The Many Faces Of Weimar Cinema

Author : Christian Rogowski
Publisher : Camden House
ISBN 13 : 1571134298
Total Pages : 370 pages
Book Rating : 4.95/5 ( download)

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Download or read book The Many Faces of Weimar Cinema written by Christian Rogowski and published by Camden House. This book was released on 2010 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traditionally, Weimar cinema has been equated with the work of a handful of auteurist filmmakers and a limited number of canonical films. Often a single, limited phenomenon, "expressionist film," has been taken as synonymous with the cinema of the entire period. But in recent decades, such reductive assessments have been challenged by developments in film theory and archival research that highlight the tremendous richness and diversity of Weimar cinema. This widening of focus has brought attention to issues such as film as commodity; questions of technology and genre; transnational collaborations and national identity; effects of changes in socioeconomics and gender roles on film spectatorship; and connections between film and other arts and media. Such shifts have been accompanied by archival research that has made a cornucopia of new information available and augmented by the increased availability of films from the period on DVD. This wealth of new source material calls for a re-evaluation of Weimar cinema that considers the legacies of lesser-known directors and producers, popular genres, experiments of the artistic avant-garde, and nonfiction films, all of which are aspects attended to by the essays in this volume. Contributors: Ofer Ashkenazi, Jaimey Fisher, Veronika Fuechtner, Joseph Garncarz, Barbara Hales, Anjeana Hans, Richard W. McCormick, Nancy P. Nenno, Elizabeth Otto, Mihaela Petrescu, Theodore F. Rippey, Christian Rogowski, Jill Smith, Philipp Stiasny, Chris Wahl, Cynthia Walk, Valerie Weinstein, Joel Westerdale. Christian Rogowski is Professor and Chair of German at Amherst College.

Author : Noah William Isenberg
Publisher : Columbia University Press
ISBN 13 : 0231130554
Total Pages : 373 pages
Book Rating : 4.54/5 ( download)

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Download or read book Weimar Cinema written by Noah William Isenberg and published by Columbia University Press. This book was released on 2009 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this comprehensive companion to Weimar cinema, chapters address the technological advancements of each film, their production and place within the larger history of German cinema, the style of the director, the actors and the rise of the German star, and the critical reception of the film.

Author : O. Ashkenazi
Publisher : Springer
ISBN 13 : 1137010843
Total Pages : 234 pages
Book Rating : 4.41/5 ( download)

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Download or read book Weimar Film and Modern Jewish Identity written by O. Ashkenazi and published by Springer. This book was released on 2012-03-14 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: In reading popular films of the Weimar Republic as candid commentaries on Jewish acculturation, Ofer Ashkenzi provides an alternative context for a re-evaluation of the infamous 'German-Jewish symbiosis' before the rise of Nazism, as well as a new framework for the understanding of the German 'national' film in the years leading to Hitler's regime.

Author : Paul Matthew St. Pierre
Publisher : Rowman & Littlefield
ISBN 13 : 1611479452
Total Pages : 287 pages
Book Rating : 4.54/5 ( download)

