The Styles Of Eighteenth Century Ballet

Author : Edmund Fairfax
Publisher :
ISBN 13 :
Total Pages : 400 pages
Book Rating : 4.08/5 ( download)

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Download or read book The Styles of Eighteenth Century Ballet written by Edmund Fairfax and published by . This book was released on 2003 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: The current notion of ballet history holds that the theatrical dance of the eighteenth century was simple, earthbound, and limited in range of motion scarcely different from the ballroom dance of the same period. Contemporary opinion also maintains that this early form of ballet was largely a stranger to the tours de force of grand jumps, multiple turns, and lifts so typical of classical ballet, owing to a supposed prevailing sense of Victorian-like decorum. The Styles of Eighteenth-Century Ballet explodes this utterly false view of ballet history, showing that there were in fact a variety of different styles of dance cultivated in this era, from the simple to the remarkably difficult, from the dignified earthbound to the spirited airborne, from the gravely serious to the grotesquely ridiculous. This is a fascinating exploration of the various styles of eighteenth-century dance covering ballroom and ballet, the four traditional styles of theatrical dance, regional preferences for given styles, and the importance of caprice, dance according to gender, the overall voluptuous nature of stage dancing, and finally dance notation and costume. Fairfax takes the reader on an in-depth journey through the world of ballet in the age of Mozart, Boucher, and Casanova.

Author : Rebecca Harris-Warrick
Publisher : Univ of Wisconsin Press
ISBN 13 : 9780299203542
Total Pages : 404 pages
Book Rating : 4.49/5 ( download)

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Download or read book The Grotesque Dancer on the Eighteenth-century Stage written by Rebecca Harris-Warrick and published by Univ of Wisconsin Press. This book was released on 2005 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: Italian ballet in the eighteenth century was dominated by dancers trained in the style known as "grotesque"—a virtuoso style that combined French ballet technique with a vigorous athleticism that made Italian dancers in demand all over Europe. Gennaro Magri’s Trattato teorico-prattico di ballo, the only work from the eighteenth century that explains the practices of midcentury Italian theatrical dancing, is a starting point for investigating this influential type of ballet and its connections to the operatic and theatrical genres of its day. The Grotesque Dancer on the Eighteenth-Century Stage examines the theatrical world of the ballerino grottesco, Magri’s own career as a dancer in Italy and Vienna, the genre of pantomime ballet as it was practiced by Magri and his colleagues across Europe, the relationships between dance and pantomime in this type of work, the music used to accompany pantomime ballets, and the movement vocabulary of the grotesque dancer. Appendices contain scenarios from eighteenth-century pantomime ballets, including several of Magri’s own devising; an index to the step-vocabulary discussed in Magri’s book; and an index of dancers in Italy known to have performed as grotteschi. Illustrations, music examples, and dance notations also supplement the text.

Author : Marion Kant
Publisher : Cambridge University Press
ISBN 13 : 1139827197
Total Pages : pages
Book Rating : 4.95/5 ( download)

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Download or read book The Cambridge Companion to Ballet written by Marion Kant and published by Cambridge University Press. This book was released on 2007-06-07 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Ballet is a paradox: much loved but little studied. It is a beautiful fairy tale; detached from its origins and unrelated to the men and women who created it. Yet ballet has a history, little known and rarely presented. These great works have dark sides and moral ambiguities, not always nor immediately visible. The daring and challenging quality of ballet as well as its perceived 'safe' nature is not only one of its fascinations but one of the intriguing questions to be explored in this Companion. The essays reveal the conception, intent and underlying meaning of ballets and recreate the historical reality in which they emerged. The reader will find new and unexpected aspects of ballet, its history and its aesthetics, the evolution of plot and narrative, new insights into the reality of training, the choice of costume and the transformation of an old art in a modern world.

Author : Tilden Russell
Publisher : Rowman & Littlefield
ISBN 13 : 1611496624
Total Pages : 251 pages
Book Rating : 4.28/5 ( download)

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Download or read book Theory and Practice in Eighteenth-Century Dance written by Tilden Russell and published by Rowman & Littlefield. This book was released on 2017-11-10 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the first two decades of the eighteenth century, two evolving dance-historical realms intersected—theory and practice. While the French produced works on notation, choreography, and repertoire, German dance writers responded with an important body of work on dance theory. This book examines the reception of French dance in Germany.

