The Theatres Of Inigo Jones And John Webb

Author : John Orrell
Publisher : Cambridge University Press
ISBN 13 : 0521255465
Total Pages : 236 pages
Book Rating : 4.62/5 ( download)

DOWNLOAD NOW!

Download or read book The Theatres of Inigo Jones and John Webb written by John Orrell and published by Cambridge University Press. This book was released on 1985-02-28 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the stage works that Inigo Jones and John Webb who are responsible for the visual aspects of the masques performed at the various royal palaces in the seventeenth century. The author establishes Jones and Webb as the most effective London theatre builders and scene designers at this time.

Author : John Peacock
Publisher : Cambridge University Press
ISBN 13 : 9780521418126
Total Pages : 432 pages
Book Rating : 4.27/5 ( download)

DOWNLOAD NOW!

Download or read book The Stage Designs of Inigo Jones written by John Peacock and published by Cambridge University Press. This book was released on 1995-10-05 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: A full-length study of Inigo Jones as a stage-designer.

Author : Giles Worsley
Publisher : Paul Mellon Centre
ISBN 13 :
Total Pages : 240 pages
Book Rating : 4.34/5 ( download)

DOWNLOAD NOW!

Download or read book Inigo Jones and the European Classicist Tradition written by Giles Worsley and published by Paul Mellon Centre. This book was released on 2007 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of Inigo Jones's work within the context of the European early seventeenth century classicist movement. Includes a broad survey of contemporary architecture in Italy, Germany, France and the Netherlands, as well as a close examination of Jones's buildings.

Author : Hugh Macrae Richmond
Publisher : A&C Black
ISBN 13 : 9780826477767
Total Pages : 590 pages
Book Rating : 4.63/5 ( download)

DOWNLOAD NOW!

Download or read book Shakespeare's Theatre written by Hugh Macrae Richmond and published by A&C Black. This book was released on 2004-01-01 with total page 590 pages. Available in PDF, EPUB and Kindle. Book excerpt: Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins>

Author : Andrew Gurr
Publisher : Cambridge University Press
ISBN 13 : 1107040639
Total Pages : 307 pages
Book Rating : 4.32/5 ( download)

DOWNLOAD NOW!

Download or read book Moving Shakespeare Indoors written by Andrew Gurr and published by Cambridge University Press. This book was released on 2014-03-06 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the conditions of the original performances in seventeenth-century indoor theatres.

Author : R. West
Publisher : Springer
ISBN 13 : 1403913692
Total Pages : 287 pages
Book Rating : 4.92/5 ( download)

DOWNLOAD NOW!

Download or read book Spatial Representations and the Jacobean Stage written by R. West and published by Springer. This book was released on 2015-12-28 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: Spatial Representations and the Jacobean Stage offers a timely alternative to theatre criticism's neglect of the intensely spatial character of theatrical performance. The book shows that early modern audiences were highly aware of the spatial aspects of the stage. West examines the ways Jacobean dramatists used stage space to explore the spatial transformations of early modern society - social mobility, wandering populations, rural enclosure, sea travel, localized empirical thought. Dramas by Shakespeare, Jonson, Middleton and Webster are scrutinized for their treatment of these controversial themes.

Author : Joanna Banham
Publisher : Routledge
ISBN 13 : 1136787577
Total Pages : 3392 pages
Book Rating : 4.77/5 ( download)

DOWNLOAD NOW!

Download or read book Encyclopedia of Interior Design written by Joanna Banham and published by Routledge. This book was released on 1997-05-01 with total page 3392 pages. Available in PDF, EPUB and Kindle. Book excerpt: From ancient Greece to Frank Lloyd Wright, studiola to smoking rooms, chimney boards to cocktail cabinets, and papier-mâché to tubular steel, the Encyclopedia of Interior Design provides a history of interior decoration and design from ancient times to the present day. It includes more than 500 illustrated entries covering a variety of subjects ranging from the work of the foremost designers, to the origins and function of principal rooms and furnishing types, as well as surveys of interior design by period and nationality all prepared by an international team of experts in the field. Entries on individuals include a biography, a chronological list of principal works or career summary, a primary and secondary bibliography, and a signed critical essay of 800 to 1500 words on the individual's work in interior design. The style and topic entries contain an identifying headnote, a guide to main collections, a list of secondary sources, and a signed critical essay.

Author : Paul D. Streufert
Publisher : Routledge
ISBN 13 : 1351942468
Total Pages : 352 pages
Book Rating : 4.61/5 ( download)

DOWNLOAD NOW!

