The Monteverdi Vespers Of 1610 Music Context Performance

Author : Jeffrey Kurtzman
Publisher : Clarendon Press
ISBN 13 : 0191590711
Total Pages : 626 pages
Book Rating : 4.19/5 ( download)

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Download or read book The Monteverdi Vespers of 1610 : Music, Context, Performance written by Jeffrey Kurtzman and published by Clarendon Press. This book was released on 2000-01-06 with total page 626 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a thorough-going study of Monteverdi's Vespers, the single most significant and most widely known musical print from before the time of J.S. Bach. The author examines Monteverdi's Vespers from multiple perspectives, combining his own research with all that is known and thought of the Vespers by other scholars. The historical origin as well as the musical and liturgical context of the Vespers are surveyed; similarly the controversial historiography of the Vespers in the nineteenth and twentieth centuries is scrutinized and evaluated. A series of analytical chapters attempt to clarify Monteverdi's compositional process and the relationship between music and text in the light of recent research on modal and tonal aspects of early seventeenth century music. The final section is devoted to thirteen chapters investigating performance practice issues of the early seventeenth century and their application to the Vespers, including general and specific recommendations for performance where appropriate. The book concludes with a series of informational appendices, including the psalm cursus for Vespers of all major feasts in the liturgical calendar, texts, and structural outlines for the Vespers compositions based on a cantus firmus, an analytical discography, and bibliographies of seventeenth-century musical and theoretical sources.

Author : Jeffrey G. Kurtzman
Publisher :
ISBN 13 : 9781383008029
Total Pages : 0 pages
Book Rating : 4.27/5 ( download)

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Download or read book The Monteverdi Vespers of 1610 written by Jeffrey G. Kurtzman and published by . This book was released on 2023 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Martin Bernstein
Publisher : Pendragon Press
ISBN 13 : 9780945193838
Total Pages : 784 pages
Book Rating : 4.31/5 ( download)

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Download or read book A Musical Offering written by Martin Bernstein and published by Pendragon Press. This book was released on 1977 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the great tradition of the German Festschrift, this book brings together articles by Professor Bernstein's colleagues, friends and students to honor him on his 70th birthday. Ranging in subject from the trouv e song through esoteric aspects of Renaissance studies and authenticity in 18th-century musical sources to a lively and irreverent attack on performance practices today, the twenty essays by many of America's most distinguished scholars reflect the breadth and variety of Martin Bernstein's far-reaching interests and demonstrates the vitality and relevance of what is best in musicology today.

Author : John Whenham
Publisher : Cambridge University Press
ISBN 13 : 9780521459792
Total Pages : 152 pages
Book Rating : 4.96/5 ( download)

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Download or read book Monteverdi: Vespers (1610) written by John Whenham and published by Cambridge University Press. This book was released on 1997-09-25 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: A guide to Monteverdi's Vespers, providing in-depth information on music settings and performance practice.

Author : Colin Lawson
Publisher : Cambridge University Press
ISBN 13 : 1316184420
Total Pages : 1066 pages
Book Rating : 4.24/5 ( download)

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Download or read book The Cambridge History of Musical Performance written by Colin Lawson and published by Cambridge University Press. This book was released on 2012-02-16 with total page 1066 pages. Available in PDF, EPUB and Kindle. Book excerpt: The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today.

Author : Jonathan D. Green
Publisher : Rowman & Littlefield
ISBN 13 : 1442244674
Total Pages : 747 pages
Book Rating : 4.72/5 ( download)

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Download or read book Choral-Orchestral Repertoire written by Jonathan D. Green and published by Rowman & Littlefield. This book was released on 2019-12-05 with total page 747 pages. Available in PDF, EPUB and Kindle. Book excerpt: Choral-Orchestral Repertoire: A Conductor’s Guide, Omnibus Edition offers an expansive compilation of choral-orchestral works from 1600 to the present. Synthesizing Jonathan D. Green’s earlier six volumes on this repertoire, this edition updates and adds to the over 750 oratorios, cantatas, choral symphonies, masses, secular works for large and small ensembles, and numerous settings of liturgical and biblical texts for a wide variety of vocal and instrumental combinations. Each entry includes a brief biographical sketch of the composer, approximate duration, text sources, performing forces, available editions, and locations of manuscript materials, as well as descriptive commentary, a discography, and a bibliography. Unique to this edition are practitioner’s evaluations of the performance issues presented in each score. These include the range, tessitura, and nature of each solo role and a determination of the difficulty of the choral and orchestral portions of each composition. There is also a description of the specific challenges, staffing, and rehearsal expectations related to the performance of each work. Choral-Orchestral Repertoire is an essential resource for conductors and students of conducting as they search for repertoire appropriate to their needs and the abilities of their ensembles.

