Chinese Animation And Socialism

Author : Daisy Yan Du
Publisher : China Studies
ISBN 13 : 9789004499591
Total Pages : 300 pages
Book Rating : 4.98/5 ( download)

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Download or read book Chinese Animation and Socialism written by Daisy Yan Du and published by China Studies. This book was released on 2021-10-07 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This volume on Chinese animation and socialism is the first in English that introduces the insider viewpoints of socialist animators at the Shanghai Animation Film Studio in China. Although a few monographs have been published in English on Chinese animation, they are from the perspective of scholars rather than of the animators who personally worked on the films, as discussed in this volume. Featuring hidden histories and names behind the scenes, precious photos, and commentary on rarely seen animated films, this book is a timely and useful reference book for researchers, students, animators, and fans interested in Chinese and even world animation. This book originated from the Animators' Roundtable Forum (April 2017 at the Hong Kong University of Science and Technology), organized by the Association for Chinese Animation Studies"--

Author :
Publisher : BRILL
ISBN 13 : 9004499601
Total Pages : 299 pages
Book Rating : 4.07/5 ( download)

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Download or read book Chinese Animation and Socialism written by and published by BRILL. This book was released on 2021-10-05 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book in English on Chinese animation and socialism that introduces the insider viewpoints of socialist animators at the Shanghai Animation Film Studio. A timely and useful reference book for researchers, students, animators, and fans interested in Chinese and even world animation.

Author : Daisy Yan Du
Publisher : University of Hawaii Press
ISBN 13 : 0824877519
Total Pages : 276 pages
Book Rating : 4.14/5 ( download)

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Download or read book Animated Encounters written by Daisy Yan Du and published by University of Hawaii Press. This book was released on 2019-02-28 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: China’s role in the history of world animation has been trivialized or largely forgotten. In Animated Encounters Daisy Yan Du addresses this omission in her study of Chinese animation and its engagement with international forces during its formative period, the 1940s–1970s. She introduces readers to transnational movements in early Chinese animation, tracing the involvement of Japanese, Soviet, American, Taiwanese, and China’s ethnic minorities, at socio-historical or representational levels, in animated filmmaking in China. Du argues that Chinese animation was international almost from its inception and that such border-crossing exchanges helped make it “Chinese” and subsequently transform the history of world animation. She highlights animated encounters and entanglements to provide an alternative to current studies of the subject characterized by a preoccupation with essentialist ideas of “Chineseness” and further questions the long-held belief that the forty-year-period in question was a time of cultural isolationism for China due to constant wars and revolutions. China’s socialist era, known for the pervasiveness of its political propaganda and suppression of the arts, unexpectedly witnessed a golden age of animation. Socialist collectivism, reinforced by totalitarian politics and centralized state control, allowed Chinese animation to prosper and flourish artistically. In addition, the double marginality of animation—a minor art form for children—coupled with its disarming qualities and intrinsic malleability and mobility, granted animators and producers the double power to play with politics and transgress ideological and geographical borders while surviving censorship, both at home and abroad. A captivating and enlightening history, Animated Encounters will attract scholars and students of world film and animation studies, children’s culture, and modern Chinese history.

Author : Olga Bobrowska
Publisher : CRC Press
ISBN 13 : 100382224X
Total Pages : 136 pages
Book Rating : 4.40/5 ( download)

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Download or read book Chinese Animated Film and Ideology written by Olga Bobrowska and published by CRC Press. This book was released on 2023-12-22 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a contextualized overview of the history of Chinese animated film, pointing out the most influential self-definitions of Chinese culture employed in animation art of Mao Zedong’s rule (1949–1976) but largely focusing on the representation strategies created in the times of reforms and opening-up under Deng Xiaoping (1978–1989/1992). Deeply grounded in cultural studies, the book employs an interdisciplinary approach, interlacing the reflection with the perspectives of political science, film studies, and film festival studies. It focuses on phenomena anchored to the paradigms of nationalization, reform, and internationalization: among them, nuanced understanding of the minzu (national) category (including the classic style of Chinese animation); invention of wash-and-ink painting animation (shuimo donghua); renewal of film theory and animated film language; soft power and cultural diplomacy; and regular access and co-creation of the international industry (festival distribution). This book will be of great interest to those in the fields of animation studies, film studies, political science, Chinese area studies, and Chinese philology.

Author : Olga Bobrowska
Publisher : CRC Press
ISBN 13 : 1000824217
Total Pages : 197 pages
Book Rating : 4.16/5 ( download)

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Download or read book Chinese Animated Film and Ideology, 1940s-1970s written by Olga Bobrowska and published by CRC Press. This book was released on 2022-10-24 with total page 197 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines animated propaganda produced in mainland China from the 1940s to the 1970s. The analyses of four puppet films demonstrate how animation and Maoist doctrine became tightly but dynamically entangled. The book firstly contextualizes the production conditions and ideological contents of The Emperor’s Dream (1947), the first puppet film made at the Northeast Film Studio in Changchun. It then examines the artistic, intellectual, and ideological backbone of the puppet film Wanderings of Sanmao (1958). The book presents the means and methods applied in puppet animation filmmaking that complied with the ideological principles established by the radical supporters of Mao Zedong in the first half of the 1960s, discussing Rooster Crows at Midnight (1964). The final chapter discusses The Little 8th Route Army (1973), created by You Lei in the midst of the Cultural Revolution. This book will be of great interest to those in the fields of animation studies, film studies, political science, Chinese area studies, and Chinese philology.

