Transnational Cinema in Europe

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Publisher : LIT Verlag Münster
ISBN 13 : 3643904789
Total Pages : 200 pages
Book Rating : 4.82/5 ( download)

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Book Synopsis Transnational Cinema in Europe by : Manuel Palacio

Download or read book Transnational Cinema in Europe written by Manuel Palacio and published by LIT Verlag Münster. This book was released on 2013 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: The attempt to produce films for the international market has led to lively exchanges and meeting points between local and national identity discourses and global processes of identity formation. Co-productions alone can no longer be seen as an incentive for national cultural production. Rather, it is necessary to regard co-productions as a privileged site for an analysis of the relations between identity, nation, and culture. Transnational Cinema in Europe is the result of a collaboration of two research groups in Madrid and Vienna. The book consists of articles by members of both research groups, as well as by several other experts. (Series: Contributions to the European Theater, Film and Media Studies / Beitrage zur europaischen Theater-, Film- und Medienwissenschaft - Vol. 4)

Hollywood Exiles in Europe

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Publisher : Rutgers University Press
ISBN 13 : 0813570867
Total Pages : 248 pages
Book Rating : 4.60/5 ( download)

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Book Synopsis Hollywood Exiles in Europe by : Rebecca Prime

Download or read book Hollywood Exiles in Europe written by Rebecca Prime and published by Rutgers University Press. This book was released on 2014-01-14 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rebecca Prime documents the untold story of the American directors, screenwriters, and actors who exiled themselves to Europe as a result of the Hollywood blacklist. During the 1950s and 1960s, these Hollywood émigrés directed, wrote, or starred in almost one hundred European productions, their contributions ranging from crime film masterpieces like Du rififi chez les hommes (1955, Jules Dassin, director) to international blockbusters like The Bridge on the River Kwai (1957, Carl Foreman and Michael Wilson, screenwriters) and acclaimed art films like The Servant (1963, Joseph Losey, director). At once a lively portrait of a lesser-known American “lost generation” and an examination of an important transitional moment in European cinema, the book offers a compelling argument for the significance of the blacklisted émigrés to our understanding of postwar American and European cinema and Cold War relations. Prime provides detailed accounts of the production and reception of their European films that clarify the ambivalence with which Hollywood was regarded within postwar European culture. Drawing upon extensive archival research, including previously classified material, Hollywood Exiles in Europe suggests the need to rethink our understanding of the Hollywood blacklist as a purely domestic phenomenon. By shedding new light on European cinema’s changing relationship with Hollywood, the book illuminates the postwar shift from national to transnational cinema.

German Film after Germany

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Publisher : University of Illinois Press
ISBN 13 : 0252091442
Total Pages : 258 pages
Book Rating : 4.45/5 ( download)

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Book Synopsis German Film after Germany by : Randall Halle

Download or read book German Film after Germany written by Randall Halle and published by University of Illinois Press. This book was released on 2010-10-01 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the work of film in the age of transnational production? To answer that question, Randall Halle focuses on the film industry of Germany, one of Europe's largest film markets and one of the world's largest film-producing nations. In the 1990s Germany experienced an extreme transition from a state-subsidized mode of film production that was free of anxious concerns about profit and audience entertainment to a mode dominated by private interest and big capital. At the same time, the European Union began actively drawing together the national markets of Germany and other European nations, sublating their individual significances into a synergistic whole. This book studies these changes broadly, but also focuses on the transformations in their particular national context. It balances film politics and film aesthetics, tracing transformations in financing along with analyses of particular films to describe the effects on the film object itself. Halle concludes that we witness currently the emergence of a new transnational aesthetic, a fundamental shift in cultural production with ramifications for communal identifications, state cohesion, and national economies.

European Cinema in Motion

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Publisher : Springer
ISBN 13 : 023029507X
Total Pages : 336 pages
Book Rating : 4.70/5 ( download)

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Book Synopsis European Cinema in Motion by : D. Berghahn

Download or read book European Cinema in Motion written by D. Berghahn and published by Springer. This book was released on 2010-08-10 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection brings together international experts on the cinema of migration and diaspora in postcolonial and postnational Europe. It offers a comprehensive theoretical and analytical discussion of a highly productive creative sector and documents the spectrum of this area of exploration in European, transnational and World Cinema studies.