Author : Chester Lee Alwes
Publisher : Oxford University Press, USA
ISBN 13 : 0199361932
Total Pages : 505 pages
Book Rating : 4.39/5 ( download)

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Download or read book A History of Western Choral Music written by Chester Lee Alwes and published by Oxford University Press, USA. This book was released on 2015 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume 1. From medieval foundations to the romantic age

Author : Kenneth Kreitner
Publisher : Routledge
ISBN 13 : 1351551477
Total Pages : 469 pages
Book Rating : 4.72/5 ( download)

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Download or read book Renaissance Music written by Kenneth Kreitner and published by Routledge. This book was released on 2017-07-05 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: We know what, say, a Josquin mass looks like but what did it sound like? This is a much more complex and difficult question than it may seem. Kenneth Kreitner has assembled twenty articles, published between 1946 and 2009, by scholars exploring the performance of music from the fifteenth and sixteenth centuries. The collection includes works by David Fallows, Howard Mayer Brown, Christopher Page, Margaret Bent, and others covering the voices-and-instruments debate of the 1980s, the performance of sixteenth-century sacred and secular music, the role of instrumental ensembles, and problems of pitch standards and musica ficta. Together the papers form not just a comprehensive introduction to the issues of renaissance performance practice, but a compendium of clear thinking and elegant writing about a perpetually intriguing period of music history.

Author : Andrew H. Weaver
Publisher : Routledge
ISBN 13 : 1317060288
Total Pages : 352 pages
Book Rating : 4.84/5 ( download)

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Download or read book Sacred Music as Public Image for Holy Roman Emperor Ferdinand III written by Andrew H. Weaver and published by Routledge. This book was released on 2016-04-08 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ferdinand III played a crucial role both in helping to end the Thirty Years' War and in re-establishing Habsburg sovereignty within his hereditary lands, and yet he remains one of the most neglected of all Habsburg emperors. The underlying premise of Sacred Music as Public Image for Holy Roman Emperor Ferdinand III is that Ferdinand's accomplishments came not through diplomacy or strong leadership but primarily through a skillful manipulation of the arts, through which he communicated important messages to his subjects and secured their allegiance to the Catholic Church. An important locus for cultural activity at court, especially as related to the Habsburgs' political power, was the Emperor's public image. Ferdinand III offers a fascinating case study in monarchical representation, for the war necessitated that he revise the image he had cultivated at the beginning of his reign, that of a powerful, victorious warrior. Weaver argues that by focusing on the patronage of sacred music (rather than the more traditional visual and theatrical means of representation), Ferdinand III was able to uphold his reputation as a pious Catholic reformer and subtly revise his triumphant martial image without sacrificing his power, while also achieving his Counter-Reformation goal of unifying his hereditary lands under the Catholic church. Drawing upon recent methodological approaches to the representation of other early modern monarchs, as well as upon the theory of confessionalization, this book places the sacred vocal music composed by imperial musicians into the rich cultural, political, and religious contexts of mid-seventeenth-century Central Europe. The book incorporates dramatic productions such as opera, oratorio, and Jesuit drama (as well as works in other media), but the primary focus is the more numerous and more frequently performed Latin-texted paraliturgical genre of the motet, which has generally not been considered by scholars as a vehicle for monarchical representation. By examining the representation of this little-studied emperor during a crucial time in European history, this book opens a window into the unique world view of the Habsburgs, allowing for a previously untold narrative of the end of the Thirty Years' War as seen through the eyes of this important ruling family.

Author : Jonathan Wainwright
Publisher : Routledge
ISBN 13 : 1351566261
Total Pages : 342 pages
Book Rating : 4.61/5 ( download)

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Download or read book From Renaissance to Baroque written by Jonathan Wainwright and published by Routledge. This book was released on 2017-07-05 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet the process is still poorly understood, in part because each instrument has traditionally been considered in isolation, and changes in design have rarely been related to changes in the way instruments were used, or what they played. The essays in this book are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra, iconography, pitch and continuo practice. The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque music. What sorts of instruments should be used? At what pitch? In which temperament? In what numbers and/or combinations? For this reason, the book will be invaluable to performers, academics, instrument makers and anyone interested in the fascinating period of change from the 'Renaissance' to the 'Baroque'.