The Cultural Context of Medieval Music

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1573569968
Total Pages : 218 pages
Book Rating : 4.65/5 ( download)

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Book Synopsis The Cultural Context of Medieval Music by : Nancy Van Deusen

Download or read book The Cultural Context of Medieval Music written by Nancy Van Deusen and published by Bloomsbury Publishing USA. This book was released on 2011-11-02 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: An urgently needed guide to understanding medieval music to be used as a text for the university undergraduate, graduate students in music and interdisciplinary medieval studies, and for the professional musicologist and medievalist. This book will also be appreciated by everyone interested in early music. Nancy van Deusen's The Cultural Context of Medieval Music addresses the mental landscape surrounding music that, especially, was sung and experienced in the Middle Ages. Largely anonymous in its composition, and apparently lacking the motivation of fame and commerce, music within a well thought-out system of education served a purpose that goes far beyond casual entertainment or personal professional advancement. Offering experience through performance, music exemplified the basic principles not only of the material and possible measurements of the visible world—such as of objects, relationships, and movement—but also of the invisible materials of sound and time, making it an ideal medium for working with unseen substances such as concepts, imaginations, and ideas. St. Augustine in the late fourth century reinforced the importance of music for the process of learning when he wrote that nothing could be truly understood without music. This book shows how this, in fact, is the case—a message of great relevance today.

The Cultural Context of Medieval Music

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Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.63/5 ( download)

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Book Synopsis The Cultural Context of Medieval Music by : Nancy Elizabeth Van Deusen

Download or read book The Cultural Context of Medieval Music written by Nancy Elizabeth Van Deusen and published by . This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music was crucial to the learning process itself in the Middle Ages-and beyond. One learned basic concepts by doing them, and learned them well because music was "delicious" to the taste-a medieval insight that should be reclaimed

The Cambridge History of Medieval Music

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Publisher : Cambridge University Press
ISBN 13 : 1108577075
Total Pages : pages
Book Rating : 4.76/5 ( download)

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Book Synopsis The Cambridge History of Medieval Music by : Mark Everist

Download or read book The Cambridge History of Medieval Music written by Mark Everist and published by Cambridge University Press. This book was released on 2018-08-09 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.

Music and Culture in the Middle Ages and Beyond

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Publisher :
ISBN 13 : 9781316799765
Total Pages : pages
Book Rating : 4.6X/5 ( download)

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Book Synopsis Music and Culture in the Middle Ages and Beyond by : Benjamin David Brand

Download or read book Music and Culture in the Middle Ages and Beyond written by Benjamin David Brand and published by . This book was released on 2016 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad culture contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.

Sung Birds

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Publisher : Cornell University Press
ISBN 13 : 1501727575
Total Pages : 362 pages
Book Rating : 4.73/5 ( download)

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Book Synopsis Sung Birds by : Elizabeth Eva Leach

Download or read book Sung Birds written by Elizabeth Eva Leach and published by Cornell University Press. This book was released on 2018-07-05 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is birdsong music? The most frequent answer to this question in the Middle Ages was resoundingly "no." In Sung Birds, Elizabeth Eva Leach traces postmedieval uses of birdsong within Western musical culture. She first explains why such melodious sound was not music for medieval thinkers and then goes on to consider the ontology of music, the significance of comparisons between singers and birds, and the relationship between art and nature as enacted by the musical performance of late-medieval poetry. If birdsong was not music, how should we interpret the musical depiction of birdsong in human music-making? What does it tell us about the singers, their listeners, and the moral status of secular polyphony? Why was it the fourteenth century that saw the beginnings of this practice, continued to this day in the music of Messiaen and others?Leach explores medieval arguments about song, language, and rationality whose basic terms survive undiminished into the present. She considers not only lyrics that have their singers voice the songs or speech of birds but also those that represent other natural, nonmusical, sounds such as human cries or the barks of dogs. The dangerous sweetness of birdsong was invoked in discussions of musical ethics, which, because of the potential slippage between irrational beast and less rational woman in comparisons with rational human masculinity, depict women's singing as less than fully human. Leach's argument comes full circle with the advent of sound recording. This technological revolution-like its medieval equivalent, the invention of the music book-once again made the relationship between music and nature an acute preoccupation of Western culture.

Music, Body, and Desire in Medieval Culture

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Publisher : Stanford University Press
ISBN 13 : 9780804740586
Total Pages : 500 pages
Book Rating : 4.85/5 ( download)

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Book Synopsis Music, Body, and Desire in Medieval Culture by : Bruce W. Holsinger

Download or read book Music, Body, and Desire in Medieval Culture written by Bruce W. Holsinger and published by Stanford University Press. This book was released on 2001 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ranging chronologically from the twelfth to the fifteenth centuries and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and philosophies of the European Middle Ages. Engaging a wide range of premodern texts and contexts, the author argues that medieval music was quintessentially a practice of the flesh. It will be of compelling interest to historians of literature, music, religion, and sexuality, as well as scholars of cultural, gender, and queer studies.

