The Enemy in Contemporary Film

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Author :
Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 3110591219
Total Pages : 420 pages
Book Rating : 4.17/5 ( download)

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Book Synopsis The Enemy in Contemporary Film by : Martin Löschnigg

Download or read book The Enemy in Contemporary Film written by Martin Löschnigg and published by Walter de Gruyter GmbH & Co KG. This book was released on 2018-08-21 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: Culture and conflict inevitably go hand in hand. The very idea of culture is marked by the notion of difference and by the creative, fraught interaction between conflicting concepts and values. The same can be said of all key ideas in the study of culture, such as identity and diversity, memory and trauma, the translation of cultures and globalization, dislocation and emplacement, mediation and exclusion. This series publishes theoretically informed original scholarship from the fields of literary and cultural studies as well as media, visual, and film studies. It fosters an interdisciplinary dialogue on the multiple ways in which conflict supports and constrains the production of meaning, on how conflict is represented, how it relates to the past and projects the present, and how it frames scholarship within the humanities. Editors: Isabel Capeloa Gil, Catholic University of Portugal, Lisbon, Portugal; Paulo de Medeiros, University of Warwick, UK, Catherine Nesci, University of California, Santa Barbara, USA. Editorial Board: Arjun Appadurai, New York University, Claudia Benthien, Universität Hamburg, Elisabeth Bronfen, Universität Zürich, Bishnupriya Ghosh, University of California, Santa Barbara, Joyce Goggin, Universiteit van Amsterdam, Lawrence Grossberg, University of North Carolina at Chapel Hill, Andreas Huyssen, Columbia University, Ansgar Nünning, Universität Gießen, Naomi Segal, University of London, Birkbeck College, Márcio Seligmann-Silva, Universidade Estadual de Campinas, António Sousa Ribeiro, Universidade de Coimbra, Roberto Vecchi, Universita di Bologna, Samuel Weber, Northwestern University, Liliane Weissberg, University of Pennsylvania, Christoph Wulf, FU Berlin, Longxi Zhang, City University of Hong Kong

The Enemy in Contemporary Film

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Author :
Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 3110590034
Total Pages : 417 pages
Book Rating : 4.36/5 ( download)

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Book Synopsis The Enemy in Contemporary Film by : Martin Löschnigg

Download or read book The Enemy in Contemporary Film written by Martin Löschnigg and published by Walter de Gruyter GmbH & Co KG. This book was released on 2018-08-21 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: Culture and conflict inevitably go hand in hand. The very idea of culture is marked by the notion of difference and by the creative, fraught interaction between conflicting concepts and values. The same can be said of all key ideas in the study of culture, such as identity and diversity, memory and trauma, the translation of cultures and globalization, dislocation and emplacement, mediation and exclusion. This series publishes theoretically informed original scholarship from the fields of literary and cultural studies as well as media, visual, and film studies. It fosters an interdisciplinary dialogue on the multiple ways in which conflict supports and constrains the production of meaning, on how conflict is represented, how it relates to the past and projects the present, and how it frames scholarship within the humanities. Editors: Isabel Capeloa Gil, Catholic University of Portugal, Lisbon, Portugal; Paulo de Medeiros, University of Warwick, UK, Catherine Nesci, University of California, Santa Barbara, USA. Editorial Board: Arjun Appadurai, New York University, Claudia Benthien, Universität Hamburg, Elisabeth Bronfen, Universität Zürich, Bishnupriya Ghosh, University of California, Santa Barbara, Joyce Goggin, Universiteit van Amsterdam, Lawrence Grossberg, University of North Carolina at Chapel Hill, Andreas Huyssen, Columbia University, Ansgar Nünning, Universität Gießen, Naomi Segal, University of London, Birkbeck College, Márcio Seligmann-Silva, Universidade Estadual de Campinas, António Sousa Ribeiro, Universidade de Coimbra, Roberto Vecchi, Universita di Bologna, Samuel Weber, Northwestern University, Liliane Weissberg, University of Pennsylvania, Christoph Wulf, FU Berlin, Longxi Zhang, City University of Hong Kong

The Philosophy of War Films

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Author :
Publisher : University Press of Kentucky
ISBN 13 : 0813145112
Total Pages : 537 pages
Book Rating : 4.12/5 ( download)

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Book Synopsis The Philosophy of War Films by : David LaRocca

