Theatermachine

Author : Magda Romanska
Publisher : Northwestern University Press
ISBN 13 : 0810140268
Total Pages : 467 pages
Book Rating : 4.64/5 ( download)

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Download or read book Theatermachine written by Magda Romanska and published by Northwestern University Press. This book was released on 2020-04-15 with total page 467 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatermachine: Tadeusz Kantor in Context is an in-depth, multidisciplinary compendium of essays that examine Kantor’s work through the prism of postmemory and trauma theory and in relation to Polish literature, Jewish culture, and Yiddish theater as well as the Japanese, German, French, Polish, and American avant-garde. Hans-Thies Lehmann’s theory of postdramatic theater and contemporary developments in critical theory—particularly Bill Brown’s thing theory, Bruno Latour’s actor network theory, and posthumanism—provide a previously unavailable vocabulary for discussion of Kantor’s theater.

Author :
Publisher : Pioneer Drama Service, Inc.
ISBN 13 :
Total Pages : 108 pages
Book Rating : 4./5 ( download)

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Download or read book The Theater Machine II written by and published by Pioneer Drama Service, Inc.. This book was released on with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Meredith Conti
Publisher : University of Wales Press
ISBN 13 : 1786838478
Total Pages : 319 pages
Book Rating : 4.76/5 ( download)

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Download or read book Theatre and the Macabre written by Meredith Conti and published by University of Wales Press. This book was released on 2022-03-01 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: The ‘macabre’, as a process and product, has been haunting the theatre – and more broadly, performance – for thousands of years. In its embodied meditations on death and dying, its thematic and aesthetic grotesquerie, and its sensory-rich environments, macabre theatre invites artists and audiences to trace the stranger, darker contours of human existence. In this volume, numerous scholars explore the morbid and gruesome onstage, from freak shows to the French Grand Guignol; from Hell Houses to German Trauerspiel; from immersive theatre to dark tourism, stopping along the way to look at phantoms, severed heads, dark rides, haunted mothers and haunting children, dances of death and dismembered bodies. From Japan to Australia to England to the United States, the global macabre is framed and juxtaposed to understand how the theatre brings us face to face with the deathly and the horrific.

Author : Jeff Govier
Publisher : Apress
ISBN 13 : 1430251743
Total Pages : 299 pages
Book Rating : 4.43/5 ( download)

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Download or read book Use Your PC to Build an Incredible Home Theater System written by Jeff Govier and published by Apress. This book was released on 2013-11-11 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: Home theater enthusiasts with basic technical PC skills are shown how to set up an HTPC entertainment center.

Author : J. Chris Westgate
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443810185
Total Pages : 223 pages
Book Rating : 4.80/5 ( download)

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Download or read book Brecht, Broadway and United States Theater written by J. Chris Westgate and published by Cambridge Scholars Publishing. This book was released on 2009-05-05 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: Not long after the 2001 terrorist attacks in New York City, Bertolt Brecht’s name was on the lips of many writing about Broadway. Invoked knowingly—but not always knowledgeably—“Brecht” became something between marketing strategy and erudite justification for another season of Broadway musicals, another ignominy endured by the German playwright whose epic theater has only seldom been understood in the United States. To say that Brechtian and Broadway theatrical traditions represent divergence of philosophy, method, or ambition is to indulge—with the whimsy of Mark Twain—in understatement. Nevertheless, many references to Brecht since 2001 imply compatibility instead of contradiction—a confusion or corruption that suggested the need of looking closely at what Brecht wrote and intended in his epic theater more than seventy years after his first—and, unfortunately, typical—experience with United States theater. Beginning with the 1935 production of The Mother and moving through recent productions of political theater, including The Resistible Rise of Arturo Ui, Urinetown: The Musical, and My Name is Rachel Corrie, this anthology considers the encounters of Brecht and Broadway in terms of dramaturgy, performance, and reception. The essays in this anthology explore the political, cultural, and economic constraints shaping many of the encounters of Brecht and Broadway in U.S. theater history. This means looking at how, in many cases, epic theater has been co-opted and commodified by Broadway and what that commodification reveals about the culture of theater. Simultaneously, this means theorizing how epic theater finds—or can find—ways of providing a necessary bulwark against Broadway escapism, and what this suggests for the future of political theater in the U.S. What results is a dialectical history tracing Brecht’s encounters with Broadway, a history that opens-up and debates the complicated and often conflicted influence of Bertolt Brecht on United States theater. “Dr. Westgate's book on Brecht and Broadway is an excellent study of the reception of Brecht's work in the American theater and academe. Brecht, along with Moliere; Ibsen and Chekhov, is one of the most frequently performed playwrights in translation in America. A thorough investigation of the trajectory of Brecht stagings on Broadway has long been overdue. I am very grateful that Dr. Westgate has taken on the task and arrived at such a splendid result. The book is a must reading for any serious Brecht scholar.” —Carl Weber, Stanford Drama Department, Collaborator with Brecht at the Berliner Ensemble, Director of many Brecht stagings in the U.S. “This is a provocative collection of essays outlining the sometimes unexpected connections between Brecht and the Broadway theatre. Like Brecht himself, these essays are playful, argumentative, and productively dialectical in their contradictions. The book is both entertaining and educational, and bound to provoke healthy debate. I recommend it as a demonstration of the ongoing relevance of Brechtian theories of theatre to the analysis of mainstream commercial theatre." —Sean Carney, Associate Professor, McGill University

Author : Ulf Otto
Publisher : Springer Nature
ISBN 13 : 3476059618
Total Pages : 337 pages
Book Rating : 4.11/5 ( download)

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Download or read book The Theater of Electricity written by Ulf Otto and published by Springer Nature. This book was released on 2023-06-29 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the 1880s, electrical energies started circulating in European theaters, generated from fossil fuels in urban power plants. A mysterious force, which was still traded as romantic life force by some and for others had already come to stand in for progress, entered performance venues. Engineering knowledge, control techniques and supply chains changed fundamentally how theater was made and thought of. The mechanical image machine from Renaissance and Baroque times was transformed into a thermodynamic engine. Modern theater turned out to be electrified theater. – Retracing what happened backstage before the Avantgarde took to the front stage, this book proposes to write the genealogy of theaters modernity as a cultural history of theater technology.

