In Defiance of Painting

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Publisher : Yale University Press
ISBN 13 : 9780300051094
Total Pages : 318 pages
Book Rating : 4.93/5 ( download)

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Book Synopsis In Defiance of Painting by : Christine Poggi

Download or read book In Defiance of Painting written by Christine Poggi and published by Yale University Press. This book was released on 1992-01-01 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.

Cubism/futurism

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Publisher :
ISBN 13 :
Total Pages : 264 pages
Book Rating : 4.45/5 ( download)

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Book Synopsis Cubism/futurism by : Max Kozloff

Download or read book Cubism/futurism written by Max Kozloff and published by . This book was released on 1973 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Cubism and Futurism

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Publisher : Wilfrid Laurier Univ. Press
ISBN 13 : 1771122722
Total Pages : 591 pages
Book Rating : 4.26/5 ( download)

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Book Synopsis Cubism and Futurism by : R. Bruce Elder

Download or read book Cubism and Futurism written by R. Bruce Elder and published by Wilfrid Laurier Univ. Press. This book was released on 2018-06-30 with total page 591 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cubism and futurism were closely related movements that vied with each other in the economy of renown. Perception, dynamism, and the dynamism of perception—these were the issues that passed back and forth between the two. Cubism and Futurism: Spiritual Machines and the Cinematic Effect shows how movement became, in the traditional visual arts, a central factor with the advent of the cinema: gone were the days when an artwork strived merely to lift experience out the realm of change and flow. The cinema at this time was understood as an electric art, akin to X-rays, coloured light, and sonic energy. In this book, celebrated filmmaker and author Bruce Elder connects the dynamism that the cinema made an essential feature of the new artwork to the new science of electromagnetism. Cubism is a movement on the cusp of the transition from the Cartesian world of standardized Cartesian coordinates and interchangeable machine parts to a Galvanic world of continuities and flows. In contrast, futurism embraced completely the emerging electromagnetic view of reality. Cubism and Futurism examines the similarity and differences between the two movements’ engagement with the new science of energy and shows that the notion of energy made central to the new artwork by the cinema assumed a spiritual dimension, as the cinema itself came to be seen as a pneumatic machine.

Cubism and Futurism

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Publisher :
ISBN 13 :
Total Pages : 100 pages
Book Rating : 4.57/5 ( download)

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Book Synopsis Cubism and Futurism by : Maly Gerhardus

Download or read book Cubism and Futurism written by Maly Gerhardus and published by . This book was released on 1979 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: Starting with Cezanne, this book shows how Cubism, originating in France, spread rapidly to Russia and Italy. Picasso, Braque, Juan Gris and Fernand Leger, to escape from objectivity, 'deformed' objects in order to discover their inner reality. The aim of art ceased to be the imitation of nature, but the means of creating new forms. To this, the Futurists added dynamism and movement which led eventually to abstraction.

Is it Art?

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Publisher :
ISBN 13 :
Total Pages : 70 pages
Book Rating : 4.40/5 ( download)

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Book Synopsis Is it Art? by : John Nilsen Laurvik

Download or read book Is it Art? written by John Nilsen Laurvik and published by . This book was released on 1913 with total page 70 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Cubism, Futurism and Constructivism

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Author :
Publisher : Barron's Educational Series
ISBN 13 :
Total Pages : 136 pages
Book Rating : 4.01/5 ( download)

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Book Synopsis Cubism, Futurism and Constructivism by : John Malcolm Nash

Download or read book Cubism, Futurism and Constructivism written by John Malcolm Nash and published by Barron's Educational Series. This book was released on 1978 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The New Tendency in Art

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Publisher :
ISBN 13 :
Total Pages : 96 pages
Book Rating : 4.14/5 ( download)

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Book Synopsis The New Tendency in Art by : Henry Rankin Poore

Download or read book The New Tendency in Art written by Henry Rankin Poore and published by . This book was released on 1913 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The New Tendency, in Art

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Publisher : Forgotten Books
ISBN 13 : 9781330328507
Total Pages : 94 pages
Book Rating : 4.07/5 ( download)

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Book Synopsis The New Tendency, in Art by : Henry R. Poore

