The Mother Goddess In Italian Renaissance Art

Author : Edith Balas
Publisher : Carnegie-Mellon University Press
ISBN 13 :
Total Pages : 242 pages
Book Rating : 4.54/5 ( download)

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Download or read book The Mother Goddess in Italian Renaissance Art written by Edith Balas and published by Carnegie-Mellon University Press. This book was released on 2002 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of the Mother Goddess in Italian Renaissance art by art historian Edith Balas.

Author : Christine Corretti
Publisher : BRILL
ISBN 13 : 9004296786
Total Pages : 192 pages
Book Rating : 4.87/5 ( download)

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Download or read book Cellini's Perseus and Medusa and the Loggia dei Lanzi written by Christine Corretti and published by BRILL. This book was released on 2015-05-19 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cellini’s Perseus and Medusa and the Loggia dei Lanzi: Configurations of the Body of State explores the role that maternal influence played in the formation of Cosimo I de’ Medici’s absolutist state.

Author : John O'Meara
Publisher : iUniverse
ISBN 13 : 1469746271
Total Pages : 381 pages
Book Rating : 4.72/5 ( download)

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Download or read book Shakespeare, the Goddess, and Modernity written by John O'Meara and published by iUniverse. This book was released on 2012 with total page 381 pages. Available in PDF, EPUB and Kindle. Book excerpt: "O'Meara's work is the perfect supplement to [Ted] Hughes's "Shakespeare and the Goddess of Complete Being", shedding further illumination into those areas where Hughes's penetrating lens finally appears to dim. [This work] shines utterly clear light on the path of understanding we may re-win with regard to myth, forcing the reader to face the incredible starkness of the prospect we face—and the lack of options—ever closing in—and also giving the reader the necessary clues to follow, particularly Barfield, Shakespeare and Rudolf Steiner." —Richard Ramsbotham, author of Who Wrote Bacon? William Shakespeare, Francis Bacon and James I "Very interesting stuff. Particularly where you parallel the break through the tragic dead end to the transcendental-redemptive solution--that I follow from "Macbeth" through "Lear" to the last plays--with the Steinerian view of the same progress." —Ted Hughes on Othello's Sacrifice, Letter to John O'Meara, 21 November, 1996, in the Ted Hughes Archives, Emory University, Atlanta, Georgia This volume brings together virtually all of the published shorter critical work of John O'Meara, gathered from over 30 years of production. What emerges is an extensive, uniquely challenging interpretation of the evolution of, for the most part, English literary history, from Shakespeare's time to our own. "excellent Shakespearean explorations...The idea of Lutheran depravity without Lutheran grace or Lutheran-Calvinist justification is very strong and original..." —Anthony Gash, author of The Substance of Shadows: Shakespeare's Dialogue with Plato "O'Meara sets out to demonstrate... the essential fact that "full encounter with human depravity" was[/is] a necessary step in the attaining of true [otherworldly] Imagination." —Eric Philips-Oxford, on The New School of the Imagination from the Sektion fur Schone Wissenschaften, the Goetheanum, Newsletter, Issue No. 3, Winter/Spring 2008-2009.

Author : John O'Meara
Publisher : iUniverse
ISBN 13 : 1475942915
Total Pages : 342 pages
Book Rating : 4.10/5 ( download)

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Download or read book On Nature and the Goddess written by John O'Meara and published by iUniverse. This book was released on 2012 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Trilogy bringing together titles by John O’Meara that are also individually available from iUniverse. The Modern Debacle Containing close readings of work by Beckett, Hemingway, and T.S.Eliot; Tennessee Williams, Chekhov, Arthur Miller, and Brecht; Plath, Hughes, and Robert Graves, and W.B. Yeats. “beautifully and fluently written and ingenious in its combination of catastrophes” --Anthony Gash, Drama Head, The University of East Anglia Myth, Depravity, Impasse An in-depth study of Robert Graves, the modern theory of myth and Ted Hughes, with further reference to Shakespeare and to Keats. “I am very sympathetic to the cause of myth and especially in relation to literature” --Michael Bell , author of Literature, Modernism and Myth in a letter to John O’Meara This Life, This Death An extensive study of Wordsworth’s great life-crisis, with additional reference to S.T. Coleridge, and to P.B. Shelley. “Of this Wordsworth book, one recognizes its truth, its breadth of coverage and awareness, and above all its depth...” --Richard Ramsbotham, editor of Vernon Watkins, New Selected Poems, Carcanet Press.

