Theatre, Society and the Nation

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Publisher : Cambridge University Press
ISBN 13 : 1139435663
Total Pages : 291 pages
Book Rating : 4.66/5 ( download)

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Book Synopsis Theatre, Society and the Nation by : S. E. Wilmer

Download or read book Theatre, Society and the Nation written by S. E. Wilmer and published by Cambridge University Press. This book was released on 2002-09-23 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre has often served as a touchstone for moments of political change or national definition and as a way of exploring cultural and ethnic identity. In this book Steve Wilmer selects key historical moments in American history and examines how the theatre, in formal and informal settings, responded to these events. The book moves from the Colonial fight for independence, through Native American struggles, the Socialist Worker play, the Civil Rights Movement, and up to works of the last decade, including Tony Kushner's Angels in America. In addition to examining theatrical events and play texts, Wilmer also considers audience reception and critical response.

Theatre and Nation

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Publisher : Bloomsbury Publishing
ISBN 13 : 113701377X
Total Pages : 104 pages
Book Rating : 4.74/5 ( download)

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Book Synopsis Theatre and Nation by : Nadine Holdsworth

Download or read book Theatre and Nation written by Nadine Holdsworth and published by Bloomsbury Publishing. This book was released on 2010-06-30 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt: How has theatre engaged with the nation-state and helped to formulate national identities? What impact have migration and globalisation had on the relationship between theatre and nation? Theatre & Nation explores how theatre institutions, playwrights, theatre-makers and performance artists engage with the nation, nationalism and national identity in their work. The book argues that theatrical representations of the nation are constantly in flux and that the way theatre engages with the nation changes according to different geographical, political, economic, social and cultural circumstances. Foreword by Nicholas Hytner.

Manual of the National Art Theatre Society of New York

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Publisher :
ISBN 13 :
Total Pages : 198 pages
Book Rating : 4.VP/5 ( download)

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Book Synopsis Manual of the National Art Theatre Society of New York by : National art theatre society, New York

Download or read book Manual of the National Art Theatre Society of New York written by National art theatre society, New York and published by . This book was released on 1904 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Performance, Theatre, and Society in Contemporary Nicaragua

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Publisher :
ISBN 13 : 9781604978612
Total Pages : 184 pages
Book Rating : 4.19/5 ( download)

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Book Synopsis Performance, Theatre, and Society in Contemporary Nicaragua by : Alberto Guevara

Download or read book Performance, Theatre, and Society in Contemporary Nicaragua written by Alberto Guevara and published by . This book was released on 2014-01 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since coming to power in 2007, the Sandinista Front of National Liberation (FSLN) has proclaimed itself the "government of the poor" and the "government of peace and reconciliation." Accordingly, the regime has endeavoured to control and manipulate the symbols, social images, important spaces, and situations of popular struggles for social justice in the country. Under the watch of Daniel Ortega's administration, Nicaragua has become a country where an extraordinary effort is put into social spectacles, propaganda, and theatricality to create the impression of social and economic transformation. While the current regime orchestrates impressive social performances in support of its power, there are other social spectacles marking Nicaragua's urban landscape that tell a different story. performances in support of its power, there are other social spectacles marking Nicaragua's urban landscape that tell a different story. These mine the gap between experiences and promises in today's Nicaragua. The exhibit of suffering bodies in public national spaces as political weapons by pesticide victims, as well as a transvestite circus spectacle in Managua redefine spaces and states of "invisibility" and "visibility" by articulating social positions through performance. The bodies of these Nicaraguans--refusing to be invisible--show Nicaragua's ongoing social drama of a predominant social power relation of inclusion and exclusion within a narrative intersected by political power, marginality and theatricality. As spectacularized bodies, they become avenues for showing processes of structural violence. Although there has been some excellent academic research focusing on performance or/and theatre in Nicaragua, such scholarship seldom attends to the very important connections between daily staged public social acts and local, national/global politics that deal directly and indirectly with marginalized social/cultural landscapes in this country. This book fills the gap by examining the connections between Nicaragua's marginalized landscapes and bodies, between social/political visibility and invisibility, and the relationship between social abandonment and social encompassment in the nation. This is an important book for performance studies, social cultural anthropology, theatre studies and Latin American studies. This book is in the Cambria Contemporary Global Performing Arts Series (general editor: John Clum, Duke University) and includes rare images.

