Avant Garde Fascism

Author : Mark Antliff
Publisher : Duke University Press
ISBN 13 : 0822390477
Total Pages : 373 pages
Book Rating : 4.73/5 ( download)

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Download or read book Avant-Garde Fascism written by Mark Antliff and published by Duke University Press. This book was released on 2007-09-03 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: Investigating the central role that theories of the visual arts and creativity played in the development of fascism in France, Mark Antliff examines the aesthetic dimension of fascist myth-making within the history of the avant-garde. Between 1909 and 1939, a surprising array of modernists were implicated in this project, including such well-known figures as the symbolist painter Maurice Denis, the architects Le Corbusier and Auguste Perret, the sculptors Charles Despiau and Aristide Maillol, the “New Vision” photographer Germaine Krull, and the fauve Maurice Vlaminck. Antliff considers three French fascists: Georges Valois, Philippe Lamour, and Thierry Maulnier, demonstrating how they appropriated the avant-garde aesthetics of cubism, futurism, surrealism, and the so-called Retour à l’Ordre (“Return to Order”), and, in one instance, even defined the “dynamism” of fascist ideology in terms of Soviet filmmaker Sergei Eisenstein’s theory of montage. For these fascists, modern art was the mythic harbinger of a regenerative revolution that would overthrow existing governmental institutions, inaugurate an anticapitalist new order, and awaken the creative and artistic potential of the fascist “new man.” In formulating the nexus of fascist ideology, aesthetics, and violence, Valois, Lamour, and Maulnier drew primarily on the writings of the French political theorist Georges Sorel, whose concept of revolutionary myth proved central to fascist theories of cultural and national regeneration in France. Antliff analyzes the impact of Sorel’s theory of myth on Valois, Lamour, and Maulnier. Valois created the first fascist movement in France; Lamour, a follower of Valois, established the short-lived Parti Fasciste Révolutionnaire in 1928 before founding two fascist-oriented journals; Maulnier forged a theory of fascism under the auspices of the journals Combat and Insurgé.

Author : Andrew Hewitt
Publisher : Stanford University Press
ISBN 13 : 9780804726979
Total Pages : 240 pages
Book Rating : 4.73/5 ( download)

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Download or read book Fascist Modernism written by Andrew Hewitt and published by Stanford University Press. This book was released on 1993 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using the literary work of Filippo Tommaso Marinetti, the founder of the Italian Futurist movement and an early associate of Mussolini, the author explores the point of contact between a "progressive" aesthetic practice and a "reactionary" political ideology.

Author : Walter L. Adamson
Publisher :
ISBN 13 :
Total Pages : 360 pages
Book Rating : 4.14/5 ( download)

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Download or read book Avant-garde Florence written by Walter L. Adamson and published by . This book was released on 1993 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: They envisioned a brave new world, and what they got was fascism. As vibrant as its counterparts in Paris, Munich, and Milan, the avant-garde of Florence rose on a wave of artistic, political, and social idealism that swept the world with the arrival of the twentieth century. How the movement flourished in its first heady years, only to flounder in the bloody wake of World War I, is a fascinating story, told here for the first time. It is the history of a whole generation's extraordinary promise--and equally extraordinary failure. The "decadentism" of D'Annunzio, the philosophical ideals of Croce and Gentile, the politics of Italian socialism: all these strains flowed together to buoy the emerging avant-garde in Florence. Walter Adamson shows us the young artists and writers caught up in the intellectual ferment of their time, among them the poet Giovanni Papini, the painter Ardengo Soffici, and the cultural critic Giuseppe Prezzolini. He depicts a generation rejecting provincialism, seeking spiritual freedom in Paris, and ultimately blending the modernist style found there with their own sense of toscanità or "being Tuscan." In their journals--Leonardo, La Voce, Lacerba, and l'Italia futurista--and in their cafe life at the Giubbe Rosse, we see the avant-garde of Florence as citizens of an intellectual world peopled by the likes of Picasso, Bergson, Sorel, Unamuno, Pareto, Weininger, and William James. We witness their mounting commitment to the ideals of regenerative violence and watch their existence become increasingly frenzied as war approaches. Finally, Adamson shows us the ultimate betrayal of the movement's aspirations as its cultural politics help catapult Italy into war and prepare the way for Mussolini's rise to power.

