The Presence Of The Feminine In Film

Author : Virginia Apperson
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443804169
Total Pages : 280 pages
Book Rating : 4.65/5 ( download)

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Download or read book The Presence of the Feminine in Film written by Virginia Apperson and published by Cambridge Scholars Publishing. This book was released on 2009-01-14 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: This pioneering book introduces a largely unremarked dimension of film, the “feminine,” which cannot be reduced to women’s experience, or to men’s projections onto women. The Presence of the Feminine in Film gives body to that often rather loosely formulated Jungian conception, the “feminine aspect of psyche,” by noticing what “feminine” turns out to mean in particular cinematic contexts. Spanning seven decades—from Pride and Prejudice, Notorious, and Letter from an Unknown Woman to Monsoon Wedding, Brokeback Mountain, and The Lives of Others—the movies selected for particular study here make it clear that the feminine is at home in the movies, and that when she appears, it is to appeal to our sensibilities as well as to our senses. This is a book that will enhance the appreciation of film as a depth psychological medium.

Author : Sue Thornham
Publisher : NYU Press
ISBN 13 : 0814782442
Total Pages : 367 pages
Book Rating : 4.46/5 ( download)

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Download or read book Feminist Film Theory written by Sue Thornham and published by NYU Press. This book was released on 1999-04 with total page 367 pages. Available in PDF, EPUB and Kindle. Book excerpt: For the past twenty-five years, cinema has been a vital terrain on which feminist debates about culture, representation, and identity have been fought. This anthology charts the history of those debates, bringing together the key, classic essays in feminist film theory. Feminist Film Theory maps the impact of major theoretical developments on this growing field-from structuralism and psychoanalysis in the 1970s, to post-colonial theory, queer theory, and postmodernism in the 1990s. Covering a wide range of topics, including oppressive images, "woman" as fetishized object of desire, female spectatorship, and the cinematic pleasures of black women and lesbian women, Feminist Film Theory is an indispensable reference for scholars and students in the field. Contributors include Judith Butler, Carol J. Clover, Barbara Creed, Michelle Citron, Mary Ann Doane, Teresa De Lauretis, Jane Gaines, Christine Gledhill, Molly Haskell, bell hooks, Claire Johnston, Annette Kuhn, Julia Lesage, Judith Mayne, Tania Modleski, Laura Mulvey, B. Ruby Rich, Kaja Silverman, Sharon Smith, Jackie Stacey, Janet Staiger, Anna Marie Taylor, Valerie Walkerdine, and Linda Williams.

Author : Britta H. Sjogren
Publisher : University of Illinois Press
ISBN 13 : 0252030281
Total Pages : 266 pages
Book Rating : 4.84/5 ( download)

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Download or read book Into the Vortex written by Britta H. Sjogren and published by University of Illinois Press. This book was released on 2006-04-27 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: A pathbreaking feminist analysis of sound's shifting relation to image in film

Author : Barbara Creed
Publisher : Routledge
ISBN 13 : 1136750754
Total Pages : 218 pages
Book Rating : 4.55/5 ( download)

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Download or read book The Monstrous-Feminine written by Barbara Creed and published by Routledge. This book was released on 2015-09-04 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: In almost all critical writings on the horror film, woman is conceptualised only as victim. In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body.With close reference to a number of classic horror films including the Alien trilogy, T

Author : Silke Andris
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443804762
Total Pages : 217 pages
Book Rating : 4.69/5 ( download)

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Download or read book Women Willing to Fight written by Silke Andris and published by Cambridge Scholars Publishing. This book was released on 2009-01-23 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women Willing to Fight is a collection of essays that explores the presence of the fighting woman in contemporary Hollywood cinema. Drawn from a variety of genres, the authors examine the changing role, image and position of this figure in film over recent decades. The increasing dominance of this character and her repositioning as a protagonist reinvigorates discussion concerning the dynamics of film narrative and spectacle. Each contribution takes as its focus a central character from the Hollywood blockbuster era, examining in detail the motivations and implications of the fighting female. In doing so the collection raises significant questions about the place of the fighting woman in contemporary media and the relationships she forges on and off-screen. With a strong appreciation of the mixed messages inherent in images of fighting women, Women Willing to Fight seeks to draw attention to the embodied forms - physical, intellectual and emotional - through which female fighters are represented. The anthology places particular emphasis on the emergence of the physically empowered woman, a character for whom the body has become a weapon and a target. While early cinematic representations allowed women to voice their fury and frustration, today’s female fighters not only ‘speak up’ but ‘muscle up’. Putting aside the supernatural powers of many action heroines, this volume focuses on the kinds of fighting skills, abilities and desires that are engendered in characterisations of mortal women. To this end the volume implicitly addresses complex and cross-cultural notions of ‘extra-ordinary’ power. By examining the embodied arsenal that these characters possess and develop - through training, conditioning, and life experience - it considers the representation of motivation and metamorphoses into ‘the fighting woman’: how a woman fights holds implicit meaning and inevitably urges us to consider why and what she is fighting for.