Author : John O'Meara
Publisher : iUniverse
ISBN 13 : 0595919073
Total Pages : 104 pages
Book Rating : 4.79/5 ( download)

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Download or read book Myth, Depravity, Impasse written by John O'Meara and published by iUniverse. This book was released on 2008-02-15 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt: How can we know the great Goddess again? How worthy are we of that mythical experience? How are we related to that experience in our deepest depravity? And why has the mythical experience grown so opaque to us in our post-Romantic, modern world? These are the main issues arising out of Western literary tradition that John OMeara explores in this book. In the work of Robert Graves, Shakespeare, and Keats, OMeara sees the deepest expression at once of our most far-reaching hopes and our sadly alienated case in respect of any mythical experience we may conceive of having in the immediate future.

Author : Patricia Emison
Publisher : Routledge
ISBN 13 : 113652343X
Total Pages : 290 pages
Book Rating : 4.34/5 ( download)

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Download or read book Low and High Style in Italian Renaissance Art written by Patricia Emison and published by Routledge. This book was released on 2013-10-28 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the later 15th and in the 16th centuries pictures began to be made without action, without place for heroism, pictures more rueful than celebratory. In part, Renaissance art adjusted to the social and economic pressures with an art we may be hard pressed to recognize under that same rubric-an art not so much of perfected nature as simply artless. Granted, the heroic and epic mode of the Renaissance was that practiced most self-consciously and proudly. Yet it is one of the accomplishments of Renaissance art that heroic and epic subjects and style occasionally made way for less affirmative subjects and compositional norms, for improvisation away from the Vitruvian ideal. The limits of idealizing art, during the very period denominated as High Renaissance, is a topic that involves us in the history of class prejudice, of gender stereotypes, of the conceptualization of the present, of attitudes toward the ordinary, and of scruples about the power of sight Exploring the low style leads us particularly to works of art intended for display in private settings as personally owned objects, potentially as signs of quite personal emotions rather than as subscriptions to publicly vaunted ideologies. Not all of them show shepherds or peasants; none of them-not even Giorgione's La tempesta -is a classic pastoral idyll. The rosso stile is to be understood as more comprehensive than that. The issue is not only who is represented, but whether the work can or cannot be fit into the mold of a basically affirmative art.

Author : Giancarla Periti
Publisher : Routledge
ISBN 13 : 1351569236
Total Pages : 252 pages
Book Rating : 4.31/5 ( download)

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Download or read book Drawing Relationships in Northern Italian Renaissance Art written by Giancarla Periti and published by Routledge. This book was released on 2017-07-05 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vasari's celebration of the art of the central Italian cities of Florence, Rome and Venice, has long left in shadow the art of northern Italy. The economic and historical decline of the region compounded this effect with the dispersal of the treasures of the Farnese to Naples, the Este to Dresden and the Gonzaga to Madrid and Paris. Each chapter in this volume celebrates a stunning work from the region, among them Correggio's famed Camera di San Paolo in Parma, Parmigianino's Camerino in the Rocca Sanvitale near Parma, the studiolo of Alberto Pio at Carpi, and the Tomb of the Ancestors in the Tempio Malatestiano in Rimini. The volume as a whole offers fascinating insights into the tussle between the maniera moderna and the maniera devota in the first half of the sixteenth century, when the unity between the elegance and beauty of art and its religious significance came under debate. Around the year 1550, when Michelangelo's Last Judgement came under attack for impiety and lasciviousness and the reformists called for an art that would invoke in the viewer a devotional response that identified manifestations of the divine with human feelings and emotions. In northern Italy, it was on the foundation laid by Correggio, with his tenderness and ability to evoke the softness of living flesh, that the Carracci brothers built their reform of painting.