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Download or read book Cinematography in the Weimar Republic written by Paul Matthew St. Pierre and published by Rowman & Littlefield. This book was released on 2016-08-15 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: In film history, director-cinematographer collaborations were on a labor spectrum, with the model of the contracted camera operator in the silent era and that of the cinematographer in the sound era. But in Weimar era German filmmaking, 1919-33, a short period of intense artistic activity and political and economic instability, these models existed side by side due to the emergence of camera operators as independent visual artists and collaborators with directors. Berlin in the 1920s was the chief site of the interdisciplinary avant-garde of the Modernist movement in the visual, literary, architectural, design, typographical, sartorial, and performance arts in Europe. The Weimar Revolution that arose in the aftermath of the November 1918 Armistice and that established the Weimar Republic informed and agitated all of the art movements, such as Expressionism, Dada, the Bauhaus, Minimalism, Objectivism, Verism, and Neue Sachlichkeit (“New Objectivity”). Among the avant-garde forms of these new stylistically and culturally negotiated arts, the cinema was foremost and since its inception had been a radical experimental practice in new visual technologies that proved instrumental in changing how human beings perceived movement, structure, perspective, light exposure, temporal duration, continuity, spatial orientation, human postural, facial, vocal, and gestural displays, and their own spectatorship, as well as conventions of storytelling like narrative, setting, theme, character, and structure. Whereas most of the arts mobilized into schools, movements, institutions, and other structures, cinema, a collaborative art, tended to organize around its ensembles of practitioners. Historically, the silent film era, 1895-1927, is associated with auteurs, the precursors of François Truffaut and other filmmakers in the 1960s: actuality filmmakers and pioneers like R. W. Paul and Fred and Joe Evans in England, Auguste and Luis Lumière and Georges Méliès in France, and Charles Chaplin and Buster Keaton in America, who, by managing all the compositional, executional, and editorial facets of film production—scripting, directing, acting, photographing, set, costume, and lighting design, editing, and marketing—imposed their personal vision or authorship on the film. The dichotomy of the auteur and the production ensemble established a production hierarchy in most filmmaking. In formative German silent film, however, this hierarchy was less rank or class driven, because collaborative partnerships took precedence over single authorship. Whereas in silent film production in most countries the terms filmmaker and director were synonymous, in German silent film the plural term filmemacherin connoted both directors and cinematographers, along with the rest of the filmmaking crew. Thus, German silent filmmakers’ principle contribution to the new medium and art of film was less the representational iconographies of Expressionist, New Objective, and Naturalist styles than the executional practice of co-authorship and co-production, in distinctive cinematographer-director partnerships such as those of cinematographer Theodor Sparkuhl and director Ernst Lubitsch; Fritz Arno Wagner with F. W. Murnau, Fritz Lang, and G. W. Pabst; Rudolf Maté with Carl Theodor Dreyer; Guido Seeber with Lang and Pabst; and Carl Hoffmann with Lang and Murnau.

Author : Barbara Hales
Publisher : Berghahn Books
ISBN 13 : 1789208734
Total Pages : 366 pages
Book Rating : 4.33/5 ( download)

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Download or read book Rethinking Jewishness in Weimar Cinema written by Barbara Hales and published by Berghahn Books. This book was released on 2020-11-01 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish “outsiders” to shape mainstream culture. The chapters collected in this volume deploy new historical, theoretical, and methodological approaches to understanding the significant involvement of German Jews in Weimar cinema. Reflecting upon different conceptions of Jewishness – as religion, ethnicity, social role, cultural code, or text – these studies offer a wide-ranging exploration of an often overlooked aspect of German film history.

Author : Mason Kamana Allred
Publisher : Taylor & Francis
ISBN 13 : 1351858483
Total Pages : 134 pages
Book Rating : 4.89/5 ( download)

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Download or read book Weimar Cinema, Embodiment, and Historicity written by Mason Kamana Allred and published by Taylor & Francis. This book was released on 2017-01-20 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt: In its retrieval and (re)construction, the past has become interwoven with the images and structure of cinema. Not only have mass media—especially film and television—shaped the content of memories and histories, but they have also shaped their very form. Combining historicization with close readings of German director Ernst Lubitsch's historical films, this book focuses on an early turning point in this development, exploring how the medium of film shaped modern historical experience and understanding—how it moved embodied audiences through moving images.

Author : Anjeana K. Hans
Publisher : Wayne State University Press
ISBN 13 : 081433895X
Total Pages : 314 pages
Book Rating : 4.57/5 ( download)

