Interpretation of the Music of the 17th and 18th Centuries

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Publisher : Courier Corporation
ISBN 13 : 0486442756
Total Pages : 530 pages
Book Rating : 4.54/5 ( download)

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Book Synopsis Interpretation of the Music of the 17th and 18th Centuries by : Arnold Dolmetsch

Download or read book Interpretation of the Music of the 17th and 18th Centuries written by Arnold Dolmetsch and published by Courier Corporation. This book was released on 2005-01-01 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most influential figures in the twentieth-century revival of early music, Arnold Dolmetsch (1858–1940) was the first to apply academic attention to the issue of authentic historical performance. His groundbreaking study, The Interpretation of the Music of the 17th and 18th Centuries, first appeared in 1915 and remains a landmark of musicology. An outstanding musician, teacher, and maker of Baroque-style instruments, Dolmetsch sought the correct interpretation of Baroque music in order to heighten its expressive intent and emotional impact. In this study, he quotes extensively from both familiar and lesser-known treatises of the seventeenth and eighteenth centuries, adding enlightening comments to each quotation and providing illuminating conclusions. Topics include tempo, rhythm, ornamentation, figured bass realization, wrist positioning, and fingering, and musical instruments of the period. A rare appendix of musical examples, originally published separately, appears in this new edition of the first book to address in a comprehensive and scholarly manner the problems of performing Baroque music. More than a text on performance practices, this classic offers glimpses of what Baroque music meant—both as an art and a science—to musicians of the era.

The Interpretation of the Music of the 17th and 18th Centuries

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Publisher :
ISBN 13 : 9780781204156
Total Pages : 493 pages
Book Rating : 4.51/5 ( download)

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Book Synopsis The Interpretation of the Music of the 17th and 18th Centuries by : Arnold Dolmetsch

Download or read book The Interpretation of the Music of the 17th and 18th Centuries written by Arnold Dolmetsch and published by . This book was released on 1969 with total page 493 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bonded Leather binding

The Interpretation of the Music of the 17th and 18th Centuries

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Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.18/5 ( download)

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Book Synopsis The Interpretation of the Music of the 17th and 18th Centuries by : Arnold Dolmetsch

Download or read book The Interpretation of the Music of the 17th and 18th Centuries written by Arnold Dolmetsch and published by . This book was released on 1944 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Rules of Musical Interpretation in the Baroque Era (17th-18th Centuries), Common to All Instruments

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Author :
Publisher :
ISBN 13 :
Total Pages : 120 pages
Book Rating : 4.99/5 ( download)

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Book Synopsis The Rules of Musical Interpretation in the Baroque Era (17th-18th Centuries), Common to All Instruments by : Jean Claude Veilhan

Download or read book The Rules of Musical Interpretation in the Baroque Era (17th-18th Centuries), Common to All Instruments written by Jean Claude Veilhan and published by . This book was released on 1979 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach

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Publisher : Princeton University Press
ISBN 13 : 0691213348
Total Pages : 644 pages
Book Rating : 4.47/5 ( download)

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Book Synopsis Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach by : Frederick Neumann

Download or read book Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach written by Frederick Neumann and published by Princeton University Press. This book was released on 2020-05-05 with total page 644 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial work, available for the first time in paperback, he argues that strict constraints are inconsistent with the freedom enjoyed by musicians of the period. The author takes an entirely new look at ornamentation, and particularly that of J. S. Bach. He draws on extensive research in England, France, Germany, Italy, and the United States to show that prevailing interpretations are based on inadequate evidence. These restrictive interpretations have been far-reaching in their effect on style. By questioning them, this work continues to stimulate a reorientation in our understandiing of Baroque and post-Baroque music.

Harvard Dictionary of Music

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Publisher : Harvard University Press
ISBN 13 : 9780674375017
Total Pages : 968 pages
Book Rating : 4.17/5 ( download)

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Book Synopsis Harvard Dictionary of Music by : Willi Apel

Download or read book Harvard Dictionary of Music written by Willi Apel and published by Harvard University Press. This book was released on 1969 with total page 968 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contains nearly 1000 pages of precise and accessible information on all musical subjects.

