Character & Consciousness in Eighteenth-century Comic Fiction

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Publisher : University of Georgia Press
ISBN 13 : 9780820313658
Total Pages : 238 pages
Book Rating : 4.53/5 ( download)

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Book Synopsis Character & Consciousness in Eighteenth-century Comic Fiction by : Elizabeth Kraft

Download or read book Character & Consciousness in Eighteenth-century Comic Fiction written by Elizabeth Kraft and published by University of Georgia Press. This book was released on 1992 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: The eighteenth-century novel developed amid an emerging emphasis on individualism that clashed with long-cherished beliefs in hierarchy and stability. Though the comic novelists, unlike Defoe and Richardson, avoided total involvement in the mind of any one character, they were nonetheless fundamentally concerned with the nature of consciousness. In Character and Consciousness in Eighteenth-Century Comic Fiction, Elizabeth Kraft examines the kind of consciousness central to comic novels of the period. It is, she asserts, individual identity conceived in social terms--a character's search for his or her place in a precarious secular order. Understanding this concept of character is vitally important to a full appreciation of eighteenth-century comic fiction. To respond validly to these fictional characters, Kraft claims, the twentieth-century reader must recapture, or recreate, the eighteenth-century self. In readings of five novels--Henry Fielding's Tom Jones, Charlotte Lennox's Female Quixote, Laurence Sterne's Tristram Shandy, Tobias Smollett's Peregrine Pickle, and Fanny Burney's Cecilia--Kraft explores the relationships among consciousness, character, and comic narrative. Fielding, Lennox, and Sterne, she argues, question the validity of narratives of consciousness. Each seeks to define the limitations as well as the virtues of the form in representing the individual and communal lives. Smollett and Burney, on the other hand, address a readership that expects the novel to offer meaningful renderings of person experience. These novelists accept the validity of the narrative of consciousness but place this narrative within the context of the larger community. As a thorough analysis of relations between narrative and the construction of character and consciousness, Kraft's study is an important addition to our understanding of the theoretical formulations of eighteenth-century fiction.

The English Novel, 1700-1740

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 0313016909
Total Pages : 654 pages
Book Rating : 4.05/5 ( download)

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Book Synopsis The English Novel, 1700-1740 by : Robert Letellier

Download or read book The English Novel, 1700-1740 written by Robert Letellier and published by Bloomsbury Publishing USA. This book was released on 2003-02-28 with total page 654 pages. Available in PDF, EPUB and Kindle. Book excerpt: The English novel written between 1700 and 1740 remains a comparatively neglected area. In addition to Daniel Defoe, whose Robinson Crusoe and Moll Flanders are landmarks in the history of English fiction, many other authors were at work. These included such women as Penelope Aubin, Jane Barker, Mary Davys, and Eliza Haywood, who made a considerable contribution to widening the range of emotional responses in fiction. These authors, and many others, continued writing in the genres inherited from the previous century, such as criminal biographies, the Utopian novel, the science fictional voyage, and the epistolary novel. This annotated bibliography includes entries for these works and for critical materials pertinent to them. The volume first seeks to establish the existing studies of the era, along with anthologies. It then provides entries for a wide-ranging selection of works which cover fictional, theoretical, historical, political, and cultural topics, to provide a comprehensive background to the unfolding and understanding of prose fiction in the early 18th century. This is followed by an alphabetical listing of novels, their editions, and any critical material available on each. The next section provides a chronological record of significant and enduring works of fiction composed or translated in this period. The volume concludes with extensive indexes.

Shakespeare and the Eighteenth-Century Novel

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Publisher : Cambridge University Press
ISBN 13 : 1316477894
Total Pages : 259 pages
Book Rating : 4.92/5 ( download)

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Book Synopsis Shakespeare and the Eighteenth-Century Novel by : Kate Rumbold

Download or read book Shakespeare and the Eighteenth-Century Novel written by Kate Rumbold and published by Cambridge University Press. This book was released on 2016-03-08 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: The eighteenth century has long been acknowledged as a pivotal period in Shakespeare's reception, transforming a playwright requiring 'improvement' into a national poet whose every word was sacred. Scholars have examined the contribution of performances, adaptations, criticism and editing to this process of transformation, but the crucial role of fiction remains overlooked. Shakespeare and the Eighteenth-Century Novel reveals for the first time the prevalence, and the importance, of fictional characters' direct quotations from Shakespeare. Quoting characters ascribe emotional and moral authority to Shakespeare, redeploy his theatricality, and mock banal uses of his words; by shaping in this way what is considered valuable about Shakespeare, the novel accrues new cultural authority of its own. Shakespeare underwrites, and is underwritten by, the eighteenth-century novel, and this book reveals the lasting implications for both of their reputations.

