Theory and Practice in Late Nineteenth-century Violin Performance

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Author :
Publisher : Ashgate Publishing, Ltd.
ISBN 13 :
Total Pages : 304 pages
Book Rating : 4.38/5 ( download)

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Book Synopsis Theory and Practice in Late Nineteenth-century Violin Performance by : David Milsom

Download or read book Theory and Practice in Late Nineteenth-century Violin Performance written by David Milsom and published by Ashgate Publishing, Ltd.. This book was released on 2003 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, David Milsom argues that in order to convey late nineteenth-century musical style appropriately, the performer needs to have a grasp of the philosophical orientation of musical thinking at that time. In effect, one must 'unlearn' the value systems of the present, in order to assimilate those of the late nineteenth century. To arrive at a better understanding of performance in this period, the book examines performing style in the German and Franco-Belgian schools of violin playing from c.1850 - c.1900. Milsom explores selected instrumental treatises written by noted players and theorists, together with a number of recorded performances given by celebrated artists in the early years of the twentieth century, to review the similarities and differences between theory and practice. An accompanying CD illustrates this relationship.

Romantic Violin Performing Practices

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Author :
Publisher : Boydell & Brewer
ISBN 13 : 1783275278
Total Pages : 337 pages
Book Rating : 4.74/5 ( download)

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Book Synopsis Romantic Violin Performing Practices by : David Milsom

Download or read book Romantic Violin Performing Practices written by David Milsom and published by Boydell & Brewer. This book was released on 2020 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: What are the key topics that define Romantic violin playing?

Classical and Romantic Music

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Publisher : Routledge
ISBN 13 : 1351571753
Total Pages : 528 pages
Book Rating : 4.53/5 ( download)

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Book Synopsis Classical and Romantic Music by : David Milsom

Download or read book Classical and Romantic Music written by David Milsom and published by Routledge. This book was released on 2017-07-05 with total page 528 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together twenty-two of the most diverse and stimulating journal articles on classical and romantic performing practice, representing a rich vein of enquiry into epochs of music still very much at the forefront of current concert repertoire. In so doing, it provides a wide range of subject-based scholarship. It also reveals a fascinating window upon the historical performance debate of the last few decades in music where such matters still stimulate controversy.

Early Sound Recordings

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Publisher : Taylor & Francis
ISBN 13 : 1000845079
Total Pages : 279 pages
Book Rating : 4.75/5 ( download)

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Book Synopsis Early Sound Recordings by : Eva Moreda Rodriguez

Download or read book Early Sound Recordings written by Eva Moreda Rodriguez and published by Taylor & Francis. This book was released on 2023-02-28 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: The use of historical recordings as primary sources is relatively well established in both musicology and performance studies and has demonstrated how early recording technologies transformed the ways in which musicians and audiences engaged with music. This edited volume offers a timely snapshot of a wide range of contemporary research in the area of performance practice and performance histories, inviting readers to consider the wide range of research methods that are used in this ever-expanding area of scholarship. The volume brings together a diverse team of researchers who all use early recordings as their primary source to research performance in its broadest sense in a wide range of repertoires within and on the margins of the classical canon – from the analysis of specific performing practices and parameters in certain repertoires, to broader contextual issues that call attention to the relationship between recorded performance and topics such as analysis, notation and composition. Including a range of accessible music examples, which allow readers to experience the music under discussion, this book is designed to engage with academic and non-academic readers alike, being an ideal research aid for students, scholars and performers, as well as an interesting read for early sound recording enthusiasts.

Reading Musical Interpretation

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Publisher : Routledge
ISBN 13 : 135155218X
Total Pages : 233 pages
Book Rating : 4.89/5 ( download)

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Book Synopsis Reading Musical Interpretation by : Julian Hellaby

Download or read book Reading Musical Interpretation written by Julian Hellaby and published by Routledge. This book was released on 2017-07-05 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performance studies in the Western art music tradition have often been dominated by the relationship of theoretical score-analysis to performance, although some recent trends have aimed at dislodging the primacy of the score in favour of assessing performance on its own terms. In this book Julian Hellaby further develops these trends by placing performance firmly at the heart of his investigations and presents a structured approach to analysing the interpretation of a musical work from the perspective of a musically informed listener. To enable analysis of individual interpretations, the author develops a conceptual framework in which a series of performance-related categories is arranged hierarchically into an 'interpretative tower'. Using this framework to analyse the acoustic evidence of a recording, interpretative elements are identified and used to assess the relationship between a performance and a work. The viability of the interpretative tower is tested in three major case studies. Contrasting recorded performances of solo keyboard works by Bach, Messiaen and Brahms are the focus of these studies, and analysis of the performances, using the tower model, uncovers an interpretative rationale. The book is wide-ranging in scope and holistic in approach, offering a means of enhancing a listener's appreciation of an interpretation. It is richly illustrated with examples taken from commercial recordings and from the author's own recordings of the three focal works. A CD of the latter is included.

