Art Cinema and Theology

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Publisher : Springer
ISBN 13 : 3319585568
Total Pages : 214 pages
Book Rating : 4.67/5 ( download)

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Book Synopsis Art Cinema and Theology by : Justin Ponder

Download or read book Art Cinema and Theology written by Justin Ponder and published by Springer. This book was released on 2017-10-19 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines postmodern theology and how it relates to the cinematic style of Robert Bresson, Carl Theodor Dreyer, Ingmar Bergman, and Luis Buñuel. Ponder demonstrates how these filmmakers forefront religious issues in their use of mise en scène. He investigates both the technical qualities of film “flesh” and its theological features. The chapters show how art cinema uses sound, editing, lighting, and close-ups in ways that critique doctrine’s authoritarianism, as well as philosophy’s individualism, to suggest postmodern theologies that emphasize community. Through this book we learn how the cinematic style of modernist auteurs relates to postmodern theology and how the industry of art cinema constructs certain kinds of film-watching subjectivity.

World Cinema, Theology, and the Human

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Author :
Publisher : Routledge
ISBN 13 : 041551746X
Total Pages : 176 pages
Book Rating : 4.61/5 ( download)

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Book Synopsis World Cinema, Theology, and the Human by : Antonio D. Sison

Download or read book World Cinema, Theology, and the Human written by Antonio D. Sison and published by Routledge. This book was released on 2012 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: World Cinema, Theology, and the Human builds an engaging intertextual dialogue between nine acclaimed films of world cinema and a range of theological perspectives that touch on the theme of human experience. This book engages with the power of film to trigger hermeneutical impulses and theological conversation stemming from resonant humanity unfolding onscreen. However, it is film as art, not theology as normative text, which lays down a bridge to the possibility of critical dialogue. In this approach, film is emancipated from a theological agenda, and as an art form, given space to speak on its own terms in dialogue with theology.

Religion and Film

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Publisher : Columbia University Press
ISBN 13 : 0231545797
Total Pages : 245 pages
Book Rating : 4.92/5 ( download)

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Book Synopsis Religion and Film by : S. Brent Plate

Download or read book Religion and Film written by S. Brent Plate and published by Columbia University Press. This book was released on 2017-09-05 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Religion and cinema share a capacity for world making, ritualizing, mythologizing, and creating sacred time and space. Through cinematography, mise-en-scène, editing, and other production activities, film takes the world “out there” and refashions it. Religion achieves similar ends by setting apart particular objects and periods of time, telling stories, and gathering people together for communal actions and concentrated focus. The result of both cinema and religious practice is a re-created world: a world of fantasy, a world of ideology, a world we long to live in, or a world we wish to avoid at all costs. Religion and Film introduces readers to both religious studies and film studies by focusing on the formal similarities between cinema and religious practices and on the ways they each re-create the world. Explorations of film show how the cinematic experience relies on similar aesthetic devices on which religious rituals have long relied: sight, sound, the taste of food, the body, and communal experience. Meanwhile, a deeper understanding of the aesthetic nature of religious rituals can alter our understanding of film production. Utilizing terminology and theoretical insights from the study of religion as well as the study of film, Religion and Film shows that by paying attention to the ways films are constructed, we can shed new light on the ways religious myths and rituals are constructed and vice versa. This thoroughly revised and expanded new edition is designed to appeal to the needs of courses in religion as well as film departments. In addition to two new chapters, this edition has been restructured into three distinct sections that offer students and instructors theories and methods for thinking about cinema in ways that more fully connect film studies with religious studies.

