The British Film Industry In The 1970s

Author : S. Barber
Publisher : Springer
ISBN 13 : 1137305924
Total Pages : 316 pages
Book Rating : 4.23/5 ( download)

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Download or read book The British Film Industry in the 1970s written by S. Barber and published by Springer. This book was released on 2013-01-22 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is there more to 1970s British cinema than sex, horror and James Bond? This lively account argues that this is definitely the case and explores the cultural landscape of this much maligned decade to uncover hidden gems and to explode many of the well-established myths about 1970s British film and cinema.

Author : S. Barber
Publisher : Springer
ISBN 13 : 1137305924
Total Pages : 221 pages
Book Rating : 4.23/5 ( download)

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Download or read book The British Film Industry in the 1970s written by S. Barber and published by Springer. This book was released on 2013-01-22 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is there more to 1970s British cinema than sex, horror and James Bond? This lively account argues that this is definitely the case and explores the cultural landscape of this much maligned decade to uncover hidden gems and to explode many of the well-established myths about 1970s British film and cinema.

Author : Sue Harper
Publisher : Edinburgh University Press
ISBN 13 : 0748654283
Total Pages : 336 pages
Book Rating : 4.84/5 ( download)

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Download or read book British Film Culture in the 1970s written by Sue Harper and published by Edinburgh University Press. This book was released on 2013-01-28 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume draws a map of British film culture in the 1970s and provides a wide-ranging history of the period.

Author : Paul Newland
Publisher : Manchester University Press
ISBN 13 : 1526102307
Total Pages : 336 pages
Book Rating : 4.00/5 ( download)

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Download or read book British films of the 1970s written by Paul Newland and published by Manchester University Press. This book was released on 2015-11-01 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: British films of the 1970s offers highly detailed and insightful critical analysis of a range of individual films of the period. This analysis draws upon an innovative range of critical methodologies which place the film texts within a rich variety of historical contexts. The book sets out to examine British films of the 1970s in order to get a clearer understanding of two things – the fragmentary state of the filmmaking culture of the period, and the fragmentary nature of the nation that these films represent. It argues that there is no singular narrative to be drawn about British filmmaking in the 1970s, other than the fact that these films offer evidence of a Britain (and ideas of Britishness) characterised by vicissitudes. While this was a period of struggle and instability, it was also a period of openings, of experiment, and of new ideas. Newland looks at many films, including Carry On Girls, O Lucky Man!, That'll be the Day, The Shout, and The Long Good Friday.

Author : P. Gaal-Holmes
Publisher : Springer
ISBN 13 : 1137369388
Total Pages : 230 pages
Book Rating : 4.83/5 ( download)

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Download or read book A History of 1970s Experimental Film written by P. Gaal-Holmes and published by Springer. This book was released on 2015-03-17 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive historical account demonstrates the rich diversity in 1970s British experimental filmmaking, acting as a form of reclamation for films and filmmakers marginalized within established histories. An indispensable book for practitioners, historians and critics alike, it provides new interpretations of this rich and diverse history.

Author : Laurel Forster
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443818380
Total Pages : 310 pages
Book Rating : 4.84/5 ( download)

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Download or read book British Culture and Society in the 1970s written by Laurel Forster and published by Cambridge Scholars Publishing. This book was released on 2009-12-14 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays highlights the variety of 1970s culture, and shows how it responded to the transformations that were taking place in that most elusive of decades. The 1970s was a period of extraordinary change on the social, sexual and political fronts. Moreover, the culture of the period was revolutionary in a number of ways; it was sometimes florid, innovatory, risk-taking and occasionally awkward and inconsistent. The essays collected here reflect this diversity and analyse many cultural forms of the 1970s. The book includes articles on literature, politics, drama, architecture, film, television, youth cultures, interior design, journalism, and contercultural “happenings”. Its coverage ranges across phenomena as diverse as the Wombles and Woman’s Own. The volume offers an interdisciplinary account of a fascinating period in British cultural history. This book makes an important intervention in the field of 1970s history. It is edited and introduced by Laurel Forster and Sue Harper, both experienced writers, and the book comprises work by both established and emerging scholars. Overall it makes an exciting interpretation of a momentous and colourful period in recent culture.

Author : Robert Shail
Publisher : Bloomsbury Publishing
ISBN 13 : 1838718052
Total Pages : 401 pages
Book Rating : 4.53/5 ( download)

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Download or read book Seventies British Cinema written by Robert Shail and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seventies British Cinema provides a comprehensive re-evaluation of British film in the 1970s. The decade has long been written off in critical discussions as a 'doldrums' period in British cinema, perhaps because the industry, facing near economic collapse, turned to 'unacceptable' low culture genres such as sexploitation comedies or extreme horror. The contributors to this new collection argue that 1970s cinema is ripe for reappraisal: giving serious critical attention to populist genre films, they also consider the development of a British art cinema in the work of Derek Jarman and Peter Greenaway, and the beginnings of an independent sector fostered by the BFI Production Board and producers like Don Boyd. A host of highly individual directors managed to produce interesting and cinematically innovative work against the odds, from Nicolas Roeg to Ken Russell to Mike Hodges. As well as providing a historical and cinematic context for understanding Seventies cinema, the volume also features chapters addressing Hammer horror, the Carry On films, Bond films of the Roger Moore period, Jubilee and other films that responded to Punk rock; heritage cinema and case studies of key seventies films such as The Wicker Man and Straw Dogs. In all, the book provides the final missing piece in the rediscovery of British cinema's complex and protean history. Contributors: Ruth Barton, James Chapman, Ian Conrich, Wheeler Winston Dixon, Christophe Dupin, Steve Gerrard, Sheldon Hall I. Q. Hunter, James Leggott, Claire Monk, Paul Newland, Dan North, Robert Shail, Justin Smith and Sarah Street.