Download or read book The New Tendency, in Art written by Henry R. Poore and published by Forgotten Books. This book was released on 2015-06-24 with total page 94 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from The New Tendency, in Art: Post Impressionism, Cubism, Futurism Art's complaisancy has been shocked. The immunity which has been continued to her through thirty odd centuries is at length recalled. She finds herself now brought face to face with a challenge which she must either ignore or accept. The world has lived through the like experience in its other great activities. In medicine Hahnemann inaugurated no less of a revolution, when, instead of opposing the principle in disease, he treated it in kind, nor was Luther's revolt any less appalling when he substituted faith in place of works. Music has arrived with less of a shock at Debussy because of Wagner, but the step from Mendelssohn to him is no greater than from Raphael to Gauguin. In jurisprudence the wig and gown has received its fillip in the Recall of Judicial Decisions. In time each of these, comfortably established by Tradition, has been asked to rouse itself, get up, and turn around. It has never hurt any of these to be viewed from the other side. In the New Movement in art we can detect the same protesting spirit in which Luther nailed his theses upon the Church door of Wittenberg when he tried to raise formalism to the higher power of faith. Here likewise is a protest that demands the eye of faith, with its ability to see the spirit. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Italian Futurism 1909-1944

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Publisher : Guggenheim Museum
ISBN 13 : 9780892074990
Total Pages : 0 pages
Book Rating : 4.9X/5 ( download)

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Book Synopsis Italian Futurism 1909-1944 by : Solomon R. Guggenheim Museum

Download or read book Italian Futurism 1909-1944 written by Solomon R. Guggenheim Museum and published by Guggenheim Museum. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: February 21-September 1, 2014 The first comprehensive overview of Italian Futurism to be presented in the United States, this multidisciplinary exhibition examines the historical sweep of the movement from its inception with F.T. Marinetti's Futurist manifesto in 1909 through its demise at the end of World War II. Presenting over 300 works executed between 1909 and 1944, the chronological exhibition encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater, and performance. To convey the myriad artistic languages employed by the Futurists as they evolved over a 35-year period, the exhibition integrates multiple disciplines in each section. Italian Futurism is organized by Vivien Greene, Curator, 19th- and Early 20th-Century Art, Solomon R. Guggenheim Museum. In addition, a distinguished international advisory committee has been assembled to provide expertise and guidance.

Inventing Futurism

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Publisher : Princeton University Press
ISBN 13 : 9780691133706
Total Pages : 418 pages
Book Rating : 4.00/5 ( download)

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Book Synopsis Inventing Futurism by : Christine Poggi

Download or read book Inventing Futurism written by Christine Poggi and published by Princeton University Press. This book was released on 2009 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1909 the poet Filippo Tommaso Marinetti published the founding manifesto of Italian Futurism, an inflammatory celebration of "the love of danger" and "the beauty of speed" that provoked readers to take aggressive action and "glorify war--the world's only hygiene." Marinetti's words unleashed an influential artistic and political movement that has since been neglected owing to its exaltation of violence and nationalism, its overt manipulation of mass media channels, and its associations with Fascism. Inventing Futurism is a major reassessment of Futurism that reintegrates it into the history of twentieth-century avant-garde artistic movements. Countering the standard view of Futurism as naïvely bellicose, Christine Poggi argues that Futurist artists and writers were far more ambivalent in their responses to the shocks of industrial modernity than Marinetti's incendiary pronouncements would suggest. She closely examines Futurist literature, art, and politics within the broader context of Italian social history, revealing a surprisingly powerful undercurrent of anxiety among the Futurists--toward the accelerated rhythms of urban life, the rising influence of the masses, changing gender roles, and the destructiveness of war. Poggi traces the movement from its explosive beginnings through its transformations under Fascism to offer completely new insights into familiar Futurist themes, such as the thrill and trauma of velocity, the psychology of urban crowds, and the fantasy of flesh fused with metal, among others. Lavishly illustrated and unparalleled in scope, Inventing Futurism demonstrates that beneath Futurism's belligerent avant-garde posturing lay complex and contradictory attitudes toward an always-deferred utopian future.