Theatre and nationalism in twentieth-century Ireland

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Publisher :
ISBN 13 : 9780835737692
Total Pages : 222 pages
Book Rating : 4.91/5 ( download)

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Book Synopsis Theatre and nationalism in twentieth-century Ireland by : Seminar in Irish Studies

Download or read book Theatre and nationalism in twentieth-century Ireland written by Seminar in Irish Studies and published by . This book was released on with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Theatre and Nationalism in Twentieth-century Ireland

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Publisher : Oxford University Press, USA
ISBN 13 :
Total Pages : 228 pages
Book Rating : 4.65/5 ( download)

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Book Synopsis Theatre and Nationalism in Twentieth-century Ireland by : Robert O'Driscoll

Download or read book Theatre and Nationalism in Twentieth-century Ireland written by Robert O'Driscoll and published by Oxford University Press, USA. This book was released on 1971 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Theatre and Nationalism in 20th-Century Ireland

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Publisher :
ISBN 13 : 9781487585525
Total Pages : 0 pages
Book Rating : 4.27/5 ( download)

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Book Synopsis Theatre and Nationalism in 20th-Century Ireland by : O'DRISCOLL

Download or read book Theatre and Nationalism in 20th-Century Ireland written by O'DRISCOLL and published by . This book was released on 1971-12-15 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is about the writers who moulded the mind of modern Ireland: Yeats, Synge and O'Casey, Shaw, and Beckett.

Twentieth-Century Irish Drama

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Publisher : Syracuse University Press
ISBN 13 : 9780815606437
Total Pages : 292 pages
Book Rating : 4.35/5 ( download)

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Book Synopsis Twentieth-Century Irish Drama by : Christopher Murray

Download or read book Twentieth-Century Irish Drama written by Christopher Murray and published by Syracuse University Press. This book was released on 2000-05-01 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work provides an overview of Irish theatre, read in the light of Ireland's self-definition. Mediating between history and its relations with politics and art, it attempts to do justice to the enabling and mirroring preoccupations of Irish drama.

A Reference Guide for English Studies

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Publisher : Univ of California Press
ISBN 13 : 9780520051614
Total Pages : 872 pages
Book Rating : 4.10/5 ( download)

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Book Synopsis A Reference Guide for English Studies by : Michael J. Marcuse

Download or read book A Reference Guide for English Studies written by Michael J. Marcuse and published by Univ of California Press. This book was released on 1990-01-01 with total page 872 pages. Available in PDF, EPUB and Kindle. Book excerpt: This ambitious undertaking is designed to acquaint students, teachers, and researchers with reference sources in any branch of English studies, which Marcuse defines as "all those subjects and lines of critical and scholarly inquiry presently pursued by members of university departments of English language and literature.'' Within each of 24 major sections, Marcuse lists and annotates bibliographies, guides, reviews of research, encyclopedias, dictionaries, journals, and reference histories. The annotations and various indexes are models of clarity and usefulness, and cross references are liberally supplied where appropriate. Although cost-conscious librarians will probably consider the several other excellent literary bibliographies in print, such as James L. Harner's Literary Research Guide (Modern Language Assn. of America, 1989), larger academic libraries will want Marcuse's volume.-- Jack Bales, Mary Washington Coll. Lib., Fredericksburg, Va. -Library Journal.

Theatre and the State in Twentieth-Century Ireland

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Publisher : Routledge
ISBN 13 : 1134914660
Total Pages : 273 pages
Book Rating : 4.61/5 ( download)

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Book Synopsis Theatre and the State in Twentieth-Century Ireland by : Lionel Pilkington

Download or read book Theatre and the State in Twentieth-Century Ireland written by Lionel Pilkington and published by Routledge. This book was released on 2002-01-22 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: This major new study presents a political and cultural history of some of Ireland's key national theatre projects from the 1890s to the 1990s. Impressively wide-ranging in coverage, Theatre and the State in Twentieth-Century Ireland: Cultivating the People includes discussions on: *the politics of the Irish literary movement at the Abbey Theatre before and after political independence; *the role of a state-sponsored theatre for the post-1922 unionist government in Northern Ireland; *the convulsive effects of the Northern Ireland conflict on Irish theatre. Lionel Pilkington draws on a combination of archival research and critical readings of individual plays, covering works by J. M. Synge, Sean O'Casey, Lennox Robinson, T. C. Murray, George Shiels, Brian Friel, and Frank McGuinness. In its insistence on the details of history, this is a book important to anyone interested in Irish culture and politics in the twentieth century.

Renegotiating and Resisting Nationalism in Twentieth-century Irish Drama

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Publisher : Ulster Editions & Monographs
ISBN 13 :
Total Pages : 240 pages
Book Rating : 4.55/5 ( download)

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Book Synopsis Renegotiating and Resisting Nationalism in Twentieth-century Irish Drama by : Scott Boltwood

