Twentieth-century Music Theory and Practice

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Publisher : Routledge
ISBN 13 : 0415888956
Total Pages : 314 pages
Book Rating : 4.50/5 ( download)

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Book Synopsis Twentieth-century Music Theory and Practice by : Edward Pearsall

Download or read book Twentieth-century Music Theory and Practice written by Edward Pearsall and published by Routledge. This book was released on 2012 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Twentieth-Century Music Theory and Practice introduces a number of tools for analyzing a wide range of twentieth-century musical styles and genres. It includes discussions of harmony, scales, rhythm, contour, post-tonal music, set theory, the twelve-tone method, and modernism. Recent developments involving atonal voice leading, K-nets, nonlinearity, and neo-Reimannian transformations are also engaged. While many of the theoretical tools for analyzing twentieth century music have been devised to analyze atonal music, they may also provide insight into a much broader array of styles. This text capitalizes on this idea by using the theoretical devices associated with atonality to explore music inclusive of a large number of schools and contains examples by such stylistically diverse composers as Paul Hindemith, George Crumb, Ellen Taffe Zwilich, Steve Reich, Michael Torke, Philip Glass, Alexander Scriabin, Ernest Bloch, Igor Stravinsky, Béla Bartók, Sergei Prokofiev, Arnold Schoenberg, Claude Debussy, György Ligeti, and Leonard Bernstein. This textbook also provides a number of analytical, compositional, and written exercises. The aural skills supplement and online aural skills trainer on the companion website allow students to use theoretical concepts as the foundation for analytical listening. Access additional resources and online material here: http: //www.twentiethcenturymusictheoryandpractice.net and https: //www.motivichearing.com/.

Performing Knowledge

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Publisher : Oxford University Press, USA
ISBN 13 : 019065354X
Total Pages : 433 pages
Book Rating : 4.45/5 ( download)

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Book Synopsis Performing Knowledge by : Daphne Leong

Download or read book Performing Knowledge written by Daphne Leong and published by Oxford University Press, USA. This book was released on 2019 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: How do musical analysis and performance relate? In a unique collaborative approach to this question, theorist-pianist Daphne Leong partners with internationally renowned performers to interpret twentieth-century repertoire. Imaginative explorations of music by Ravel, Schoenberg, Bart�k, Schnittke, Milhaud, Messiaen, Babbitt, Carter, and Morris illuminate focal issues such as the role of embodiment, the affordances of a score, the cultural understanding of notation, the use of metaphor, and--to round out the viewpoints of theorist and performers with those of composer and listeners--the role of structure in audience reception. Each exploration engages deeply with musical structure, redefined to encompass the creative activity of composers, performers, analysts, and listeners. Performances, demonstrations, and interviews online complement the book's written text; practical application and pedagogical guidance round out theoretical and analytical content. The collaborations themselves demonstrate different dimensions of knowledge at the intersection of analysis and performance, and illustrate Leong's theory of the things and people that facilitate cross-disciplinary collaboration in music. They also exemplify the antagonisms and synergies that emerge when theorists and performers meet. Both flexibly and rigorously conceived, Performing Knowledge is a brave crossing of disciplinary divides between scholarship and practice, a work of analysis shaped by the voices of performers.

Twentieth Century Harmony

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Publisher : London : Faber & Faber
ISBN 13 : 9780571112166
Total Pages : 287 pages
Book Rating : 4.61/5 ( download)

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Book Synopsis Twentieth Century Harmony by : Vincent Persichetti

Download or read book Twentieth Century Harmony written by Vincent Persichetti and published by London : Faber & Faber. This book was released on 1961 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Towards a Global Music Theory

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Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1409461408
Total Pages : 437 pages
Book Rating : 4.01/5 ( download)

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Book Synopsis Towards a Global Music Theory by : Professor Mark Hijleh

Download or read book Towards a Global Music Theory written by Professor Mark Hijleh and published by Ashgate Publishing, Ltd.. This book was released on 2012-09-01 with total page 437 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the beginning of the twentieth century, the cross-pollenization of world musical materials and practices has accelerated precipitously, due in large part to advances in higher-speed communications and travel. We live now in a world of global musical practice that will only continue to blossom and develop through the twenty-first century and beyond. Yet music theory as an academic discipline is only just beginning to respond to such a milieu. Conferences, workshops and curricula are for the first time beginning to develop around the theme of 'world music theory', as students, teachers and researchers recognize the need for analytical concepts and methods applicable to a wider range of human musics, not least the hybrid musics that influence (and increasingly define) more and more of the world's musical practices. Towards a Global Music Theory proposes a number of such concepts and methods stemming from durational and acoustic relationships between 'twos' and 'threes' as manifested in various interrelated aspects of music, including rhythm, melody, harmony, process, texture, timbre and tuning, and offers suggestions for how such concepts and methods might be applied effectively to the understanding of music in a variety of contexts. While some of the bases for this foray into possible methods for a twenty-first century music theory lie along well established acoustical and psycho-acoustical lines, Dr Mark Hijleh presents a broad attempt to apply them conceptually and comprehensively to a variety of musics in a relevant way that can be readily apprehended and applied by students, scholars and teachers.