Historical Dictionary of Baroque Music

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Publisher : Scarecrow Press
ISBN 13 : 0810878259
Total Pages : 396 pages
Book Rating : 4.59/5 ( download)

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Book Synopsis Historical Dictionary of Baroque Music by : Joseph P. Swain

Download or read book Historical Dictionary of Baroque Music written by Joseph P. Swain and published by Scarecrow Press. This book was released on 2013-06-06 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although it lies far back, running roughly from about 1600 to 1750, the Baroque period is far from forgotten and Baroque music is played widely today as well, exercising numerous musicians and attracting rather substantial audiences. It experienced the emergence of a new sort of music, increasingly secular and increasingly good listening, if you will, and also the start of opera. Some of the Baroque composers appear among the most popular of all time, such as Bach, Handel and Vivaldi. So yes, this is a book for researchers, but it is also a good book for anyone who enjoys this music. The Historical Dictionary of Baroque Music certainly fills a significant space in the whole sub-series on music, since it tells us much more not only about the music but also the age that generated it. This is done particularly well in an insightful introduction, with the flow of events traced by the chronology. The dictionary section fills in the missing details with over 400 entries on the most important composers and musicians, some of the musical works themselves, important places and institutions, and a smattering of technical terms. The bibliography directs us to further reading.

Contemplating Music

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Publisher : Harvard University Press
ISBN 13 : 9780674039568
Total Pages : 260 pages
Book Rating : 4.64/5 ( download)

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Book Synopsis Contemplating Music by : Joseph Kerman

Download or read book Contemplating Music written by Joseph Kerman and published by Harvard University Press. This book was released on 2009-06-01 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemplating Music is a book for all serious music lovers. Here is the first full-scale of ideas and ideologies in music over the past forty years; a period during which virtually every aspect of music was transformed. With this book, Joesph Kerman establishes the place of music study firmly in the mainstream of modern intellectual history. He treats not only the study of the history of Western art music--with which musicology is tradtionally equated--but also sometimes vexed relations between music history and other fields: music theory and analysis, ethnomusicology, and music criticism. Kerman sees and applauds a change in the study of music towarda critical orientation, As examples, he presents a fascinating vignettes of Bach research in the 1950's and Beethoven studies in the 1960's. He sketched the work of prominent scholars and theorists: Thurston Dart, Charles Rosen, Leonard B. Meyer, Heinrich Schenker, Miltion Babbit, and many others. And he comments on such various subjects as the amazing absorption of Stephen Foster's songs into the cannons of black music, the new intensity of Verdi research, controversies about performance on historical instruments, and the merits and demerits of The New Grove Dictionary of Music and Musicians. Comtemplating Music is fulled with wisdom and trenchant commmentary. It will spark controversy among musicologists of all stripes and will give many musicians and amateurs an entirely new perspective on the world of music.

Baroque Music

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Publisher : Routledge
ISBN 13 : 1351574728
Total Pages : 588 pages
Book Rating : 4.23/5 ( download)

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Book Synopsis Baroque Music by : Peter Walls

Download or read book Baroque Music written by Peter Walls and published by Routledge. This book was released on 2017-07-05 with total page 588 pages. Available in PDF, EPUB and Kindle. Book excerpt: Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.

Elizabethan Music and Musical Criticism

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Publisher : University of Pennsylvania Press
ISBN 13 : 1512800724
Total Pages : 396 pages
Book Rating : 4.22/5 ( download)

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Book Synopsis Elizabethan Music and Musical Criticism by : Morrison Comegys Boyd

Download or read book Elizabethan Music and Musical Criticism written by Morrison Comegys Boyd and published by University of Pennsylvania Press. This book was released on 2016-11-11 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.