Download or read book The Philosophy of War Films written by David LaRocca and published by University Press of Kentucky. This book was released on 2015-01-06 with total page 537 pages. Available in PDF, EPUB and Kindle. Book excerpt: Wars have played a momentous role in shaping the course of human history. The ever-present specter of conflict has made it an enduring topic of interest in popular culture, and many movies, from Hollywood blockbusters to independent films, have sought to show the complexities and horrors of war on-screen. In The Philosophy of War Films, David LaRocca compiles a series of essays by prominent scholars that examine the impact of representing war in film and the influence that cinematic images of battle have on human consciousness, belief, and action. The contributors explore a variety of topics, including the aesthetics of war as portrayed on-screen, the effect war has on personal identity, and the ethical problems presented by war. Drawing upon analyses of iconic and critically acclaimed war films such as Saving Private Ryan (1998), The Thin Red Line (1998), Rescue Dawn (2006), Restrepo (2010), and Zero Dark Thirty (2012), this volume's examination of the genre creates new ways of thinking about the philosophy of war. A fascinating look at the manner in which combat and its aftermath are depicted cinematically, The Philosophy of War Films is a timely and engaging read for any philosopher, filmmaker, reader, or viewer who desires a deeper understanding of war and its representation in popular culture.

Production Design in the Contemporary American Film

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Author :
Publisher : McFarland
ISBN 13 : 9780786418657
Total Pages : 188 pages
Book Rating : 4.56/5 ( download)

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Book Synopsis Production Design in the Contemporary American Film by : Beverly Heisner

Download or read book Production Design in the Contemporary American Film written by Beverly Heisner and published by McFarland. This book was released on 2004-01-16 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: While the viewer's eyes are trained on the actors, the production design sets the mood for the film. The design also subtly comments on the action and the characters, moves the plot forward and adds to its symbolic content. The production design of 23 films of the 1980s and 1990s is analyzed here. The films are divided into five areas: realistic films set in the present day, stylized films (including horror) set in the present day, period films, period films that move through several decades, and science fiction and fantasy films. Among the movies analyzed are The Silence of the Lambs, She's Gotta Have It, The Fisher King, Ragtime, Barton Fink, Goodfellas, and Alien. The quality of the designs is assessed by a careful reading of the mise-en-scene. Often the designers' own words are used to describe the effects and the process involved in achieving them.

The Science Fiction Film in Contemporary Hollywood

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501380214
Total Pages : 241 pages
Book Rating : 4.11/5 ( download)

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Book Synopsis The Science Fiction Film in Contemporary Hollywood by : Evdokia Stefanopoulou

Download or read book The Science Fiction Film in Contemporary Hollywood written by Evdokia Stefanopoulou and published by Bloomsbury Publishing USA. This book was released on 2023-07-27 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Science Fiction Film in Contemporary Hollywood focuses on the American science fiction (SF) film during the period 2001-2020, in order to provide a theoretical mapping of the genre in the context of Conglomerate Hollywood. Using a social semiotics approach in a systematic corpus of films, the book argues that the SF film can be delineated by two semiotic squares -the first one centering on the genre's more-than-human ontologies (SF bodies), and the second one focusing on its imaginative worlds (SF worlds). Based on this theoretical framework, the book examines the genre in six cycles, which are placed in their historical context, and are analyzed in relation to cultural discourses, such as technological embodiment, race, animal-human relations, environmentalism, global capitalism, and the techno-scientific Empire. By considering these cycles -which include superhero films, creature films, space operas, among others-as expressions of the genre's basic oppositions, the book facilitates the comparison and juxtaposition of films that have rarely been discussed in tandem, offering a new perspective on the multiple articulations of the SF film in the new millennium.

Monsters and the Monstrous

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Publisher : Rodopi
ISBN 13 : 9042022531
Total Pages : 238 pages
Book Rating : 4.39/5 ( download)

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Book Synopsis Monsters and the Monstrous by : Niall Scott

Download or read book Monsters and the Monstrous written by Niall Scott and published by Rodopi. This book was released on 2007 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: Emerging from depths comes a series of papers dealing with one of the most significant creations that reflects on and critiques human existence. Both a warning and a demonstration, the monster as myth and metaphor provides an articulation of human imagination that toys with the permissible and impermissible. Monsters from zombies to cuddly cartoon characters, emerging from sewers, from pages of literature, propaganda posters, movies and heavy metal, all are covered in this challenging, scholarly collection. This volume the third in the series presents a marvellous collection of studies on the metaphor of the monster in literature, cinema, music, culture, philosophy, history and politics. Both historical reflection and concerns of our time are addressed with clarity and written in an accessible manner providing appeal for the scholar and lay reader alike. This eclectic collection will be of interest to academics and students working in a range of disciplines, such as cultural studies, film studies, political theory, philosophy and literature studies.