Music Analysis in Theory and Practice

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Author :
Publisher :
ISBN 13 : 9780571100699
Total Pages : 250 pages
Book Rating : 4.94/5 ( download)

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Book Synopsis Music Analysis in Theory and Practice by : Jonathan Dunsby

Download or read book Music Analysis in Theory and Practice written by Jonathan Dunsby and published by . This book was released on 1988 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Techniques and Materials of Music from the Common Practice Period Through the Twentieth Century

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Publisher :
ISBN 13 : 9781285855271
Total Pages : 324 pages
Book Rating : 4.72/5 ( download)

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Book Synopsis Techniques and Materials of Music from the Common Practice Period Through the Twentieth Century by : Thomas Benjamin

Download or read book Techniques and Materials of Music from the Common Practice Period Through the Twentieth Century written by Thomas Benjamin and published by . This book was released on 2015 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Revisiting Music Theory

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Publisher : Routledge
ISBN 13 : 113587039X
Total Pages : 354 pages
Book Rating : 4.93/5 ( download)

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Book Synopsis Revisiting Music Theory by : Alfred Blatter

Download or read book Revisiting Music Theory written by Alfred Blatter and published by Routledge. This book was released on 2012-08-06 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Revisiting Music Theory: A Guide to the Practice contains the basics of music theory with the vocabulary used in harmonic and formal analysis. The book assumes few music reading skills, and progresses to include the basic materials of music from J. S. Bach to the twentieth century. Based on Blatter’s own three decades of teaching music theory, this book is aimed at a one or two year introductory course in music theory, can serve for individual study, or as a review for graduate students returning to school. Drawing examples from well-known classical works, as well as folk and popular music, the book shows how theory is applied to practice. The book is divided into five parts. The first part introduces music notation, reviewing the basics of pitch, time, and dynamics as represented in written music. Part 2 introduces the concept of melody, covering modes, scales, scale degrees, and melodic form. Part 3 introduces harmony, dealing with harmonic progression, rhythm, and chord types. Part 4 addresses part writing and harmonic analysis. Finally, Part 5 addresses musical form, and how form is used to structure a composition. Revisiting Music Theory will be a valuable textbook for students, professors, and professionals.

Music for Analysis

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Publisher : Oxford University Press, USA
ISBN 13 : 9780190620752
Total Pages : 588 pages
Book Rating : 4.57/5 ( download)

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Book Synopsis Music for Analysis by : Thomas Benjamin

Download or read book Music for Analysis written by Thomas Benjamin and published by Oxford University Press, USA. This book was released on 2018-01-16 with total page 588 pages. Available in PDF, EPUB and Kindle. Book excerpt: With over 475 pieces of music from the Baroque period to the present, this is the most comprehensive anthology of its kind. Organized by music theory concept, it can be easily adapted to any introductory theory course, plus ample room for student work eliminates the need for a separateworkbook or score paper.

Performing Knowledge

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Publisher : Oxford University Press
ISBN 13 : 0190653558
Total Pages : 272 pages
Book Rating : 4.52/5 ( download)

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Book Synopsis Performing Knowledge by : Daphne Leong

Download or read book Performing Knowledge written by Daphne Leong and published by Oxford University Press. This book was released on 2019-11-19 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: How do musical analysis and performance relate? In a unique collaborative approach to this question, theorist-pianist Daphne Leong partners with internationally renowned performers to interpret twentieth-century repertoire. Imaginative explorations of music by Ravel, Schoenberg, Bartók, Schnittke, Milhaud, Messiaen, Babbitt, Carter, and Morris illuminate focal issues such as the role of embodiment, the affordances of a score, the cultural understanding of notation, the use of metaphor, and--to round out the viewpoints of theorist and performers with those of composer and listeners--the role of structure in audience reception. Each exploration engages deeply with musical structure, redefined to encompass the creative activity of composers, performers, analysts, and listeners. Performances, demonstrations, and interviews online complement the book's written text; practical application and pedagogical guidance round out theoretical and analytical content. The collaborations themselves demonstrate different dimensions of knowledge at the intersection of analysis and performance, and illustrate Leong's theory of the things and people that facilitate cross-disciplinary collaboration in music. They also exemplify the antagonisms and synergies that emerge when theorists and performers meet. Both flexibly and rigorously conceived, Performing Knowledge is a brave crossing of disciplinary divides between scholarship and practice, a work of analysis shaped by the voices of performers.

Music Theory in Concept and Practice

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Author :
Publisher :
ISBN 13 : 9781878822796
Total Pages : 529 pages
Book Rating : 4.99/5 ( download)

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Book Synopsis Music Theory in Concept and Practice by : James M. Baker

Download or read book Music Theory in Concept and Practice written by James M. Baker and published by . This book was released on 1997-01-01 with total page 529 pages. Available in PDF, EPUB and Kindle. Book excerpt: Three principal areas of study are represented in this collection. One is historical research, which includes efforts to trace the development of theoretical ideas and their philosophical bases; the second area embraces the theory and analysis of common-practice tonality and its associated repertoire (including chromatic and transitional music); the third broad category includes the large body of work associated with theory and analysis of post-tonal music.