The Last Opera

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Publisher :
ISBN 13 : 9780253041586
Total Pages : 348 pages
Book Rating : 4.89/5 ( download)

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Book Synopsis The Last Opera by : Chandler Carter

Download or read book The Last Opera written by Chandler Carter and published by . This book was released on 2019 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: 1. The first book length study of The Rake's Progress since 1982. 2. This opera premiered in 1951 and is still a staple of opera survey courses and history textbooks today because it strikes at the heart of the cultural shift that took place between the modern and postmodern eras in its exploration of the limits of the human will. In addition to a close reading of the text this book provides critical context its creation and explores its place in the history of opera. 3. Chandler Carter is an established and respected scholar of Stravinsky who has published numerous articles on The Rake's Progress.

Antonio Salieri and Viennese Opera

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Publisher : University of Chicago Press
ISBN 13 : 9780226711256
Total Pages : 688 pages
Book Rating : 4.50/5 ( download)

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Book Synopsis Antonio Salieri and Viennese Opera by : John A. Rice

Download or read book Antonio Salieri and Viennese Opera written by John A. Rice and published by University of Chicago Press. This book was released on 1998 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description

Wagner's Parsifal

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Publisher : Allen Lane
ISBN 13 : 9780241419694
Total Pages : 208 pages
Book Rating : 4.97/5 ( download)

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Book Synopsis Wagner's Parsifal by : Roger Scruton

Download or read book Wagner's Parsifal written by Roger Scruton and published by Allen Lane. This book was released on 2020-05-07 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: This short but penetrating book, shows us how Wagner achieves this profound work, explaining the story, its musical ideas, and their coming together into a sublime whole which gives us the musical equivalent of forgiveness and closure

A History of Opera

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Publisher : W. W. Norton & Company
ISBN 13 : 0393089533
Total Pages : 576 pages
Book Rating : 4.30/5 ( download)

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Book Synopsis A History of Opera by : Carolyn Abbate

Download or read book A History of Opera written by Carolyn Abbate and published by W. W. Norton & Company. This book was released on 2015-09-08 with total page 576 pages. Available in PDF, EPUB and Kindle. Book excerpt: “The best single volume ever written on the subject, such is its range, authority, and readability.”—Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.

Monteverdi's Last Operas: A Venetian Trilogy

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Publisher : Univ of California Press
ISBN 13 : 9780520933279
Total Pages : 508 pages
Book Rating : 4.73/5 ( download)

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Book Synopsis Monteverdi's Last Operas: A Venetian Trilogy by : Ellen Rosand

Download or read book Monteverdi's Last Operas: A Venetian Trilogy written by Ellen Rosand and published by Univ of California Press. This book was released on 2007-12-03 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt: Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer's celebrated final works—Il ritorno d'Ulisse (1640) and L'incoronazione di Poppea (1642)—from a new perspective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, Le nozze d'Enea (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi's last operas since their discovery in the late nineteenth century. Le nozze d'Enea also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.

Mozart's Operas

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Publisher : Univ of California Press
ISBN 13 : 9780520078727
Total Pages : 392 pages
Book Rating : 4.21/5 ( download)

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Book Synopsis Mozart's Operas by : Daniel Heartz

Download or read book Mozart's Operas written by Daniel Heartz and published by Univ of California Press. This book was released on 1990 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renowned Mozart scholar Daniel Heartz brings his deep knowledge of social history, theater, and art to a study of the last and great decade of Mozart's operas. Mozart specialists will recognize some of Heartz's best-known essays here; but six pieces are new for the collection, and others have been revised and updated with little-known documents on the librettist's, composer's, and stage director's craft. All lovers of opera will value the elegance and wit of Professor Heartz's writing, enhanced by thirty-seven illustrations, many from his private collection. The volume includes Heartz's classic essay on Idomeneo (1781), the work that continued to inspire and sustain Mozart through his next, and final, six operas. Thomas Bauman brings his special expertise to a discussion of Die Entführung aus dem Serail (1782). The ten central chapters are devoted to the three great operas composed to librettos by Lorenzo da Ponte—Le nozze di Figaro (l786), Don Giovanni (l787), and Così fan tutte (l790). The reader is treated to fresh insights on da Ponte's role as Mozart's astute and stage-wise collaborator, on the singers whose gifts helped shape each opera, and on the musical connections among the three works. Parallels are drawn with some of the greatest creative artists in other fields, such as Molière, Watteau, and Fragonard. The world of the dance, one of Heartz's specialties, lends an illuminating perspective as well. Finally, the essays discuss the deep spirituality of Mozart's last two operas, Die Zauberflöte and La Clemenza di Tito (both l79l). They also address the pertinence of opera outside Vienna at the end of the century, the fortunes and aspirations of Freemasonry in Austria, and the relation of Mozart's overtures to the dramaturgy of the operas.

