The Polyphony of Saint Martial and Santiago de Compostela: Edition

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Publisher :
ISBN 13 : 9780520047440
Total Pages : pages
Book Rating : 4.43/5 ( download)

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Book Synopsis The Polyphony of Saint Martial and Santiago de Compostela: Edition by : Theodore Karp

Download or read book The Polyphony of Saint Martial and Santiago de Compostela: Edition written by Theodore Karp and published by . This book was released on 1992 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Polyphony of Saint Martial and Santiago de Compostela: Text

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Publisher :
ISBN 13 :
Total Pages : 268 pages
Book Rating : 4.94/5 ( download)

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Book Synopsis The Polyphony of Saint Martial and Santiago de Compostela: Text by : Theodore Karp

Download or read book The Polyphony of Saint Martial and Santiago de Compostela: Text written by Theodore Karp and published by . This book was released on 1992 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theodore Karp proposes a fundamental reinterpretation of two major repertories of twelfth-century sacred music, that associated with the long-destroyed abbey of Saint Martial de Limoges and the manuscript preserved in the Cathedral Archive of Santiago de Compostela. Together, these comprise the most important collection of polyphonic music before the celebrated School of Notre Dame. Scholars have disagreed about the rules for transcribing this early medieval music. Karp's commentary in Volume One, along with an edition of the music in Volume Two, offers a new set principles for the understanding of its harmony, rhythm, notation, and text underlay. Professor Karp's interpretation, though likely to prove controversial, is scrupulously and convincingly defended. The transcriptions themselves will be welcomed by performing musicians, to whom an important repertory now becomes readily available.

The Saint Martial Polyphony. Texture and tonality. a contribution to research in the development of polyphonic style in the Middle Ages. [Mit NOtenbeisp.]

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ISBN 13 :
Total Pages : 172 pages
Book Rating : 4.92/5 ( download)

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Book Synopsis The Saint Martial Polyphony. Texture and tonality. a contribution to research in the development of polyphonic style in the Middle Ages. [Mit NOtenbeisp.] by : Jens Bonderup

Download or read book The Saint Martial Polyphony. Texture and tonality. a contribution to research in the development of polyphonic style in the Middle Ages. [Mit NOtenbeisp.] written by Jens Bonderup and published by . This book was released on 1982 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Saint Martial Polyphony

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ISBN 13 :
Total Pages : 180 pages
Book Rating : 4.71/5 ( download)

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Book Synopsis The Saint Martial Polyphony by : Jens Bonderup

Download or read book The Saint Martial Polyphony written by Jens Bonderup and published by . This book was released on 1982 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Polyphony of Saint Martial and Santiago de Compostela: Edition

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Publisher :
ISBN 13 :
Total Pages : 256 pages
Book Rating : 4.86/5 ( download)

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Book Synopsis The Polyphony of Saint Martial and Santiago de Compostela: Edition by : Theodore Karp

Download or read book The Polyphony of Saint Martial and Santiago de Compostela: Edition written by Theodore Karp and published by . This book was released on 1992 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt:

A Performer's Guide to Medieval Music

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Publisher : Indiana University Press
ISBN 13 : 9780253215338
Total Pages : 618 pages
Book Rating : 4.31/5 ( download)

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Book Synopsis A Performer's Guide to Medieval Music by : Ross W. Duffin

Download or read book A Performer's Guide to Medieval Music written by Ross W. Duffin and published by Indiana University Press. This book was released on 2000 with total page 618 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.

Performance Practice

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Publisher : Routledge
ISBN 13 : 113676769X
Total Pages : 552 pages
Book Rating : 4.92/5 ( download)

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Book Synopsis Performance Practice by : Roland Jackson

Download or read book Performance Practice written by Roland Jackson and published by Routledge. This book was released on 2013-10-23 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performance practice is the study of how music was performed over the centuries, both by its originators (the composers and performers who introduced the works) and, later, by revivalists. This first of its kind Dictionary offers entries on composers, musiciansperformers, technical terms, performance centers, musical instruments, and genres, all aimed at elucidating issues in performance practice. This A-Z guide will help students, scholars, and listeners understand how musical works were originally performed and subsequently changed over the centuries. Compiled by a leading scholar in the field, this work will serve as both a point-of-entry for beginners as well as a roadmap for advanced scholarship in the field.

Embellishing the Liturgy

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Publisher : Taylor & Francis
ISBN 13 : 1351940732
Total Pages : 614 pages
Book Rating : 4.33/5 ( download)

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Book Synopsis Embellishing the Liturgy by : Alejandro Enrique Planchart

Download or read book Embellishing the Liturgy written by Alejandro Enrique Planchart and published by Taylor & Francis. This book was released on 2017-07-05 with total page 614 pages. Available in PDF, EPUB and Kindle. Book excerpt: After the imposition of Gregorian chant upon most of Europe by the authority of the Carolingian kings and emperors in the eighth and ninth centuries, a large number of repertories arose in connection with the new chant and its liturgy. Of these repertories, the tropes, together with the sequences, represent the main creative activity of European musicians in the ninth, tenth, and eleventh centuries. Because they were not an absolutely official part of the liturgy, as was Gregorian chant, they reflect local traditions, particularly in terms of melody, and more so than the new pieces that were composed at the time. In addition, the earlier layers of tropes represent, in many cases, a survival of the pre local pre Gregorian melodic traditions. This volume provides an introduction to the study of tropes in the form of an extensive anthology of major studies and a comprehensive bibliography and constitutes a classic reference resource for the study of one of the most important musico-liturgical genres of the central middle ages.

Harvard Dictionary of Music

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Publisher : Harvard University Press
ISBN 13 : 9780674375017
Total Pages : 968 pages
Book Rating : 4.17/5 ( download)

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Book Synopsis Harvard Dictionary of Music by : Willi Apel

Download or read book Harvard Dictionary of Music written by Willi Apel and published by Harvard University Press. This book was released on 1969 with total page 968 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contains nearly 1000 pages of precise and accessible information on all musical subjects.

Musical Notation in the West

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Publisher : Cambridge University Press
ISBN 13 : 1009038230
Total Pages : 287 pages
Book Rating : 4.32/5 ( download)

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Book Synopsis Musical Notation in the West by : James Grier

Download or read book Musical Notation in the West written by James Grier and published by Cambridge University Press. This book was released on 2021-02-18 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musical notation is a powerful system of communication between musicians, using sophisticated symbolic, primarily non-verbal means to express musical events in visual symbols. Many musicians take the system for granted, having internalized it and their strategies for reading it and translating it into sound over long years of study and practice. This book traces the development of that system by combining chronological and thematic approaches to show the historical and musical context in which these developments took place. Simultaneously, the book considers the way in which this symbolic language communicates to those literate in it, discussing how its features facilitate or hinder fluent comprehension in the real-time environment of performance. Moreover, the topic of musical as opposed to notational innovation forms another thread of the treatment, as the author investigates instances where musical developments stimulated notational attributes, or notational innovations made practicable advances in musical style.