Author : Jonathan Clements
Publisher : Bloomsbury Publishing
ISBN 13 : 1838714391
Total Pages : 438 pages
Book Rating : 4.90/5 ( download)

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Download or read book Anime written by Jonathan Clements and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 438 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive history of Japanese animation draws on Japanese primary sources and testimony from industry professionals to explore the production and reception of anime, from its origins in Japanese cartoons of the 1920s and 30s to the international successes of companies such as Studio Ghibli and Nintendo, films such as Spirited Away and video game characters such as Pokémon.

Author : Wenhai Zhou
Publisher : Springer Nature
ISBN 13 : 3030406970
Total Pages : 230 pages
Book Rating : 4.74/5 ( download)

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Download or read book Chinese Independent Animation written by Wenhai Zhou and published by Springer Nature. This book was released on 2020-04-23 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study of ‘independent’ animation opens up a quietly subversive and vibrant dimension of contemporary Chinese culture which, hitherto, has not received as much attention as dissident art or political activism. Scholarly interest in Chinese animation has increased over the last decade, with attention paid to the conventional media circle of production, distribution and consumption. The ‘independent’ sector has been largely ignored however, until now. By focusing on distinctive independent artists like Pisan and Lei Lei, and situating their work within the present day media ecology, the author examines the relationship between the genre and the sociocultural transformation of contemporary China. Animation, the author argues, has a special significance, as the nature of the animation text is itself multilayered and given to multiple interpretations and avenues of engagement. Through an examination of the affordances of this ‘independent’ media entity, the author explores how this multifaceted cultural form reveals ambiguities that parallel contradictions in art and society. In so doing, independent animation provides a convenient ‘mirror’ for examining how recent social upheavals have been negotiated, and how certain practitioners have found effective ways for discussing the post-Socialist reality within the current political configuration.

Author :
Publisher :
ISBN 13 :
Total Pages : 316 pages
Book Rating : 4.68/5 ( download)

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Download or read book China's Socialist Economy written by and published by . This book was released on 1993 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Keyu Jin
Publisher : Penguin
ISBN 13 : 198487828X
Total Pages : 369 pages
Book Rating : 4.81/5 ( download)

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Download or read book The New China Playbook written by Keyu Jin and published by Penguin. This book was released on 2023-05-16 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Keyu Jin is a brilliant thinker.” —Tony Blair, former prime minster of the United Kingdom A myth-dispelling, comprehensive guide to the Chinese economy and its path to ascendancy. China's economy has been booming for decades now. A formidable and emerging power on the world stage, the China that most Americans picture is only a rough sketch, based on American news coverage, policy, and ways of understanding. Enter Keyu Jin: a world-renowned economist who was born in China, educated in the U.S., and is now a tenured professor at the London School of Economics. A person fluent in both Eastern and Western cultures, and a voice of the new generation of Chinese who represent a radical break from the past, Jin is uniquely poised to explain how China became the most successful economic story of our time, as it has shifted from primarily state-owned enterprise to an economy that is thriving in entrepreneurship, and participation in the global economy. China’s economic realm is colorful and lively, filled with paradoxes and conundrums, and Jin believes that by understanding the Chinese model, the people, the culture and history in its true perspective, one can reconcile what may appear to be contradictions to the Western eye. What follows is an illuminating account of a burgeoning world power, its past, and its potential future.

Author : Lijun Sun
Publisher : Routledge
ISBN 13 : 1000740102
Total Pages : 326 pages
Book Rating : 4.03/5 ( download)

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Download or read book The History of Chinese Animation I written by Lijun Sun and published by Routledge. This book was released on 2020-05-27 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: China has been one of the first countries to develop its own aesthetic for dynamic images and to create animation films with distinctive characteristics. In recent years, however, and subject to the influence of Western and Japanese animation, the Chinese animation industry has experienced several new stages of development, prompting the question as to where animation in China is heading in the future. This book describes the history, present and future of China’s animation industry. The author divides the business’s 95-year history into six periods and analyses each of these from an historical, aesthetic, and artistic perspective. In addition, the book focuses on representative works; themes; directions; artistic styles; techniques; industrial development; government support policies; business models; the nurturing of education and talent; broadcasting systems and animation. Scholars and students who are interested in the history of Chinese animation will benefit from this book and it will appeal additionally to readers interested in Chinese film studies.