English Theatre and Social Abjection

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Author :
Publisher : Springer Nature
ISBN 13 : 1137597771
Total Pages : 237 pages
Book Rating : 4.79/5 ( download)

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Book Synopsis English Theatre and Social Abjection by : Nadine Holdsworth

Download or read book English Theatre and Social Abjection written by Nadine Holdsworth and published by Springer Nature. This book was released on 2020-08-18 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on contemporary English theatre, this book asks a series of questions: How has theatre contributed to understandings of the North-South divide? What have theatrical treatments of riots offered to wider debates about their causes and consequences? Has theatre been able to intervene in the social unease around Gypsy and Traveller communities? How has theatre challenged white privilege and the persistent denigration of black citizens? In approaching these questions, this book argues that the nation is blighted by a number of internal rifts that pit people against each other in ways that cast particular groups as threats to the nation, as unruly or demeaned citizens – as ‘social abjects’. It interrogates how those divisions are generated and circulated in public discourse and how theatre offers up counter-hegemonic and resistant practices that question and challenge negative stigmatization, but also how theatre can contribute to the recirculation of problematic cultural imaginaries.

Theatre and National Identity

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Publisher : Routledge
ISBN 13 : 1134102275
Total Pages : 242 pages
Book Rating : 4.73/5 ( download)

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Book Synopsis Theatre and National Identity by : Nadine Holdsworth

Download or read book Theatre and National Identity written by Nadine Holdsworth and published by Routledge. This book was released on 2014-06-27 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the ways that pre-existing ‘national’ works or ‘national theatre’ sites can offer a rich source of material for speaking to the contemporary moment because of the resonances or associations they offer of a different time, place, politics, or culture. Featuring a broad international scope, it offers a series of thought-provoking essays that explore how playwrights, directors, theatre-makers, and performance artists have re-staged or re-worked a classic national play, performance, theatrical form, or theatre space in order to engage with conceptions of and questions around the nation, nationalism, and national identity in the contemporary moment, opening up new ways of thinking about or problematizing questions around the nation and national identity. Chapters ask how productions engage with a particular moment in the national psyche in the context of internationalism and globalization, for example, as well as how productions explore the interconnectivity of nations, intercultural agendas, or cosmopolitanism. They also explore questions relating to the presence of migrants, exiles, or refugees, and the legacy of colonial histories and post-colonial subjectivities. The volume highlights how theatre and performance has the ability to contest and unsettle ideas of the nation and national identity through the use of various sites, stagings, and performance strategies, and how contemporary theatres have portrayed national agendas and characters at a time of intense cultural flux and repositioning.

Nationalism and Youth in Theatre and Performance

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Publisher : Routledge
ISBN 13 : 131781200X
Total Pages : 271 pages
Book Rating : 4.05/5 ( download)

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Book Synopsis Nationalism and Youth in Theatre and Performance by : Victoria Pettersen Lantz

Download or read book Nationalism and Youth in Theatre and Performance written by Victoria Pettersen Lantz and published by Routledge. This book was released on 2014-07-11 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nationalism and Youth in Theatre and Performance explores how children and young people fit into national political theatre and, moreover, how youth enact interrogative, patriotic, and/or antagonistic performances as they develop their own relationship with nationhood. Children are often seen as excluded from public discourse or political action. However, this idea of exclusion is false both because adults place children at the center of political debates (with the rhetoric of future generations) and because children actively insert themselves into public discourse. Whether performing a national anthem for visiting heads of state, creating a school play about a country’s birth, or marching in protest of a change in public policy, young people use theatre and performance as a means of publicly staking a claim in national politics, directly engaging with ideas of nationalism around the world. This collection explores the issues of how children fit into national discourse on international stages. The authors focus on national performances by/for/with youth and examine a wide range of performances from across the globe, from parades and protests to devised and traditional theatre. Nationalism and Youth in Theatre and Performance rethinks how national performance is defined and offers previously unexplored historical and theoretical discussions of political youth performance.

