Twentieth-Century Chamber Music

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Author :
Publisher : Routledge
ISBN 13 : 1135887063
Total Pages : 289 pages
Book Rating : 4.63/5 ( download)

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Book Synopsis Twentieth-Century Chamber Music by : James McCalla

Download or read book Twentieth-Century Chamber Music written by James McCalla and published by Routledge. This book was released on 2004-03 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

British Women Composers and Instrumental Chamber Music in the Early Twentieth Century

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Author :
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1472402154
Total Pages : 368 pages
Book Rating : 4.58/5 ( download)

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Book Synopsis British Women Composers and Instrumental Chamber Music in the Early Twentieth Century by : Dr Laura Seddon

Download or read book British Women Composers and Instrumental Chamber Music in the Early Twentieth Century written by Dr Laura Seddon and published by Ashgate Publishing, Ltd.. This book was released on 2013-10-28 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first full-length study of British women's instrumental chamber music in the early twentieth century. Laura Seddon argues that the Cobbett competitions, instigated by Walter Willson Cobbett in 1905, and the formation of the Society of Women Musicians in 1911 contributed to the explosion of instrumental music written by women in this period and highlighted women's place in British musical society in the years leading up to and during the First World War. Seddon investigates the relationship between Cobbett, the Society of Women Musicians and women composers themselves. The book’s six case studies - of Adela Maddison (1866-1929), Ethel Smyth (1858-1944), Morfydd Owen (1891-1918), Ethel Barns (1880-1948), Alice Verne-Bredt (1868-1958) and Susan Spain-Dunk (1880-1962) - offer valuable insight into the women’s musical education and compositional careers. Seddon’s discussion of their chamber works for differing instrumental combinations includes an exploration of formal procedures, an issue much discussed by contemporary sources. The individual composers' reactions to the debate instigated by the Society of Women Musicians, on the future of women's music, is considered in relation to their lives, careers and the chamber music itself. As the composers in this study were not a cohesive group, creatively or ideologically, the book draws on primary sources, as well as the writings of contemporary commentators, to assess the legacy of the chamber works produced.

Nineteenth-Century Chamber Music

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Publisher : Routledge
ISBN 13 : 1135887624
Total Pages : 404 pages
Book Rating : 4.29/5 ( download)

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Book Synopsis Nineteenth-Century Chamber Music by : Stephen Hefling

Download or read book Nineteenth-Century Chamber Music written by Stephen Hefling and published by Routledge. This book was released on 2004-03-01 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.

The Rest Is Noise

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Publisher : Farrar, Straus and Giroux
ISBN 13 : 1429932880
Total Pages : 640 pages
Book Rating : 4.82/5 ( download)

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Book Synopsis The Rest Is Noise by : Alex Ross

Download or read book The Rest Is Noise written by Alex Ross and published by Farrar, Straus and Giroux. This book was released on 2007-10-16 with total page 640 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

Chamber Music

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Publisher : University of Michigan Press
ISBN 13 : 0472051652
Total Pages : 384 pages
Book Rating : 4.56/5 ( download)

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Book Synopsis Chamber Music by : Mark A. Radice

Download or read book Chamber Music written by Mark A. Radice and published by University of Michigan Press. This book was released on 2012-01-19 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: A thorough overview and history of chamber music

Intimate Music

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Publisher : Pendragon Press
ISBN 13 : 9781576471005
Total Pages : 506 pages
Book Rating : 4.04/5 ( download)

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Book Synopsis Intimate Music by : John H. Baron

Download or read book Intimate Music written by John H. Baron and published by Pendragon Press. This book was released on 1998 with total page 506 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first comprehensive overview of instrumental chamber music from the 16th century to the present. There are comparisons of different genres, composers, and periods. Situations for chamber music at different moments in history are brought into a continuum, and all aspects of chamber music are placed into perspective. A History of the Idea of Chamber Music is chronologically organized at the most general level. Beyond that, national schools figure prominently, as well as genres and personalities. Throughout this book the composition of chamber music, the performance of chamber music, and the social, economic, political, and aesthetic conditions for chamber music have been considered per se and as they interact. (From the Introduction)

Twentieth-century Chamber Music Catalogue

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Publisher :
ISBN 13 :
Total Pages : 180 pages
Book Rating : 4.87/5 ( download)

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Book Synopsis Twentieth-century Chamber Music Catalogue by : G. Schirmer, Inc

Download or read book Twentieth-century Chamber Music Catalogue written by G. Schirmer, Inc and published by . This book was released on 1991 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Literature of Chamber Music: Labey to Ronsheim

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Publisher :
ISBN 13 :
Total Pages : 750 pages
Book Rating : 4.36/5 ( download)

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Book Synopsis The Literature of Chamber Music: Labey to Ronsheim by : Arthur Cohn

Download or read book The Literature of Chamber Music: Labey to Ronsheim written by Arthur Cohn and published by . This book was released on 1997 with total page 750 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Music of the Twentieth Century

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Publisher : Amsterdam University Press
ISBN 13 : 9053567658
Total Pages : 223 pages
Book Rating : 4.54/5 ( download)

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Book Synopsis Music of the Twentieth Century by : Ton de Leeuw

Download or read book Music of the Twentieth Century written by Ton de Leeuw and published by Amsterdam University Press. This book was released on 2005 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ton de Leeuw was a truly groundbreaking composer. As evidenced by his pioneering study of compositional methods that melded Eastern traditional music with Western musical theory, he had a profound understanding of the complex and often divisive history of twentieth-century music. Now his renowned chronicle Music of the Twentieth Century is offered here in a newly revised English-language edition. Music of the Twentieth Century goes beyond a historical survey with its lucid and impassioned discussion of the elements, structures, compositional principles, and terminologies of twentieth-century music. De Leeuw draws on his experience as a composer, teacher, and music scholar of non-European music traditions, including Indian, Indonesian, and Japanese music, to examine how musical innovations that developed during the twentieth century transformed musical theory, composition, and scholarly thought around the globe.

British Women Composers and Instrumental Chamber Music in the Early Twentieth Century

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Author :
Publisher : Routledge
ISBN 13 : 1317171349
Total Pages : 248 pages
Book Rating : 4.48/5 ( download)

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Book Synopsis British Women Composers and Instrumental Chamber Music in the Early Twentieth Century by : Laura Seddon

Download or read book British Women Composers and Instrumental Chamber Music in the Early Twentieth Century written by Laura Seddon and published by Routledge. This book was released on 2016-04-15 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first full-length study of British women's instrumental chamber music in the early twentieth century. Laura Seddon argues that the Cobbett competitions, instigated by Walter Willson Cobbett in 1905, and the formation of the Society of Women Musicians in 1911 contributed to the explosion of instrumental music written by women in this period and highlighted women's place in British musical society in the years leading up to and during the First World War. Seddon investigates the relationship between Cobbett, the Society of Women Musicians and women composers themselves. The book’s six case studies - of Adela Maddison (1866-1929), Ethel Smyth (1858-1944), Morfydd Owen (1891-1918), Ethel Barns (1880-1948), Alice Verne-Bredt (1868-1958) and Susan Spain-Dunk (1880-1962) - offer valuable insight into the women’s musical education and compositional careers. Seddon’s discussion of their chamber works for differing instrumental combinations includes an exploration of formal procedures, an issue much discussed by contemporary sources. The individual composers' reactions to the debate instigated by the Society of Women Musicians, on the future of women's music, is considered in relation to their lives, careers and the chamber music itself. As the composers in this study were not a cohesive group, creatively or ideologically, the book draws on primary sources, as well as the writings of contemporary commentators, to assess the legacy of the chamber works produced.