The Red Opera

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Publisher :
ISBN 13 : 9781736596517
Total Pages : pages
Book Rating : 4.19/5 ( download)

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Book Synopsis The Red Opera by :

Download or read book The Red Opera written by and published by . This book was released on 2021-04 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

A Night at the Opera

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Publisher : Modern Library
ISBN 13 : 0307807827
Total Pages : 980 pages
Book Rating : 4.23/5 ( download)

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Book Synopsis A Night at the Opera by : Sir Denis Forman

Download or read book A Night at the Opera written by Sir Denis Forman and published by Modern Library. This book was released on 2011-10-05 with total page 980 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Delightful and anti-reverential”—Sunday Times (London) With an encyclopedic knowledge of opera and a delightful dash of irreverence, Sir Denis Forman throws open the world of opera—its structure, composers, conductors, and artists—in this hugely informative guide. A Night at the Opera dissects the eighty-three most popular operas recorded on compact disc, from Cilea's Adriana Lecouvreur to Mozart's Die Zauberflöte. For each opera, Sir Denis details the plot and cast of characters, awarding stars to parts that are “worth looking out for,” “really good,” or, occasionally, “stunning.” He goes on to tell the history of each opera and its early reception. Finally, each work is graded from alpha to gamma (although the Ring cycle gets an “X”), and Sir Denis has no qualms about voicing his opinion: the first act of Fidelio is “a bit of a mess,” while the last scene of Don Giovanni “towers above the comic finales of Figaro and Così and whether or not [it] is Mozart's greatest opera, it is certainly his most powerful finale.” The guide also presents brief biographies of the great composers, conductors, and singers. A glossary of musical terms is included, as well as Operatica, or the essential elements of opera, from the proper place and style of the audience's applause (and boos) to the use of subtitles. A Night at the Opera is for connoisseurs and neophytes alike. It will entertain and inform, delight and (perhaps) infuriate, providing a subject for lively debate and ready reference for years to come.

Opera in Seventeenth-Century Venice

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Publisher : Univ of California Press
ISBN 13 : 0520254260
Total Pages : 712 pages
Book Rating : 4.68/5 ( download)

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Book Synopsis Opera in Seventeenth-Century Venice by : Ellen Rosand

Download or read book Opera in Seventeenth-Century Venice written by Ellen Rosand and published by Univ of California Press. This book was released on 2007-10-09 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi

The Culture of Opera Buffa in Mozart's Vienna

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Publisher : Princeton University Press
ISBN 13 : 1400822750
Total Pages : 312 pages
Book Rating : 4.51/5 ( download)

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Book Synopsis The Culture of Opera Buffa in Mozart's Vienna by : Mary Hunter

Download or read book The Culture of Opera Buffa in Mozart's Vienna written by Mary Hunter and published by Princeton University Press. This book was released on 1999-04-12 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mozart's comic operas are among the masterworks of Western civilization, and yet the musical environment in which Mozart and his librettist Lorenzo da Ponte wrote these now-popular operas has received little critical attention. In this richly detailed book, Mary Hunter offers a sweeping, synthetic view of opera buffa in the lively theatrical world of late-eighteenth-century Vienna. Opera buffa (Italian-language comic opera) persistently entertained audiences at a time when Joseph was striving for a German national theater. Hunter attributes opera buffa's success to its ability to provide "sheer" pleasure and hence explores how the genre functioned as entertainment. She argues that opera buffa, like mainstream film today, projects a social world both recognizable and distinct from reality. It raises important issues while containing them in the "merely entertaining" frame of the occasion, as well as presenting them as a series of easily identifiable dramatic and musical conventions. Exploring nearly eighty comic operas, Hunter shows how the arias and ensembles convey a multifaceted picture of the repertory's social values and habits. In a concluding chapter, she discusses Cos" fan tutte as a work profoundly concerned with the conventions of its repertory and with the larger idea of convention itself and reveals the ways Mozart and da Ponte pointedly converse with their immediate contemporaries.