Author : John Clark Donahue
Publisher : U of Minnesota Press
ISBN 13 : 0816657483
Total Pages : 266 pages
Book Rating : 4.83/5 ( download)

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Download or read book Five Plays from the Children's Theatre Company of Minneapolis written by John Clark Donahue and published by U of Minnesota Press. This book was released on 1975-05-12 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Five Plays from the Children's Theatre Company of Minneapolis was first published in 1975. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Among the notable productions of the Children's Theatre Company of the Minneapolis Society of Fine Arts, a leading exponent of children's theater in this country, have been plays that are adaptations of classics in children's literature. This volume makes available the scripts of five of these adaptations, along with illuminating information about the productions and the company itself. The plays include two adaptations by Frederick Gaines, two by Timothy Mason, and one by Richard Shaw. Mr. Gaines's plays are based on Washington Irving's The Legend of Sleepy Hollow and Charles Dickens's A Christmas Carol.One of Mr. Mason's plays, Kidnapped in London, is an adaptation of part of Master Skylark by John Bennett, and the other, Robin Hood: A Story of the Forest, is based on part of the Robin Hood legend. Mr. Shaw's play is an adaptation in Kabuki form of the Grimms' fairy tale Sleeping Beauty. Linda Walsh Jenkins writes a general introduction and commentary. Background information about each play includes excerpts from discussions among directors, composers, designers, and playwrights about the plays themselves and about various phases of the development of the productions. Highlights of the history of the Children's Theatre Company and of the aims and accomplishments of its director, John Clark Donahue, are given, and these will be of particular interest to anyone in the children's theater field. The photographic illustrations, which include a number in color, show various aspects of Children's Theatre Company productions. There are also musical examples from the original scores for the plays.

Author : Richard Maxwell
Publisher : Theatre Communications Group
ISBN 13 : 1559367180
Total Pages : 46 pages
Book Rating : 4.89/5 ( download)

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Download or read book Theater for Beginners written by Richard Maxwell and published by Theatre Communications Group. This book was released on 2015-02-16 with total page 46 pages. Available in PDF, EPUB and Kindle. Book excerpt: "One of the strongest directors out there—an artist committed to making us see the world for what it is." — New Yorker With his ongoing exploration into actor behavior and an ever-innovative body of work, Richard Maxwell has written a study guide to the art of making theater. This illuminating volume provides a deeper understanding of his work, aesthetic philosophy, and process for creating theater. Richard Maxwell is a director and playwright and the artistic director of New York City Players. Maxwell's plays have been commissioned and presented in over 20 countries. He is a Doris Duke Performing Artist. Maxwell has been selected for a Guggenheim Fellowship, two OBIE Awards, a Foundation for Contemporary Arts Grant, and he was an invited artist in the Whitney Biennial (2012). Maxwell is the recipient of the 2014 Spalding Gray Award.

Author : George C. Izenour
Publisher : Yale University Press
ISBN 13 : 0300067666
Total Pages : 602 pages
Book Rating : 4.68/5 ( download)

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Download or read book Theater Technology written by George C. Izenour and published by Yale University Press. This book was released on 1996-01-01 with total page 602 pages. Available in PDF, EPUB and Kindle. Book excerpt: George C. Izenour ties detailed information on construction, lighting, acoustical structures, electro-mechanical-hydraulic systems, and stage controls to a rich-history of technological developments from the invention of the proscenium stage in late Renaissance Italy to the contributions of our own time. All the drawings are produced on the same scale for plan, transverse section, and perspective section.

Author : Ellen R. Welch
Publisher : University of Pennsylvania Press
ISBN 13 : 0812249003
Total Pages : 312 pages
Book Rating : 4.02/5 ( download)

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Download or read book A Theater of Diplomacy written by Ellen R. Welch and published by University of Pennsylvania Press. This book was released on 2017-04-03 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: The seventeenth-century French diplomat François de Callières once wrote that "an ambassador resembles in some way an actor exposed on the stage to the eyes of the public in order to play great roles." The comparison of the diplomat to an actor became commonplace as the practice of diplomacy took hold in early modern Europe. More than an abstract metaphor, it reflected the rich culture of spectacular entertainment that was a backdrop to emissaries' day-to-day lives. Royal courts routinely honored visiting diplomats or celebrated treaty negotiations by staging grandiose performances incorporating dance, music, theater, poetry, and pageantry. These entertainments—allegorical ballets, masquerade balls, chivalric tournaments, operas, and comedies—often addressed pertinent themes such as war, peace, and international unity in their subject matter. In both practice and content, the extravagant exhibitions were fully intertwined with the culture of diplomacy. But exactly what kind of diplomatic work did these spectacles perform? Ellen R. Welch contends that the theatrical and performing arts had a profound influence on the development of modern diplomatic practices in early modern Europe. Using France as a case study, Welch explores the interconnected histories of international relations and the theatrical and performing arts. Her book argues that theater served not merely as a decorative accompaniment to negotiations, but rather underpinned the practices of embodied representation, performance, and spectatorship that constituted the culture of diplomacy in this period. Through its examination of the early modern precursors to today's cultural diplomacy initiatives, her book investigates the various ways in which performance structures international politics still.