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Author : George Schulz-Behrend
Publisher : University of Texas Press
ISBN 13 :
Total Pages : 192 pages
Book Rating : 4.03/5 ( download)
Download or read book The German Baroque written by George Schulz-Behrend and published by University of Texas Press. This book was released on 1972 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Julia Dokter
Publisher : Boydell & Brewer
ISBN 13 : 1648250181
Total Pages : 546 pages
Book Rating : 4.87/5 ( download)
Download or read book Tempo and Tactus in the German Baroque written by Julia Dokter and published by Boydell & Brewer. This book was released on 2021 with total page 546 pages. Available in PDF, EPUB and Kindle. Book excerpt: Guides modern performers and scholars through the intricacies of German Baroque metric theory, via analyses of treatises and organ music by J.S. Bach and other leading composers, such as Buxtehude, Bruhns, and Weckman.
Author : George C Editor Schoolfield
Publisher : Hassell Street Press
ISBN 13 : 9781014014702
Total Pages : 396 pages
Book Rating : 4.00/5 ( download)
Download or read book The German Lyric of the Baroque in English Translation written by George C Editor Schoolfield and published by Hassell Street Press. This book was released on 2021-09-09 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : John Butt
Publisher : Cambridge University Press
ISBN 13 : 0521433274
Total Pages : 261 pages
Book Rating : 4.73/5 ( download)
Download or read book Music Education and the Art of Performance in the German Baroque written by John Butt and published by Cambridge University Press. This book was released on 1994-05-26 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: In considering the role of practical music in education this book explores the art of performance in Germany during the Baroque period. The author examines the large number of surviving treatises and instruction manuals used in the Lutheran schools during the period 1530-1800 and builds up a picture of the function and status of music in both school and church. This understanding of music as a functional art--musica practica--in turn gives us insight into contemporary performance of the sacred work of Praetorius, SchÜtz, Buxtehude or Bach.
Author : Isabella van Elferen
Publisher : Scarecrow Press
ISBN 13 : 0810861364
Total Pages : 384 pages
Book Rating : 4.67/5 ( download)
Download or read book Mystical Love in the German Baroque written by Isabella van Elferen and published by Scarecrow Press. This book was released on 2009 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mystical Love in the German Baroque: Theology, Poetry, Music identifies the cultural and devotional conventions underlying expressions of mystical love in poetry and music of the German baroque. It sheds new light on the seemingly erotic overtones in settings of the Song of Songs and dialogues between Christ and the faithful soul in late 17th- and early 18th-century cantatas by Heinrich Sch tz, Dieterich Buxtehude, and Johann Sebastian Bach. While these compositions have been interpreted solely as a secularizing tendency within devotional music of the baroque period, Isabella van Elferen demonstrates that they need to be viewed instead as intensifications of the sacred. Based on a wide selection of previously unedited or translated 17th- and 18th-century sources, van Elferen describes the history and development of baroque poetic and musical love discourses, from Sch tz's early works through Buxtehude's cantatas and Bach's cantatas and Passions. This long and multilayered discursive history of these compositions considers the love poetry of Petrarch, European reception of petrarchan imagery and traditions, its effect on the madrigal in Germany, and the role of Catholic medieval mystics in baroque Lutheranism. Van Elferen shows that Bach's compositional technique, based on the emotional characteristics of text and music rather than on the depiction of single words, allows the musical expression of mystical love to correspond closely to contemporary literary and theological conceptions of this affect.
Author : Tanya Kevorkian
Publisher : University of Virginia Press
ISBN 13 : 0813947022
Total Pages : 426 pages
Book Rating : 4.20/5 ( download)
Download or read book Music and Urban Life in Baroque Germany written by Tanya Kevorkian and published by University of Virginia Press. This book was released on 2022-10-10 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music and Urban Life in Baroque Germany offers a new narrative of Baroque music, accessible to non-music specialists, in which Tanya Kevorkian defines the era in terms of social dynamics rather than style and genre development. Towns were crucial sites of music-making. Kevorkian explores how performance was integrated into and indispensable to everyday routines, celebrations such as weddings, and political culture. Training and funding likewise emerged from and were integrated into urban life. Ordinary artisans, students, and musical tower guards as well as powerful city councilors contributed to the production and reception of music. This book illuminates the processes at play in fascinating ways. Challenging ideas of "elite" and "popular" culture, Kevorkian examines five central and southern German towns—Augsburg, Munich, Erfurt, Gotha, and Leipzig—to reconstruct a vibrant urban musical culture held in common by townspeople of all ranks. Outdoor acoustic communication, often hovering between musical and nonmusical sound, was essential to the functioning of these towns. As Kevorkian shows, that sonic communication was linked to the music and musicians heard in homes, taverns, and churches. Early modern urban environments and dynamics produced both the giants of the Baroque era, such as Johann Sebastian Bach and Georg Philipp Telemann, and the music that townspeople heard daily. This book offers a significant rediscovery of a rich, unique, and understudied musical culture. Received a subvention award from the Margarita M. Hanson Fund and the Donna Cardamone Jackson Fund of the American Musicological Society.