Author : KatherineT. Brown
Publisher : Routledge
ISBN 13 : 1351559060
Total Pages : 257 pages
Book Rating : 4.65/5 ( download)

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Download or read book Mary of Mercy in Medieval and Renaissance Italian Art written by KatherineT. Brown and published by Routledge. This book was released on 2017-07-05 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mater Misericordiae?Mother of Mercy?emerged as one of the most prolific subjects in central Italian art from the late thirteenth through the sixteenth centuries. With iconographic origins in Marian cult relics brought from Palestine to Constantinople in the fifth century, the amalgam of attributes coalesced in Armenian Cilicia then morphed as it spread to Cyprus. An early concept of Mary of Mercy?the Virgin standing with outstretched arms and a wide mantle under which kneel or stand devotees?entered the Italian peninsula at the ports of Bari and Venice during the Crusades, eventually converging in central Italy. The mendicant orders adopted the image as an easily recognizable symbol for mercy and aided in its diffusion. In this study, the author?s primary goals are to explore the iconographic origins of the Madonna della Misericordia as a devotional image by identifying and analyzing key attributes; to consider circumstances for its eventual overlapping function as a secular symbol used by lay confraternities; and to discuss its diaspora throughout the Italian peninsula, Western Europe, and eastward into Russia and Ukraine. With over 100 illustrations, the book presents an array of works of art as examples, including altarpieces, frescoes, oil paintings, manuscript illuminations, metallurgy, glazed terracotta, stained glass, architectural relief sculpture, and processional banners.

Author : Rosalind Mutter
Publisher : Crescent Moon Publishing
ISBN 13 :
Total Pages : 128 pages
Book Rating : 4.96/5 ( download)

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Download or read book Fra Angelico written by Rosalind Mutter and published by Crescent Moon Publishing. This book was released on 2008 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beato Angelico is the Quattrocento painter of Florence whose Annunciations, Enthroned Madonnas and San Marco frescoes are amongst the great works of the Renaissance. Mutter founds her reading of Angelico on the San Marco Museum in Florence, with its deeply moving series of monk's cells and frescoes. The author interprets Fra Angelico as one of the greatest religious artists of any era, whose simple, bright and holy images are among the most profound in Western art.

Author : Edith Wyss
Publisher :
ISBN 13 : 9780874135404
Total Pages : 182 pages
Book Rating : 4.00/5 ( download)

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Download or read book The Myth of Apollo and Marsyas in Italian Renaissance Art written by Edith Wyss and published by . This book was released on 1996 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: Titian's great late painting of Apollo and Marsyas has been included in several recent exhibitions of Venetian painting in Europe and the United States. In this study, art historian Edith Wyss sheds light on the perception of the theme in the fifteenth and sixteenth centuries. Renaissance artists knew several outstanding antique sculptures representing the myth and drew often on these prestigious models for inspiration. Only from the third decade of the sixteenth century onward did autonomous artistic interpretations of the myth assert themselves. Among the artists who devoted their skills to this myth are Perugino, Raphael, and several of his followers - Giulio Romano, Parmigianino, Bronzino, Salviati, Tintoretto, and Titian. Wyss demonstrates that some depictions encode messages that transcend the obvious exhortation against pride. Taking their cue from a popular edition of the Metamorphoses, some patrons and artists viewed the myth as an allegory of the revelation of truth. Others, following Pythagorean teachings, perceived the sun god's lyre music as the music of the spheres. In this perception, Apollo's victory assures the continued harmonious functioning of the universe, and Marsyas's defiance of the sun god's authority called for the severest retribution. In a few instances the author demonstrates that the Pythagorean allegorical reading of the myth was borrowed for political ends, with Apollo's victorious lyre standing as metaphor for the supposedly harmonious government of the ruling power. The discussion allows the Marsyas myth to unfold in a theme of extraordinary richness and depth and touches on issues that were at the core of the Renaissance culture.