The Nineteenth Century German Lied

Author : Lorraine Gorrell
Publisher : Rowman & Littlefield
ISBN 13 : 1574672258
Total Pages : 400 pages
Book Rating : 4.51/5 ( download)

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Download or read book The Nineteenth-Century German Lied written by Lorraine Gorrell and published by Rowman & Littlefield. This book was released on 2005-11-01 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: The development of the piano, together with changes in culture and society, led to the transformation of song into a major musical genre. This study of the great lieder of 19th-century composers Schubert, Schumann, Brahms, and Hugo Wolf also includes lesser-known composers, such as Louis Spohr and Robert Franz, plus significant contributions from women composers and performers.

Author : Rufus Hallmark
Publisher : Routledge
ISBN 13 : 1135854572
Total Pages : 550 pages
Book Rating : 4.77/5 ( download)

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Download or read book German Lieder in the Nineteenth Century written by Rufus Hallmark and published by Routledge. This book was released on 2009-09-10 with total page 550 pages. Available in PDF, EPUB and Kindle. Book excerpt: German Lieder in the Nineteenth-Century provides a detailed introduction to the German lied. Beginning with its origin in the literary and musical culture of Germany in the nineteenth-century, the book covers individual composers, including Shubert, Schumann, Brahms, Strauss, Mahler and Wolf, the literary sources of lieder, the historical and conceptual issues of song cycles, and issues of musical technique and style in performance practice. Written by eminent music scholars in the field, each chapter includes detailed musical examples and analysis. The second edition has been revised and updated to include the most recent research of each composer and additional musical examples.

Author : Lorraine Gorrell
Publisher : Hal Leonard Corporation
ISBN 13 : 9781574671230
Total Pages : 404 pages
Book Rating : 4.35/5 ( download)

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Download or read book The Nineteenth-Century German Lied written by Lorraine Gorrell and published by Hal Leonard Corporation. This book was released on 2005 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: The development of the piano, together with changes in culture and society, led to the transformation of song into a major musical genre. This study of the great lieder of 19th-century composers Schubert, Schumann, Brahms, and Hugo Wolf also includes lesser-known composers, such as Louis Spohr and Robert Franz, plus significant contributions from women composers and performers.

Author : Jennifer Ronyak
Publisher : Indiana University Press
ISBN 13 : 0253035791
Total Pages : 252 pages
Book Rating : 4.90/5 ( download)

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Download or read book Intimacy, Performance, and the Lied in the Early Nineteenth Century written by Jennifer Ronyak and published by Indiana University Press. This book was released on 2018-09-10 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: The German lied, or art song, is considered one of the most intimate of all musical genres—often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance.

Author : Rufus E. Hallmark
Publisher : Taylor & Francis
ISBN 13 : 0415990378
Total Pages : 434 pages
Book Rating : 4.70/5 ( download)

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Download or read book German Lieder in the Nineteenth Century written by Rufus E. Hallmark and published by Taylor & Francis. This book was released on 2010 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: German Lieder in the Nineteenth-Century provides a detailed introduction to the German lied. Beginning with its origin in the literary and musical culture of Germany in the nineteenth-century, the book covers individual composers, including Shubert, Schumann, Brahms, Strauss, Mahler and Wolf, the literary sources of lieder, the historical and conceptual issues of song cycles, and issues of musical technique and style in performance practice. Written by eminent music scholars in the field, each chapter includes detailed musical examples and analysis. The second edition has been revised and updated to include the most recent research of each composer and additional musical examples.

Author : Aisling Kenny
Publisher : Routledge
ISBN 13 : 1134773870
Total Pages : 315 pages
Book Rating : 4.79/5 ( download)

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Download or read book Women and the Nineteenth-Century Lied written by Aisling Kenny and published by Routledge. This book was released on 2016-03-03 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book bridges a gap in existing scholarship by foregrounding the contribution of women to the nineteenth-century Lied. Building on the pioneering work of scholars in recent years, it consolidates recent research on women’s achievements in the genre, and develops an alternative narrative of the Lied that embraces an understanding of the contributions of women, and of the contexts of their engagement with German song and related genres. Lieder composers including Fanny Hensel, Clara Schumann, Pauline Viardot-Garcia and Josephine Lang are considered with a stimulating variety of analytical approaches. In addition to the focus on composers associated with history and theory of the Lied, the various chapters explore the cultural and sociological background to the Lied’s musical environment, as well as engaging with gender studies and discussing performance and pedagogical contexts. The range of subject matter reflects the interdisciplinary nature of current research in the field, and the energy it generates among scholars and performers. Women and the Nineteenth-Century Lied aims to widen readers’ perception of the genre and help promote awareness of women’s contribution to nineteenth-century musical life through critical appraisal of the cultural context of the Lied, encouraging acquaintance with the voices of women composers, and the variety of their contributions to the repertoire.