Author : Robert Shail
Publisher : Bloomsbury Publishing
ISBN 13 : 1838718060
Total Pages : 208 pages
Book Rating : 4.60/5 ( download)

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Download or read book Seventies British Cinema written by Robert Shail and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seventies British Cinema provides a comprehensive re-evaluation of British film in the 1970s. The decade has long been written off in critical discussions as a 'doldrums' period in British cinema, perhaps because the industry, facing near economic collapse, turned to 'unacceptable' low culture genres such as sexploitation comedies or extreme horror. The contributors to this new collection argue that 1970s cinema is ripe for reappraisal: giving serious critical attention to populist genre films, they also consider the development of a British art cinema in the work of Derek Jarman and Peter Greenaway, and the beginnings of an independent sector fostered by the BFI Production Board and producers like Don Boyd. A host of highly individual directors managed to produce interesting and cinematically innovative work against the odds, from Nicolas Roeg to Ken Russell to Mike Hodges. As well as providing a historical and cinematic context for understanding Seventies cinema, the volume also features chapters addressing Hammer horror, the Carry On films, Bond films of the Roger Moore period, Jubilee and other films that responded to Punk rock; heritage cinema and case studies of key seventies films such as The Wicker Man and Straw Dogs. In all, the book provides the final missing piece in the rediscovery of British cinema's complex and protean history. Contributors: Ruth Barton, James Chapman, Ian Conrich, Wheeler Winston Dixon, Christophe Dupin, Steve Gerrard, Sheldon Hall I. Q. Hunter, James Leggott, Claire Monk, Paul Newland, Dan North, Robert Shail, Justin Smith and Sarah Street.

Author : Sarah Street
Publisher : Taylor & Francis
ISBN 13 : 0415384214
Total Pages : 295 pages
Book Rating : 4.16/5 ( download)

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Download or read book British National Cinema written by Sarah Street and published by Taylor & Francis. This book was released on 2009 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: With films as diverse as Bhaji on the Beach, The Dam Busters, Trainspotting, The Draughtsman's Contract, Prick Up Your Ears, Ratcatcher, This Is England and Atonement, British cinema has produced wide-ranging notions of British culture, identity and nationhood. British National Cinema is a comprehensive introduction to the British film industry within an economic, political and social context. British National Cinema analyzes the politics of film and establishes the difficult context within which British producers and directors have worked. Sarah Street questions why British film-making, production and distribution have always been subject to government apathy and financial stringency. In a comparison of Britain and Hollywood, the author asks to what extent was there a 'star system' in Britain and what was its real historical and social function. An examination of genres associated with British film, such as Ealing comedies, Hammer horror, 'heritage' films and hybrid forms, confirms the eclectic nature of British cinema. In a final evaluation of British film, she examines the existence of 'other cinemas': film-making which challenges the traditional concept of cinema and operates outside mainstream structures in order to deconstruct and replace classical styles and conventions. Illustrated with over thirty stills from classic British films, British National Cinema provides an accessible and comprehensive exploration of the fascinating development of British cinema.

Author : Sian Barber
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443833975
Total Pages : 165 pages
Book Rating : 4.74/5 ( download)

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Download or read book Censoring the 1970s written by Sian Barber and published by Cambridge Scholars Publishing. This book was released on 2011-09-22 with total page 165 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the work of the British Board of Film Censors in the 1970s. Throughout the decade this unelected organisation set standards of acceptability and determined what could and what could not be shown on British cinema screens. Controversial texts like A Clockwork Orange (1971), Straw Dogs (1971), The Devils (1971) and Life of Brian (1979) have been used to draw attention to the way in which the BBFC operated in the 1970s. While it is true to say that these films encountered major classification problems, what of the hundreds of other films being classified at the same time? Did all films struggle with the British censors in this period, and can these famous examples be fitted into broader patterns of censorship policy and practice? In studying over 250 film files from the BBFC archive, this work reveals how 1970s films such as Vampire Circus (1971), Confessions of a Window Cleaner (1974) and Carry on Emmannuelle (1978) also ran into trouble with the film censor. This work explores the complex process of negotiation and compromise which affected all film submissions in the 1970s and the way in which the BBFC actively, and often sympathetically, negotiated with film directors, producers and distributors to assign the correct category to each film. The lack of any defined formal censorship policy in this period allowed the BBFC to work alongside the film industry and push cultural, social and artistic boundaries; however it also left the Board open to accusations of favouritism, subjectivity and personal bias. This work is not simply a study of controversial films and contentious issues, but rather engages with wider issues of changing permission, legal struggles, the influence of the media and the legislative and governmental controls which both helped and hindered the BBFC in this important post-war decade. The focus on historical and archival research offers a great deal to scholars from associated disciplines including history, social policy, media and communictaions and politics.