Theatre and National Identity

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Author :
Publisher : Routledge
ISBN 13 : 1134102348
Total Pages : 271 pages
Book Rating : 4.41/5 ( download)

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Book Synopsis Theatre and National Identity by : Nadine Holdsworth

Download or read book Theatre and National Identity written by Nadine Holdsworth and published by Routledge. This book was released on 2014-06-27 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the ways that pre-existing ‘national’ works or ‘national theatre’ sites can offer a rich source of material for speaking to the contemporary moment because of the resonances or associations they offer of a different time, place, politics, or culture. Featuring a broad international scope, it offers a series of thought-provoking essays that explore how playwrights, directors, theatre-makers, and performance artists have re-staged or re-worked a classic national play, performance, theatrical form, or theatre space in order to engage with conceptions of and questions around the nation, nationalism, and national identity in the contemporary moment, opening up new ways of thinking about or problematizing questions around the nation and national identity. Chapters ask how productions engage with a particular moment in the national psyche in the context of internationalism and globalization, for example, as well as how productions explore the interconnectivity of nations, intercultural agendas, or cosmopolitanism. They also explore questions relating to the presence of migrants, exiles, or refugees, and the legacy of colonial histories and post-colonial subjectivities. The volume highlights how theatre and performance has the ability to contest and unsettle ideas of the nation and national identity through the use of various sites, stagings, and performance strategies, and how contemporary theatres have portrayed national agendas and characters at a time of intense cultural flux and repositioning.

Writing and Rewriting National Theatre Histories

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Publisher : University of Iowa Press
ISBN 13 : 1587295210
Total Pages : 295 pages
Book Rating : 4.18/5 ( download)

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Book Synopsis Writing and Rewriting National Theatre Histories by : S.E. Wilmer

Download or read book Writing and Rewriting National Theatre Histories written by S.E. Wilmer and published by University of Iowa Press. This book was released on 2009-11 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historians of theatre face the same temptations and challenges as other historians: they negotiate assumptions (their own and those of others) about national identity and national character; they decide what events and actors to highlight--or omit--and what framework and perspective to use for telling the story. Personal biases, trends in scholarship, and sociopolitical contexts influence all histories; and theatre histories, too, are often revised to reflect changing times and interests. This significant collection examines the problems and challenges of formulating national theatre histories.The essayists included here--leading theatre scholars from all over the world, many of whom wrote essays specifically for this volume--provide an international context for national theatre histories as well as studies of individual nations. They cover a wide geographical area: Asia, the Middle East, Africa, Europe, and North America. The essays contrast large countries (India, Indonesia) with small (Ireland), newly independent (Slovenia) with established (U.S.A.), developed (Canada) with developing (Mexico, South Africa), capitalist (U.S.A.) with formerly communist (Russia), monolingual (Sweden) with multilingual (Belgium, Canada), and countries with stable historical boundaries (Sweden) with those whose borders have shifted (Germany).The essays also explore such sociopolitical issues as the polarization of language groups, the importance of religion, the invisibility of ethnic minorities, the redrawing of geographical borders, changes in ideology, and the dismantling of colonial legacies. Finally, they examine such common problems of history writing as types of evidence, periodization, canonization, styles of narrative, and definitions of key terms.Writing and Rewriting National Theatre Histories will be of special interest to students and scholars of theatre, cultural studies, and historiography.

Ford's Theatre

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Publisher : Arcadia Publishing
ISBN 13 : 1467121126
Total Pages : 128 pages
Book Rating : 4.25/5 ( download)

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Book Synopsis Ford's Theatre by : Brian Anderson for the Ford's Theatre Society

Download or read book Ford's Theatre written by Brian Anderson for the Ford's Theatre Society and published by Arcadia Publishing. This book was released on 2014 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ford's Theatre in downtown Washington, DC, is best known as the notorious scene of Pres. Abraham Lincoln's assassination on April 14, 1865. It is among the oldest and most visited sites of national tragedy in the United States. First constructed in 1833 as a Baptist church, the property was acquired by John T. Ford and converted into a theater in 1861. Presenting almost 500 performances before the assassination, Ford afterward sold the building to the federal government. A century later, the National Park Service reconstructed the theater, and Ford's Theatre Society began presenting live performances there in 1968. Since then, the two organizations have partnered to offer more than 650,000 annual visitors an array of quality programming about Lincoln's presidency and legacy. Today, patrons can explore the Tenth Street "campus," consisting of the theater, interactive museum galleries, the house where Lincoln died, and the Center for Education and Leadership.