Author : Danuta Mirka PhD
Publisher : Oxford University Press
ISBN 13 : 0199841586
Total Pages : 713 pages
Book Rating : 4.85/5 ( download)

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Download or read book The Oxford Handbook of Topic Theory written by Danuta Mirka PhD and published by Oxford University Press. This book was released on 2014-10-16 with total page 713 pages. Available in PDF, EPUB and Kindle. Book excerpt: Topics are musical signs developed and employed primarily during the long eighteenth century. Their significance relies on associations that are clearly recognizable to the listener with different genres, styles and types of music making. Topic theory, which is used to explain conventional subjects of musical composition in this period, is grounded in eighteenth-century music theory, aesthetics, and criticism, while drawing also from music cognition and semiotics. The concept of topics was introduced into by Leonard Ratner in the 1980s to account for cross-references between eighteenth-century styles and genres. As the invention of a twentieth-century academic, topic theory as a field is comparatively new, and The Oxford Handbook of Topic Theory provides a much-needed reconstruction of the field's aesthetic underpinnings. The volume grounds the concept of topics in eighteenth-century music theory, aesthetics, and criticism. Documenting the historical reality of individual topics on the basis of eighteenth-century sources, it traces the origins of topical mixtures to transformations of eighteenth-century musical life, and relates topical analysis to other methods of music analysis conducted from the perspectives of composers, performers, and listeners. Focusing its scope on eighteenth-century musical repertoire, The Oxford Handbook of Topic Theory lays the foundation for further investigation of topics in music of the nineteenth, twentieth, and twenty-first centuries.

Author : Wendy Hilton
Publisher : London : Dance Books Limited
ISBN 13 :
Total Pages : 400 pages
Book Rating : 4.01/5 ( download)

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Download or read book Dance of Court & Theater written by Wendy Hilton and published by London : Dance Books Limited. This book was released on 1981 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Edward Nye
Publisher : Cambridge University Press
ISBN 13 : 1139497499
Total Pages : 339 pages
Book Rating : 4.97/5 ( download)

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Download or read book Mime, Music and Drama on the Eighteenth-Century Stage written by Edward Nye and published by Cambridge University Press. This book was released on 2011-07-21 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 'ballet d'action' was one of the most successful and controversial forms of theatre in the early modern period. A curious hybrid of dance, mime and music, its overall and overriding intention was to create drama. It was danced drama rather than dramatic dance, musical drama rather than dramatic music. Most modern critical studies of the ballet d'action treat it more narrowly as stage dance and very few view it as part of the history of mime. Little use has previously been made of the most revealing musical evidence. This innovative book does justice to the distinctive hybrid nature of the ballet d'action by taking a comparative approach, using contemporary literature and literary criticism, music, mime and dance from a wide range of English and European sources. Edward Nye presents a fascinating study of this important and influential part of eighteenth-century European theatre.

Author : Leslie Ritchie
Publisher : Routledge
ISBN 13 : 1351536613
Total Pages : 436 pages
Book Rating : 4.15/5 ( download)

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Download or read book Women Writing Music in Late Eighteenth-Century England written by Leslie Ritchie and published by Routledge. This book was released on 2017-07-05 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth?mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.

Author : Carlo Blasis
Publisher : Dance Books Limited
ISBN 13 : 9781852731267
Total Pages : 600 pages
Book Rating : 4.65/5 ( download)

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Download or read book The Code of Terpsichore written by Carlo Blasis and published by Dance Books Limited. This book was released on 2000-09 with total page 600 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Julia Swindells
Publisher : OUP Oxford
ISBN 13 : 0191655198
Total Pages : 784 pages
Book Rating : 4.97/5 ( download)

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Download or read book The Oxford Handbook of the Georgian Theatre 1737-1832 written by Julia Swindells and published by OUP Oxford. This book was released on 2014-01-16 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of the Georgian Theatre 1737-1832 provides an essential guide to theatre in Britain between the passing of the Stage Licensing Act in 1737 and the Reform Act of 1832 — a period of drama long neglected but now receiving significant scholarly attention. Written by specialists from a range of disciplines, its forty essays both introduce students and scholars to the key texts and contexts of the Georgian theatre and also push the boundaries of the field, asking questions that will animate the study of drama in the eighteenth and early nineteenth centuries for years to come. The Handbook gives equal attention to the range of dramatic forms — not just tragedy and comedy, but the likes of melodrama and pantomime — as they developed and overlapped across the period, and to the occasions, communities, and materialities of theatre production. It includes sections on historiography, the censorship and regulation of drama, theatre and the Romantic canon, women and the stage, and the performance of race and empire. In doing so, it shows the centrality of theatre to Georgian culture and politics, and paints a picture of a stage defined by generic fluidity and experimentation; by networks of performance that spread far beyond London; by professional women who played pivotal roles in every aspect of production; and by its complex mediation of contemporary attitudes of class, race, and gender.