The Death of Cinema

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Publisher :
ISBN 13 : 9781838710125
Total Pages : 0 pages
Book Rating : 4.24/5 ( download)

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Book Synopsis The Death of Cinema by : Paolo Cherchi Usai

Download or read book The Death of Cinema written by Paolo Cherchi Usai and published by . This book was released on 2001 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provocative polemic on digital media; Features foreword by Martin Scorsese, extract overleaf; It is estimated that about one and a half billion hours of moving images were produced in 1999, twice as many as a decade before. If that rate of growth continues, one hundred billion hours of moving images will be made in the year 2025. In 1895 there was just above forty minutes of moving images to be seen, and most of them are now preserved. Today, for every film made, thousands of them disappear forever without leaving a trace. Meanwhile, public and private institutions are struggling to save the film heritage with largely insufficient resources and ever increasing pressures from the commercial world. Are they wasting their time? Is the much feared and much touted Death of Cinema already occurring before our eyes? Is digital technology the solution to the problem, or just another illusion promoted by the industry? In a provocative essay designed as a collection of aphorisms and letters, the author brings an impassioned scrutiny to bear on these issues with a critique of film preservation, an indictiment of the crimes perpetuated in its name, and a proposal to give a new analytical framework to a major cultural phenomenon of our time.

The Death of Cinema

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Publisher : Bloomsbury Publishing
ISBN 13 : 1838718737
Total Pages : 144 pages
Book Rating : 4.32/5 ( download)

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Book Synopsis The Death of Cinema by : Paolo Cherchi Usai

Download or read book The Death of Cinema written by Paolo Cherchi Usai and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provocative polemic on digital media; Features foreword by Martin Scorsese, extract overleaf; It is estimated that about one and a half billion hours of moving images were produced in 1999, twice as many as a decade before. If that rate of growth continues, one hundred billion hours of moving images will be made in the year 2025. In 1895 there was just above forty minutes of moving images to be seen, and most of them are now preserved. Today, for every film made, thousands of them disappear forever without leaving a trace. Meanwhile, public and private institutions are struggling to save the film heritage with largely insufficient resources and ever increasing pressures from the commercial world. Are they wasting their time? Is the much feared and much touted Death of Cinema already occurring before our eyes? Is digital technology the solution to the problem, or just another illusion promoted by the industry? In a provocative essay designed as a collection of aphorisms and letters, the author brings an impassioned scrutiny to bear on these issues with a critique of film preservation, an indictiment of the crimes perpetuated in its name, and a proposal to give a new analytical framework to a major cultural phenomenon of our time.

Death in Classical Hollywood Cinema

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Publisher : Springer
ISBN 13 : 0230275079
Total Pages : 211 pages
Book Rating : 4.72/5 ( download)

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Book Synopsis Death in Classical Hollywood Cinema by : B. Hagin

Download or read book Death in Classical Hollywood Cinema written by B. Hagin and published by Springer. This book was released on 2010-04-09 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt: Boaz Hagin carries out a philosophical examination of the issue of death as it is represented and problematized in Hollywood cinema of the classical era (1920s-1950s) and in later mainstream films, looking at four major genres: the Western, the gangster film, melodrama and the war film.

Mourning Films

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Publisher : McFarland
ISBN 13 : 0786493143
Total Pages : 221 pages
Book Rating : 4.42/5 ( download)

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Book Synopsis Mourning Films by : Richard Armstrong

Download or read book Mourning Films written by Richard Armstrong and published by McFarland. This book was released on 2012-09-18 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first in-depth study of its subject, this book seeks to account for a type of modernist film that revolves around bereavement. Identifying the roots of the genre in classical melodrama and horror cinema, and tracing perennial themes and aesthetic devices through to the European and American "intellectual melodramas" of the postwar decades, the book provides a taxonomy of characteristics. In the course of detailed case studies, the book deploys the film theory of Gilles Deleuze and Daniel Frampton while making use of Freudian psychoanalysis and present-day grief counseling theory. In making its case for the new genre, the book reflects upon the ways in which the very notion of genre has, in the post-classical period, responded to changing exhibition patterns, the rise of domestic spectatorship and the proliferation of Web-based film literature.

