Theatrocracy

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Author :
Publisher : Taylor & Francis
ISBN 13 : 1315466562
Total Pages : 239 pages
Book Rating : 4.69/5 ( download)

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Book Synopsis Theatrocracy by : Peter Meineck

Download or read book Theatrocracy written by Peter Meineck and published by Taylor & Francis. This book was released on 2017-07-14 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines classical Greek theatre, asking how ancient drama operated in performance and became such an influential social, cultural and political force. Meineck approaches Greek theatre from the perspective of the cognitive sciences as an embodied live enacted event, and analyses how different performative elements acted upon audiences to create absorbing narrative action, emotional intensity, intellectual reflection and empathy. This was the key to the transformative artistic and social power that enabled Greek drama to advance alternate viewpoints. He also explores what the model of Greek drama can reveal about live theatre's value in cultural, social and political discourse today.

Theatricality as Medium

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Author :
Publisher : Fordham Univ Press
ISBN 13 : 0823224171
Total Pages : 414 pages
Book Rating : 4.73/5 ( download)

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Book Synopsis Theatricality as Medium by : Samuel Weber

Download or read book Theatricality as Medium written by Samuel Weber and published by Fordham Univ Press. This book was released on 2009-08-25 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ever since Aristotle's Poetics, both the theory and the practice of theater have been governed by the assumption that it is a form of representation dominated by what Aristotle calls the "mythos," or the "plot." This conception of theater has subordinated characteristics related to the theatrical medium, such as the process and place of staging, to the demands of a unified narrative. This readable, thought-provoking, and multidisciplinary study explores theatrical writings that question this aesthetical-generic conception and seek instead to work with the medium of theatricality itself. Beginning with Plato, Samuel Weber tracks the uneasy relationships among theater, ethics, and philosophy through Aristotle, the major Greek tragedians, Shakespeare, Kierkegaard, Kafka, Freud, Benjamin, Artaud, and many others who develop alternatives to dominant narrative-aesthetic assumptions about the theatrical medium. His readings also interrogate the relation of theatricality to the introduction of electronic media. The result is to show that, far from breaking with the characteristics of live staged performance, the new media intensify ambivalences about place and identity already at work in theater since the Greeks. Praise for Samuel Weber: “What kind of questioning is primarily after something other than an answer that can be measured . . . in cognitive terms? Those interested in the links between modern philosophy nd media culture will be impressed by the unusual intellectual clarity and depth with which Weber formulates the . . . questions that constiture the true challenge to cultural studies today. . . . one of our most important cultural critics and thinkers”—MLN

Poet, Public, and Performance in Ancient Greece

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Author :
Publisher : Taylor & Francis
ISBN 13 : 9780801867354
Total Pages : 194 pages
Book Rating : 4.55/5 ( download)

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Book Synopsis Poet, Public, and Performance in Ancient Greece by : Lowell Edmunds

Download or read book Poet, Public, and Performance in Ancient Greece written by Lowell Edmunds and published by Taylor & Francis. This book was released on 1997 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: Poetry in archaic and classical Greece was a practical art that arose from specific social or political circumstances. The interpretation of a poem or dramatic work must therefore be viewed in the context of its performance. In Poetry, Public, and Performance in Ancient Greece, Lowell Edmunds and Robert W. Wallace bring together a distinguished group of contributors to reconstruct the performance context of a wide array of works, including epic, tragedy, lyric, elegy, and proverb. Analyzing the passage in the Odyssey in which a collective delirium comes over the suitors, Giulio Guidorizzi reveals how the poet describes a scene that lies outside the narrative themes and diction of epic. Antonio Aloni offers a reading of Simonides' elegy for the Greeks who fell at Plataea. Lowell Edmunds interprets the so-called seal of Theognis as lying on a borderline between the performed and the textual. Taking up proverbs, maxims, and apothegms, Joseph Russo examines "the performance of wisdom." Charles Segal focuses on the unusual role played by the chorus in Euripides' Bacchae. Reading the plot of Euripides' Ion, Thomas Cole concludes that the task of constructing the meaning of the play is to some extent delegated to the public. Robert Wallace describes the "performance" of the Athenian audience and provides a catalog of good and bad behavior: whistling, shouting, and throwing objects of every kind. Finally, Maria Grazia Bonanno stresses the importance of performance in lyric poetry.