Download or read book Early Modern Academic Drama written by Paul D. Streufert and published by Routledge. This book was released on 2016-12-05 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this essay collection, the contributors contend that academic drama represents an important, but heretofore understudied, site of cultural production in early modern England. Focusing on plays that were written and performed in academic environments such as Oxford University, Cambridge University, grammar schools, and the Inns of Court, the scholars investigate how those plays strive to give dramatic coherence to issues of religion, politics, gender, pedagogy, education, and economics. Of particular significance are the shifting political and religious contentions that so frequently shaped both the cultural questions addressed by the plays, and the sorts of dramatic stories that were most conducive to the exploration of such questions. The volume argues that the writing and performance of academic drama constitute important moments in the history of education and the theater because, in these plays, narrative is consciously put to work as both a representation of, and an exercise in, knowledge formation. The plays discussed speak to numerous segments of early modern culture, including the relationship between the academy and the state, the tensions between humanism and religious reform, the successes and failures of the humanist program, the social profits and economic liabilities of formal education, and the increasing involvement of universities in the commercial market, among other issues.

Author : John A. Alford
Publisher : MSU Press
ISBN 13 : 0870138847
Total Pages : 307 pages
Book Rating : 4.43/5 ( download)

DOWNLOAD NOW!

Download or read book From Page to Performance written by John A. Alford and published by MSU Press. This book was released on 1995-01-01 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a collection of 22 essays by scholars in the field of Medieval Drama, mostly relating to performance both past and present. Alford wrote one essay in the book.

Author : Dawn Lewcock
Publisher : Cambria Press
ISBN 13 : 1604975784
Total Pages : 370 pages
Book Rating : 4.89/5 ( download)

DOWNLOAD NOW!

Download or read book Sir William Davenant, the Court Masque, and the English Seventeenth-century Scenic Stage, C. 1605-c. 1700 written by Dawn Lewcock and published by Cambria Press. This book was released on 2008 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines why, when, how and where the scenic stage began in England. Little has been written about the development of theatrical scenery and how it was used in England in the seventeenth century, and what is known about the response to this innovation is fragmentary and uncertain. Unlike in Italy and France where scenery had been in use since the sixteenth century, the general public in England did not see plays presented against a painted location until Sir William Davenant presented The Siege of Rhodes at Lincoln's Inn Fields in 1661. Painted landscapes or seascapes, perspective views of cities or palaces, lighting effects, gods or goddesses flying down on to the stage in a chariot, all these had only been seen before on the masque stage at court or in the occasional private play performance. This study argues that Sir William Davenant (1606-1668) was involved almost from the beginning of the process and that his influence continued after his death; that, although painted scenery as such would undoubtedly have appeared on the public stage after 1660, it would not have been in the same way, for Davenant made particular positive contributions which brought about certain changes in both the presentation and reception of plays which would not have happened as they did without his work and influence. This is new work which uses dramaturgical and scenographical analysis of selected plays and masques, against known theatrical history, to discover how the staging of painted settings was organised from c1605 to c1700. This kind of investigation into the links between masque staging and the staging of plays has not been done in quite this way before. The study begins with Davenant's involvement with Inigo Jones and John Webb. It analyses the staging of the court masques and discusses what Davenant took from this and how he used the information. It suggests that the move towards verisimilitude in the drama on the scenic stage was due in part to Davenant's imaginative use of certain of the physical components of masque staging in presentations by the Duke's Company. It argues that he encouraged dramatists to integrate the scenery into their plots, particularly to provide for disclosures and discoveries, in ways not possible before. How, in so doing, he implicitly changed the stage conventions of time and place which audiences had accepted from the platform stage. It also argues that the parallel development of operatic spectacle derived mainly from the use by Killgrew and the King's Company of the techniques for engineering the spectacular effects of the transformation scenes of the masque stage to embellish the heroic drama by Dryden and others. It suggests that the two staging methods combined in the later seventeenth century to give more sophisticated ways of using the scenery and thus involved the scenic stage with the dialogue and the action in all genres, but that such experimentation ended when financial and commercial considerations made it no longer viable. Nevertheless it concludes that, by the eighteenth century, theatre practitioners had learnt to use the stage craft and mechanical techniques of the masque stage to integrate the visual with the aural aspects of a production, and that dramatists, once concerned solely with the aural expression of their theme, had become playwrights who allowed for the visual elements in their texts. Over fifty illustrations exemplify the discussion. This is an important book in the history of theatre, essential background for the staging of the court masque, and for the scenography of the Restoration theatre.