Transfigurations

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Publisher : Amsterdam University Press
ISBN 13 : 908964010X
Total Pages : 278 pages
Book Rating : 4.09/5 ( download)

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Book Synopsis Transfigurations by : Asbjørn Grønstad

Download or read book Transfigurations written by Asbjørn Grønstad and published by Amsterdam University Press. This book was released on 2008 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs.

The Direct Cinema of David and Albert Maysles

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Publisher : SIU Press
ISBN 13 : 0809386011
Total Pages : 246 pages
Book Rating : 4.17/5 ( download)

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Book Synopsis The Direct Cinema of David and Albert Maysles by : Jonathan B. Vogels

Download or read book The Direct Cinema of David and Albert Maysles written by Jonathan B. Vogels and published by SIU Press. This book was released on 2010-08-20 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Boldly signifying the cultural issues of the 1960s and 1970s in groundbreaking pieces such as Grey Gardens, Gimme Shelter, and Showman, filmmakers and brothers David and Albert Maysles used an approach to documentary film that involved spontaneous observation of naturally occurring events. With no rehearsed footage and no preconceived plots, their revolutionary work eschewed the authoritative voice-over narrator, didactic scripts, and the traditional problem-and-solution format used by the majority of their predecessors in the genre and duly influenced subsequent directors in both fiction and nonfiction film. Their collaboration from 1962 until David’s death in 1987 wrought thirteen major works in which the brothers critiqued the concept of celebrity with unglamorous footage of iconic figures, explored how commercialism hinders communication, and questioned the possibility of seeing anything clearly in a world abounding with both real and constructed images. Jonathan B. Vogels outlines how the Maysles brothers blended a unique amalgam of direct cinema characteristics, a modern humanist aesthetic, and a collaborative working process that included other directors and editors. Looking at the films as both shapers and reflections of American culture, he points out that the works offer insights into a wide range of contemporary topics including materialism, celebrity, modern art, and the American family. In addition to describing the changes in technology that made direct cinema possible, Vogels provides careful, scene-by-scene analyses that allow for a consideration of the Maysles brothers’ films as films, a tactic not frequently employed in nonfiction film studies.

Visions of Paradise

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Publisher : Rutgers University Press
ISBN 13 : 0813537983
Total Pages : 233 pages
Book Rating : 4.86/5 ( download)

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Book Synopsis Visions of Paradise by : Wheeler W. Dixon

Download or read book Visions of Paradise written by Wheeler W. Dixon and published by Rutgers University Press. This book was released on 2006 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: Illustrated throughout with rare stills, and organized so as to provide historical context, this book surveys an array of films that have offered us glimpses of a life that is meaningful, free from strife, devoid of pain and privation, and full of harmony in every sense.

Killing for Culture

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Publisher :
ISBN 13 :
Total Pages : 296 pages
Book Rating : 4.33/5 ( download)

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Book Synopsis Killing for Culture by : David Kerekes

Download or read book Killing for Culture written by David Kerekes and published by . This book was released on 1995 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The End of Cinema?

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Publisher : Columbia University Press
ISBN 13 : 023153938X
Total Pages : 257 pages
Book Rating : 4.88/5 ( download)

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Book Synopsis The End of Cinema? by : André Gaudreault

Download or read book The End of Cinema? written by André Gaudreault and published by Columbia University Press. This book was released on 2015-04-14 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next.

Cinema and Soviet Society from the Revolution to the Death of Stalin

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Publisher :
ISBN 13 : 9780755604616
Total Pages : 252 pages
Book Rating : 4.1X/5 ( download)

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Book Synopsis Cinema and Soviet Society from the Revolution to the Death of Stalin by : Peter Kenez

Download or read book Cinema and Soviet Society from the Revolution to the Death of Stalin written by Peter Kenez and published by . This book was released on with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this updated edition of his classic text, Kenez covers the roots of Soviet cinema in the film heritage of pre-Revolutionary Russia, tracing the changes generated by the Revolution of 1917.