Author : Richard Langston
Publisher : Northwestern University Press
ISBN 13 : 0810124718
Total Pages : 340 pages
Book Rating : 4.14/5 ( download)

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Download or read book Visions of Violence written by Richard Langston and published by Northwestern University Press. This book was released on 2008 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nazi Germany's campaign against 'degenerate art' and its persecution of experimental artists pushed the avant-garde in Germany to the brink of extinction. This book examines how the avant-garde came back after the war, reconfiguring its aesthetics in the light of those years.

Author : Ruth Ben-Ghiat
Publisher : Univ of California Press
ISBN 13 : 0520242165
Total Pages : 332 pages
Book Rating : 4.66/5 ( download)

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Download or read book Fascist Modernities written by Ruth Ben-Ghiat and published by Univ of California Press. This book was released on 2004-03 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: This cultural history of Mussolini's dictatorship discusses the meanings of modernity in interwar Italy. The work argues that fascism appealed to many Italian intellectuals as a new model of modernity that would resolve the European crisis as well as long-standing problems of the national past.

Author : Andrew Hewitt
Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.68/5 ( download)

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Download or read book Fascist Modernism written by Andrew Hewitt and published by . This book was released on 1993 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Mark Antliff
Publisher : Duke University Press
ISBN 13 : 9780822340348
Total Pages : 380 pages
Book Rating : 4.48/5 ( download)

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Download or read book Avant-Garde Fascism written by Mark Antliff and published by Duke University Press. This book was released on 2007-09-03 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: An investigation of the central role that theories of the visual arts and creativity played in the development of fascism in France between 1909 and 1939.

Author : Rosalind E. Krauss
Publisher : MIT Press
ISBN 13 : 9780262610469
Total Pages : 324 pages
Book Rating : 4.69/5 ( download)

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Download or read book The Originality of the Avant-Garde and Other Modernist Myths written by Rosalind E. Krauss and published by MIT Press. This book was released on 1986-07-09 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism. In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.

Author : Walter L. Adamson
Publisher : University of California Press
ISBN 13 : 0520261534
Total Pages : 448 pages
Book Rating : 4.32/5 ( download)

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Download or read book Embattled Avant-Gardes written by Walter L. Adamson and published by University of California Press. This book was released on 2009-08-17 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt: This sweeping work, at once a panoramic overview and an ambitious critical reinterpretation of European modernism, provides a bold new perspective on a movement that defined the cultural landscape of the early twentieth century. Walter L. Adamson embarks on a lucid, wide-ranging exploration of the avant-garde practices through which the modernist generations after 1900 resisted the rise of commodity culture as a threat to authentic cultural expression. Taking biographical approaches to numerous avant-garde leaders, Adamson charts the rise and fall of modernist aspirations in movements and individuals as diverse as Ruskin, Marinetti, Kandinsky, Bauhaus, Purism, and the art critic Herbert Read. In conclusion, Adamson rises to the defense of the modernists, suggesting that their ideas are relevant to current efforts to think through what it might mean to create a vibrant, aesthetically satisfying form of cultural democracy.

Author : Anthony White
Publisher : Routledge
ISBN 13 : 0429515448
Total Pages : 263 pages
Book Rating : 4.46/5 ( download)

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Download or read book Italian Modern Art in the Age of Fascism written by Anthony White and published by Routledge. This book was released on 2019-07-30 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the work of several modern artists, including Fortunato Depero, Scipione, and Mario Radice, who were working in Italy during the time of Benito Mussolini’s rise and fall. It provides a new history of the relationship between modern art and fascism. The study begins from the premise that Italian artists belonging to avant-garde art movements, such as futurism, expressionism, and abstraction, could produce works that were perfectly amenable to the ideologies of Mussolini’s regime. A particular focus of the book is the precise relationship between ideas of history and modernity encountered in the art and politics of the time and how compatible these truly were.