Tudor Drama Before Shakespeare, 1485-1590

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Publisher : Palgrave Macmillan
ISBN 13 : 9781403965264
Total Pages : 288 pages
Book Rating : 4.69/5 ( download)

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Book Synopsis Tudor Drama Before Shakespeare, 1485-1590 by : Lloyd Edward Kermode

Download or read book Tudor Drama Before Shakespeare, 1485-1590 written by Lloyd Edward Kermode and published by Palgrave Macmillan. This book was released on 2004-11-27 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: For too long, a large part of the corpus of Tudor drama has languished in the shadow of Shakespeare and his late-Elizabethan contemporaries. The essays in this collection offer a timely re-assessment of pre-Shakespearean theater in all its aspects, from the practicalities of staging and touring to issues of representation and ideology. The volume delivers a significant challenge to developmental models of theatrical and literary history and substantially revises our understanding of key texts, practices, and cultures of early modern drama.

Drama and Religion in English Provincial Society, 1485-1660

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Publisher : Cambridge University Press
ISBN 13 : 0521856698
Total Pages : 249 pages
Book Rating : 4.90/5 ( download)

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Book Synopsis Drama and Religion in English Provincial Society, 1485-1660 by : Paul Whitfield White

Download or read book Drama and Religion in English Provincial Society, 1485-1660 written by Paul Whitfield White and published by Cambridge University Press. This book was released on 2008-08-14 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines theatre and religion in provincial England from the early Tudors to 1660.

The Oxford Handbook of Tudor Drama

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Publisher : Oxford University Press
ISBN 13 : 019956647X
Total Pages : 709 pages
Book Rating : 4.71/5 ( download)

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Book Synopsis The Oxford Handbook of Tudor Drama by : Thomas Betteridge

Download or read book The Oxford Handbook of Tudor Drama written by Thomas Betteridge and published by Oxford University Press. This book was released on 2012-07-19 with total page 709 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of Tudor drama that sees the long 16th century from the accession of Henry Tudor to the death of Elizabeth as a whole, taking in the drama of the 'mystery plays' and the early work of Shakespeare. It is an account of current scholarship and an introduction to the complexity of Tudor drama.

THE TUDOR DRAMA: A HISTORY OF ENGLISH NATIONAL DRAMA TO THE RETIREMENT OF SHAKESPEARE

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Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4./5 ( download)

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Book Synopsis THE TUDOR DRAMA: A HISTORY OF ENGLISH NATIONAL DRAMA TO THE RETIREMENT OF SHAKESPEARE by : C.F. TUCKER BROOKE, B. LITT. (OXON.)

Download or read book THE TUDOR DRAMA: A HISTORY OF ENGLISH NATIONAL DRAMA TO THE RETIREMENT OF SHAKESPEARE written by C.F. TUCKER BROOKE, B. LITT. (OXON.) and published by . This book was released on 1911 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Shakespeare's Schoolroom

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Publisher : University of Pennsylvania Press
ISBN 13 : 0812207130
Total Pages : 209 pages
Book Rating : 4.32/5 ( download)

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Book Synopsis Shakespeare's Schoolroom by : Lynn Enterline

Download or read book Shakespeare's Schoolroom written by Lynn Enterline and published by University of Pennsylvania Press. This book was released on 2012-10-29 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare's Schoolroom places moments of considerable emotional power in Shakespeare's poetry—portraits of what his contemporaries called "the passions"—alongside the discursive and material practices of sixteenth-century English pedagogy. Humanist training in Latin grammar and rhetorical facility was designed to intervene in social reproduction, to sort out which differences between bodies (male and female) and groups (aristocrats, the middling sort, and those below) were necessary to producing proper English "gentlemen." But the method adopted by Lynn Enterline in this book uncovers a rather different story from the one schoolmasters invented to promote the social efficacy of their pedagogical innovations. Beginning with the observation that Shakespeare frequently reengaged school techniques through the voices of those it excluded (particularly women), Enterline shows that when his portraits of "love" and "woe" betray their institutional origins, they reveal both the cost of a Latin education as well as the contradictory conditions of genteel masculinity in sixteenth-century Britain. In contrast to attempts to explain early modern emotion in relation to medical discourse, Enterline uncovers the crucial role that rhetoric and the texts of the classical past play in Shakespeare's passions. She relies throughout on the axiom that rhetoric has two branches that continuously interact: tropological (requiring formal literary analysis) and transactional (requiring social and historical analysis). Each chapter moves between grammar school archives and literary canon, using linguistic, rhetorical, and literary detail to illustrate the significant difference between what humanists claimed their methods would achieve and what the texts of at least one former schoolboy reveal about the institution's unintended literary and social consequences. When Shakespeare creates the convincing effects of character and emotion for which he is so often singled out as a precursor of "modern" subjectivity, he signals his debt to the Latin institution that granted him the cultural capital of an early modern gentleman precisely when undercutting the socially normative categories schoolmasters invoked as their educational goal.