Fatih Akin's Cinema and the New Sound of Europe

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Publisher : Indiana University Press
ISBN 13 : 0253037891
Total Pages : 222 pages
Book Rating : 4.93/5 ( download)

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Book Synopsis Fatih Akin's Cinema and the New Sound of Europe by : Berna Gueneli

Download or read book Fatih Akin's Cinema and the New Sound of Europe written by Berna Gueneli and published by Indiana University Press. This book was released on 2019-01-09 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Fatih Akın’s Cinema and the New Sound of Europe, Berna Gueneli explores the transnational works of acclaimed Turkish-German filmmaker and auteur Fatih Akın. The first minority director in Germany to receive numerous national and international awards, Akın makes films that are informed by Europe’s past, provide cinematic imaginations about its present and future, and engage with public discourses on minorities and migration in Europe through his treatment and representation of a diverse, multiethnic, and multilingual European citizenry. Through detailed analyses of some of Akın’s key works—In July, Head-On, and The Edge of Heaven, among others—Gueneli identifies Akın’s unique stylistic use of multivalent sonic and visual components and multinational characters. She argues that the soundscapes of Akın’s films—including music and multiple languages, dialects, and accents—create an “aesthetic of heterogeneity” that envisions an expanded and integrated Europe and highlights the political nature of Akın’s decisions regarding casting, settings, and audio. At a time when belonging and identity in Europe is complicated by questions of race, ethnicity, religion, and citizenship, Gueneli demonstrates how Akın’s aesthetics intersect with politics to reshape notions of Europe, European cinema, and cinematic history.

Cinema of the Other Europe

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Publisher : Wallflower Press
ISBN 13 : 9781903364611
Total Pages : 242 pages
Book Rating : 4.12/5 ( download)

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Book Synopsis Cinema of the Other Europe by : Dina Iordanova

Download or read book Cinema of the Other Europe written by Dina Iordanova and published by Wallflower Press. This book was released on 2003 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema of the Other Europe: The Industry and Artistry of East Central European Film is a comprehensive study of the cinematic traditions of Poland, Hungary, the Czech Republic and Slovakia from 1945 to the present day, exploring the major schools of filmmaking and the main stages of development across the region during the period of state socialism up until the end of the Cold War, as well as more recent transformations post-1989. In encouraging a more inclusive and comprehensive understanding of European cinema, much needed for the new unified Europe `enlarged' towards its Eastern periphery, this book maps out the interactions, key concerns, thematic spheres and stylistic particularities that make the cinema of East Central Europe a vital part of European film tradition. Cinema of the Other Europe is thus a timely appraisal of Film Studies debates ranging from the representation of history and memory, the reassessment of political content, ethics and society, the rehabilitation of popular cinema, and the rethinking of national and regional cinemas in the context of globalisation.

Polish Cinema in a Transnational Context

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Publisher : Boydell & Brewer
ISBN 13 : 1580464688
Total Pages : 344 pages
Book Rating : 4.80/5 ( download)

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Book Synopsis Polish Cinema in a Transnational Context by : Ewa Mazierska