Wonder, Horror, Mystery

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Publisher : punctum books
ISBN 13 : 1685710085
Total Pages : 371 pages
Book Rating : 4.88/5 ( download)

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Book Synopsis Wonder, Horror, Mystery by : Morgan Meis

Download or read book Wonder, Horror, Mystery written by Morgan Meis and published by punctum books. This book was released on 2021-12-22 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: Wonder, Horror, Mystery is a dialogue between two friends, both notable arts critics, that takes the form of a series of letters about movies and religion. One of the friends, J.M. Tyree, is a film critic, creative writer, and agnostic, while the other, Morgan Meis, is a philosophy PhD, art critic, and practicing Catholic. The question of cinema is raised here in a spirit of friendly friction that binds the personal with the critical and the spiritual. What is film? What's it for? What does it do? Why do we so intensely love or hate films that dare to broach the subjects of the divine and the diabolical? These questions stimulate further thoughts about life, meaning, philosophy, absurdity, friendship, tragedy, humor, death, and God. The letters focus on three filmmakers who challenged secular assumptions in the late 20th century and early 21st century through various modes of cinematic re-enchantment: Terrence Malick, Lars von Trier, and Krzysztof Kieślowski. The book works backwards in time, giving intensive analysis to Malick's To The Wonder (2012), Von Trier's Antichrist (2009), and Kieślowski's Dekalog (1988), respectively, in each of the book's three sections. Meis and Tyree discuss the filmmakers and films as well as related ideas about philosophy, theology, and film theory in an accessible but illuminating way. The discussion ranges from the shamelessly intellectual to the embarrassingly personal. Spoiler alert: No conclusions are reached either about God or the movies. Nonetheless, it is a fun ride.

André Bazin's Film Theory

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Publisher : Oxford University Press
ISBN 13 : 0190067314
Total Pages : 432 pages
Book Rating : 4.11/5 ( download)

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Book Synopsis André Bazin's Film Theory by : Angela Dalle Vacche

Download or read book André Bazin's Film Theory written by Angela Dalle Vacche and published by Oxford University Press. This book was released on 2019-11-28 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through metaphors and allusions to art, science, and religion, André Bazin's writings on the cinema explore a simple yet profound question: what is a human? For the famous French film critic, a human is simultaneously a rational animal and an irrational being. Bazin's idea of the cinema is a mind-machine where the ethical implications have priority over aesthetic issues. And in its ability to function as an art form for the masses, cinema is the only medium that can address an audience at the individual and community levels simultaneously-- the audience sees the same film, but each individual relates to the narrative in a different way. In principle, cinema can unsettle our routines in productive ways and expand our sense of belonging to a much larger picture. By arguing that this dissident Catholic's worldview is anti-anthropocentric, Angela Dalle Vacche concludes that André Bazin's idea of the cinema recapitulates the histories of biological evolution and modern technology inside our consciousness. Through the projection of recorded traces of the world onto a brain-like screen, the cinema can open viewers up to self-interrogation and empathy towards Otherness. Bazin was neither a spiritualist nor an animist or a pantheist, yet his film theory leads also to ideas of a more cosmological persuasion: through editing and camera movement, cinema explores our belonging to a vast universe that extends from the microbes of the microscope to the stars of the telescope. Such ideas of connectedness, coupled with Bazin's well-known emphasis of realism, form the foundation for his film theory's embrace of Italian neorealism. Choosing to avoid a quantitative naturalism based on accumulation of details, Bazin's theory instead promotes the kind of cinema that celebrates perceptual displacement, the objectification of human behavior, and one's own critical self-awareness.

Performing the Sacred

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Publisher : Baker Academic
ISBN 13 : 080102952X
Total Pages : 176 pages
Book Rating : 4.23/5 ( download)

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Book Synopsis Performing the Sacred by : Todd E. Johnson

Download or read book Performing the Sacred written by Todd E. Johnson and published by Baker Academic. This book was released on 2009-08 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: A theologian and a theatre artist examine both the nature of theatrical performance within contemporary culture and its relationship to Christian life, faith, and worship.