Contemporary Korean Cinema

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Publisher : Manchester University Press
ISBN 13 : 9780719060083
Total Pages : 258 pages
Book Rating : 4.87/5 ( download)

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Book Synopsis Contemporary Korean Cinema by : Hyangjin Lee

Download or read book Contemporary Korean Cinema written by Hyangjin Lee and published by Manchester University Press. This book was released on 2000 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive book defines the significance of film-making and film viewing in Korea. Covering the introduction of motion pictures in 1903, Korean cinema during the Japanese colonial period (1910-45), and the development of North and South Korean cinema up to the 1990s, Lee introduces the works of Korea's major directors, and analyzes the Korean film industry in terms of production, distribution, and reception.

The Spectre of Defeat in Post-War British and US Literature

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 1527565033
Total Pages : 255 pages
Book Rating : 4.36/5 ( download)

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Book Synopsis The Spectre of Defeat in Post-War British and US Literature by : David Owen

Download or read book The Spectre of Defeat in Post-War British and US Literature written by David Owen and published by Cambridge Scholars Publishing. This book was released on 2021-01-22 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is a commonplace belief that history is written by the victorious. However, less recognised but equally common is the idea that the defeated also write history, even if their particular account is rather different. This collection looks at these matters from a novel and distinct perspective. It essentially presents the idea that victors often perceive themselves as defeated, by examining the ways in which the idea of defeat comes to dominate the victors’ own sense of superiority and achievement, thereby undermining the certainties that victory is conventionally thought to create. The contributions here discuss fiction (mostly UK and US) published since the First World War. Through the frameworks of experience, memory and post-memory, they examine this subliminal defeat, basically as seen in conflict itself, in the societies that it affects, and in the individual lives of those who it destroys. The result is an innovative literary account of the victorious-yet-somehow-defeated.

The Oxford History of World Cinema

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Publisher : OUP Oxford
ISBN 13 : 0191518182
Total Pages : 847 pages
Book Rating : 4.88/5 ( download)

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Book Synopsis The Oxford History of World Cinema by : Geoffrey Nowell-Smith

Download or read book The Oxford History of World Cinema written by Geoffrey Nowell-Smith and published by OUP Oxford. This book was released on 1996-10-17 with total page 847 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford History of World Cinema is the most authoritative, up-to-date history of the Cinema ever undertaken. It traces the history of the twentieth-century's most enduringly popular entertainment form, covering all aspects of its development, stars, studios, and cultural impact. The book celebrates and chronicles over one hundred years of diverse achievement from westerns to the New Wave, from animation to the Avant-Garde, and from Hollywood to Hong Kong, with an international team of distinguished film historians telling the story of the major inventions and developments in the cinema business, its institutions, genres, and personnel. Other chapters outline the evolution of national cinemas round the world - the varied and distinctive filmic traditions that have developed alongside Hollywood. Also included are over 140 special inset features on the film-makers and personalities - Garbo and Godard, Keaton and Kurosawa, Bugs Bunny and Bergman - who have had an enduring impact in popular memory and cinematic lore. With over 300 illustrations, a full bibliography, and an extensive index, The Oxford History of World Cinema is an invaluable and entertaining guide and resource for the student and general reader.

Apocalypse in Contemporary Japanese Science Fiction

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Publisher : Springer
ISBN 13 : 1137373555
Total Pages : 189 pages
Book Rating : 4.57/5 ( download)

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Book Synopsis Apocalypse in Contemporary Japanese Science Fiction by : M. Tanaka

Download or read book Apocalypse in Contemporary Japanese Science Fiction written by M. Tanaka and published by Springer. This book was released on 2014-01-29 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: Starting with the history of apocalyptic tradition in the West and focusing on modern Japanese apocalyptic science fiction in manga, anime, and novels, Motoko Tanaka shows how science fiction reflected and coped with the devastation in Japanese national identity after 1945.