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Download or read book Gender and the Uncanny in Films of the Weimar Republic written by Anjeana K. Hans and published by Wayne State University Press. This book was released on 2014-09-15 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Weimar period in Germany was a time of radical change, when the traditions and social hierarchies of Imperial Germany crumbled, and a young, deeply conflicted republic emerged. Modernity brought changes that reached deep into the most personal aspects of life, including a loosening of gender roles that opened up new freedoms and opportunities to women. The screen vamps, garçonnes, and New Women in this movie-hungry society came to embody the new image of womanhood: sexually liberated, independent, and—at least to some—deeply threatening. In Gender and the Uncanny in Films of the Weimar Republic, author Anjeana K. Hans examines largely forgotten films of Weimar cinema through the lens of their historical moment, contemporary concerns and critiques, and modern film theory to give a nuanced understanding of their significance and their complex interplay between gender, subjectivity, and cinema. Hans focuses on so-called uncanny films, in which terror lies just under the surface and the emancipated female body becomes the embodiment of a threat repressed. In six chapters she provides a detailed analysis of each film and traces how filmmakers simultaneously celebrate and punish the transgressive women that populate them. Films discussed include The Eyes of the Mummy (Die Augen der Mumie Mâ, Ernst Lubitsch, 1918), Uncanny Tales (Unheimliche Geschichten, Richard Oswald, 1919), Warning Shadows (Schatten: Eine nächtliche Halluzination, Artur Robison, 1923), The Hands of Orlac (Orlacs Hände, Robert Wiene, 1924), A Daughter of Destiny (Alraune, Henrik Galeen,1928), and Daughter of Evil (Alraune, Richard Oswald, 1930). An introduction contextualizes Weimar cinema within its unique and volatile social setting. Hans demonstrates that Weimar Germany’s conflicting emotions, hopes, and fears played out in that most modern of media, the cinema. Scholars of film and German history will appreciate the intriguing study of Gender and the Uncanny in Films of the Weimar Republic.

Author : Barbara Hales
Publisher : Boydell & Brewer
ISBN 13 : 1571139354
Total Pages : 345 pages
Book Rating : 4.51/5 ( download)

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Download or read book Continuity and Crisis in German Cinema, 1928-1936 written by Barbara Hales and published by Boydell & Brewer. This book was released on 2016 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: New essays examining the differences and commonalities between late Weimar-era and early Nazi-era German cinema against a backdrop of the crises of that time.

Author : Christopher Holliday
Publisher : Routledge
ISBN 13 : 1351681419
Total Pages : 310 pages
Book Rating : 4.14/5 ( download)

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Download or read book Fantasy/Animation written by Christopher Holliday and published by Routledge. This book was released on 2018-04-27 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the relationship that exists between fantasy cinema and the medium of animation. Animation has played a key role in defining our collective expectations and experiences of fantasy cinema, just as fantasy storytelling has often served as inspiration for our most popular animated film and television. Bringing together contributions from world-renowned film and media scholars, Fantasy/Animation considers the various historical, theoretical, and cultural ramifications of the animated fantasy film. This collection provides a range of chapters on subjects including Disney, Pixar, and Studio Ghibli, filmmakers such as Ralph Bakshi and James Cameron, and on film and television franchises such as Dreamworks’ How To Train Your Dragon (2010–) and HBO’s Game of Thrones (2011–).

Author : Hans Helmut Prinzler
Publisher : National Geographic Books
ISBN 13 : 0500516898
Total Pages : 0 pages
Book Rating : 4.98/5 ( download)

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Download or read book Sirens and Sinners written by Hans Helmut Prinzler and published by National Geographic Books. This book was released on 2013-09-10 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Celebrates the height of Weimar cinema through images and commentaries on more than seventy of its finest films Between the First and Second World Wars, Germany under the Weimar Republic was the scene of one of the most creative periods in film history. Through the silent era to the early years of sound, the visual flair and technical innovation of its filmmakers set an international standard for the powerful possibilities of cinema as an art form, with movies such as The Cabinet of Dr. Caligari, Nosferatu, Metropolis, and M building a legacy that shaped the world of film. Here is a showcase of more than seventy films, selected to give a wide-ranging overview of Weimar cinema at its finest. Every genre is represented, from escapist comedies and musicals to gritty depictions of contemporary city life, from period dramas to fantastical visions of the future, with themes such as sexuality and social issues tackled by iconic stars like Marlene Dietrich and Louise Brooks. A wealth of film stills captures the bold vision of great directors like Fritz Lang and Ernst Lubitsch, while the text sets the historical scene and gives intriguing insights into what the films meant to the society that created them. This chapter in movie history was brought to a close by Hitler’s rise to power in 1933. Directors, screenwriters and actors found themselves obliged to leave Germany, and brought their talents to Hollywood.