Author : Dietrich Bartel
Publisher : U of Nebraska Press
ISBN 13 : 9780803235939
Total Pages : 496 pages
Book Rating : 4.33/5 ( download)
Download or read book Musica Poetica: Musical-Rhetorical Figures in German Baroque Music written by Dietrich Bartel and published by U of Nebraska Press. This book was released on 1997-07-01 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musica Poetica provides an unprecedented examination of the development of Baroque musical thought. The initial chapters, which serve as an introduction to the concept and teachings of musical-rhetorical figures, explore Martin Luther’s theology of music, the development of the Baroque concept of musica poetica, the idea of the affections in German Baroque music, and that music’s use of the principles and devices of rhetoric. Dietrich Bartel then turns to more detailed considerations of the musical-rhetorical figures that were developed in Baroque treatises and publications. After brief biographical sketches of the major theorists, Bartel examines those theorists’ interpretation and classification of the figures. The book concludes with a detailed presentation of the musical-rhetorical figures, in which each theorist’s definitions are presented in the original language and in parallel English translations. Bartel’s clear, detailed analysis of German Baroque musical-rhetorical figures, combined with his careful translations of interpretations of those figures from a wide range of sources, make this book an indispensable introduction and resource for all students of Baroque music.
Author : George Schulz Behrend
Publisher :
ISBN 13 :
Total Pages : 166 pages
Book Rating : 4.77/5 ( download)
Download or read book The German Baroque written by George Schulz Behrend and published by . This book was released on 1972 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Walter Benjamin
Publisher : Verso Books
ISBN 13 : 1789604737
Total Pages : 325 pages
Book Rating : 4.33/5 ( download)
Download or read book The Origin of German Tragic Drama written by Walter Benjamin and published by Verso Books. This book was released on 2020-05-05 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Origin of German Tragic Drama is Walter Benjamin's most sustained and original work. It begins with a general theoretical introduction on the nature of the baroque art of the sixteenth and seventeenth centuries, concentrating on the peculiar stage-form of royal martyr dramas called Trauerspiel. Benjamin also comments on the engravings of Durer and the theatre of Calderon and Shakespeare. Baroque tragedy, he argues, was distinguished from classical tragedy by its shift from myth into history. Georg Lukacs, an opponent of Benjamin's aesthetics, singled out The Origin of German Tragic Drama as one of the main sources of literary modernism in the twentieth century.
Author : Peter J. Burgard
Publisher : Wilhelm Fink Verlag
ISBN 13 : 9783846764008
Total Pages : 385 pages
Book Rating : 4.00/5 ( download)
Download or read book Baroque written by Peter J. Burgard and published by Wilhelm Fink Verlag. This book was released on 2019 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: "What is the Baroque? Where did it come from and where did it go? Why do we have to ask these questions? Because art historians seem largely satisfied with their answers and most scholars of German literature are not satisfied, yet have stopped asking.This book discerns in the Baroque an aesthetic phenomenon that crosses both media and national boundaries in its celebration of excess and its disintegration of system, unity, and identity. The compositional principles and theoretical implications of the Baroque, as it first arose in Italian art, find expression in German poetics, drama, poetry, and narrative ? expression accessible only through resolute close reading. Readings of Bernini, Borromini, Velázquez, Rubens, Fracanzano, and de Hooch precipitate readings of Opitz, Gryphius, Fleming, Zesen, Hoffmannswaldau, and Grimmelshausen, demonstrating that seventeenth-century German literature both is Baroque and confirms what the Baroque is."--Page 4 of cover.