Author : Yonatan Malin
Publisher : Oxford University Press
ISBN 13 : 0199712921
Total Pages : pages
Book Rating : 4.22/5 ( download)

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Download or read book Songs in Motion written by Yonatan Malin and published by Oxford University Press. This book was released on 2010-05-26 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Qualities of motion and emotion in song come from poetic images, melody, harmony, and voice leading, but they also come from rhythm and meter-the flow and articulation of words and music in time. This book explores rhythm and meter in the nineteenth-century German Lied, including songs for voice and piano by Fanny Hensel née Mendelssohn, Franz Schubert, Robert Schumann, Johannes Brahms, and Hugo Wolf. The Lied, as a genre, is characterized especially by the fusion of poetry and music. Poetic meter itself has expressive qualities, and rhythmic variations contribute further to the modes of signification. These features often carry over into songs, even as they are set in the more strictly determined periodicities of musical meter. A new method of declamatory-schema analysis is presented to illustrate common possibilities for setting trimeter, tetrameter, and pentameter lines. Degrees of rhythmic regularity and irregularity are also considered. There has been a wealth of new work on metric theory and analysis in the past thirty years; here this research is reviewed and applied in song analysis. Topics include the nature of metric entrainment (drawing on music psychology), metric dissonance, hypermeter, and phrase rhythm. Whereas narrative accounts of the nineteenth-century Lied typically begin with Schubert, here forms of expansion and elision in songs by Hensel provide a point of departure. Repetition links up directly with motion in songs by Schubert, including his famous "Gretchen am Spinnrade." The doubling and reverberation of vocal melody creates a form of interiorized resonance in Schumann's songs. Brahms and Wolf are typically understood as polar opposites in the later nineteenth century; here the differences are clarified along with deeper affinities. Songs by both Brahms and Wolf may be understood as musical performances of poetic readings, and in this regard they both belong to a late period of cultural history.

Author : Natasha Loges
Publisher : Indiana University Press
ISBN 13 : 0253047021
Total Pages : 203 pages
Book Rating : 4.21/5 ( download)

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Download or read book German Song Onstage written by Natasha Loges and published by Indiana University Press. This book was released on 2020-05-05 with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt: A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the Lieder recital these days. While it might seem that this style of performance is a long-standing tradition, German Song Onstage demonstrates that it is not. For much of the 19th century, the songs of Beethoven, Schubert, Schumann, and Brahms were heard in the home, salon, and, no less significantly, on the concert platform alongside orchestral and choral works. A dedicated program was rare, a dedicated audience even more so. The Lied was a genre with both more private and more public associations than is commonly recalled. The contributors to this volume explore a broad range of venues, singers, and audiences in distinct places and time periods—including the United States, the United Kingdom, Russia, and Germany—from the mid-19th century through the early 20th century. These historical case studies are set alongside reflections from a selection of today's leading musicians, offering insights on current Lied practices that will inform future generations of performers, scholars, and connoisseurs. Together these case studies unsettle narrow and elitist assumptions about what it meant and still means to present German song onstage by providing a transnational picture of historical Lieder performance, and opening up discussions about the relationship between history and performance today.

Author : Richard Taruskin
Publisher : Oxford University Press
ISBN 13 : 0195384830
Total Pages : 840 pages
Book Rating : 4.33/5 ( download)

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Download or read book The Oxford History of Western Music: Music in the Nineteenth Century written by Richard Taruskin and published by Oxford University Press. This book was released on 2009-08-27 with total page 840 pages. Available in PDF, EPUB and Kindle. Book excerpt: The universally acclaimed and award-winning Oxford History of Western Music is a magisterial five-volume survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time, Richard Taruskin.Now this renowned work is available in paperback - both as a set and (for the first time) individually. This volume examines the music of the nineteenth century, ranging from Schubert and Berlioz to Wagner, Verdi, and Brahms. Taking a critical perspective, Taruskin sets the details of music, thechronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. He combines an emphasis on structure and form with a discussion of relevant theoretical concepts in each age, to illustrate how the music itself works, and how contemporariesheard and understood it. He also describes how the context of each stylistic period - key cultural, historical, social, economic, and scientific events - influenced and directed compositional choices.Attractively illustrated and laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this volume is essential reading for anyone who wishes to understand nineteenth-centurymusic.

Author : James Parsons
Publisher : Cambridge University Press
ISBN 13 : 9780521804714
Total Pages : 446 pages
Book Rating : 4.1X/5 ( download)

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Download or read book The Cambridge Companion to the Lied written by James Parsons and published by Cambridge University Press. This book was released on 2004-07 with total page 446 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.