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Author : David A. Cook
Publisher :
ISBN 13 : 9780393288728
Total Pages : 0 pages
Book Rating : 4.22/5 ( download)
Download or read book A History of Narrative Film written by David A. Cook and published by . This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : David A. Cook
Publisher :
ISBN 13 : 9789393090225
Total Pages : pages
Book Rating : 4.2X/5 ( download)
Download or read book A History of Narrative Film written by David A. Cook and published by . This book was released on 1981 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Isolde Standish
Publisher : Bloomsbury Publishing USA
ISBN 13 : 1441161546
Total Pages : 415 pages
Book Rating : 4.43/5 ( download)
Download or read book A New History of Japanese Cinema written by Isolde Standish and published by Bloomsbury Publishing USA. This book was released on 2006-05-08 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: In A New History of Japanese Cinema Isolde Standish focuses on the historical development of Japanese film. She details an industry and an art form shaped by the competing and merging forces of traditional culture and of economic and technological innovation. Adopting a thematic, exploratory approach, Standish links the concept of Japanese cinema as a system of communication with some of the central discourses of the twentieth century: modernism, nationalism, humanism, resistance, and gender. After an introduction outlining the earliest years of cinema in Japan, Standish demonstrates cinema's symbolic position in Japanese society in the 1930s - as both a metaphor and a motor of modernity. Moving into the late thirties and early forties, Standish analyses cinema's relationship with the state-focusing in particular on the war and occupation periods. The book's coverage of the post-occupation period looks at "romance" films in particular. Avant-garde directors came to the fore during the 1960s and early seventies, and their work is discussed in depth. The book concludes with an investigation of genre and gender in mainstream films of recent years. In grappling with Japanese film history and criticism, most western commentators have concentrated on offering interpretations of what have come to be considered "classic" films. A New History of Japanese Cinema takes a genuinely innovative approach to the subject, and should prove an essential resource for many years to come.
Author : Marilyn Fabe
Publisher : Univ of California Press
ISBN 13 : 0520279972
Total Pages : 312 pages
Book Rating : 4.71/5 ( download)
Download or read book Closely Watched Films written by Marilyn Fabe and published by Univ of California Press. This book was released on 2014-10-14 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch"--Page [4] of cover.
Author : David Bordwell
Publisher : Harvard University Press
ISBN 13 : 9780674634299
Total Pages : 338 pages
Book Rating : 4.92/5 ( download)
Download or read book On the History of Film Style written by David Bordwell and published by Harvard University Press. This book was released on 1997 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bordwell scrutinizes the theories of style launched by various film historians and celebrates a century of cinema. The author examines the contributions of many directors and shows how film scholars have explained stylistic continuity and change.
Author : Ed S. Tan
Publisher : Routledge
ISBN 13 : 1136694978
Total Pages : 312 pages
Book Rating : 4.74/5 ( download)
Download or read book Emotion and the Structure of Narrative Film written by Ed S. Tan and published by Routledge. This book was released on 2013-10-16 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduced one hundred years ago, film has since become part of our lives. For the past century, however, the experience offered by fiction films has remained a mystery. Questions such as why adult viewers cry and shiver, and why they care at all about fictional characters -- while aware that they contemplate an entirely staged scene -- are still unresolved. In addition, it is unknown why spectators find some film experiences entertaining that have a clearly aversive nature outside the cinema. These and other questions make the psychological status of emotions allegedly induced by the fiction film highly problematic. Earlier attempts to answer these questions have been limited to a few genre studies. In recent years, film criticism and the theory of film structure have made use of psychoanalytic concepts which have proven insufficient in accounting for the diversity of film induced affect. In contrast, academic psychology -- during the century of its existence -- has made extensive study of emotional responses provoked by viewing fiction film, but has taken the role of film as a natural stimulus completely for granted. The present volume bridges the gap between critical theories of film on the one hand, and recent psychological theory and research of human emotion on the other, in an attempt to explain the emotions provoked by fiction film. This book integrates insights on the narrative structure of fiction film including its themes, plot structure, and characters with recent knowledge on the cognitive processing of natural events, and narrative and person information. It develops a theoretical framework for systematically describing emotion in the film viewer. The question whether or not film produces genuine emotion is answered by comparing affect in the viewer with emotion in the real world experienced by persons witnessing events that have personal significance to them. Current understanding of the psychology of emotions provides the basis for identifying critical features of the fiction film that trigger the general emotion system. Individual emotions are classified according to their position in the affect structure of a film -- a larger system of emotions produced by one particular film as a whole. Along the way, a series of problematic issues is dealt with, notably the reality of the emotional stimulus in film, the identification of the viewer with protagonists on screen, and the necessity of the viewer's cooperation in arriving at a genuine emotion. Finally, it is argued that film-produced emotions are genuine emotions in response to an artificial stimulus. Film can be regarded as a fine-tuned machine for a continuous stream of emotions that are entertaining after all. The work paves the way for understanding and, in principle, predicting emotions in the film viewer using existing psychological instruments of investigation. Dealing with the problems of film-induced affect and rendering them accessible to formal modeling and experimental method serves a wider interest of understanding aesthetic emotion -- the feelings that man-made products, and especially works of art, can evoke in the beholder.
