by Springer. This book was released on 2016-08-16 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first comprehensive account of how Anglo-American popular music transformed Italian cultural life. Drawing on neglected archival materials, the author explores the rise of new musical tastes and social divisions in late twentieth century Italy. The book reconstructs the emergence of pop music magazines in Italy and offers the first in-depth investigation of the role of critics in global music cultures. It explores how class, gender, race and geographical location shaped the production and consumption of music magazines, as well as critics’ struggle over notions of expertise, cultural value and cosmopolitanism. Globalization, Music and Cultures of Distinction provides an innovative framework for studying how globalization transforms cultural institutions and aesthetic hierarchies, thus breaking new ground for sociological and historical research. It will be essential reading for scholars and students interested in cultural sociology, popular music, globalization, media and cultural studies, social theory and contemporary Italy.

Author : Andy Bennett
Publisher : Routledge
ISBN 13 : 1351850326
Total Pages : 250 pages
Book Rating : 4.22/5 ( download)

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Download or read book DIY Cultures and Underground Music Scenes written by Andy Bennett and published by Routledge. This book was released on 2018-12-07 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines the global influence and impact of DIY cultural practice as this informs the production, performance and consumption of underground music in different parts of the world. The book brings together a series of original studies of DIY musical activities in Europe, North and South America, Asia and Oceania. The chapters combine insights from established academic writers with the work of younger scholars, some of whom are directly engaged in contemporary underground music scenes. The book begins by revisiting and re-evaluating key themes and issues that have been used in studying the cultural meaning of alternative and underground music scenes, notably aspects of space, place and identity and the political economy of DIY cultural practice. The book then explores how the DIY cultural practices that characterize alternative and underground music scenes have been impacted and influenced by technological change, notably the emergence of digital media. Finally, in acknowledging the over 40-year history of DIY cultural practice in punk and post-punk contexts, the book considers how DIY cultures have become embedded in cultural memory and the emotional geographies of place. Through combining high-quality data and fresh conceptual insights in the context of an international body of work spanning the disciplines of popular-music studies, cultural and media studies, and sociology the book offers a series of innovative new directions in the study of DIY cultures and underground/alternative music scenes. This volume will be of particular interest to undergraduate students in the above-mentioned fields of study, as well as an invaluable resource for established academics and researchers working in these and related fields.

Author : Raphaël Nowak
Publisher : Palgrave Macmillan
ISBN 13 : 9781349844869
Total Pages : 251 pages
Book Rating : 4.61/5 ( download)

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Download or read book Networked Music Cultures written by Raphaël Nowak and published by Palgrave Macmillan. This book was released on 2016-11-05 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection presents a range of essays on contemporary music distribution and consumption patterns and practices. The contributors to the collection use a variety of theoretical and methodological approaches, discussing the consequences and effects of the digital distribution of music as it is manifested in specific cultural contexts. The widespread circulation of music in digital form has far-reaching consequences: not least for how we understand the practices of sourcing and consuming music, the political economy of the music industries, and the relationships between format and aesthetics. Through close empirical engagement with a variety of contexts and analytical frames, the contributors to this collection demonstrate that the changes associated with networked music are always situationally specific, sometimes contentious, and often unexpected in their implications. With chapters covering topics such as the business models of streaming audio, policy and professional discourses around the changing digital music market, the creative affordances of format and circulation, and local practices of accessing and engaging with music in a range of distinct cultural contexts, the book presents an overview of the themes, topics and approaches found in current social and cultural research on the relations between music and digital technology.