Author : Elizabeth Brodersen
Publisher : Taylor & Francis
ISBN 13 : 1317274385
Total Pages : 282 pages
Book Rating : 4.84/5 ( download)

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Download or read book Jungian Perspectives on Rebirth and Renewal written by Elizabeth Brodersen and published by Taylor & Francis. This book was released on 2016-11-25 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jungian Perspectives on Rebirth and Renewal brings together an international selection of contributors on the themes of rebirth and renewal. With their emphasis on evolutionary ancestral memories, creation myths and dreams, the chapters in this collection explore the indigenous and primordial bases of these concepts. Presented in eight parts, the book elucidates the importance of indirect, associative, mythological thinking within Jungian psychology and the efficacy of working with images as symbols to access unconscious creative processes. Part I begins with a comparative study of the significance of the phoenix as symbol, including its image as Jung’s family crest. Part II focuses on Native American indigenous beliefs about the transformative power of nature. Part III examines synchronistic symbols as liminal place/space, where the relationship between the psyche and place enables a co-evolution of the psyche of the land. Part IV presents Jung’s travels in India and the spiritual influence of Indian indigenous beliefs had on his work. Part V expands on the rebirth of the feminine as a dynamic, independent force. Part VI analyses ancestral memories evoked by the phoenix image, exploring archetypal narratives of infancy. Part VII focuses on eco-psychological, synchronistic carriers of death, rebirth and renewal through mythic characterisations. Finally, part VIII explores the mythopoetic, visionary dimensions of rebirth and renewal that give literary expression to indigenous people/primordial psyche re-navigated through popular literature. The chapters both mirror and synchronise a rebirth of Jungian and non-Jungian academic interest in indigenous peoples, creation myths, oral traditions and narrative dialogue as the ‘primordial psyche’ worldwide, and the book includes one chapter supplemented by an online video. This collection will be inspiring reading for academics and students of analytical psychology, Jungian and post-Jungian studies and mythology, as well as analytical psychologists, Jungian analysts and Jungian psychotherapists. To access the online video which accompanies Evangeline Rand's chapter, please request a password at http://www.evangelinerand.com/life_threads_orissa_awakenings.html

Author : Jennifer M. Bean
Publisher : Duke University Press
ISBN 13 : 9780822329992
Total Pages : 604 pages
Book Rating : 4.99/5 ( download)

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Download or read book A Feminist Reader in Early Cinema written by Jennifer M. Bean and published by Duke University Press. This book was released on 2002-11-21 with total page 604 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Feminist Reader in Early Cinema marks a new era of feminist film scholarship. The twenty essays collected here demonstrate how feminist historiographies at once alter and enrich ongoing debates over visuality and identification, authorship, stardom, and nationalist ideologies in cinema and media studies. Drawing extensively on archival research, the collection yields startling accounts of women's multiple roles as early producers, directors, writers, stars, and viewers. It also engages urgent questions about cinema's capacity for presenting a stable visual field, often at the expense of racially, sexually, or class-marked bodies. While fostering new ways of thinking about film history, A Feminist Reader in Early Cinema illuminates the many questions that the concept of "early cinema" itself raises about the relation of gender to modernism, representation, and technologies of the body. The contributors bring a number of disciplinary frameworks to bear, including not only film studies but also postcolonial studies, dance scholarship, literary analysis, philosophies of the body, and theories regarding modernism and postmodernism. Reflecting the stimulating diversity of early cinematic styles, technologies, and narrative forms, essays address a range of topics—from the dangerous sexuality of the urban flâneuse to the childlike femininity exemplified by Mary Pickford, from the Shanghai film industry to Italian diva films—looking along the way at birth-control sensation films, French crime serials, "war actualities," and the stylistic influence of art deco. Recurring throughout the volume is the protean figure of the New Woman, alternately garbed as childish tomboy, athletic star, enigmatic vamp, languid diva, working girl, kinetic flapper, and primitive exotic. Contributors. Constance Balides, Jennifer M. Bean, Kristine Butler, Mary Ann Doane, Lucy Fischer, Jane Gaines, Amelie Hastie, Sumiko Higashi, Lori Landay, Anne Morey, Diane Negra, Catherine Russell, Siobhan B. Somerville, Shelley Stamp, Gaylyn Studlar, Angela Dalle Vacche, Radha Vatsal, Kristen Whissel, Patricia White, Zhang Zhen

