The Renaissance Print 1470 1550

Author : David Landau
Publisher : Yale University Press
ISBN 13 : 0300068832
Total Pages : 453 pages
Book Rating : 4.32/5 ( download)

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Download or read book The Renaissance Print, 1470-1550 written by David Landau and published by Yale University Press. This book was released on 1994-01-01 with total page 453 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public.

Author : Giulia Bartrum
Publisher : University of Washington Press
ISBN 13 :
Total Pages : 252 pages
Book Rating : 4.18/5 ( download)

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Download or read book German Renaissance Prints 1490-1550 written by Giulia Bartrum and published by University of Washington Press. This book was released on 1995 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Betr. u.a. Hans Holbein d.J., Urs Graf.

Author : Peter W. Parshall
Publisher : Yale University Press
ISBN 13 : 0300113390
Total Pages : 396 pages
Book Rating : 4.96/5 ( download)

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Download or read book Origins of European Printmaking written by Peter W. Parshall and published by Yale University Press. This book was released on 2005-01-01 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture

Author : Sharon Gregory
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 9781409429265
Total Pages : 464 pages
Book Rating : 4.61/5 ( download)

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Download or read book Vasari and the Renaissance Print written by Sharon Gregory and published by Ashgate Publishing, Ltd.. This book was released on 2012 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: In both Vasari's life and in his Lives, prints played important roles. This volume examines Giorgio Vasari's interest, as an art historian and as an artist, in engravings and woodblock prints, revealing how it sheds light on aspects of Vasari's career, and on aspects of sixteenth-century artistic culture and artistic practice. It is the first book to study his interest in prints from this dual perspective.

Author : Thomas DaCosta Kaufmann
Publisher : University of Chicago Press
ISBN 13 : 0226427307
Total Pages : 576 pages
Book Rating : 4.00/5 ( download)

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Download or read book Court, Cloister, and City written by Thomas DaCosta Kaufmann and published by University of Chicago Press. This book was released on 1995 with total page 576 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Thomas DaCosta Kaufmann chronicles more than three hundred years of painting, sculpture, and architecture in Germany, Poland, the Czech Republic, Slovakia, Hungary, Austria, Ukraine, Lithuania and western parts of the Russian Federation. Massive in scale, the book is highly accessible and lavishly illustrated. The readability of the text and the entirely new insights it provides into three hundred years of Central European history make this a vital introduction to one of the least understood periods in the history of art.

Author : Arthur Ross Gallery
Publisher : Penn State University Press
ISBN 13 :
Total Pages : 208 pages
Book Rating : 4.32/5 ( download)

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Download or read book The Early Modern Painter-etcher written by Arthur Ross Gallery and published by Penn State University Press. This book was released on 2006 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Features essays by Michael Cole, Larry Silver, Susan Dackerman, Graham Larkin, and exhibit co-curator Madeleine Viljoen. This book accompanies an exhibition that opened in April 2006 at the University of Pennsylvania.

Author : Margaret Meserve
Publisher : JHU Press
ISBN 13 : 142144044X
Total Pages : 452 pages
Book Rating : 4.46/5 ( download)

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Download or read book Papal Bull written by Margaret Meserve and published by JHU Press. This book was released on 2021-08-03 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exciting interdisciplinary study based on new literary, historical, and bibliographical evidence, this book will appeal to students and scholars of the Italian Renaissance, the Reformation, and the history of the book.

Author : Antony Griffiths
Publisher : British museum Press
ISBN 13 : 9780714126951
Total Pages : 0 pages
Book Rating : 4.50/5 ( download)

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Download or read book The Print Before Photography written by Antony Griffiths and published by British museum Press. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A landmark publication--beautifully illustrated with over 300 prints from the British Museum's renowned collection--which traces the history of printmaking from its earliest days until the arrival of photography.

Author : Gordon Campbell
Publisher : Oxford University Press
ISBN 13 : 0191025259
Total Pages : 464 pages
Book Rating : 4.59/5 ( download)

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Download or read book The Oxford Illustrated History of the Renaissance written by Gordon Campbell and published by Oxford University Press. This book was released on 2019-02-14 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Renaissance is one of the most celebrated periods in European history. But when did it begin? When did it end? And what did it include? Traditionally regarded as a revival of classical art and learning, centred upon fifteenth-century Italy, views of the Renaissance have changed considerably in recent decades. The glories of Florence and the art of Raphael and Michelangelo remain an important element of the Renaissance story, but they are now only a part of a much wider story which looks beyond an exclusive focus on high culture, beyond the Italian peninsula, and beyond the fifteenth century. The Oxford Illustrated History of the Renaissance tells the cultural history of this broader and longer Renaissance: from seminal figures such as Dante and Giotto in thirteenth-century Italy, to the waning of Spain's 'golden age' in the 1630s, and the closure of the English theatres in 1642, the date generally taken to mark the end of the English literary Renaissance. Geographically, the story ranges from Spanish America to Renaissance Europe's encounter with the Ottomans—and far beyond, to the more distant cultures of China and Japan. And thematically, under Gordon Campbell's expert editorial guidance, the volume covers the whole gamut of Renaissance civilization, with chapters on humanism and the classical tradition; war and the state; religion; art and architecture; the performing arts; literature; craft and technology; science and medicine; and travel and cultural exchange.

Author : Jane A. Bernstein
Publisher : Oxford University Press
ISBN 13 : 0197669638
Total Pages : 297 pages
Book Rating : 4.31/5 ( download)

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Download or read book Printing Music in Renaissance Rome written by Jane A. Bernstein and published by Oxford University Press. This book was released on 2024-02-16 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: In sixteenth-century Italy, Rome ranked second only to Venice as an important center for music book production. Throughout the century, printers in the Eternal City experimented more readily and more consistently with the materiality of the book than their Venetian counterparts, who, by standardizing their printing methods, came to dominate the international marketplace. The Romans' ingenuity and willingness to meet individual clients' needs resulted in music editions in a broader array of shapes and sizes, employing a wider range of printing techniques. They became "boutique" printers, eschewing the run-of-the-mill in favor of tailoring production to varied market demands. Accommodating the diverse requirements of their clientele, they supplied customized volumes, which Venetian presses either could not--or would not--produce. In Printing Music in Renaissance Rome, author Jane A. Bernstein offers a panoramic view of the cultures of music and the book in Rome from the beginning of printing in 1476 through the early seventeenth century. Emphasizing the exceptionalism of Roman music publishing, she highlights the innovative printing technologies and book forms devised by Roman bookmen. She also analyzes the Church's predominant influence on the book industry and, in turn, the Roman press's impact on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri. Drawing on innovative publications, Bernstein reveals a synergistic relationship between music repertories and the materiality of the book. In particular, she focuses on the post-Tridentine period, when musical idioms, both new and old, challenged printers to employ alternative printing methods and modes of book presentation in the creation of their music editions. Of interest to musicologists, art historians, and book historians alike, this book builds on Bernstein's previous work as she continues to chart the course of music and the book in Renaissance Italy.