Download or read book Polish Cinema in a Transnational Context written by Ewa Mazierska and published by Boydell & Brewer. This book was released on 2014 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume introduces a novel treatment of Polish cinema by discussing its international reception, performance, co-productions, and subversive émigré auteurs, such as Andrzej Zulawski and Walerian Borowczyk. The opening up of Poland economically and politically to global influences after the fall of the Berlin Wall in 1989, coupled with the rise of transnational approaches to the study of film, presents ideal conditions for examiningPolish cinema from a transnational vantage point. Yet not only have studies of Polish cinema remained largely within a national framework but Polish cinema, as well as many other Eastern European cinemas, has been virtually excluded from new research in transnational cinema. Polish Cinema in a Transnational Context addresses this lacuna in film studies, offering extended analysis of this national cinema's global influence. Contributors assess the reception of Polish films in Europe and North America, Polish international coproductions, the presence of Polish performers in foreign films, and the works of subversive émigré auteurs like Andrzej Zulawski and Walerian Borowczyk. The collection presents familiar films and filmmakers in a new and revealing light, while also focusing on lesser-known filmmakers and aspects of Polish cinema. The resulting volume moves the discussion beyond the border of Polish national belonging. Contributors: Peter Hames, Darragh O'Donoghue, Helena Goscilo, Dorota Ostrowska, Charlotte Govaert, Eva Näripea, Izabela Kalinowska, Ewa Mazierska, Alison Smith, Lars Kristensen, Jonathan Owen, Michael Goddard, Robert Murphy, Kamila Kuc, Elzbieta Ostrowska Ewa Mazierska is professor of film studies at the University of Central Lancashire. Michael Goddard is senior lecturer in media at the University of Salford.

Transnational Cinema at the Borders

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Publisher : Routledge
ISBN 13 : 1351609548
Total Pages : 132 pages
Book Rating : 4.48/5 ( download)

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Book Synopsis Transnational Cinema at the Borders by : Ana Cristina Mendes

Download or read book Transnational Cinema at the Borders written by Ana Cristina Mendes and published by Routledge. This book was released on 2018-12-07 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt: In tandem with a postnational imaginary which is nurtured by the ever-present promise of deterritorialized mobility and burgeoning migratory fluxes, walls and fences separating nation-states multiply. This is a burning issue: even though nation states at the centre of the global order increasingly present themselves as postnational, calls for tighter border security undermine utopian notions of both a borderless New Europe and the USA as the Promised Land. This collection investigates the urgent issue of borderscapes and the cinematic imaginary by bringing together a range of new approaches in the field of film and media studies, crossing over into sociology, migration studies and artistic research. The contributions focus on the interrelated motifs of borderscapes as they are represented and used in transnational cinematographies, from Palestine to Sweden, Spain, Finland, Italy, Iran, Iraq, France, the UK and US, and as constituting premises of cinematic production. The chapters in this book were originally published in the Transnational Cinemas journal.

Transnational Cinema in a Global North

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Publisher : Wayne State University Press
ISBN 13 : 9780814332436
Total Pages : 396 pages
Book Rating : 4.39/5 ( download)

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Book Synopsis Transnational Cinema in a Global North by : Andrew K. Nestingen

Download or read book Transnational Cinema in a Global North written by Andrew K. Nestingen and published by Wayne State University Press. This book was released on 2005 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume of essays examining the transition from national Nordic cinemas to transnational and global Nordic cinema.

Transnational Screens

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Publisher : Routledge
ISBN 13 : 1000056880
Total Pages : 161 pages
Book Rating : 4.84/5 ( download)

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Book Synopsis Transnational Screens by : Armida De La Garza

Download or read book Transnational Screens written by Armida De La Garza and published by Routledge. This book was released on 2020-05-21 with total page 161 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book marks the 10th anniversary of the Routledge journal Transnational Cinemas, and its renaming to Transnational Screens. The introduction reflects on the changing ways in which film is produced, distributed and consumed with the emergence of streamed content providers. Each chapter expands on previous scholarship and interrogates key areas of transnational cinema. Taken together they revisit key concepts of transnational cinema; explore the relationship between transnational and world cinema; analyse performances of cosmopolitanism; examine exoticism and nostalgia in contemporary transnational cinema; present the ‘rooted transnationalism’ of Moroccan diasporic filmmakers; reflect on how films from around the world convey ‘foreignness’; consider cross border solidarity and collaboration behind transnational talent development; explore transnational film eco-criticism from the perspectives of governance and aesthetics; and reflect on the changing nature of transnational screen studies through the concept of second phase transnationalism. Written by leading scholars, this book looks at the key developments in the field of transnational film and screen studies. The chapters were originally published as a special issue of the journal, Transnational Screens.