Aesthetics and Experience in Music Performance

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Author :
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443802301
Total Pages : 367 pages
Book Rating : 4.07/5 ( download)

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Book Synopsis Aesthetics and Experience in Music Performance by : Denis Collins

Download or read book Aesthetics and Experience in Music Performance written by Denis Collins and published by Cambridge Scholars Publishing. This book was released on 2008-12-11 with total page 367 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing upon a wide range of scholarly enquiry into early music, queer musicology, ethnomusicology, performance practice, music education and technology, Aesthetics and Experience in Music Performance provides a lively forum for the articulation of varied perspectives on the role of music, its interpretation and function in contexts supported by those who practice or experience it. The formal and shorter discussion papers included in this scholarly collection were presented at the National Workshop of the Musicological Society of Australia, held at the University of Queensland, Brisbane in October 2003. The themes of aesthetics and experience are central to this publication and each paper engages in a scholarly dialogue on the technical, expressive and embodied aspects of performance. The papers included in this publication bring together the research of a wide community of scholars (e.g., musicologists, anthropologists, ethnomusicologists and linguists) working in the field of performance studies and collectively reflect the musicological issues being debated in Australia today.

A Musicology of Performance

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Author :
Publisher : Open Book Publishers
ISBN 13 : 178374152X
Total Pages : 356 pages
Book Rating : 4.26/5 ( download)

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Book Synopsis A Musicology of Performance by : Dorottya Fabian

Download or read book A Musicology of Performance written by Dorottya Fabian and published by Open Book Publishers. This book was released on 2015-08-17 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach’s Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories. A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach’s opus.

Rethinking Brahms

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Publisher : Oxford University Press
ISBN 13 : 0197541739
Total Pages : 585 pages
Book Rating : 4.39/5 ( download)

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Book Synopsis Rethinking Brahms by : Nicole Grimes

Download or read book Rethinking Brahms written by Nicole Grimes and published by Oxford University Press. This book was released on 2022 with total page 585 pages. Available in PDF, EPUB and Kindle. Book excerpt: As one of the most significant and widely performed composers of the nineteenth century, Brahms continues to command our attention. Rethinking Brahms counterbalances prevailing scholarly assumptions that position him as a conservative composer (whether musically or politically) with a wide-ranging exploration and re-evaluation of his significance today. Drawing on German- and English-language scholarship, it deploys original approaches to his music and pursues innovative methodologies to interrogate the historical, cultural, and artistic contexts of his creativity. Empowered by recent theoretical work on form and tonality, it offers fresh analytical insights into his music, including a number of corpus studies that interrogate the relationships between Brahms and other composers, past and present. The book brings into sharp focus the productive tension that exists between the perceived fixedness of musical texts and the ephemerality of performance by considering how historical and modern performers shape established understandings of Brahms and his music. Rethinking Brahms invites the reader to hear familiar pieces anew as they are refracted through historical, artistic, and philosophical prisms. Bringing us up to the present day, it also gives sustained attention to the resounding impact of Brahms's compositions on new music by exploring works by recent composers who have engaged deeply with his oeuvre. Combining awareness of overarching contexts with perceptive insights into Brahms's music, this book enlivens our understanding of Brahms, providing a dynamic, multifaceted, complex, and invigoratingly fresh portrait of the composer.

Baroque Music

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Publisher : Routledge
ISBN 13 : 135157471X
Total Pages : 729 pages
Book Rating : 4.16/5 ( download)

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Book Synopsis Baroque Music by : Peter Walls

Download or read book Baroque Music written by Peter Walls and published by Routledge. This book was released on 2017-07-05 with total page 729 pages. Available in PDF, EPUB and Kindle. Book excerpt: Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa? lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.

Expressiveness in music performance

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Author :
Publisher : OUP Oxford
ISBN 13 : 0191634565
Total Pages : 500 pages
Book Rating : 4.67/5 ( download)

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Book Synopsis Expressiveness in music performance by : Dorottya Fabian

Download or read book Expressiveness in music performance written by Dorottya Fabian and published by OUP Oxford. This book was released on 2014-07-03 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does it mean to be expressive in music performance across diverse historical and cultural domains? What are the means at the disposal of a performer in various time periods and musical practice conventions? What are the conceptualisations of expression and the roles of performers that shape expressive performance? This book brings together research from a range of disciplines that use diverse methodologies to provide new perspectives and formulate answers to these questions about the meaning, means, and contextualisation of expressive performance in music. The contributors to this book explore expressiveness in music performance in four interlinked parts. Starting with the philosophical and historical underpinnings crucially relevant for Western classical musical performance it then reaches out to cross-cultural issues and finally focuses the attention on various specific problems, including the teaching of expressive music performance skills. The overviews provide a focussed and comprehensive account of the current state of research as well as new developments and a prospective of future directions. This is a valuable new book for those in the fields of music, music psychology, and music education.