Theatrocracy

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Author :
Publisher : Routledge
ISBN 13 : 1315466554
Total Pages : 233 pages
Book Rating : 4.52/5 ( download)

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Book Synopsis Theatrocracy by : Peter Meineck

Download or read book Theatrocracy written by Peter Meineck and published by Routledge. This book was released on 2017-07-14 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatrocracy is a book about the power of the theatre, how it can affect the people who experience it, and the societies within which it is embedded. It takes as its model the earliest theatrical form we possess complete plays from, the classical Greek theatre of the fifth century BCE, and offers a new approach to understanding how ancient drama operated in performance and became such an influential social, cultural, and political force, inspiring and being influenced by revolutionary developments in political engagement and citizen discourse. Key performative elements of Greek theatre are analyzed from the perspective of the cognitive sciences as embodied, live, enacted events, with new approaches to narrative, space, masks, movement, music, words, emotions, and empathy. This groundbreaking study combines research from the fields of the affective sciences – the study of human emotions – including cognitive theory, neuroscience, psychology, artificial intelligence, psychiatry, and cognitive archaeology, with classical, theatre, and performance studies. This book revisits what Plato found so unsettling about drama – its ability to produce a theatrocracy, a "government" of spectators – and argues that this was not a negative but an essential element of Athenian theatre. It shows that Athenian drama provided a place of alterity where audiences were exposed to different viewpoints and radical perspectives. This perspective was, and is, vital in a freethinking democratic society where people are expected to vote on matters of state. In order to achieve this goal, the theatre offered a dissociative and absorbing experience that enhanced emotionality, deepened understanding, and promoted empathy. There was, and still is, an urgent imperative for theatre.

Unis Vers Cythère

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Author :
Publisher : Peter Lang
ISBN 13 : 9781433107320
Total Pages : 276 pages
Book Rating : 4.25/5 ( download)

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Book Synopsis Unis Vers Cythère by : Josef Chytry

Download or read book Unis Vers Cythère written by Josef Chytry and published by Peter Lang. This book was released on 2009 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Unis vers Cythère forms a continuation of the ongoing project to disseminate a new faculty of thought called cytherics, which is defined as the sighting and siting of aphrodisian - aesthetic-erotic - environments. The first part of the book proposes «polis thought» as a subdivision within political theory that would encourage attention to the polis element - the openness furnished by the classical polis/city for disputation, rhetoric, performance, ceremony, and the carnivalesque - for political theory and history. The second part develops the concept of the «artful firm», derived from contemporary firm and management theories on «the art firm» and «artful making», to argue for further convergences in related areas of aesthetics and management. Unis vers Cythère begins and ends with essays on the ancient Hellenic twin concepts of «thalassocracy» and «theatrocracy» in their relations to orthodox contemporary theories of political democracy.

Law as Performance

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Author :
Publisher : Oxford University Press
ISBN 13 : 0192653598
Total Pages : 367 pages
Book Rating : 4.98/5 ( download)

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Book Synopsis Law as Performance by : Julie Stone Peters

Download or read book Law as Performance written by Julie Stone Peters and published by Oxford University Press. This book was released on 2022-04-14 with total page 367 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tirades against legal theatrics are nearly as old as law itself, and yet so is the age-old claim that law must not merely be done: it must be "seen to be done." Law as Performance traces the history of legal performance and spectatorship through the early modern period. Viewing law as the product not merely of edicts or doctrines but of expressive action, it investigates the performances that literally created law: in civic arenas, courtrooms, judges' chambers, marketplaces, scaffolds, and streets. It examines the legal codes, learned treatises, trial reports, lawyers' manuals, execution narratives, rhetoric books, images (and more) that confronted these performances, praising their virtues or denouncing their evils. In so doing, it recovers a long, rich, and largely overlooked tradition of jurisprudential thought about law as a performance practice. This tradition not only generated an elaborate poetics and politics of legal performance. It provided western jurisprudence with a set of constitutive norms that, in working to distinguish law from theatrics, defined the very nature of law. In the crucial opposition between law and theatre, law stood for cool deliberation, by-the-book rules, and sovereign discipline. Theatre stood for deceptive artifice, entertainment, histrionics, melodrama. And yet legal performance, even at its most theatrical, also appeared fundamental to law's realization: a central mechanism for shaping legal subjects, key to persuasion, essential to deterrence, indispensable to law's power, —as it still does today.