Shakespeare and University Drama in Early Modern England

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Publisher : Oxford University Press
ISBN 13 : 0192886118
Total Pages : 192 pages
Book Rating : 4.18/5 ( download)

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Book Synopsis Shakespeare and University Drama in Early Modern England by : Daniel Blank

Download or read book Shakespeare and University Drama in Early Modern England written by Daniel Blank and published by Oxford University Press. This book was released on 2023-01-31 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dramatic performances at the universities in early modern England have usually been regarded as insular events, completely removed from the plays of the London stage. Shakespeare and University Drama in Early Modern England challenges that long-held notion, illuminating how an apparently secluded theatrical culture became a major source of inspiration for Shakespeare and his contemporaries. While many university plays featured classical themes, others reflected upon the academic environments in which they were produced, allowing a window into the universities themselves. This window proved especially fruitful for Shakespeare, who, as this book reveals, had a sustained fascination with the universities and their inhabitants. Daniel Blank provides groundbreaking new readings of plays from throughout Shakespeare's career, illustrating how depictions of academic culture in Love's Labour's Lost, Hamlet, and Macbeth were shaped by university plays. Shakespeare was not unique, however. This book also discusses the impact of university drama on professional plays by Christopher Marlowe, Robert Greene, and Ben Jonson, all of whom in various ways facilitated the connection between the university stage and the London commercial stage. Yet this connection, perhaps counterintuitively, is most significant in the works of a playwright who had no formal attachment to Oxford or Cambridge. Shakespeare, this study shows, was at the center of a rich exchange between two seemingly disparate theatrical worlds.

The Arden Handbook of Shakespeare and Early Modern Drama

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Publisher : Bloomsbury Publishing
ISBN 13 : 1350161861
Total Pages : 409 pages
Book Rating : 4.63/5 ( download)

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Book Synopsis The Arden Handbook of Shakespeare and Early Modern Drama by : Michelle M. Dowd

Download or read book The Arden Handbook of Shakespeare and Early Modern Drama written by Michelle M. Dowd and published by Bloomsbury Publishing. This book was released on 2022-12-15 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: How does our understanding of early modern performance, culture and identity change when we decentre Shakespeare? And how might a more inclusive approach to early modern drama help enable students to discuss a range of issues, including race and gender, in more productive ways? Underpinned by these questions, this collection offers a wide-ranging, authoritative guide to research on drama in Shakespeare's England, mapping the variety of approaches to the context and work of Shakespeare and his contemporaries. By paying attention to repertory, performance in and beyond playhouses, modes of performance, and lost and less-studied plays, the handbook reshapes our critical narratives about early modern drama. Chapters explore early modern drama through a range of cultural contexts and approaches, from material culture and emotion studies to early modern race work and new directions in disability and trans studies, as well as contemporary performance. Running through the collection is a shared focus on contemporary concerns, with contributors exploring how race, religion, environment, gender and sexuality animate 16th- and 17th-century drama and, crucially, the questions we bring to our study, teaching and research of it. The volume includes a ground-breaking assessment of the chronology of early modern drama, a survey of resources and an annotated bibliography to assist researchers as they pursue their own avenues of inquiry. Combining original research with an account of the current state of play, The Arden Handbook of Shakespeare and Early Modern Drama will be an invaluable resource both for experienced scholars and for those beginning work in the field.

A New Companion to English Renaissance Literature and Culture

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Publisher : John Wiley & Sons
ISBN 13 : 9781444319026
Total Pages : 1264 pages
Book Rating : 4.27/5 ( download)

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Book Synopsis A New Companion to English Renaissance Literature and Culture by : Michael Hattaway

Download or read book A New Companion to English Renaissance Literature and Culture written by Michael Hattaway and published by John Wiley & Sons. This book was released on 2010-02-12 with total page 1264 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this revised and greatly expanded edition of theCompanion, 80 scholars come together to offer an originaland far-reaching assessment of English Renaissance literature andculture. A new edition of the best-selling Companion to EnglishRenaissance Literature, revised and updated, with 22 newessays and 19 new illustrations Contributions from some 80 scholars including Judith H.Anderson, Patrick Collinson, Alison Findlay, Germaine Greer,Malcolm Jones, Arthur Kinney, James Knowles, Arthur Marotti, RobertMiola and Greg Walker Unrivalled in scope and its exploration of unfamiliar literaryand cultural territories the Companion offers new readingsof both ‘literary’ and ‘non-literary’texts Features essays discussing material culture, sectarian writing,the history of the body, theatre both in and outside theplayhouses, law, gardens, and ecology in early modern England Orientates the beginning student, while providing advancedstudents and faculty with new directions for theirresearch All of the essays from the first edition, along with therecommendations for further reading, have been reworked orupdated

The Oxford History of Classical Reception in English Literature

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Publisher : Oxford University Press
ISBN 13 : 0199547556
Total Pages : 803 pages
Book Rating : 4.55/5 ( download)

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Book Synopsis The Oxford History of Classical Reception in English Literature by : David Hopkins

Download or read book The Oxford History of Classical Reception in English Literature written by David Hopkins and published by Oxford University Press. This book was released on 2012 with total page 803 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume, and third to appear in the series, covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading.

Stage Directions and Shakespearean Theatre

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Publisher : Bloomsbury Publishing
ISBN 13 : 1474257488
Total Pages : 369 pages
Book Rating : 4.80/5 ( download)

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Book Synopsis Stage Directions and Shakespearean Theatre by : Gillian Woods

Download or read book Stage Directions and Shakespearean Theatre written by Gillian Woods and published by Bloomsbury Publishing. This book was released on 2017-12-14 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: What do 'stage directions' do in early modern drama? Who or what are they directing: action on the stage, or imagination via the page? Is the label 'stage direction' helpful or misleading? Do these 'directions' provide evidence of Renaissance playhouse practice? What happens when we put them at the centre of literary close readings of early modern plays? Stage Directions and Shakespearean Theatre investigates these problems through innovative research by a range of international experts. This collection of essays examines the creative possibilities of stage directions and and their implications for actors and audiences, readers and editors, historians and contemporary critics. Looking at the different ways stage directions make meaning, this volume provides new insights into a range of Renaissance plays.