Author : Tom Gunning
Publisher : University of Illinois Press
ISBN 13 : 9780252063664
Total Pages : 334 pages
Book Rating : 4.6X/5 ( download)
Download or read book D.W. Griffith and the Origins of American Narrative Film written by Tom Gunning and published by University of Illinois Press. This book was released on 1994 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: The legendary filmmaker D. W. Griffith directed nearly 200 films during 1908 and 1909, his first years with the Biograph Company. While those one-reel films are a testament to Griffith's inspired genius as a director, they also reflect a fundamental shift in film style from "cheap amusements" to movie storytelling complete with characters and narrative impetus. In this comprehensive historical investigation, drawing on films preserved by the Library of Congress and the Museum of Modern Art, Tom Gunning reveals that the remarkable cinematic changes between 1900 and 1915 were a response to the radical reorganization within the film industry and the evolving role of film in American society. The Motion Picture Patents Company, the newly formed Film Trust, had major economic aspirations. The newly emerging industry's quest for a middle-class audience triggered Griffith's early experiments in film editing and imagery. His unique solutions permanently shaped American narrative film.
Author : Peter F. Parshall
Publisher : Scarecrow Press
ISBN 13 : 0810885077
Total Pages : 264 pages
Book Rating : 4.73/5 ( download)
Download or read book Altman and After written by Peter F. Parshall and published by Scarecrow Press. This book was released on 2012-06-21 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Altman & After: Multiple Narratives in Film, Peter Parshall carefully examines films that feature various plotlines. In each chapter, Parshall looks at a different example of the multi-plot form, such as network narrative and the multiple-draft narrative, demonstrating that the structure of each is central to their artistry, and that these devices open up a variety of creative vistas. Films studied in this book include Nashville, Pulp Fiction, Amores Perros, Code Unknown, The Edge of Heaven, Virgin Stripped Bare by Her Bachelors, Run Lola Run, and Kieslowski’s Three Colors trilogy: Red, White, and Blue.
Author : Michael Ryan
Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501318551
Total Pages : 287 pages
Book Rating : 4.59/5 ( download)
Download or read book An Introduction to Film Analysis written by Michael Ryan and published by Bloomsbury Publishing USA. This book was released on 2020-04-16 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: An Introduction to Film Analysis is designed to introduce students to filmmaking techniques while also providing an invaluable guide to film interpretation. It takes readers step by step through: -the basic technical terms -shot-by-shot analyses of film sequences -set design, composition, editing, camera work, post-production, art direction and more -each chapter provides clear examples and full colour images from classic as well as contemporary films Ryan and Lenos's updated edition introduces students to the different kinds of lenses and their effects, the multiple possibilities of lighting, and the way post-production modifies images through such processes as saturation and desaturation. Students will learn to ask why the camera is placed where it is, why an edit occurs where it does, or why the set is designed in a certain way. The second section of the book focuses on critical analysis, introducing students to the various approaches to film, from psychology to history, with new analysis on postcolonial, transnational and Affect Theory. New to this edition is a third section featuring several in-depth analyses of films to put into practice what comes before: The Birds, The Shining, Vagabond, In the Mood for Love, Before the Devil Knows You're Dead.
Author : Mervyn Cooke
Publisher : Cambridge University Press
ISBN 13 : 1316264866
Total Pages : 688 pages
Book Rating : 4.67/5 ( download)
Download or read book A History of Film Music written by Mervyn Cooke and published by Cambridge University Press. This book was released on 2008-09-25 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a comprehensive and lively introduction to the major trends in film scoring from the silent era to the present day, focussing not only on dominant Hollywood practices but also offering an international perspective by including case studies of the national cinemas of the UK, France, India, Italy, Japan and the early Soviet Union. The book balances wide-ranging overviews of film genres, modes of production and critical reception with detailed non-technical descriptions of the interaction between image track and soundtrack in representative individual films. In addition to the central focus on narrative cinema, separate sections are also devoted to music in documentary and animated films, film musicals and the uses of popular and classical music in the cinema. The author analyses the varying technological and aesthetic issues that have shaped the history of film music, and concludes with an account of the modern film composer's working practices.