A Cultural History of Comedy in the Age of Enlightenment

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Publisher : Bloomsbury Publishing
ISBN 13 : 1350187720
Total Pages : 272 pages
Book Rating : 4.26/5 ( download)

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Book Synopsis A Cultural History of Comedy in the Age of Enlightenment by : Elizabeth Kraft

Download or read book A Cultural History of Comedy in the Age of Enlightenment written by Elizabeth Kraft and published by Bloomsbury Publishing. This book was released on 2021-12-30 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume highlights the variety of forms comedy took in England, with reference to developments in Europe, particularly France, during the European Enlightenment. It argues that comedy in this period is characterized by wit, satire, and humor, provoking both laughter and sympathetic tears. Comic expression in the Enlightenment reflects continuities and engagements with the comedy of previous eras; it is also noted for new forms and preoccupations engendered by the cultural, philosophical, and political concerns of the time, including democratizing revolutions, increasing secularization, and growing emphasis on individualism. Discussions emphasize the period's stage comedy and acknowledge comic expression in various forms of print media including the emerging literary form we now know as the novel. Contributions from scholars reflect a wide variety of interests in the field of 18th-century studies, and the inclusion of a generous number of illustrations throughout demonstrates that the period's visual culture was also an important part of the Enlightenment comic landscape. Each chapter takes a different theme as its focus: form, theory, praxis, identities, the body, politics and power, laughter and ethics. These eight different approaches to Enlightenment comedy add up to an extensive, synoptic coverage of the subject.

Lyric Generations

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Publisher : JHU Press
ISBN 13 : 1421419114
Total Pages : 311 pages
Book Rating : 4.14/5 ( download)

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Book Synopsis Lyric Generations by : G. Gabrielle Starr

Download or read book Lyric Generations written by G. Gabrielle Starr and published by JHU Press. This book was released on 2015-11-01 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eighteenth-century British literary history was long characterized by two central and seemingly discrete movements—the emergence of the novel and the development of Romantic lyric poetry. In fact, recent scholarship reveals that these genres are inextricably bound: constructions of interiority developed in novels changed ideas about what literature could mean and do, encouraging the new focus on private experience and self-perception developed in lyric poetry. In Lyric Generations, Gabrielle Starr rejects the genealogy of lyric poetry in which Romantic poets are thought to have built solely and directly upon the works of Chaucer, Spenser, Shakespeare, and Milton. She argues instead that novelists such as Richardson, Haywood, Behn, and others, while drawing upon earlier lyric conventions, ushered in a new language of self-expression and community which profoundly affected the aesthetic goals of lyric poets. Examining the works of Cowper, Smith, Wordsworth, Coleridge, and Keats in light of their competitive dialogue with the novel, Starr advances a literary history that considers formal characteristics as products of historical change. In a world increasingly defined by prose, poets adapted the new forms, characters, and moral themes of the novel in order to reinvigorate poetic practice.

The Professionalization of Women Writers in Eighteenth-Century Britain

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Publisher : Cambridge University Press
ISBN 13 : 1107320801
Total Pages : 388 pages
Book Rating : 4.02/5 ( download)

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Book Synopsis The Professionalization of Women Writers in Eighteenth-Century Britain by : Betty A. Schellenberg

Download or read book The Professionalization of Women Writers in Eighteenth-Century Britain written by Betty A. Schellenberg and published by Cambridge University Press. This book was released on 2005-06-16 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Professionalisation of Women Writers in Eighteenth Century Britain is a full study of a group of women who were actively and ambitiously engaged in a range of innovative publications at the height of the eighteenth century. Using personal correspondence, records of contemporary reception, research into contemporary print culture and sociological models of professionalisation, Betty A. Schellenberg challenges oversimplified assumptions of women's cultural role in the period, focusing on those women who have been most obscured by literary history, including Frances Sheridan, Frances Brooke, Sarah Fielding and Charlotte Lennox.

The Epistolary Novel

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Publisher : Routledge
ISBN 13 : 1134402538
Total Pages : 267 pages
Book Rating : 4.33/5 ( download)

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Book Synopsis The Epistolary Novel by : Joe Bray

Download or read book The Epistolary Novel written by Joe Bray and published by Routledge. This book was released on 2003-08-29 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: The epistolary novel is a form which has been neglected in most accounts of the development of the novel. This book argues that the way that the eighteenth-century epistolary novel represented consciousness had a significant influence on the later novel. Critics have drawn a distinction between the self at the time of writing and the self at the time at which events or emotions were experienced. This book demonstrates that the tensions within consciousness are the result of a continual interaction between the two selves of the letter-writer and charts the oscillation between these two selves in the epistolary novels of, amongst others, Aphra Behn, Eliza Haywood, Samuel Richardson, Fanny Burney and Charlotte Smith.