Author : Lizelle Bisschoff
Publisher : Routledge
ISBN 13 : 1351854704
Total Pages : 368 pages
Book Rating : 4.02/5 ( download)

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Download or read book Women in African Cinema written by Lizelle Bisschoff and published by Routledge. This book was released on 2019-11-14 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women in African Cinema: Beyond the Body Politic showcases the very prolific but often marginalised presence of women in African cinema, both on the screen and behind the camera. This book provides the first in-depth and sustained examination of women in African cinema. Films by women from different geographical regions are discussed in case studies that are framed by feminist theoretical and historical themes, and seen through an anti-colonial, philosophical, political and socio-cultural cinematic lens. A historical and theoretical introduction provides the context for thematic chapters exploring topics ranging from female identities, female friendships, women in revolutionary cinema, motherhood and daughterhood, women’s bodies, sexuality, and spirituality. Each chapter serves up a theoretical-historical discussion of the chosen theme, followed by two in-depth case studies that provide contextual and transnational readings of the films as well as outlining production, distribution and exhibition contexts. This book contributes to the feminist anti-racist revision of the canon by placing African women filmmakers squarely at the centre of African film culture. Demonstrating the depth and diversity of the feminine or female aesthetic in African cinema, this book will be of great interest to students and scholars of African cinema, media studies and African studies.

Author : Gwendolyn A. Foster
Publisher : Bloomsbury Publishing USA
ISBN 13 : 0313368422
Total Pages : 489 pages
Book Rating : 4.24/5 ( download)

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Download or read book Women Film Directors written by Gwendolyn A. Foster and published by Bloomsbury Publishing USA. This book was released on 1995-11-14 with total page 489 pages. Available in PDF, EPUB and Kindle. Book excerpt: Until now, there hasn't been one single-volume authoritative reference work on the history of women in film, highlighting nearly every woman filmmaker from the dawn of cinema including Alice Guy (France, 1896), Chantal Akerman (Belgium), Penny Marshall (U.S.), and Sally Potter (U.K.). Every effort has been made to include every kind of woman filmmaker: commercial and mainstream, avant-garde, and minority, and to give a complete cross-section of the work of these remarkable women. Scholars and students of film, popular culture, Women's Studies, and International Studies, as well as film buffs will learn much from this work. The Dictionary covers the careers of nearly 200 women filmmakers, giving vital statistics where available, listings of films directed by these women, and selected bibliographies for further reading. This is a one-volume, one-stop resource, a comprehensive, up-to-date guide that is absolutely essential for any course offering an overview or survey of women's cinema. It offers not only all available statistics, but critical evaluations of the filmmakers' work as well. In order to keep the length manageable, this volume focuses on women who direct fictional narrative films, with occasional forays into the area of the documentary and is limited to film production rather than video production.

Author : David Desser
Publisher : John Wiley & Sons
ISBN 13 : 111895534X
Total Pages : 724 pages
Book Rating : 4.45/5 ( download)

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Download or read book A Companion to Japanese Cinema written by David Desser and published by John Wiley & Sons. This book was released on 2022-04-22 with total page 724 pages. Available in PDF, EPUB and Kindle. Book excerpt: Go beyond Kurosawa and discover an up-to-date and rigorous examination of historical and modern Japanese cinema In A Companion to Japanese Cinema, distinguished cinematic researcher David Desser delivers insightful new material on a fascinating subject, ranging from the introduction and exploration of under-appreciated directors, like Uchida Tomu and Yoshimura Kozaburo, to an appreciation of the Golden Age of Japanese cinema from the point of view of little-known stars and genres of the 1950s. This Companion includes new resources that deal in-depth with the issue of gender in Japanese cinema, including a sustained analysis of Kawase Naomi, arguably the most important female director in Japanese film history. Readers will appreciate the astute material on the connections and relationships that tie together Japanese television and cinema, with implications for understanding the modern state of Japanese film. The Companion concludes with a discussion of the Japanese media’s response to the 3/11 earthquake and tsunami that devastated the nation. The book also includes: A thorough introduction to the History, Ideology, and Aesthetics of Japanese cinema, including discussions of Kyoto as the cinematic center of Japan and the Pure Film Movement and modern Japanese film style An exploration of the background to the famous story of Taki no Shiraito and the significant and underappreciated contributions of directors Uchida Tomu, as well as Yoshimura Kozaburo A rigorous comparison of old and new Japanese cinema, including treatments of Ainu in documentary films and modernity in film exhibition Practical discussions of intermediality, including treatments of scriptwriting in the 1930s and the influence of film on Japanese television Perfect for upper-level undergraduate and graduate students studying Japanese and Asian cinema, A Companion to Japanese Cinema is a must-read reference for anyone seeking an insightful and contemporary discussion of modern scholarship in Japanese cinema in the 20th and 21st centuries.