Cinéma Divinité

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Publisher : SCM Press
ISBN 13 :
Total Pages : 402 pages
Book Rating : 4.08/5 ( download)

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Book Synopsis Cinéma Divinité by : Eric S. Christianson

Download or read book Cinéma Divinité written by Eric S. Christianson and published by SCM Press. This book was released on 2005 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a source book for all areas of study from undergraduate to postgraduate. General theory and critiques are discussed, with additional information set out for readers who require it; and specifics of films set out in user-friendly case studies. Each new discussion has an introduction to the subject from the author.

Religion in Film

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Publisher : Univ. of Tennessee Press
ISBN 13 : 9780870493683
Total Pages : 284 pages
Book Rating : 4.8X/5 ( download)

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Book Synopsis Religion in Film by : John R. May

Download or read book Religion in Film written by John R. May and published by Univ. of Tennessee Press. This book was released on 1982 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: This multiauthor book concentrates on themes and images of religion in film. It features analysis of some of the most important directors in the twentieth century, includiing Coppola, Chaplin, Hitchcock, and Truffaut, among others.

Film, Philosophy and Religion

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Publisher : Vernon Press
ISBN 13 : 1648893228
Total Pages : 454 pages
Book Rating : 4.23/5 ( download)

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Book Synopsis Film, Philosophy and Religion by :

Download or read book Film, Philosophy and Religion written by and published by Vernon Press. This book was released on with total page 454 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hollywood is a $40 billion annual business, one that is highly influential in culture. If we want to know who we are as individuals and a society, what we believe and what we value, we need to know and understand Hollywood and film. Make no mistake, Hollywood is neither philosophically, politically, nor morally neutral! Many studies demonstrate how movies “affect” us long before we have thought it through. In other words, Hollywood “smuggles” all kinds of ideas into our minds and hearts without us even knowing it. While Hollywood may be the biggest and most influential in the world, this book will demonstrate the growing international influence of film from India (Bollywood), Nigeria (Nollywood), Zimbabwe (Zollywood) and Yesilçam (Turkey). 'Film, Philosophy and Religion' explicitly and implicitly takes a philosophical approach to analyzing film theoretically and methodologically. There are topic and film-specific chapters that take a theological approach, and others that explore ideas like Affect, Axiology, Art Reflecting the Artist and Transcendence (Spirituality) of Film. Hermeneutics also have a central role in the book, including films based on biblical texts that act as interpretations of these texts and fill in the blanks (albeit speculatively by way of script and directors). Chapters also explore the philosophy of aesthetics and film realism which end with theology, while other chapters explore the incompatibility of science with religion, as well as a chapter on the timely topic of rape in Turkish film. The book’s scope goes from the “Horror of Evil in Ridley Scott’s Alien Universe” to “Love Can Thaw a Frozen Heart: The Philosophy of Love in the Frozen Films” (Disney Princess Narratives). This book represents international films and scholars. The diverse perspectives from theist to atheist—and everything in-between—are sure to spark thinking and generate talking points that provide something for everyone in an accessible format. It will be of great interest to university students and professors, scholars, seminaries, and the general public.

The Theological Power of Film

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Publisher :
ISBN 13 : 9781032575636
Total Pages : 0 pages
Book Rating : 4.38/5 ( download)

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Book Synopsis The Theological Power of Film by : James Lorenz

Download or read book The Theological Power of Film written by James Lorenz and published by . This book was released on 2024 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book explores the theological power of film and seeks to render a properly theological account of cinematic art. It considers: What theology and theological practice does cinematic art give rise to? What are the perceptual and affective potentials of film for theology, and what, if anything, is theological about the cinematic medium itself? The author argues that film is a fundamentally embodied art form, a haptic and somatic medium of perception-cum-expression. This, combined with the distinct temporal aesthetic of film, invests cinema with profound theological potentials. The chapters explore these potentials through theological-cinematic analysis, emphasising the themes of encounter, embodiment, time, and contemplation, as well as three intimately connected doctrines of Christian theology: creation, incarnation, and eschatology. Throughout the book, the films and writings of the Russian director Andrei Tarkovsky emerge as a singular illustration of the theological power of film, becoming a crucial resource for theological-cinematic analysis"--