Download or read book Renegotiating and Resisting Nationalism in Twentieth-century Irish Drama written by Scott Boltwood and published by Ulster Editions & Monographs. This book was released on 2009 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this collection seek to refine our understanding of the often polyvalent and conflicted engagement that Irish dramatists have entered into with nationalism, a cultural and political movement that they have often attempted to simultaneously resist and renegotiate. These nine essays construct a genealogy of dissent, of loyal opposition, revealing the apprehension and dissatisfaction with which the twentieth century's most influential playwrights have sometimes viewed the Irish state, from its emergence in the early 1900s to its maturity at the century's end. The articles on W.B. Yeats, Augusta Gregory, J.M. Synge, and Sean O'Casey reveal the early Abbey Theatre's struggle to critique the failures of and influence the development of the early state and its proscriptive brand of nationalist Irishness. The essays exploring the later plays of Samuel Beckett, Brian Friel, Frank McGuinness, Anne Devlin, Christina Reid, Marie Jones, and Marina Carr expose both the conceptual and political failures of mainstream Irishness in the second half of the twentieth century to satisfy the material or political aspirations of people on either side of the Irish border. While many of this collection's essays share a common postcolonial interpretive strategy, individual articles also employ the strategies of ecocriticism, social anthropology, structuralism, feminism, and nationalist theory. The fifteenth volume in the Ulster Editions and Monographs series

A Century of Irish Drama

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Publisher : Indiana University Press
ISBN 13 : 9780253214195
Total Pages : 366 pages
Book Rating : 4.9X/5 ( download)

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Book Synopsis A Century of Irish Drama by : Stephen Watt

Download or read book A Century of Irish Drama written by Stephen Watt and published by Indiana University Press. This book was released on 2000 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces a significant shift in 20th century Irish theatre from the largely national plays produced in Dublin to a more expansive international art form. Confirmed by the recent success outside of Ireland of the "third wave" of Irish playwrights writing in the 1990s, the new Irish drama has encouraged critics to reconsider both the early national theatre and the dramatic tradition it fostered. On the occasion of the centenary of the first professional production of the Irish Literary Theatre, the contributors to this volume investigate contemporary Irish drama's aesthetic features and socio-political commitments and re-read the plays produced earlier in the century. Although these essayists cover a wide range of topics, from the productions and objectives of the Abbey Theatre's first rivals to mid-century theatre festivals, to plays about the "Troubles" in the North, they all reassess the oppositions so commonplace in critical discussions of Irish drama: nationalism vs. internationalism, high vs. low culture, urban experience vs. rural or peasant life. A Century of Irish Drama includes essays on such figures as W. B. Yeats, Lady Gregory, J. M. Synge, Sean O'Casey, Brendan Behan, Samuel Beckett, Marina Carr, Brian Friel, Frank McGuinness, Christina Read, Martin McDonagh, and many more. Stephen Watt is Professor of English and Cultural Studies at Indiana University-Bloomington, and author of Postmodern/Drama: Reading the Contemporary Stage, Joyce, O'Casey, and the Irish Popular Theatre, and essays on Irish and Irish-American culture. He has also written extensively on higher education, most recently Academic Keywords: A Devil's Dictionary for Higher Education (with Cary Nelson). Eileen M. Morgan is a lecturer in English and Irish Studies at the University of Michigan, Ann Arbor. She is currently working on Sean O'Faolain's biographies of De Valera and on Edna O'Brien's 1990s trilogy, and is preparing a book-length study on the influence of radio in Ireland. Shakir Mustafa is a Visiting Instructor in the English department at Indiana University. His work has appeared in such journals as New Hibernia Review and The Canadian Journal of Irish Studies, and he is now translating Arabic short stories into English. Drama and Performance Studies--Timothy Wiles, general editor

Shakespeare and Twentieth-century Irish Drama

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Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 9780754637806
Total Pages : 136 pages
Book Rating : 4.08/5 ( download)

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Book Synopsis Shakespeare and Twentieth-century Irish Drama by : Rebecca Steinberger

Download or read book Shakespeare and Twentieth-century Irish Drama written by Rebecca Steinberger and published by Ashgate Publishing, Ltd.. This book was released on 2008 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring the influence of Shakespeare on drama in Ireland, Rebecca Steinberger examines works by two representative playwrights: Sean O'Casey (1880-1964) and Brian Friel (1929-). Shakespeare's plays, grounded in history, nationalism, and imperialism, embody an empathy for the Irish other. Irish dramatists' appropriations of Shakespeare, Steinberger argues, were both a reaction to the language of domination and a means to support their revision of the Irish as Subject.

Avant-Garde Nationalism at the Dublin Gate Theatre, 1928-1940

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Publisher : Syracuse University Press
ISBN 13 : 9780815636434
Total Pages : 280 pages
Book Rating : 4.31/5 ( download)

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Book Synopsis Avant-Garde Nationalism at the Dublin Gate Theatre, 1928-1940 by : Ruud van den Beuken

Download or read book Avant-Garde Nationalism at the Dublin Gate Theatre, 1928-1940 written by Ruud van den Beuken and published by Syracuse University Press. This book was released on 2020-10-15 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1928, Hilton Edwards and Micheál mac Liammóir founded the Dublin Gate Theatre, which quickly became renowned for producing stylistically and dramaturgically innovative plays in a uniquely avant-garde setting. While the Gate’s lasting importance to the history of Irish theater is generally its introduction of experimental foreign drama to Ireland, Van den Beuken shines a light on the Gate’s productions of several new Irish playwrights, such as Denis Johnston, Mary Manning, David Sears, Robert Collis, and their patrons Edward and Christine Longford. Having grown up during an era of political turmoil and bloodshed that included the creation of an independent yet—in many ways—bitterly divided Ireland, these dramatists chose to align themselves with an avant-garde theater that explicitly sought to establish Dublin as a modern European capital. In examining an extensive corpus of archival resources, Van den Beuken reveals how the Gate Theatre became a site of avant-garde nationalism in the Ireland’s tumultuous first post-independence decades.