Between Modernism And Conceptual Art

Author : Robert C. Morgan
Publisher : McFarland
ISBN 13 :
Total Pages : 192 pages
Book Rating : 4.16/5 ( download)

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Download or read book Between Modernism and Conceptual Art written by Robert C. Morgan and published by McFarland. This book was released on 1997-07-15 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art critic and artist Robert C. Morgan proposes that the Postmodernism popular in the 1980s failed to address, and even misrepresented and suppressed, conceptual art while marketing the notion of "Neo- conceptualism," a concept the author rejects as insignificant for advanced art. He argues instead that it is in the tension between Modernism and Conceptual Art that vitality in art was in the 1980s, and is still, found. Annotation copyrighted by Book News, Inc., Portland, OR

Author : Peter Goldie
Publisher : Clarendon Press
ISBN 13 : 0191536547
Total Pages : 312 pages
Book Rating : 4.40/5 ( download)

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Download or read book Philosophy and Conceptual Art written by Peter Goldie and published by Clarendon Press. This book was released on 2007-03-22 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fourteen prominent analytic philosophers writing here engage with the cluster of philosophical questions raised by conceptual art. They address four broad questions: What kind of art is conceptual art? What follows from the fact that conceptual art does not aim to have aesthetic value? What knowledge or understanding can we gain from conceptual art? How ought we to appreciate conceptual art? Conceptual art, broadly understood by the contributors as beginning with Marcel Duchamp's ready-mades and as continuing beyond the 1970s to include some of today's contemporary art, is grounded in the notion that the artist's 'idea' is central to art, and, contrary to tradition, that the material work is by no means essential to the art as such. To use the words of the conceptual artist Sol LeWitt, 'In conceptual art the idea of the concept is the most important aspect of the work . . . and the execution is a perfunctory affair'. Given this so-called 'dematerialization' of the art object, the emphasis on cognitive value, and the frequent appeal to philosophy by many conceptual artists, there are many questions that are raised by conceptual art that should be of interest to analytic philosophers. Why, then, has so little work been done in this area? This volume is most probably the first collection of papers by analytic Anglo-American philosophers tackling these concerns head-on. Contributors Margaret Boden, Diarmuid Costello, Gregory Currie, David Davies, Peter Goldie, Robert Hopkins, Matthew Kieran, Peter Lamarque, Dominic McIver Lopes, Derek Matravers, Elisabeth Schellekens, Kathleen Stock, Carolyn Wilde, and the 'Art & Language' group.

Author : Paul Wood
Publisher : Tate
ISBN 13 :
Total Pages : 88 pages
Book Rating : 4.55/5 ( download)

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Download or read book Conceptual Art written by Paul Wood and published by Tate. This book was released on 2002 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt: Conceptual Art has set out to undermine two concepts associated with art - the production of objects to look at, and the act of contemplative looking itself. This introduction explores the reasons why the new avant-garde chose to produce such work.

Author : Alexander Alberro
Publisher : MIT Press
ISBN 13 : 9780262511841
Total Pages : 258 pages
Book Rating : 4.43/5 ( download)

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Download or read book Conceptual Art and the Politics of Publicity written by Alexander Alberro and published by MIT Press. This book was released on 2003 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of the origins and legacy of the conceptual art movement.

Author : Thomas Crow
Publisher : Yale University Press
ISBN 13 : 9780300076493
Total Pages : 288 pages
Book Rating : 4.95/5 ( download)

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Download or read book Modern Art in the Common Culture written by Thomas Crow and published by Yale University Press. This book was released on 1996-01-01 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hoofdstukken over kunstenaars en kunstuitingen vormen het uitgangspunt van deze Studie over de relatie tussen avant-garde kunst en de massacultuur

Author : Richard Pooler
Publisher : Arena books
ISBN 13 : 1909421111
Total Pages : 138 pages
Book Rating : 4.10/5 ( download)

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Download or read book Boundaries of Modern Art written by Richard Pooler and published by Arena books. This book was released on 2013-02-04 with total page 138 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Conceptual art in the Western world is in crisis.' That is the view of many people who are disillusioned with what they regard as its attention-seeking antics, where artists themselves have proudly proclaimed 'the death of art'. Why has art been on this road to destruction, and how did it get there? How does one make sense of the bewildering complexity of Conceptual art, and how does one extract meaning from its diverse and sometimes bizarre manifestations? This predicament needs explanation, and an exploration of the theoretical underpinnings of modern and contemporary art, and a means to evaluate it. This book starts with a summarised overview of the major art movements since the beginning of the twentieth century, a tracing of the extraordinary journey that art has followed in modern times.The next part considers contemporary art movements, to explore whether they have value, and how that value can be determined. Are the activities that take place in the name of art actually art? Or, as some would have it, is it a gigantic sham, manipulated by clowns to make a trap for fools? To some, it is an outrage that modern and contemporary artists can splash paint around quickly and freely, with a modicum of skill, or assemble a range of found objects, and regard themselves as gifted and creative artists. Others see this as a new, forward-rolling wave, with art at last released from the suffocation and restrictions of the past. The rules have been cast aside. There are fresh ways of exploring and seeing the world, and expressing it freely. The world is constantly changing, and art must change with it. Modern art has followed a long journey. Traditions have been largely cast aside, and replaced with an unceasing search for the new. Our apparent progress is now being questioned. Where do we go from here? Are we on the right road? The second half of this book discusses how we can make sense of contemporary art and assign value to an artwork.Traditional painting and sculpture have physical limits, Conceptual art does not. This is a new freedom - but is it freedom for art, or freedom from art?