Theatre and Governance in Britain, 1500–1900

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Author :
Publisher : Cambridge University Press
ISBN 13 : 1316864340
Total Pages : 293 pages
Book Rating : 4.40/5 ( download)

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Book Synopsis Theatre and Governance in Britain, 1500–1900 by : Tony Fisher

Download or read book Theatre and Governance in Britain, 1500–1900 written by Tony Fisher and published by Cambridge University Press. This book was released on 2017-06-16 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book begins with a simple observation - that just as the theatre resurfaced during the late Renaissance, so too government as we understand it today also began to appear. Their mutually entwining history was to have a profound influence on the development of the modern British stage. This volume proposes a new reading of theatre's relation to the public sphere. Employing a series of historical case studies drawn from the London theatre, Tony Fisher shows why the stage was of such great concern to government by offering close readings of well-known religious, moral, political, economic and legal disputes over the role, purpose and function of the stage in the 'well-ordered society'. In framing these disputes in relation to what Michel Foucault called the emerging 'art of government', this book draws out - for the first time - a full genealogy of the governmental 'discourse on the theatre'.

Public Space and Democracy

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Publisher : U of Minnesota Press
ISBN 13 : 9780816633876
Total Pages : 254 pages
Book Rating : 4.78/5 ( download)

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Book Synopsis Public Space and Democracy by : Marcel Hénaff

Download or read book Public Space and Democracy written by Marcel Hénaff and published by U of Minnesota Press. This book was released on 2001 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Moving from classical Greece to the present, Public Space and Democracy provides both historical accounts and a comparative analytical framework for understanding public space both as a place and as a product of various media, from speech to the Internet. These essays make a powerful case for thinking of modern technological developments not as the end of public space, but as an opportunity for reframing the idea of the public and of the public space as the locus of power.

Spectators in the Field of Politics

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Author :
Publisher : Springer
ISBN 13 : 1137490632
Total Pages : 228 pages
Book Rating : 4.36/5 ( download)

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Book Synopsis Spectators in the Field of Politics by : Sandey Fitzgerald

Download or read book Spectators in the Field of Politics written by Sandey Fitzgerald and published by Springer. This book was released on 2016-04-30 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book uses the long-standing theatre metaphor to bring political spectators out into the open, finding that they can be politically powerful. Filling out the metaphor with theatre theory, the book also finds that the metaphor can produce a viable model of democratic politics that incorporates spectators in a positive, meaningful way.

Practicing the City

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Author :
Publisher : Fordham Univ Press
ISBN 13 : 0823267881
Total Pages : 208 pages
Book Rating : 4.80/5 ( download)

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Book Synopsis Practicing the City by : Nina Levine

Download or read book Practicing the City written by Nina Levine and published by Fordham Univ Press. This book was released on 2016-01-04 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: In late-sixteenth-century London, the commercial theaters undertook a novel experiment, fueling a fashion for plays that trafficked in the contemporary urban scene. But beyond the stage’s representing the everyday activities of the expanding metropolis, its unprecedented urban turn introduced a new dimension into theatrical experience, opening up a reflexive space within which an increasingly diverse population might begin to “practice” the city. In this, the London stage began to operate as a medium as well as a model for urban understanding. Practicing the City traces a range of local engagements, onstage and off, in which the city’s population came to practice new forms of urban sociability and belonging. With this practice, Levine suggests, city residents became more self-conscious about their place within the expanding metropolis and, in the process, began to experiment in new forms of collective association. Reading an array of materials, from Shakespeare and Middleton to plague bills and French-language manuals, Levine explores urban practices that push against the exclusions of civic tradition and look instead to the more fluid relations playing out in the disruptive encounters of urban plurality.