Surprise

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Publisher : Cornell University Press
ISBN 13 : 0801455774
Total Pages : 280 pages
Book Rating : 4.73/5 ( download)

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Book Synopsis Surprise by : Christopher R. Miller

Download or read book Surprise written by Christopher R. Miller and published by Cornell University Press. This book was released on 2015-09-25 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today, in the era of the spoiler alert, "surprise" in fiction is primarily associated with an unexpected plot twist, but in earlier usage, the word had darker and more complex meanings. Originally denoting a military ambush or physical assault, surprise went through a major semantic shift in the eighteenth century: from violent attack to pleasurable experience, and from external event to internal feeling. In Surprise, Christopher R. Miller studies that change as it took shape in literature ranging from Paradise Lost through the novels of Jane Austen. Miller argues that writers of the period exploited and arbitrated the dual nature of surprise in its sinister and benign forms. Even as surprise came to be associated with pleasure, it continued to be perceived as a problem: a sign of ignorance or naïveté, an uncontrollable reflex, a paralysis of rationality, and an experience of mere novelty or diversion for its own sake. In close readings of exemplary scenes—particularly those involving astonished or petrified characters—Miller shows how novelists sought to harness the energies of surprise toward edifying or comic ends, while registering its underpinnings in violence and mortal danger. In the Roman poet Horace’s famous axiom, poetry should instruct and delight, but in the early eighteenth century, Joseph Addison signally amended that formula to suggest that the imaginative arts should surprise and delight. Investigating the significance of that substitution, Miller traces an intellectual history of surprise, involving Aristotelian poetics, Cartesian philosophy, Enlightenment concepts of the passions, eighteenth-century literary criticism and aesthetics, and modern emotion theory. Miller goes on to offer a fresh reading of what it means to be "surprised by sin" in Paradise Lost, showing how Milton’s epic both harks back to the symbolic functions of violence in allegory and looks ahead to the moral contours of the novel. Subsequent chapters study the Miltonic ramifications of surprise in the novels of Defoe, Haywood, Richardson, Fielding, and Sterne, as well as in the poems of Wordsworth and Keats. By focusing on surprise in its inflections as emotion, cognition, and event, Miller’s book illuminates connections between allegory and formal realism, between aesthetic discourse and prose fiction, and between novel and lyric; and it offers new ways of thinking about the aesthetic and ethical dimensions of the novel as the genre emerged in the eighteenth century.

Female Playwrights and Eighteenth-Century Comedy

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Publisher : Springer
ISBN 13 : 0312292759
Total Pages : 262 pages
Book Rating : 4.51/5 ( download)

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Book Synopsis Female Playwrights and Eighteenth-Century Comedy by : M. Anderson

Download or read book Female Playwrights and Eighteenth-Century Comedy written by M. Anderson and published by Springer. This book was released on 2002-02-22 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aphra Behn, Susannah Centlivre, Hannah Cowley, and Elizabeth Inchbald were the only four female playwrights in England with multiple comic successes from 1670-1800. Behn's interest in the body, Centlivre's fascination with written contracts, Cowley's nationalism, and Inchbald's discussion of divorce emerge in the comic events that are animated by the psychological mechanisms of humor. Attending to the dialogue between these comic events and the plays' more predictable comic endings illuminates the philosophical, political, and legal arguments about women and marriage that fascinated both female playwrights and the theatergoing public.

Henry Fielding In Our Time

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 1527561828
Total Pages : 380 pages
Book Rating : 4.23/5 ( download)

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Book Synopsis Henry Fielding In Our Time by : J. A. Downie

Download or read book Henry Fielding In Our Time written by J. A. Downie and published by Cambridge Scholars Publishing. This book was released on 2020-11-09 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Henry Fielding In Our Time publishes many of the papers presented at the international conference held at the University of London 19-21 April 2007 to commemorate the tercentenary of his birth. Written by established scholars, including the acknowledged doyen of Fielding scholars, Martin C. Battestin of the University of Virginia, as well as younger scholars who successfully bring their recent research to bear on neglected areas of Fielding’s life and works, the essays offer a cross-section of current approaches to Fielding and his writings, from his ballad operas, poetry and political journalism , via Joseph Andrews, Tom Jones and Amelia—the novels for which he is still best known—to the social pamphlets written during his years at Bow Street as magistrate for Westminster and Middlesex. The collection should appeal both to undergraduate and postgraduate students as well as academics and general readers interested in the eighteenth-century in general, and Fielding’s contribution to the emergence and development of the novel form in particular.