Author : Robert Storr
Publisher :
ISBN 13 : 9780870700316
Total Pages : 247 pages
Book Rating : 4.16/5 ( download)

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Download or read book Modern Art Despite Modernism written by Robert Storr and published by . This book was released on 2000 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essay by Robert Storr. Foreword by Glenn D. Lowry.

Author : Richard Pooler
Publisher : Arena books
ISBN 13 : 1909421014
Total Pages : 160 pages
Book Rating : 4.11/5 ( download)

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Download or read book Boundaries of Modern Art written by Richard Pooler and published by Arena books. This book was released on 2013-02-04 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Conceptual art in the Western world is in crisis.' That is the view of many people who are disillusioned with what they regard as its attention-seeking antics, where artists themselves have proudly proclaimed 'the death of art'. Why has art been on this road to destruction, and how did it get there? How does one make sense of the bewildering complexity of Conceptual art, and how does one extract meaning from its diverse and sometimes bizarre manifestations? This predicament needs explanation, and an exploration of the theoretical underpinnings of modern and contemporary art, and a means to evaluate it. This book starts with a summarised overview of the major art movements since the beginning of the twentieth century, a tracing of the extraordinary journey that art has followed in modern times. The next part considers contemporary art movements, to explore whether they have value, and how that value can be determined. Are the activities that take place in the name of art actually art? Or, as some would have it, is it a gigantic sham, manipulated by clowns to make a trap for fools?To some, it is an outrage that modern and contemporary artists can splash paint around quickly and freely, with a modicum of skill, or assemble a range of found objects, and regard themselves as gifted and creative artists. Others see this as a new, forward-rolling wave, with art at last released from the suffocation and restrictions of the past. The rules have been cast aside. There are fresh ways of exploring and seeing the world, and expressing it freely. The world is constantly changing, and art must change with it. Modern art has followed a long journey. Traditions have been largely cast aside, and replaced with an unceasing search for the new. Our apparent progress is now being questioned. Where do we go from here? Are we on the right road? The second half of this book discusses how we can make sense of contemporary art and assign value to an artwork. Traditional painting and sculpture have physical limits, Conceptual art does not. This is a new freedom - but is it freedom for art, or freedom from art?

Author : Charles Green
Publisher : U of Minnesota Press
ISBN 13 : 1452905045
Total Pages : 267 pages
Book Rating : 4.44/5 ( download)

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Download or read book The Third Hand written by Charles Green and published by U of Minnesota Press. This book was released on 2001 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: The lone artist is a worn cliche of art history but one that still defines how we think about the production of art. Since the 1960s, however, a number of artists have challenged this image by embarking on long-term collaborations that dramatically altered the terms of artistic identity. In The Third Hand, Charles Green offers a sustained critical examination of collaboration in international contemporary art, tracing its origins from the evolution of conceptual art in the 1960s into such stylistic labels as Earth Art, Systems Art, Body Art, and Performance Art. During this critical period, artists around the world began testing the limits of what art could be, how it might be produced, and who the artist is. Collaboration emerged as a prime way to reframe these questions. Green looks at three distinct types of collaboration: the highly bureaucratic identities created by Joseph Kosuth, Ian Burn, Mel Ramsden, and other members of Art & Language in the late 1960s; the close-knit relationships based on marriage or lifetime partnership as practiced by the Boyle Family, Anne and Patrick Poirier, Helen Mayer Harrison and Newton Harrison; and couples -- like Christo and Jeanne-Claude, Gilbert & George, or Marina Abramovic and Ulay -- who developed third identities, effacing the individual artists almost entirely. These collaborations, Green contends, resulted in new and, at times, extreme authorial models that continue to inform current thinking about artistic identity and to illuminate the origins of postmodern art, suggesting, in the process, a new genealogy for art in the twenty-first century.

Author : Patricia Hills
Publisher : Pearson
ISBN 13 : 9780130361387
Total Pages : 0 pages
Book Rating : 4.80/5 ( download)

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Download or read book Modern Art in the USA written by Patricia Hills and published by Pearson. This book was released on 2001 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This chronologically organized and comprehensive anthology of readings tells the whole story of art in America from 1900 to the present. It focuses on the themes, issues, and controversies that occurred throughout the century--using selections that are contemporary with the art--by artists, critics, exhibition organizers, poets, politicians, and other writers on culture. Some recurring themes and issues include issues of identity; the changing nature of modernism and modernity; nationalism; art as individual or community expression; the nature of public art; and the role of criticism, censorship, and government intervention. Texts by well-known writers include Meyer Schapiro, Clement Greenberg, Michael Fried, Donald Kuspit, and Kate Linker. A guide for those interested in both the standard interpretations of American art and in alternative readings.