Historical Atlas of Medieval Music

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Publisher : Brepols Publishers
ISBN 13 : 9782503540849
Total Pages : 0 pages
Book Rating : 4.48/5 ( download)

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Book Synopsis Historical Atlas of Medieval Music by : Vera Minazzi

Download or read book Historical Atlas of Medieval Music written by Vera Minazzi and published by Brepols Publishers. This book was released on 2020-11-03 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music is rooted in the heart of Western culture. The absence of music from the usual publications of medieval history and history of art of the Middle Ages is understandable, considering the rarity of sources. And yet, throughout the last decades, an intense activity of historico-musicological research has been carried out internationally by a select group of specialized scholars. The ambitious goal of this work is to set medieval music within its historical and cultural context and to provide readers interested in different disciplines with an overall picture of music in the Middle Ages; multi-faceted, enjoyable, yet scientifically rigorous. To achieve this goal, the most prominent scholars of medieval musicology were invited to participate, along with archaeologists, experts of acoustics and architecture, historians and philosophers of medieval thought. The volume offers exceptional iconography and several maps, to accompany the reader in a fascinating journey through a network of places, cultural influences, rituals and themes.

Medieval Woman's Song

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Publisher : University of Pennsylvania Press
ISBN 13 : 1512803812
Total Pages : 289 pages
Book Rating : 4.15/5 ( download)

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Book Synopsis Medieval Woman's Song by : Anne L. Klinck

Download or read book Medieval Woman's Song written by Anne L. Klinck and published by University of Pennsylvania Press. This book was released on 2015-08-06 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: The number of surviving medieval secular poems attributed to named female authors is small, some of the best known being those of the trobairitz the female troubadours of southern France. However, there is a large body of poetry that constructs a particular textual femininity through the use of the female voice. Some of these poems are by men and a few by women (including the trobairitz); many are anonymous, and often the gender of the poet is unresolvable. A "woman's song" in this sense can be defined as a female-voice poem on the subject of love, typically characterized by simple language, sexual candor, and apparent artlessness. The chapters in Medieval Woman's Song bring together scholars in a range of disciplines to examine how both men and women contributed to this art form. Without eschewing consideration of authorship, the collection deliberately overturns the long-standing scholarly practice of treating as separate and distinct entities female-voice lyrics composed by men and those composed by women. What is at stake here is less the voice of women themselves than its cultural and generic construction.

Medieval Music and the Art of Memory

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Publisher : University of California Press
ISBN 13 : 0520314271
Total Pages : 304 pages
Book Rating : 4.76/5 ( download)

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Book Synopsis Medieval Music and the Art of Memory by : Anna Maria Busse Berger

Download or read book Medieval Music and the Art of Memory written by Anna Maria Busse Berger and published by University of California Press. This book was released on 2019-10-08 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the ASCAP Deems Taylor Award and Society of Music Theory's Wallace Berry Award This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, it did not make memorization redundant but allowed for new ways to commit material to memory. Since some of the polyphonic music from the twelfth century and later was written down, scholars have long assumed that it was all composed and transmitted in written form. Our understanding of medieval music has been profoundly shaped by German philologists from the beginning of the last century who approached medieval music as if it were no different from music of the nineteenth century. But Medieval Music and the Art of Memory deftly demonstrates that the fact that a piece was written down does not necessarily mean that it was conceived and transmitted in writing. Busse Berger's new model, one that emphasizes the interplay of literate and oral composition and transmission, deepens and enriches current understandings of medieval music and opens the field for fresh interpretations.

The Cambridge Companion to Medieval Music

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Publisher : Cambridge University Press
ISBN 13 : 1107495121
Total Pages : 982 pages
Book Rating : 4.28/5 ( download)

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Book Synopsis The Cambridge Companion to Medieval Music by : Mark Everist

Download or read book The Cambridge Companion to Medieval Music written by Mark Everist and published by Cambridge University Press. This book was released on 2011-03-03 with total page 982 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the emergence of plainsong to the end of the fourteenth century, this Companion covers all the key aspects of medieval music. Divided into three main sections, the book first of all discusses repertory, styles and techniques - the key areas of traditional music histories; next taking a topographical view of the subject - from Italy, German-speaking lands, and the Iberian Peninsula; and concludes with chapters on such issues as liturgy, vernacular poetry and reception. Rather than presenting merely a chronological view of the history of medieval music, the volume instead focuses on technical and cultural aspects of the subject. Over nineteen informative chapters, fifteen world-leading scholars give a perspective on the music of the Middle Ages that will serve as a point of orientation for the informed listener and reader, and is a must-have guide for anyone with an interest in listening to and understanding medieval music.